https://www.platformspace.net/about daily 0.75 2019-06-13 https://www.platformspace.net/home daily 0.75 2026-04-02 https://www.platformspace.net/home/urban-america-inc-and-housings-nonprofit-turn-in-the-1960s monthly 0.5 2026-04-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e92d0165-1c93-4620-8979-8aab9366e499/Figure+1_Our+People+Their+Cities_Taconic+Box+153%2C+Folder+1515.jpg Home - Urban America Inc. and Housing’s Nonprofit Turn in the 1960s - Make it stand out Figure 1. Cover of Frederick Gutheim’s “Our People and Their Cities: A Background to Urban America’s Conference to Improve the Quality of Urban America” (Urban America Inc., 1966). Taconic Foundation files, Box 153, Folder 1515. Courtesy the Rockefeller Archive Center. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c33175f3-14cc-4ab6-9e69-9df60f3dc5a2/Figure+2_NANHO+Brochure_Taconic+Box+158%2C+Folder+1568.jpg Home - Urban America Inc. and Housing’s Nonprofit Turn in the 1960s - Make it stand out Figure 2. Brochure for a training initiative of Urban America Inc.’s Nonprofit Housing Center, the Lower Income Housing Development Seminars series, circa 1969. Taconic Foundation files, Box 158, Folder 1568. Courtesy the Rockefeller Archive Center. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9ab49d17-2f08-4ffd-b0df-1873b922e408/Figure+3_Taconic+Box+158%2C+Folder+1568.jpg Home - Urban America Inc. and Housing’s Nonprofit Turn in the 1960s - Make it stand out Figure 3. Projects completed by the Nonprofit Housing Center with churches and other developers as partners, listed in Urban America Inc.’s Nonprofit Housing Center Annual Report, 1968. Taconic Foundation files, Box 158, Folder 1568. Courtesy the Rockefeller Archive Center. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6adb6d62-66eb-4348-af53-b8393daa4d52/Figure+4_City+as+Client_Taconic+Box+158%2C+Folder+1571.jpg Home - Urban America Inc. and Housing’s Nonprofit Turn in the 1960s - Make it stand out Figure 4. City-as-“client.” This graph delineates the relationships of project actors in a five-city consortium proposed by Urban America Inc. to participate in an aggregated building market housing demonstration program through HUD’s Operation Breakthrough. Urban Design Center/Urban America Inc. and Building Systems Development, Inc., “Aggregated Breakthrough Markets,” Oct. 16, 1969. Taconic Foundation files, Box 158, Folder 1571. Courtesy the Rockefeller Archive Center. https://www.platformspace.net/home/irksome-dichotomies-a-conversation-about-data-technology-and-architectural-history monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/45e9f4a0-dc75-4720-995d-bb2c13a8e60a/Fig+1.jpg Home - Irksome Dichotomies: A Conversation About Data, Technology and Architectural History - Make it stand out Fig 1: High-resolution photogrammetric 3D scan of the American Center in Paris Model, ca. 1988-1994, Frank O. Gehry and Associates, architect. Getty Digital, digital capture and 3D render. Frank O. Gehry papers, Getty Research Institute, 2017.M.66. © Frank O. Gehry https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/11aad735-8aa7-42a4-8a99-20d916864c92/Fig+2.jpeg Home - Irksome Dichotomies: A Conversation About Data, Technology and Architectural History - Make it stand out Fig 2: Anobium tunnels in a book. In the research project “The Intelligence of Loss in the Archive” by Anna-Maria Meister and Rafael Uriarte, artificial intelligence is used alongside historical artefactual intelligence to understand and investigate patterns of loss in archives as knowledge production rather than glitch. Documentation “What’s eating your collection?” initiated by the Birmingham Museum and Art Gallery. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b07fa7cc-70a7-4fca-add3-2da2b5232c8c/Fig+3.gif Home - Irksome Dichotomies: A Conversation About Data, Technology and Architectural History - Make it stand out Fig 3: Microfilm copies of fourteen perspective drawings for post office projects in different cities. From the collection "Photographs of Federal and Other Buildings in the United States, 1857–1942" at U.S. National Archives, College Park. 121-B. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/87ebabcc-c6db-43ad-92f0-c4135afa44eb/Fig+4.jpeg Home - Irksome Dichotomies: A Conversation About Data, Technology and Architectural History - Make it stand out Fig 4: Installation Hidden in Plain Sight by Anna-Maria Meister. Cross-medial translations of archival documents through redaction and (manual) re-rendering questions material layers of data processing and information handling. Oil paintings from redacted archival materials in DIN Formats, 2024. Photo by Anna-Maria Meister. https://www.platformspace.net/home/resettler-nationalism-makes-rental-babies monthly 0.5 2026-03-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2d9674da-3be5-4d3b-8b14-84529fe62987/AkcanFig1.jpg Home - Resettler Nationalism Makes Rental Babies - Make it stand out Figure 1. Esra Akcan, Architecture and the Right to Heal: Resettler Nationalism in the Aftermath of Conflict and Disaster (Duke University Press, 2025). Cover of the book. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4a542f7c-577f-406c-b8ad-0d002f4c4924/AkcanFig2.jpg Home - Resettler Nationalism Makes Rental Babies - Make it stand out Figure 2. Family photograph of Besim Sadıker in Zeytinburnu, ca. 1950. Zeytinburnu Oral History Project. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/facfe3c9-a64e-4d96-9df4-6517d9d3e72a/AkcanFig3.JPG Home - Resettler Nationalism Makes Rental Babies - Make it stand out Figure 3. Armenian Cemetery in Zeytinburnu. Photo: Esra Akcan, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b60bc2f5-f3b4-432c-b63e-5505058affce/AkcanFig4.jpg Home - Resettler Nationalism Makes Rental Babies - Make it stand out Figure 4. İzzet Keribar (photographer). Tanneries in the industrial zone of Zeytinburnu, 1986. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0bfec37b-e82f-4357-a253-9001510a873b/AkcanFig5.jpg Home - Resettler Nationalism Makes Rental Babies - Make it stand out Figure 5. Esra Akcan and Farzana Hossain. Maps showing the evolution of Zeytinburnu, Istanbul, during the twentieth century: top row: ca. 1919, ca. 1969, bottom row: ca. 1999, and 2019. Abstracted maps based on earlier maps, historical information, and some level of speculation where precise documents could not be found. https://www.platformspace.net/home/on-the-reshaping-of-space-venezuela-and-the-united-states-in-realignment monthly 0.5 2026-03-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8185ff52-6e87-4edb-8cbc-64a5ad6528b5/SNM+Fig+1+revised.jpg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 1. El Helicoide, designed by Jorge Romero Gutiérrez, Dirk Bornhorst, and Pedro Neuberger, Caracas. Source: Wikimedia Commons. Photo: Damián D. Fossi Salas. https://www.flickr.com/photos/damianfossi/2764909786. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4d7d1eb9-a02f-453e-91d7-ec8356ae7311/SNM+Fig+2+-+Helicoide%5B73%5D.jpeg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 2. Promotional brochure “Helicoide de la Roca Tarpeya: Centro Comercial y Exposición de Industrias,” later included in Integral 5 (December 1956). Photograph: Archivo Fotografía Urbana / Proyecto Helicoide https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/db34fef0-9e36-4e5c-a570-f069b6fa204f/SNM+Fig+3+-+CCD+1.jpg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 3. Carlos Cruz-Diez, Ambientación de Color Aditivo (Environment of Additive Color), 1974–1978, sialex tiles, Simón Bolívar International Airport, Maiquetía, Caracas. © Atelier Cruz-Diez https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9dbe33a8-9a86-4199-b482-35b7f25bc3c2/SNM+Fig+4+-+CCD+2.jpg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 4. Detail of damage to Ambientación de Color Aditivo (Environment of Additive Color), December 2017. Diagnostic inspection carried out by In Situ Art Projects. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5e03ea41-1c10-4a8b-9c74-32d5d84b20ad/SNM+Fig+5+revised.jpg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 5. A federal agent pointing a weapon at protestors outside Home2Suites by Hilton, Minneapolis, January 26, 2026. © AP/Adam Gray https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d0ae638-b219-4aae-b027-f092f5d220ac/SNM+Fig+6+revised.jpg Home - On the Reshaping of Space: Venezuela and the United States in Realignment - Make it stand out Figure 6. Alexander Apóstol, El Helicoide, from the series Caracas Suite, 2003, video stills. © Alexander Apóstol https://www.platformspace.net/home/autochthon monthly 0.5 2026-02-24 https://www.platformspace.net/home/queer-utopias-managed-landscapes-cruising-and-control-in-amsterdam monthly 0.5 2026-02-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7df5b0d4-30b8-4e4f-9735-e4423e3de2bb/Martens_FIG1.jpeg Home - Queer Utopias, Managed Landscapes: Cruising and Control in Amsterdam - Make it stand out Figure 1. Entrance board at park the Oeverlanden Nieuwe Meer, Amsterdam, 2025. Photograph by Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/744ec884-4f90-4a24-8b9a-d27864ae90c3/Martens_FIG2.jpeg Home - Queer Utopias, Managed Landscapes: Cruising and Control in Amsterdam - Make it stand out Figure 2. detail of entrance board with marked cruising area at park the Oeverlanden Nieuwe Meer, Amsterdam, 2025. Photograph by Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a53b5207-5ff8-4c43-9f44-39805a01d919/Martens_FIG3.jpeg Home - Queer Utopias, Managed Landscapes: Cruising and Control in Amsterdam - Make it stand out Figure 3. Scottish cow grazing in the cruising area, 2025. Photograph by Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/17a610af-59ae-4bd3-a751-85c730909fae/Martens_FIG4.jpeg Home - Queer Utopias, Managed Landscapes: Cruising and Control in Amsterdam - Make it stand out Figure 4. Signage of Cruising Area at Oeverlanden Nieuwe Meer, Amsterdam, 2025. Photograph by Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/05c32996-ece1-40a5-82d4-eff6d266daa4/Martens_FIG5.jpeg Home - Queer Utopias, Managed Landscapes: Cruising and Control in Amsterdam - Make it stand out Figure 5. Paths created by cruisers in the cruising area of park the Oeverlanden Nieuwe Meer, Amsterdam, 2025. Photograph by Jasper Martens. https://www.platformspace.net/home/strange-bedfellows-how-the-pavilion-of-a-colonial-power-came-to-serve-as-a-beacon-of-the-civil-rights-movement monthly 0.5 2026-03-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/54f7342a-f267-4663-9a82-ee71e1652af1/Fig+1.jpg Home - Strange Bedfellows: How the Pavilion of a Colonial Power came to Serve as a Beacon of the Civil Rights Movement - Make it stand out Figure 1. Postcard of Belgian Pavilion, World’s Fair, Victor Bourgeois, Léon Stynen, and Henry van de Velde, New York, 1939. Source: Boston Public Library Print Department. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6cb81091-72e9-49a8-8167-888b69ee9a44/Fig+2.jpg Home - Strange Bedfellows: How the Pavilion of a Colonial Power came to Serve as a Beacon of the Civil Rights Movement - Make it stand out Figure 2. “Virginia Union Moves Forward” from the VUU’s Annual Bulletin, 1941. Source: Virginia Union University Archives and Special Collections. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b1f9aafd-2a82-4856-ac65-fabf73c7c76d/Fig+3.jpg Home - Strange Bedfellows: How the Pavilion of a Colonial Power came to Serve as a Beacon of the Civil Rights Movement - Make it stand out Figure 3. Congo bas relief by Arthur Dupagne, Belgian Friendship Building, 1939. Photograph by Katherine M. Kuenzli, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d0dbdcd-cdf2-4f08-9441-6194ed3cc811/Fig+4.jpg Home - Strange Bedfellows: How the Pavilion of a Colonial Power came to Serve as a Beacon of the Civil Rights Movement - Make it stand out Figure 4. “For Our New Day,” from a VUU in-house publication, 1965. Source: Virginia Union University Archives and Special Collections. https://www.platformspace.net/home/is-there-a-white-architecture monthly 0.5 2026-02-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a0493240-6998-4091-9d39-ae4d24c2312b/Borrman_FIG1.jpg Home - Is there a White Architecture? - Make it stand out Figure 1. Notice the single-story West Wing colonnade behind President Trump as he stands in the Rose Garden at a “Make America Healthy Again” event on April 2, 2025. Photograph by Abe McNatt. Courtesy of Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5acc3da1-45b8-4e04-afce-6b071ea0cf7c/Borrman_FIG2.jpg Home - Is there a White Architecture? - Make it stand out Figure 2. Press Briefing Room (highlighted) is located directly below proposed second-story addition above the West Colonnade. Image by Wikipedia contributor TCY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5cd088bd-076c-46d6-bff2-6ee181ac2cae/Borrman_FIG3.jpg Home - Is there a White Architecture? - Make it stand out Figure 3. Bird’s eye view of West Wing with single-story colonnade and garden from 1934-35. Photograph by Albert S. Burns for the Historic American Buildings Survey. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/200c092d-66a8-4731-94a2-debda8d3bc47/Borrman_FIG4.jpg Home - Is there a White Architecture? - Make it stand out Figure 4. Architectural detail of the residence of the Ambassador of Belgium (formerly Delphine Baker House), Julian Abele, chief architect for Horace Trumbauer firm, 1931, Washington, D.C. Photograph by Carol M. Highsmith. Undated. Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/63bf062d-9493-40f5-aa67-4d7c4c6dadde/Borrman_FIG5.jpeg Home - Is there a White Architecture? - Make it stand out Figure 5. Neoclassical principles such as solidity, regularity, and restraint define the modernist Langston Terrace Dwellings, Hilyard Robinson with Paul R. Williams, architect, 1935-1938, Washington, D.C. Photograph by “Smallbones” c. 2012. Courtesy of Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c05b0e87-e74e-4b2b-91db-6643d276bd42/Borrman_FIG6_Reduced.jpg Home - Is there a White Architecture? - Make it stand out Figure 6. Terracotta panels depict the twentieth-century transition from farm labor to industrial work in The Progress of the Negro Race, Daniel Olney, artist, 1935-1938, Langston Terrace, Washington, D.C. Photograph by Carol M. Highsmith. Undated. Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7243d6fd-98dc-49d5-9715-45f5a126bc82/Borrman_FIG7.jpg Home - Is there a White Architecture? - Make it stand out Figure 7. Proud Boys (see yellow neckerchiefs and “PB” insignia) and other Trump supporters join Million MAGA March in Washington, D.C. on Nov. 14, 2020. Photograph by Elvert Barnes. Courtesy of Wikimedia Commons. https://www.platformspace.net/home/all-the-buildings-satellites-can-see-the-global-building-atlas monthly 0.5 2026-02-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/01c32b2a-8470-4b53-a8fd-e2fef14b602d/Figure+1+Building+Volume+Distr..jpg Home - All the Buildings Satellites Can See: The Global Building Atlas - Make it stand out Figure 1. “Building Volume Distribution,” Global Building Atlas, screenshot, January 13, 2026. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d5796453-afa5-4704-85c0-39e7b0de774e/Figure+2+Nolli+Map.jpg Home - All the Buildings Satellites Can See: The Global Building Atlas - Make it stand out Figure 2. Giambattista Nolli, Nolli Map of Rome, 1748. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8029b0c1-06a7-494e-8ed2-6f226f2d652d/Figure+3+GBA+examples.jpg Home - All the Buildings Satellites Can See: The Global Building Atlas - Make it stand out Figure 3. How the GBA displays its data. Source: https://github.com/zhu-xlab/GlobalBuildingAtlas. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a002589-2cd2-435c-90db-ee3945a95b61/Figure+4+Interactive+Nolli+Map.jpg Home - All the Buildings Satellites Can See: The Global Building Atlas - Make it stand out Figure 4. Interactive Nolli Map Website, James Tice (University of Oregon), hosted by Stanford University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8b472c25-537e-4b7a-aa10-277d2a94dfa4/Figure+5+Masaccio+Holy+Trinity.jpg Home - All the Buildings Satellites Can See: The Global Building Atlas - Make it stand out Figure 5. Masaccio, “The Holy Trinity,” 1425-1427. https://www.platformspace.net/home/on-transhistorical-continuities-and-the-afterlife-of-a-colonial-clocktower monthly 0.5 2026-02-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5647827c-83d4-47de-ae39-c2436f81e51b/Coslett+1.jpg Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 1. The Mosque el-Djedid (1660) and the equestrian statue of the Duc d’Orléans (Marochetti, 1845), Place d’Armes, Algiers. Photograph, ca. 1910. Author’s collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/af5cb7e1-116f-457c-9d78-0d96deba2ad9/Coslett+2.jpg Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 2. Bab Souika Street and Post Office (Guy, 1906), Tunis. Photograph, ca. 1920. Author’s collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ce2f7447-6e13-4d52-8a05-4aecd2d1b7e0/Coslett+3.jpg Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 3. Bab Souika Post Office (Guy, 1906), Tunis. Plans, 1906. © Fonds Bétons armés Hennebique. CNAM/SIAF/Cité de l’architecture et du patrimoine/Archives d’architecture contemporaine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cc43f2c6-fcec-4c71-84c5-24046bd77f32/Coslett+4.jpg Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 4. City Hall (Guy, 1905), Sfax. Photograph, 2024, by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d3f4e434-6f91-4959-80ce-a0724d42a9ea/Coslett+5.jpg Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 5. Shéhérazade Restaurant, Médina Mediterranea (Ben Miled, 2001), Hammamet. Photograph, 2024, by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f1b202ae-234b-4d5a-87a4-d973da98e595/Coslett+6.JPG Home - On Transhistorical Continuities and the (After)life of a Colonial Clocktower - Make it stand out Figure 6. Goulette Village Harbor at the Tunisia Cruise Port, La Goulette (Tunis). Photograph, 2010. Wikimedia Commons/ Vaguerrero. https://www.platformspace.net/home/city-as-community-in-zohran-mamdanis-new-york monthly 0.5 2026-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b52f32bc-9a65-4d44-a00a-f217b50803a4/Fig+1.JPG Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 1. View of Hudson Yards and Chelsea, Manhattan, New York. Photograph by Kishwar Rizvi, 2026. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b86dc221-5bca-4e96-a7b9-5e0596c277fa/tempImageOw5ql9.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 2. We ACT 4 Change voter registration pamphlet, W. 100th St and Central Park West, New York. Photograph by Kishwar Rizvi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fc844f39-a6e0-4e81-b15f-c97ae08d1224/Fig+3.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 3. Bailey Fountain, Prospect Heights, Brooklyn. Photograph courtesy of Maniza Naqvi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b208eb90-043e-4166-b595-ae16200b71c7/Fig+4.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 4. Astoria Avenue, Queens, New York. Photograph by Kishwar Rizvi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/04a305fd-7b24-4218-852c-f4e8575e9585/Fig+5.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 5. View of Hellgate Bridge, connecting Queens to Randalls and Wards Islands, Manhattan, New York. Photograph by Kishwar Rizvi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/85de9dbd-9e74-4e4f-8fb0-1c0511f6ff86/Fig+6.jpeg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 6. Cover of Millie von Platen’s children’s book, Zohran Walks New York (Penguin Random House, 2025). Courtesy of Millie von Platen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/40555ce9-e57e-4e99-8e5f-514828658f91/Fig+7.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 7. Page from Millie von Platen’s Zohran Walks New York (Penguin Random House, 2025). Courtesy of Millie von Platen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/28e5cdaa-39ac-44f5-94af-ba51cb8072ea/Fig+8.jpeg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 8. Still from Until it’s Done: Nellie Bly, Zohran Mamdani for NYC YouTube Channel. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6cd7e273-c560-4f74-a6d7-25366222368f/Fig+9.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 9. Vito Marcantonio, “Lucky Corner.” E. 116th and Lexington, Manhattan, New York. Photograph by Kishwar Rizvi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a8abe3a1-f610-428a-b187-5db70d6ba41e/Fig+10.jpeg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 10. Still from Until it’s Done: Vito Marcantonio, Zohran Mamdani for NYC YouTube Channel. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4f8e24cc-00ac-4f49-8a4c-5763b559ef06/Fig+11.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 11. View of E. 125th Street from Metro North Station, Park Avenue, Manhattan, New York. Photograph by Kishwar Rizvi. 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5732a5c5-23f1-4f6b-923f-db2c01d5e59e/Fig+12.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 12. Still from ABC Eyewitness News, October 24, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6eb115d5-a93e-4903-b50a-de8ecb1a58b4/Fig+13.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 13. Poll site 118-Lorriane Hansberry, Queens, New York. Photograph courtesy of Nasser Ahmad, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a74a7a59-98a9-4a6c-b3ad-397586006725/Fig+14.jpg Home - City as Community in Zohran Mamdani’s New York - Make it stand out Figure 14. El Mac in collaboration with Celso González and Roberto Biaggi of CERO Design, Puerto Rico. El Regalo Mágico (The Magic Gift), East Harlem, New York. Photograph by Kishwar Rizvi, 2025. https://www.platformspace.net/home/supportplatform2025 monthly 0.5 2025-12-22 https://www.platformspace.net/home/living-by-the-score-in-social-housing monthly 0.5 2025-12-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3b5efc71-c3b2-4120-b58d-4674e03d76a4/1+St+Peter%27s+Estate+in+Bethnal+Green%2C+London.jpg Home - Living by the Score in Social Housing - Make it stand out ‍Figure 1. St Peter's Estate in Bethnal Green, London (Photo by Miles Glendinning, Creative CommonsAttribution 4.0 International) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2588ba6e-e401-446e-bca9-19d89dcbff0b/2+Stafford%2C_Corporation_Street_flats_-_Rydal_House_-_geograph.org.uk_-_5168695.jpg Home - Living by the Score in Social Housing - Make it stand out Figure 2. Stafford: Corporation Street flats, Rydal House (photo by Jonathan Hutchins, CC-BY-SA-2.0) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6d5f555f-a88f-4764-bda4-5e46a7913be2/3+Portobello+Way.png Home - Living by the Score in Social Housing - Make it stand out Figure 3. Portobello Way: new-build social housing (Photo by Lydia Shingbrightly CC BY 2 https://www.platformspace.net/home/expanding-historic-preservation-thinking-through-china monthly 0.5 2025-12-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cfe8b955-746c-462d-9f36-41e5b8eb5327/Johnston_Fig1.JPG Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 1. View of the Chaiyuan Garden with WHITRAP workshop participants. Photo by author, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/565bbb4c-56f0-4eaa-9a43-c3a4d0334c7b/Johnston_Fig2.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 2. The Pleasure Boat of the Chaiyuan Garden as restored, Suzhou, 2024. The garden was built by the Pan Zengqi family in the late Qing Dynasty, reign of Daoguang, 1820-1850. Photograph by Bo Bian. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1b8c1777-0bdb-4ba3-8bfa-6428e149a0cd/Johnston_Fig3.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 3. The new Suzhou walls and Xiangmen Gate, as seen approaching the old city of Suzhou from the east, 2015. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/020177fc-c15a-4499-9e7b-d1edb5caa345/Johnston_fig4.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 4. Rebuilt Suzhou walls, some falling into “ruin.” Photograph by author, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9467c578-e707-44c9-9f2f-55e0c806644d/Johnston_fig5.JPG Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 5. The ‘CITY WALL’ of memory exhibit in the Suzhou City Wall Museum includes contemporary drawings of the wall by children. Photograph by author, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2ddfba1c-26ce-4638-b541-470f4c9b37b5/Johnston_Fig6.JPG Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 6. Yungang Grottoes, seated Buddha, Cave 20. Photograph by author, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d7c6fed7-c9d0-409e-b5b4-2a32d6d761c3/Johnston_Fig7.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 7. A grand axial way leading to the Yungang Grottoes World Heritage Site. This photograph shows but one of several axial ways, newly built, that are necessary for tourists to traverse as part of their visitor experience. Photo by author, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a4d718c0-59cb-484c-b6d6-9a1042b5b867/Johnston_Fig8.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 8. Map of the city of Datong and nearby heritage sites. Map drawn by Bo Bian. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a10c6280-1cbf-46b7-9155-11395ede21c2/Johnston_Fig9.JPG Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 9. The Jinhua Palace National Mine Museum with mine train in foreground for children. The museum, a contemporary faceted design of darkened glass, is meant to mimic a lump of coal. Built on top of the still marginally active mines, the museum offers tours of the underground. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/63c84507-d0f9-40dd-a642-97fbd2ab3df9/Johnston_Fig10.jpg Home - Expanding Historic Preservation: Thinking Through China - Make it stand out Figure 10. Aerial view of the Yungang Grottoes Area. The World Heritage site is north of the Shili river, with the Grottoes carved into a cliff that is visible as a line across the top of the image. Between the cliff and the river are the landscapes and facilities for tourists, to the upper left a pleasure garden with meandering paths, plazas, and amphitheaters, and to the upper right a new lagoon with newly built traditionally styled buildings framing grand courts and housing commercial spaces and exhibits. The lagoon area is connected to the grottoes and parking (upper right) by grand axial ways. Below the river is the Jinhua Palace National Mine Museum (opened 2012), with a showpiece new museum building (center) just below extant mine processing buildings adjacent to the river. At center bottom is a new old-style palace complex housing commercial space as well as exhibits. The city of Datong is 20km distant. Google Maps, accessed July 2023. https://www.platformspace.net/home/backstage-at-the-metropolis-distributional-space-and-the-making-of-urban-regions monthly 0.5 2025-12-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/83bb88a3-c88a-4645-b591-1ad2fcfa3df6/Figure+1.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Make it stand out Figure 1: Distributional space and infrastructure. The modular “plug and play” landscape of warehouses, service centers, and offices has replicated around key nodes of infrastructure in Plainfield, Ind. At right is the Indianapolis Airport. Distributional space takes hold near I-70, U.S. 40, a CSX Rail yards, and the interchanges between them. These connect to the I-465 outer beltway, a vast circumferential freeway that links two major transcontinental routes: I-70 (north-south) and I-65 (east-west). View courtesy of Google Earth, 39.685194, -86.329240 (pin at cloverleaf), taken on April 7, 2024, at an effective altitude of 12 km. Annotated by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/63b3c8f3-0b56-4060-b12d-a9cbec425449/Figure+2.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Make it stand out Figure 2: The motherboard. This satellite view of Plainfield, Ind. shows logistical and distributional facilities as a kind of “motherboard” of switches, capacitors, and circuits. Some of the facilities bulk and move goods, others manage data storage and flows. Note the airport runway at the bottom and the strands and clusters of highways. View courtesy of Google Earth, 39.685194, -86.329240 (pin at cloverleaf), taken on June 10, 2024, at an effective altitude of 6.6 km. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d953705a-3547-41d5-9ae0-771765d3c398/Figure+3.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Make it stand out Figure 3: AllPoints Midwest Park. AllPoints Midwest Park is located just north of the main distributional landscape shown in Figures 1 and 2. Opened in 2011, it now has 15 buildings with more underway, housing over a dozen major companies. Water runoff and retention ponds are indicated, as are the key connector roads. AllPoints is only three miles from the Indianapolis Airport. Screenshot of map from AllPoints Midwest Park webwebsiteite. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353211965-U3LCSPR9330RYXZH0L0G/Figure+4_IMG_7593+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 4 Newly completed facility. This is one of dozens of warehousing and distributional facilities in AllPoints Midwest Park on the periphery of metropolitan Indianapolis. Construction is modular steel-frame with metal and composite walls. The section on the left is for office functions; at the right is the first row of terminal docks for loading and unloading semi-trucks. Thatchy, low-maintenance crabgrass is taking hold in the foreground, the new industrial monocrop now replacing the once ubiquitous rows of feed corn and soybeans. Many of the facilities in AllPoints were built by Browning Construction, a local residential, commercial, and light industrial developer. The company has served as lead developer for many similar projects around the Midwest, such as the Subaru Distribution Center in Lebanon, Ind., the United Parcel Service facility in Shepherdsville, Ky., and Northfield Drive Commercial Park in Browsnburg, Ind. Browning and other construction firms build some of these facilities for specific companies, and others for investors “on spec.” The development of logistical and distributional facilities has become a key arena of specialization among large engineering firms, investment groups, and construction companies. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353210664-OJZA2T9E5QXG1WAG2MNK/Figure+5_IMG_7594+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 5 Water catchment. Because the roofs, parking lots, and roadways create such a massive continual impervious surface, these facilities require large catchment pools to control water runoff. Hendricks County and the town of Plainfield maintain strict requirements in this area because the water table is low and the ground relatively flat. Most of the natural sumps and sinks were eliminated by the large agro-industrial farms that were here before, so now with the construction of immense distribution facilities the land has to be regraded for drainage into collectors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353214050-7WAF81GUW4I9II86B04W/Figure+6_IMG_7596+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 6 Terminal docks. On this side of the building, six modular sections feature twelve docking bays, each with four docks, except for the first section which has six. There is an identical configuration lined up along the other side of the building. This modular form can be repeated ad infinitum across the Midwestern landscape anywhere that land is available, infrastructure meets specifications, and regulations permit. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353217540-640FQ0SREVBCHCXOHE4O/Figure+7_IMG_7602+copy+2.JPG Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 7 Horizontality. The distributional-logistical landscape is a low-slung affair, taking advantage of the relatively flat Midwestern topography. In the foreground, a drainage ditch attracts a host of volunteer native and non-native plants, including thistle, milkweed, purple loosestrife, johnsongrass, buckthorn, yarrow, and honeysuckle. The topography was once more varied, with undulating hills and creek beds woven across the prairie and forest clusters. Most of this relief was denuded with the rise to dominance of industrial scale agriculture. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353219694-YPQFR4220ZF085YRJHGT/Figure+8_IMG_7604+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 8 Power grid. Two electric charging stations await clients. The warehouses and offices of the area draw electric power from several large transmission lines and step-down transformers running nearby. End user supply lines are mostly buried underground, as is common in new greenfield subdivisions. Trucks can fuel up at one of several diesel petroleum facilities scattered around the area. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353222831-G8TIHLPFWNRNUVO9XWF5/Figure+9_IMG_7607+copy+2.JPG Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 9 Amazon distribution. One of the largest operations in AllPoints Midwest Park is the Amazon Fulfillment Center on Smith Road, completed in 2021. The welcoming sign sits among a pleasant arrangement of native perennial flowers and grasses. According to Amazon job postings, newly hired warehouse workers earn up to $18.75 per hour, "selecting, packing and shipping customer orders. If you like a fast-paced, physical position that gets you up and moving, then come help bring orders to life. Work a set, full-time schedule. Shift options include overnight and days, and usually at least one weekend day." https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353223361-RYTXTIF1HFBG9H0B0TXW/Figure+10_IMG_7612+copy+2.JPG Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 10 Mighty Amazon. Amazon is the fifth largest company in the world, and the largest company that does not produce anything. The company maintains a 100 “Fulfillment Centers” across the United States, and an additional 185 globally. Over the last decade, it has also created its own parallel mail delivery system with fleets of trucks and vans, and the company is one of the largest consumers of robotic sorting and conveyance technology. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353229816-BQAUOEUW3VY4BE2PSM3L/Figure+11_IMG_7615+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 11 Residential development. Set among the warehouses, Bo-Mar Estates is one of dozens of residential developments under construction in this corner of peri-urban Indianapolis. Like their light industrial counterparts, the apartments and houses in these developments are largely based on modular builder plans that make for smooth financing and rapid construction. This Planned Unit Development sought and obtained a zoning variance from Agricultural to Residential use. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353231528-XGNK2NVM9RFYNW46AED2/Figure+12_IMG_7616+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 12 Bus stop. This forlorn bus stop is part of a system operated by the Central Indiana Regional Transportation Authority. The Plainfield Connector runs nine times daily, with hourly departures from nine o’clock to noon and one o’clock to six. It links to Route 8 of the Indianapolis Bus system. The Connector functions primarily to deliver low-wage labor to employers; even the Authority's web site observes that "the Connector travels through the Plainfield industrial parks next to the airport, connecting you to jobs paying up to $24 an hour." A trip from downtown Indianapolis to the Walmart distribution center stop takes between ninety minutes and two hours. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353234913-BYCDMNCDI5BV2FRFCC47/Figure+13_IMG_7620+copy+2.JPG Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 13 Walmart.com. With the shift to online shopping, Walmart has established more and larger distribution facilities to move consumer goods to households. Walmart's origins date to 1950 when Sam Walton bought a five-and-dime in Oklahoma City and renamed it Walton's 5 & 10. He launched the chain in 1962 with a department store in Rogers, Ark. named Wal- Mart. Today the company operates over ten thousand stores and four hundred distribution facilities around the world. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353239033-L3DUSR9DC0CR41GPNACU/Figure+14_IMG_7626+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 14 Dueling monocrops. Two monocrops duel for supremacy on the Midwestern landscape: industrial agriculture and “postindustrial” logistical facilities. What was once a mixed forest-prairie ecology of gently undulating terrain, multiple creeks and tributaries, and intermittent wetlands was largely erased by the expansion of industrial scale agriculture. Primary crops include corn and soybeans, mostly for animal feed. This agricultural system is rapidly being replaced by the buildings and parking lots of the new monocrop. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353241972-40WAVC4UYXQHO0POLZ30/Figure+15_IMG_7628+copy+2.JPG Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 15 Shipping out. Federal Express operates a large sorting and shipping facility close to the Indianapolis airport. FedEx recently surpassed the U.S. mail system as the largest delivery service in the country, although UPS, 10 Roads, and Amazon all deliver more freight. Residents of surrounding neighborhoods complain about the rumble and noise of trucks, the increased traffic and delays on the roads, the loss of green spaces and the intense light pollution from the warehouses at night. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353245485-UZAAH61RLYGBQA6U6WT8/Figure+16_IMG_7630+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 16 Amazon truck on Ronald Reagan Expressway. A semi-truck and trailer pulls out of AllPoints Midwest Park onto Ronald Reagan Expressway. During the Reagan administration (1981-89), a series of laws deregulated trucking while changes to the tax code made it easier for corporations to declare bankruptcy, restructure, merge, and consolidate. Deregulation also significantly weakened the Teamsters Union, which reduced its political power. Today, companies like Amazon avoid costly overhead by shipping long-haul freight on trucks owned by independent contractors or by a “Delivery Service Partner.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353247325-QOGZ5XH4GN2CXHKJTTXB/Figure+17_PXL_20240702_155936015+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 17 Airport adjacent. Taking off from the Indianapolis Airport, the distributional and logistics landscape stretches out across hundreds of acres. Several cargo carriers operate here, moving one million tons of freight by air into the region each year. Short-haul trucks connect the incoming freight to the warehouses and terminal docks surrounding the airport, while long-haul trucks move goods along the highways across the continent. Indianapolis Airport is the eighth-largest cargo handler in the U.S. (the two largest are Anchorage, Ak., and Memphis, Tenn.; the largest in the world is Hong Kong International). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353250949-0GPHM91Z0CDAP2VU6MI5/Figure+18_PXL_20240702_160000593+copy.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 18 Kit of parts. The distributional and logistics landscape outside of Indianapolis is a “kit of parts” comprised of modulated building heights and setbacks, formulated parking requirements, land-use zoning, and infrastructure for transport, water, sewage, and energy. The buildings and roads are optimized for high-volume circulation at velocities that step down or increase at switch points, cloverleafs, and intersections. It is a landscape that can be replicated anywhere in the world with suitable topography. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1764353251959-0SEZMEDKWV8L9M578RRY/Figure+19_PXL_20240702_160011117+copy+2.jpg Home - Backstage at the Metropolis: Distributional Space and the Making of Urban Regions - Figure 19 Making regional space. The warehouses, roads, and parking lots seen here are part of a rapid production and uneven expansion of regional space — not only in Indianapolis. Across the country, and in many other parts of the world, facilities for moving goods and storing data are at the forefront of new modes of space-making, at once caught up within and at the same time producing a dilating urban macroform. Most of these are greenfield developments set at significant distances from central cities and inner ring suburbs where working-class families reside. Thus, they contribute to the scalar mismatch between residential and employment opportunities, reproducing and deepening spatial inequalities. https://www.platformspace.net/home/architecture-as-witness-against-apartheid-violence monthly 0.5 2025-11-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/044498b0-ac47-4939-826e-b7d2dfdace5e/Figure+1.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 1. John Vorster Square Police Station, 1968. Photograph by Heather Dodd, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c781d3a2-fbf1-462f-ae2e-349657f5fc3e/Figure+2.+Excerpt+from+Aggett+Inquest+Official+Documents+%282019%29+compiled+by+Savage+%2B+Dodd+Architects+illu+-+crop.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 2. Illustration by Savage + Dodd Architects showing the different sections of John Vorster Square from Aggett Inquest Official Documents (2019). Base image courtesy Google Maps, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a1ae6265-be80-43ed-bc75-1ab976d25b67/Figure+3.+Figure+1.+Police+Photograph+of+Room+1026+from+original+Inquest+reproduced+in+Mail+%26+Guardian.+R.+frame.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 3. Police photograph of John Vorster Square Room 1026, from original Inquest, 1972. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a488b2a-9c68-4863-bf3a-d3841e01a059/Figure+4.+Excerpt+from+Aggett+Inquest+Official+Documents+%282019%29+compiled+by+Savage+%2B+Dodd+Architects+anal.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 4. Illustration by Savage + Dodd Architects analyzing the cell in which Aggett was found hanging from Aggett Inquest Official Documents (2019). Photograph at left by Savage + Dodd Architects, 2018. Photograph at center by from original Inquest Documents, 1982. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e4565fb-b1b1-4616-ba86-e4cbe2360859/Figure+5.+Excerpt+from+Aggett+Inquest+Official+Documents+%282019%29+compiled+by+Savage+%2B+Dodd+Architects+mapp.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 5. Illustration by Savage + Dodd Architects mapping out the possible routes through John Vorster Square from Aggett Inquest Official Documents (2019). Photographs by Savage + Dodd Architects, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ab292929-8d88-4a2d-be0d-f8dfbee7b8cb/Figure+6.+Photograph+of+passage+on+male+section+showing+door+linking+the+male+and+female+sides+of+the+sec.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 6. A passage in the male section of John Vorster Square showing a door linking the male and female sides of the second-floor cell block. The same door was not evident on the female side or on the building plans. Photograph by Savage + Dodd Architects, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cab7b043-b6aa-43fc-bbdb-3b42e5999f29/Figure+7.+Drawing+showing+the+modified+door+and+hidden+passage+within+a+cell%2C+Drawing+by+Savage%2BDodd+Arch.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 7. Drawing by Savage + Dodd Architects showing the modified door and hidden passage within a cell at John Vorster Square, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/605deab5-8d9b-4162-a671-1a533022f508/Figure+8.+Photograph+of+Heather+Dodd+and+Colin+Savage+cross+referencing+the+plans+and+discovering+the+alt+frame.jpg Home - Architecture as Witness Against Apartheid Violence - Make it stand out Figure 8. Architects Heather Dodd and Colin Savage cross referencing plans with the actual at John Vorster Square and discovering an alteration. Photograph by Savage + Dodd Architects, 2018. https://www.platformspace.net/home/in-what-style-must-we-build monthly 0.5 2025-11-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7b895554-a313-4355-958a-80e6054f7e19/Derafshi_FIG1.jpg Home - In What Style Must We Build? - Make it stand out Figure 1. Façade of a typical “Persian Palace”: 523 North Camden Drive, Beverly Hills, Calif., 1997, designed by Hamid Omrani. Photograph by Ali Derafshi, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/498a7e2d-6406-4ef3-8dd4-d466a7238dc5/Derafshi_FIG2.jpg Home - In What Style Must We Build? - Make it stand out Figure 2. 625 North Elm Drive, Beverly Hills as it appeared before renovation, in 2011. Drawing by Ali Derafshi after the 2011 Google Street View. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/05ed6c55-2c89-4f38-ae49-1be283136dfc/Derafshi_FIG3.jpg Home - In What Style Must We Build? - Make it stand out Figure 3. Oct. 2011 proposal for the façade of 625 North Elm Drive, Beverly Hills, by Hamid Omrani rejected by the Design Review Commission. Drawing by Ali Derafshi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/01fc7f82-abb7-428d-9c45-3b50abe9135e/Derafshi_FIG4.jpg Home - In What Style Must We Build? - Make it stand out Figure 4. Dec. 2011 proposal for the façade of 625 North Elm Drive, Beverly Hills, by Hamid Omrani rejected by the Design Review Commission. Drawing by Ali Derafshi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3ef0deeb-415e-4771-a28a-7eb2ec445d53/Derafshi_FIG5.jpg Home - In What Style Must We Build? - Make it stand out Figure 5. 625 North Elm Drive, Beverly Hills, as renovated according to plans by Hamid Omrani submitted Mar. 26, 2012. Photograph by Ali Derafshi, 2025. https://www.platformspace.net/home/see-you-at-the-lesbian-tent-architecture-and-politics-of-transnational-lesbian-activism monthly 0.5 2025-11-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a0c9e4c9-cab1-4d98-aea3-1e771242fda8/Shang_FIG1.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 1. “See You at the Lesbian* Tent,” posted by Outright International on Instagram, March 13, 2025. Visual by Hazel Olson-Dorf for Outright International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e435f849-5c3f-4f3c-809c-6241e6f0d683/Shang_FIG2.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 2. Exterior view of the lesbian tent, NGO Forum of the U.N. Fourth World Conference on Women, Huairou (Beijing), 1995. Courtesy of Outright International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2e80e31e-b1a5-41f3-9d67-fce29c3c6a02/Shang_FIG3.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 3. Lesbian march at the NGO Forum, Huairou (Beijing), September 1995. Courtesy of Outright International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9aab6067-0176-4ec3-969d-731112438dca/Shang_FIG4.jpeg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 4. Beverley Ditsie speaking in the lesbian tent, Huairou (Beijing), 1995. Photograph by Rachel Rosenbloom. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f56f1c52-53fd-4f99-b440-a151ab93a1cc/Shang_FIG5.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 5. “The Willows,” an unfinished concrete shell at the NGO Forum, Huairou (Beijing), 1995. Photograph by Katherine Steichen Rosing. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4fc2908a-d58a-4843-8ac1-ebd3b126444f/Shang_FIG6.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 6. Students in Huairou participating in street-beautification work in preparation for the NGO Forum, 1995. Photograph by Forrest Anderson/Getty Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cdeb7696-0094-44b8-88eb-7a5797e723ba/Shang_FIG7.jpg Home - See You at the Lesbian Tent: Architecture and Politics of Transnational Lesbian Activism - Make it stand out Figure 7. Printed invite for the Night Woman Party, held on September 3, 1995. Courtesy of Wu Chunsheng and Susie Jolly. https://www.platformspace.net/home/landscapes-of-intimidation-and-resilience-claiming-urban-citizenship-in-the-marketplaces-of-los-angeles monthly 0.5 2025-11-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5eead4ff-eaec-495e-8f76-62fc23b33a10/Figure+1-Swap+Meet-Santa+Fe+Springs-014.png Home - Landscapes of Intimidation and Resilience: Claiming Urban Citizenship in the Marketplaces of Los Angeles - Make it stand out Figure 1. Patrons watch and dance to a cover band at the Santa Fe Springs Swap Meet. Photo by Alec R. Stewart, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6b0fd716-205e-4efd-be8f-ca9689397f91/Figure+2-NeoBlue+Royal+Club.jpeg Home - Landscapes of Intimidation and Resilience: Claiming Urban Citizenship in the Marketplaces of Los Angeles - Make it stand out Figure 2. Wholesale showrooms at E. 15th Street and Santee Street in the Los Angeles garment district. Photo by Alec R. Stewart, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1c48c887-c74e-440b-8822-b3c68466f84b/Figure+3-Stanford+Wholesale+Mart.JPG Home - Landscapes of Intimidation and Resilience: Claiming Urban Citizenship in the Marketplaces of Los Angeles - Make it stand out Figure 3. The Stanford Wholesale Mart at 12th Street and Towne Avenue in the Los Angeles garment district is one of several massive “marts” which house hundreds of garment wholesalers. Within each firm’s showroom, retailers may purchase bulk quantities of apparel for sale in their stores. The BBCN Bank sign (near the top of the building) signals the presence of one of the largest banks headquartered in Los Angeles Koreatown, which cater to Korean-owned wholesale and garment contracting firms. Photo by Alec R. Stewart, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4bdb59ca-a9a7-4549-8e5b-2a9bfcd61ae4/Figure+4-Slauson+Swap+Meet.png Home - Landscapes of Intimidation and Resilience: Claiming Urban Citizenship in the Marketplaces of Los Angeles - Make it stand out Figure 4. Opened by Korean investors in 1985 within a former light fixture manufacturing plant, the Slauson Swap Meet has operated as a quasi-shopping mall in the historically Black neighborhood of South Los Angeles for 40 years. It is now a frequently cited institution in rap lyrics. Photo by Alec R. Stewart, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e995511e-fbbf-4c71-80e5-5cda7f9b0a4c/Figure+5-Slauson+Swap+Meet+Nipsey.jpg Home - Landscapes of Intimidation and Resilience: Claiming Urban Citizenship in the Marketplaces of Los Angeles - Make it stand out Figure 5. T-Shirts depicting murdered hip hop artist, Nipsey Hussle, at a Slauson Swap Meet vendor booth. Photo by Alec R. Stewart, 2019. https://www.platformspace.net/home/rethinking-le-corbusiers-vision-for-rome-on-colonialism-modernity-and-fascism monthly 0.5 2025-10-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b652f724-0a12-4585-b16d-e2e10d964940/Mascorella_FIG1.jpg Home - Rethinking Le Corbusier’s Vision for Rome: On Colonialism, Modernity, and Fascism - Make it stand out Figure 1. Pio Pullini, Demolitions at the Mausoleum of Augustus (Demolizioni all’Augusteo), ca.1936, ink on paper, GS 6848, Archivio Fotografico, Museo di Roma, Rome. © Roma Capitale, Sovrintendenza Capitolina ai Beni Culturali. This drawing served as the title image of Antonio Muñoz, “Le Corbusier parla di urbanistica romana,” L’Urbe: Rivista romana 1, no. 2 (November 1936), 28. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c876136b-356b-4c5b-afc2-26d269a3f366/Mascorella_FIG2.jpg Home - Rethinking Le Corbusier’s Vision for Rome: On Colonialism, Modernity, and Fascism - Make it stand out Figure 2. Le Corbusier, Plan Obus, Algiers, Algeria (Urbanisme, projets A,B,C,H, Alger), 1930. © F.L.C. / ADAGP, Paris / Artists Rights Society (ARS), New York 2025. Photograph by Lucien Hervé. Getty Research Institute, Los Angeles (2002.R.41). © J. Paul Getty Trust. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e06d4a08-be21-47d1-acf6-8b04f94ba79f/Mascorella_FIG3.jpg Home - Rethinking Le Corbusier’s Vision for Rome: On Colonialism, Modernity, and Fascism - Make it stand out Figure 3. Mario Ridolfi with Vittorio Cafiero, Ernesto La Padula and Ettore Rossi. First stage competition entry for the Palazzo del Littorio and the Exhibition of the Fascist Revolution in Rome, in Via dell’Impero (Concorso di primo grado per il Palazzo del Littorio e della Mostra della Rivoluzione Fascista a Roma, in via dell’Impero), 1934. View of the project model toward the Colosseum, photographic reproduction, 23.8 x 18 cm. © Rome, Accademia Nazionale di San Luca. Fondo Ridolfi-Frankl-Malagricci, www.fondoridolfi.org. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e2b9d1f9-7354-4f57-be92-8dd6b512f666/Mascorella_FIG4.jpg Home - Rethinking Le Corbusier’s Vision for Rome: On Colonialism, Modernity, and Fascism - Make it stand out Figure 4. Mario Ridolfi with Vittorio Cafiero, Ernesto La Padula and Ettore Rossi. First stage competition entry for the Palazzo del Littorio and the Exhibition of the Fascist Revolution in Rome, in Via dell’Impero (Concorso di primo grado per il Palazzo del Littorio e della Mostra della Rivoluzione Fascista a Roma, in via dell’Impero), 1934. Project summary (Relazione sommaria), photographic reproduction, 17.3 x 12.2 cm. © Rome, Accademia Nazionale di San Luca. Fondo Ridolfi-Frankl-Malagricci, www.fondoridolfi.org. https://www.platformspace.net/home/bricks-and-the-body-timber-and-the-tide-architectural-traces-at-the-macquarie-harbour-penal-station monthly 0.5 2025-10-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e55f9c4f-cf97-43ad-931d-568c77f96561/Sheard_Figure+1.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 1. Brick with thumbprint, held by my guide and skipper Trevor Norton. Tumbled bricks of the fireplace are visible in the background. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6f0387f7-22d5-4d26-acd1-a15193744249/Sheard_Figure+2.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 2. Remains of a brick fireplace sprawling amongst the trunks of tea trees on the summit of the island. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/959d76f6-38b6-4415-936c-017f89425581/Sheard_Figure+3.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 3. Sandstone and brick remains of a second fireplace on the island. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6695dc8e-af15-40a1-b0f3-b216d70cbdd6/Sheard_Figure+4.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 4. Grummet Island, Macquarie Harbour. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/571cb0be-bfd0-4bcd-8855-af88496ebd05/Sheard_Figure+5a.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 5a. Map showing relationship between Grummet Island and Langerrareroune/Sarah Island and location within the harbor. The lower reaches of the Gordon River are visible at bottom right. Maps compiled using LISTmap. Department of Natural Resources and Environment, Tasmanian Government, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c1d75c8f-98d9-4199-be5e-42eb8b0335d1/Sheard_Figure+5b.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 5b. Map showing relationship between Grummet Island and Langerrareroune/Sarah Island and location within the harbor. The lower reaches of the Gordon River are visible at bottom right. Maps compiled using LISTmap. Department of Natural Resources and Environment, Tasmanian Government, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7f788d47-09cc-4154-a9d5-7a0dbabddf65/Sheard_Figure+6.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 6. Huon pine growing in the banks of the Gordon River. Note the “lime green” coloring and weeping form in comparison to surrounding species. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/560a1190-925d-4b98-b7ed-f3391ce7cc85/Sheard_Figure+7.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 7. Animal habitats: gull eggs in a nest (foreground) sheltered by rocks on the lower level of Grummet Island; mud “chimneys” built by freshwater burrowing crayfish along the Gordon River where huon was logged. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/40564f83-60b5-4c9f-98bb-55f81819df04/Sheard_Figure+8.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 8. A curious pademelon (a small type of wallaby) in the undergrowth near the banks of the Gordon River. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ef558062-fd0b-4b57-a48c-3fd79bc71aad/Sheard_Figure+9.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 9. A remnant huon pine growing on the shoreline of the Gordon River, one of very few large trees remaining; at right, huon pine driftwood washed up in one of the many bays of Macquarie Harbour. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/980d2261-5c81-4787-9ca9-4135a25ae2b1/Sheard_Figure+10.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 10. Entry to a cave at the lower level of the island with stones and brick fragments. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/007eee7b-082e-4b63-96e2-74d0481951ab/Sheard_Figure+11.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 11. Looking outward from the cave entry: note the piece of brick just left of centre. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4f9c7340-7dbc-4c80-a01e-aa3a9185cb2d/Sheard_Figure+12.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 12. Holding a brick “pebble,” with pebbly shore and water of Macquarie Harbour in the background. Dark areas of brick appear to be the effects of burning, possibly from firing process or location within the fireplace. The shape of the material and its location on the waterline suggests the burning may have gone right through it prior to erosion to its current form. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/325d1b18-9c5f-4da8-a445-c373ddc8ffd9/Sheard_Figure+13.jpg Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 13. Image of pebbly shore, showing distribution of differently colored stones, and brick “pebbles” at middle right and bottom (cut off in image). The large dark red stone just above it is a rock. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/57d45404-1fa1-4bd2-8707-31da8e9e37e6/Sheard_Figure+14.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 14. View looking northeast into the harbor along the face of Grummet Island sandstone. Photograph by Megan J. Sheard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3c584c3e-71d5-413b-8a1d-3229e0e2cb6e/Sheard_Figure+15.JPG Home - Bricks and the Body, Timber and the Tide: Architectural Traces at the Macquarie Harbour Penal Station - Make it stand out Figure 15. Mixed forest along the banks of the Gordon River, with a grand blackwood (acacia melanoxylon) at center. Photograph by Megan J. Sheard. https://www.platformspace.net/home/transplanting-a-chinese-garden-overseas monthly 0.5 2025-10-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/09db9314-aa88-47a6-b838-72b5a92a987e/Cai_Figure+1.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 1. Magazine spread of “Ming Garden for Manhattan,” Life Magazine, August 1980, 86-88. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0667814f-a024-42e0-9d4f-1b29bca5a949/Cai_Figure+2.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 2. Like the Giant Pandas gifted to the National Zoo in Washington, DC, a Suzhou Garden was also a diplomatic exchange following the rapprochement of Sino-US diplomatic relations. Rossbach, Sarah. “Cultural Diplomacy: China’s Unique Gift to the Metropolitan.” Avenue, September 1979. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fe1a6aa8-b031-4a2f-bc5b-e6a48698ae74/Cai_Figure+3.JPG Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 3. View of the half-pavilion in the courtyard of the Late Spring Studio in the Master of Fishing Nets Garden in Suzhou (historic precedent). Photo by the author, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a3d05119-071e-421f-ad0a-0d75c0f7f4e5/Cai_Figure+4.JPG Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 4. View of the half-pavilion in the mockup garden in Suzhou. Photo by the author, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1aa62e07-e7a2-455a-8281-556cef9d5e99/Cai_Figure+5.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 5. View of the half-pavilion in Astor Court. Photo by the author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a5633e11-be69-405f-86af-ebac5e029eb2/Cai_Figure+6.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 6. Garden walls in Suzhou. Photos by the author, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/251dc124-1b46-48ca-873d-d27f6d9b66f8/Cai_Figure+7.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 7. The garden wall in the mock-up garden, the weathered surface registers rainfall and moss. Photo by the author, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/649e41b9-e779-4fe9-9c1f-c0000e604f7f/Cai_Figure+8.jpg Home - Transplanting a Chinese Garden Overseas - Make it stand out Figure 8. Distinction between the mockup and Astor Court. Left: View of the mockup with mature native plants and signs of weathering (2023). Right: View of Astor Court with pristine walls and tropical houseplants that are constantly been replaced (2022). Photos by the author. https://www.platformspace.net/home/domesticity-and-displacement monthly 0.5 2025-10-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c4a383b7-3926-4faa-b42b-5cbb1c9ea533/Hnin_FIG1.jpg Home - Domesticity and Displacement - Make it stand out Figure 1. Nine refugee camps along the east of Thai-Myanmar border overlayed on areas of deforestation (2001-2021) and protected areas. Map drawn by T.S. Hnin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7fb22f08-cf7e-4cd6-886e-5e8cb783ff2d/Hnin_FIG2.jpg Home - Domesticity and Displacement - Make it stand out Figure 2. A house with a hexagonal window and woven bamboo walls. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5b383e76-ea82-49ad-ade5-f0bfbdfeeb66/Hnin_FIG3.jpg Home - Domesticity and Displacement - Make it stand out Figure 3. A house with rows of flowerpots adorning a semi-enclosed front porch. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e6cf146e-c419-4ff1-bce6-da5f2ad4bd6c/Hnin_FIG4.jpg Home - Domesticity and Displacement - Make it stand out Figure 4. Surplus plant-based building materials (Leaf thatch, bamboos and eucalyptus poles) stored under the elevated floors of the houses. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c7ea90a2-6156-49eb-9383-660c3ea1f8af/Hnin_FIG5.jpg Home - Domesticity and Displacement - Make it stand out Figure 5. Surplus plant-based building materials (Leaf thatch, bamboos and eucalyptus poles) stored under the elevated floors of the houses. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/394fdf0f-35f9-4b80-869b-4b2a01e39e9e/Hnin_FIG6.jpg Home - Domesticity and Displacement - Make it stand out Figure 6. Despite the regulations, due to scarcity of thatch and the endless cycle of repair, there is an increase in the usage of metal roofing which is costly and has poor insulation. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7f63e347-1861-436e-a552-b3f3534b7c11/Hnin_FIG7.jpg Home - Domesticity and Displacement - Make it stand out Figure 7. Despite the regulations, due to scarcity of thatch and the endless cycle of repair, there is an increase in the usage of metal roofing which is costly and has poor insulation. Nu Po Refugee Camp, Thailand. 2025. Photograph by S. Lin. https://www.platformspace.net/home/the-soundscape-of-renaissance-war monthly 0.5 2025-09-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4819e2ae-8c5d-4cb8-aefc-108dd9edfdf4/01_Book-cover.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 1. Cover of Form and Fortification: The Art of Military Architecture in Renaissance Italy, Yale University Press, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/071a2381-3944-471a-8974-417667ff8b32/02_Houghton.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 2. Artificial hill with offensive artillery. From Girolamo Maggi, “La prima parte della espugnatione delle città e fortezze” (1555). Houghton Library, Harvard University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c79776bf-0a0e-4bff-a814-fe16a5e613e8/03_Gallaccini.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 3. Analogy of visual rays to cannon fire emitted from a bastion. Teofilo Gallaccini, “L’idea della fortificatione” (after 1610–31/32). Biblioteca Comunale degli Intronati, Siena. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/248bd94b-fe2a-46df-9903-776fa6817dac/04_Countermine.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 4. Technique for planting a gunpowder mine under a hilltop fortress. Francesco di Giorgio Martini, “Opusculum de architectura” (ca. 1474–82). © The Trustees of the British Museum. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/415bb3db-4b76-441c-bc1d-abd8db709584/05_bottini.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 5. Underground aqueduct (bottino) with winding water in Siena, Italy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f5cd4026-eaec-43bb-a53d-99d93d297ae0/06_Biringuccio.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 6. Configuration of an explosive mine. Vannoccio Biringuccio, De la pirotechnia (1540). Smithsonian Libraries, Washington, DC. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/51e482f3-ab4f-4464-b6b5-32449ed0b780/07_Ardeatino.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 7. Countermine ventilation system of the Bastione Ardeatino (1537–42) in Rome. Axonometric diagram by Morgan Ng. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a6f9f80b-a5bd-4f9e-ba70-0299fa1f1162/08_Filarete.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 8. Sanitary ventilation system of the Ospedale Maggiore (begun 1456) in Milan. Axonometric diagram by Morgan Ng. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/74ba5864-ce86-4a78-b8f4-3f32a616a3ec/09_Leonardo-mining.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 9. Countermining technique with drum above a siege mine. Leonardo da Vinci, “Supplement to Manuscript B” (1485–1515). Bibliothèque de l’Institut de France, Paris. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6774b107-a6f5-4958-ac8a-18edc3986974/10_Donatello.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 10. Donatello, choir loft (1433–39) of Florence Cathedral, now in the Museo dell’Opera del Duomo. Photo: Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fd23bd3d-1798-4062-9325-89f5cb1fb2ec/11_Acoustic-Jar+small.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 11. Acoustic jar in the church of the Chartreuse Notre-Dame-du-Val-de-Bénédiction, Villeneuve-lès-Avignon. Photo: Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1172e224-364c-456d-aede-200b2a48dac1/12_Kircher+small.jpg Home - The Soundscape of Renaissance War - Make it stand out Fig. 12. Eavesdropping system. Athanasius Kircher, Phonurgia nova (1673). Biblioteka Narodowa, Warsaw. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c159f227-05fc-4a0d-bf57-7f373a190171/13_Siracuse.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 13. The so-called Ear of Dionysius in Syracuse, Italy. Photo: Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5d4e486b-7a31-4857-bb31-6537387fdbb1/14_Organ.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 14, Positive organ (detail), probably by Gottfried Fritzsche (1578-1638) and restored by Tobias Defrain. Victoria and Albert Museum, London. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a0d00dea-df23-4428-b98a-efdde16e0748/15_Cannons.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 15. Early modern cannons of five different calibers. Denis Diderot and Jean le Rond d’Alembert, Encyclopédie, Tome 22 (1767). ARTFL Project, University of Chicago. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6cac56ce-d5f8-42b6-8a93-aa82919130ce/16_Draghi.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 16. Sixteenth-century fountain with jets of water emulating artillery fire, at the Villa d’Este, Tivoli. Photo: Flickr (Snuffy). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ce1dc43c-e3a2-4bc3-92e1-f31dd52ca075/17_Acoustic-mirror.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 17. Concrete acoustic mirror near Kilnsea Grange, East Yorkshire, UK, designed to concentrate sound from enemy aircraft. Photo: Wikimedia Commons. The device recalls the legendary burning mirrors of Archimedes, allegedly used to destroy warships approaching Syracuse. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b1cd9444-05a6-4c98-872b-6312ff996562/18_Sonar-shipwreck.png Home - The Soundscape of Renaissance War - Make it stand out Fig. 18. Sonar image from 2012 of a shipwrecked Soviet minesweeper in the Gulf of Finland. Photo: Wikimedia Commons. https://www.platformspace.net/home/mississippi-violet monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9bef6627-7482-4273-8c5d-686fa85e3b1c/Figure+1_Approaching+Just+Us.jpg Home - Mississippi Violet - Make it stand out Figure 1. Approaching Just Us Lounge in east Biloxi. Photograph by Stathis G. Yeros. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4640271a-6983-4c37-baa8-8eafec8d28b0/Figure+2_Just+Us+Street+View.jpg Home - Mississippi Violet - Make it stand out Figure 2. Just Us Lounge’s simple street elevation. It used to be covered with a mural depicting the pre-Katrina Biloxi coast preserved by the local historical society. Photograph by Stathis G. Yeros. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/72d0c05c-a9a4-4fe0-b9fd-2cc65f4a88e3/Figure+3_Just+Us+interior.jpg Home - Mississippi Violet - Make it stand out Figure 3. The Just Us Lounge interior. The bar hosts regular drag shows and live music. Photograph by Stathis G. Yeros. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ab9afd9b-b372-4c27-81bd-3fd623ea5f4e/Figure+4_Lynn+Koval.jpg Home - Mississippi Violet - Make it stand out Figure 4. Lynn Koval at Just Us Lounge, September 2024. She is holding a “Make America Gay Again” red baseball cap. Photograph by Stathis G. Yeros. https://www.platformspace.net/home/tolas-in-the-northern-andes-plinths-for-contesting-meanings monthly 0.5 2025-09-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/31976663-b59f-4e87-89c8-3e8a2d84be87/Salazar_FIG1.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 1. Puntiatzil pyramid in Cayambe, Ecuador. Photo by author, August 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/eb848592-b740-45e4-8d7d-3916aa793b7d/Salazar_FIG2.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 2. Poster for the first Inti Raymi at Puntiatzil that reads: “for the recuperation of our culture, let us all go to dance to Puntyatzil temple– Cayambe, June 29, 1991.” CICAY-Pedro Pablo Guaña Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2447a4d6-5821-41ad-b742-5d74b9a0fe3e/Salazar_FIG3.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 3. A semi-destroyed pyramidal tola by huaqueros at Cochasquí in 1933 as found and published by German archaeologist Max Uhle in “Las Ruinas de Cochasquí.” Boletín de La Academia Nacional de Historia XVIII, no. 54 (1939). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b9e3c071-0c18-4d3f-be3d-17fbb1b3a158/Salazar_FIG4.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 4. Map with Yumbo and Caranqui tola sites extension in the northern Ecuadorian Andes. Drawn by the author from Ronald D. Lipi, “Las Tolas (Montículos Artificiales) Ecuatorianas Como Iconos Sagrados: Una Perspectiva Panamericana,” in Simbolismo y Ritual En Los Andes Septentrionales, edited by Mercedes Guinea, Abya Yala, 2004, 113. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e67f84c2-e800-4195-9c54-b22e284ef423/Salazar_FIG5.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 5. Depiction of monuments around the city of Cayambe, where figures B represent tolas. Antonio de Ulloa and Jorge Juan, Relación histórica del viaje a la América Meridional, Antonio Marín, 1748, 626, http://bdh-rd.bne.es/viewer.vm?pid=d-1678031. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ce57ed08-a808-4969-8cb7-4e42ed94d3c9/Salazar_FIG6.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 6. Depiction of typical burial offerings in Cayambe. Objects are enlarged in relation to a tola in figures A and B in the same engraving. Figure B shows a plan with excavated tunnels, and Figure A shows the elevation. Antonio de Ulloa and Jorge Juan, Relación histórica del viaje a la América Meridional, Antonio Marín, 1747, 624, http://bdh-rd.bhttp://bdh-rd.bne.es/viewer.vm?pid=d-1678031e.es/viewer.vm?pid=d-1678031. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/627a72dd-0d75-496f-8886-9262f2aeadb0/Salazar_FIG7.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 7. A ritual festivity on an earth mound, most probably a tola, in the late eighteenth century at San Pablo Lake, Ecuador. The painting captures the alignment of the ritualized earth-mound with the sacred lake, and the sacred mountains, Rey Loma and Mama (mother) Cotacachi. Attributed to Rafael Troya, “Fiesta en el Lago San Pablo,” in Xavier Puig Peñalosa, Rafael Troya: estética y pintura de paisaje, (UTPL, 2015), 98-99. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/555922c0-7d96-4fc0-b879-d03bab759bf1/Salazar_FIG8.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 8. Fragment of a 1783 land trial map (called “Vista de Ojos”). The map shows a tola next to the Christian temple at Imantag Indigenous settlement, located on the Cotacachi volcano’s side. Archivo Nacional del Ecuador, ANH.SG.IND. Caja 96, exp.4, p.123. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1acdb607-37ba-4e6e-bb3a-162f60223ffb/Salazar_FIG9.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 9. The Cathedral of Lourdes in San Pablo Lake. The picture shows the pre-Columbian tola as a plinth for the Christian temple alongside an Indigenous cemetery and Tayta (father) Imbabura volcano in the background. “Memoria fotográfica del estado actual de la capilla de Lourdes en San Pablo del Lago,” Biblioteca MCYP Sede Quito. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9d16eb72-df9f-4e8f-969c-41d83d66f711/Salazar_FIG10.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 10. Plan and Section of Pailatola in Atuntaqui. Jacinto Jijón y Caamaño, Contribución al Conocimiento de los Aborígenes de la Provincia de Imbabura, (Blass y Cia., 1912). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dbf76d5f-4469-4f76-92ad-176fb446b534/Salazar_FIG11.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 11. Plan and Section of Orozcotolas in Atuntaqui. Jacinto Jijón y Caamaño, Contribución al Conocimiento de los Aborígenes de la Provincia de Imbabura, (Blass y Cia., 1912). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/390f1119-1822-416a-bd31-3a02ef2a3c77/Salazar_FIG12.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 12. Tolas at Pinsaquí hacienda mapped by John Stephen Athens in 1973 in “Monumentos Karankis: Una Historia a Punto de Desaparecer,” Boletín de La Academia Nacional de Historia CI, no. 210 (December 2023): 45–78. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fdc3b91c-c1ed-43b0-b37b-e20ef09af85b/Salazar_FIG13.png Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 13. Contemporary parcellation at Pinsaquí hacienda. Google Earth 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7dc411ac-9938-415c-997b-ad4c55c9c1e1/Salazar_FIG14.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 14. A bisected tola on the Otavalo-Cotacachi highway. It features a building and a high-voltage tower on top. Google Street View. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/61e9fda5-33fa-4574-919b-9d9f4b153a0a/Salazar_FIG15.jpg Home - Tolas in the Northern Andes: Plinths for Contesting Meanings - Make it stand out Figure 15. Preparation for the Indigenous movement led Inti Raymi at the platform of Puntiatzil in Cayambe, Ecuador, on June 21, 2018. Photo by Eduardo Santillán. https://www.platformspace.net/home/the-death-of-migrants-lessons-from-the-anti-chinese-riots-of-1931-in-korea monthly 0.5 2025-10-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7bb4de40-e888-487f-ac5d-296ce91a28ea/Figure+1.jpg Home - The Death of Migrants: Lessons from the Anti-Chinese Riots of 1931 in Korea - Make it stand out Figure 1. The ransacked Chinese shophouse in Incheon during the anti-Chinese riots in 1931 (Source: The National Institute of Korean History). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bee33ba7-bcb4-4f64-bc8d-981728c31ee4/Figure+2.jpg Home - The Death of Migrants: Lessons from the Anti-Chinese Riots of 1931 in Korea - Make it stand out Figure 2. Hand-drawn floor plans of the Chinese shophouses created during the police investigation of Ildonghoe in Incheon’s Chinatown in 1943 (Source: The National Institute of Korean History). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c7afb09d-78e6-435a-b282-8f8c7c0cbccb/Figure+3.jpg Home - The Death of Migrants: Lessons from the Anti-Chinese Riots of 1931 in Korea - Make it stand out Figure 3. Reconstruction of two Chinese shophouses as a gathering place for anticolonial activists within Incheon’s Chinatown (Drawn by author). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/689ace65-82f6-470f-9181-9c86476e6322/Figure+4_sm.jpg Home - The Death of Migrants: Lessons from the Anti-Chinese Riots of 1931 in Korea - Make it stand out Figure 4. This police photograph shows a passageway (hidden from the street) between the two neighboring shophouses that served as an intimate route of communication for Ildonghoe’s anticolonial activities. (Source: The National Institute of Korean History). https://www.platformspace.net/home/back-to-school monthly 0.5 2025-08-25 https://www.platformspace.net/home/a-ghostly-landscape-harput-between-confabulation-and-denudation monthly 0.5 2025-09-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f7d347b9-55a4-487f-b829-a08b1115cbd3/Fig+01+Balakgazi_monument_9555.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 1. Balak Gazi Monument at Harput’s entrance (Photograph by Dick Osseman. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/eadcc3d6-7105-4068-b26d-70fba27d0cb9/Fig+02+view+from+Harput.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 2. View of the southerly plains from Harput, the southwestern edge of the Keban Reservoir is also visible. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4714f298-9c70-4859-9703-9977f68951bd/fig+03+guest+house.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 3. Harput Municipal Guest House. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ac9b54f3-7636-46bc-8602-1084688e9ed6/fig+04+preservation+office.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 4. Harput Preservation Office. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c1a5ad54-4e5a-4963-90cd-8fabcb3a611b/fig+05+press+museum.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 5. Harput Press Museum interior courtyard and café. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/29b1d0cd-239e-4fe2-b1a0-473c6a3774e2/fig+06+fountain+and+pavement.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 6. Repaved streets at the entrance of Harput and the Üç Lüleli Fountain. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/22f08967-e4c4-414f-9564-7835831a3843/fig+07hamam+restoration.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 7. Construction hoarding panels surrounding the restoration site of the Kurşunlu Mosque. The panels advertise the sponsorship of the Ministry of Tourism and Culture and the State General Directorate of Pious Foundations. The slogan in the middle states “Since 1848: The Promise of our History: The Essence of our Civilization.” Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5fa63f6b-1bd1-4144-8715-fb7ec4da4012/fig+08+coffee+cup.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 8. Harput Coffee Cup Museum. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/947f3225-d3cb-46e5-9d9b-1b97f267ccb1/fig+09+harput+konak.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 9. Harput House. Furthest right on the same hilltop is the Coffee Cup Museum. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ae5466fc-d2d5-4de9-84a3-f9f29877765e/fig+10+Diyanet+K.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 10. Harput Religious Training Center. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d0846bd3-aede-4a00-8a98-d132427edc8d/fig+11+Diyanet+image.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 11. Hoarding panel by the construction site for the Harput Religious Training Center from 2019. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/598fe431-0677-49f0-b19d-c41d2c1f893b/Fig+12+Mansur+Baba.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 12. Mansur Baba Tomb. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6a100076-3940-4530-9169-813e0f729d3d/Fig+13+%C5%9Eefik+G%C3%BCl.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 13. Şefik Gül House—restored for ÇEKÜL, a preservation oriented NGO. Behind the building the top of the white roofline of the Religious Training Center is visible. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/08c337a3-6ee7-4e93-98e2-ad9d137923bd/fig+14+picnic.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 14. Afternoon picnic in by the castle. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/787a7bed-071f-47ec-9b69-b10048acd8ca/fig+15+Nighttime.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 15. Nighttime entertainment in Harput’s main square. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e4d9d91d-f4da-4411-84ed-01bb68399a37/Fig+16+a.jpeg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 16a. An aerial view of Harput illustrating the gaps in its urban fabric. Google Earth Map and Google Earth Map reworked by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4bcba45d-c080-472a-a963-91d877dfc87f/Fig+16+b.jpeg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 16b. An aerial view of Harput illustrating the gaps in its urban fabric. Google Earth Map and Google Earth Map reworked by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fce77e9e-05ba-4d3f-9d5b-eb25942d1c67/Fig+17+empty+hills.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 17. Harput’s empty hills, site of the former Armenian neighborhood. To the right of the image the ruins of the Red Church, which belonged to the town’s Armenians is visible. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/88500d7a-b1ea-4783-8e6b-b0bb1f9622c4/fig+18+%C3%87ubuk+Bey.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 18. Bust of Çubuk Bey with the Harput House in the background. The bust previously was situated in the main square, it has recently been relocated between the Coffee Cup Museum and the Harput House. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/72a44fd8-685c-4306-8e19-32301823620c/fig+19+march.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 19. Armenians being marched in columns from Harput to Elazığ in 1915 (Creative Commons License). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/41558c03-a1dc-4ede-9d57-2ff84f615c4a/fig+20+culture+district.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 20. Modern Elazığ in the early years of the Republic. Reworked from personal postcard by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1513306e-58fd-4543-94bf-fb4e2d640d93/fig+21+window+detail.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 21. Window detail from the People’s House, the white stones are gravestones brought from Harput. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/19a344a4-c6fb-4be8-81d4-3a84dc204e9a/Fig+22+Euphrates+College.jpg Home - A Ghostly Landscape: Harput Between Confabulation and Denudation - Make it stand out Figure 22. General view of Western Harput. The large buildings in the back are the premises of the Euphrates College ran by American missionaries. The adobe houses stacked on the hillside behind the children are part of the Armenian neighborhood of Surp Agop. (Courtesy of Salt Araştırma) https://www.platformspace.net/home/cultivated-in-migration-an-otom-womans-work-on-community-and-land-care monthly 0.5 2025-10-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f78b0e6e-9d29-4190-aa8d-4f517fdde84e/Figure+1.jpeg Home - Cultivated in Migration: An Otomí Woman’s Work on Community and Land-Care - Make it stand out Figure 1. Anselma Margarito at a protest in Zócalo, México City, 2024. Photograph by Lizbeth Hernández. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/be64badb-3ff3-4333-8adb-6b1a680ba09f/Figure+2.jpg Home - Cultivated in Migration: An Otomí Woman’s Work on Community and Land-Care - Make it stand out Figure 2. Anselma Margarito and her compañerxs moments before starting the October 12, 2022, march from the Monument to Independence to the Zócalo, México City. Photograph by Tania Gutiérrez-Monroy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/346ec073-705d-41ff-b90d-62eb05dfddec/Figure+3.jpg Home - Cultivated in Migration: An Otomí Woman’s Work on Community and Land-Care - Make it stand out Figure 3. Otomíes and allies, including Pueblos Unidos de la Región Cholulteca y de los Volcanes members as well as dwellers from Mexico City and other states, march across Santiago Mexquititlán during the Caravana por el Agua y por la Vida, Santiago Mexquititlán, 2022. Photograph by Tania Gutiérrez-Monroy. https://www.platformspace.net/home/from-mine-to-mandir-industrial-modernity-in-the-lives-of-temple-builders-of-western-india monthly 0.5 2025-08-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/00bb0657-d0f8-45d0-b408-28ba00af0ffe/Figure+1.JPG Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 1. Temple dedicated to the area goddess Mahisasur Mardini at a marble mine, Ambaji, Gujarat, India. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cbd0d8c3-aaab-455f-8775-e9213e087c2e/Figure+2.JPG Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 2. Unfinished marble slabs with traces of manual splitting, Ambaji, Gujarat, India. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8d9bf382-a6a1-470c-9fce-7b604767fa4a/Figure+3.jpg Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 3. The ceiling of the Vimal Vasahi temple (1031 C.E.) at the Dilwara temple complex in Mount Abu renovated by Amritlal M. Trivedi Sompura and team between 1951-63. Source: British Library Collection: Photo 1009/8, 1947. Copyright British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8927356c-1caa-4510-9f22-c41ce4596341/Figure+4.JPG Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 4. The Mahisasur Mardini temple from the depths of the quarry. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2c8eaebc-b3b5-440d-ac4e-3fa995d67f12/Figure+5.JPG Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 5. Wire cut marble ready to be lifted away. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/be51b4ff-e214-4b48-9bb3-a5c816b93ee7/Figure+6.JPG Home - From Mine to Mandir: Industrial Modernity in the Lives of Temple Builders of Western India - Make it stand out Figure 6. A combination of hammer, chisels and power tools used for carving bansipahadpur stone at a temple-building site in Gujarat, 2018. Photograph by author. https://www.platformspace.net/home/palliative-care-as-heritage-conservation-a-model-for-indigenous-archaeological-sites-and-ancestral-landscapes monthly 0.5 2025-07-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a3736a7c-23aa-4ecf-88e0-283b09f51a0d/Matero_Fig.1.jpg Home - Palliative Care as Heritage Conservation: A Model for Indigenous Archaeological Sites and Ancestral Landscapes - Make it stand out Figure 1. Panoramic view of Wupatki Pueblo. Photograph by F. Matero. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/27da4858-d281-4fa6-82ee-e447f04a7b17/Matero_Fig.2.JPG Home - Palliative Care as Heritage Conservation: A Model for Indigenous Archaeological Sites and Ancestral Landscapes - Make it stand out Figure 2. Wupatki Pueblo, South Unit. Photography by F. Matero. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ad7bc09-8510-42a0-bffd-c3bbb7b79dd9/Matero_Fig.3.jpg Home - Palliative Care as Heritage Conservation: A Model for Indigenous Archaeological Sites and Ancestral Landscapes - Make it stand out Figure 3. Wupatki Pueblo 1933-34. Source: WACC; Wupatki National Monument Ruins Stabilization and Archeology 1933-1979 Collection (WUPA CAT 10528; WUPA ACC-00033). https://www.platformspace.net/home/unfinished-uncanny-lessons-from-the-basement monthly 0.5 2025-07-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f109ea5a-65bf-4615-b724-75088525f1c3/Fig+1.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 1. “A 4-H Club member storing the food canned from the vegetables grown in her garden, Rockbridge County, Va.” Photograph from Extension Service, U.S. Department of Agriculture, c. 1942. Courtesy U.S. Library of Congress Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6240666f-0645-4369-aa2b-69a1d7717b8d/Fig+2.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 2. Basement set from A Quiet Place, dir. John Krasinski, Paramount Pictures, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c17bffd5-79c8-4eb7-8f66-74be3f8da594/Fig+3.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 3. Basement set from That ‘70s Show, season 1, episode 24, “Hyde Moves In,” dir. David Trainer, July 19, 1999, Fox Television. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1cda06e4-dae2-4ec3-9916-663cb01c76f6/Fig+4-gehry+kitchen+high+res+.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 4. Kitchen in Gehry House, Santa Monica, Calif., 1978, Frank O. Gehry and Associates. Courtesy Frank O. Gehry and Getty Research Institute, Los Angeles (2017.M.66). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2764cf0a-1d22-449d-aaf1-5c878a2b60b6/Fig+5-TSP_Gehry-Indiana.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 5. Interior, Indiana Street Project, Los Angeles, Calif., 1981, Frank O. Gehry and Associates. Courtesy Tim Street-Porter. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c7005744-6b1e-424b-9ea4-42ef3974dc71/Fig+6-Dennis+Maher_The+Fargo+House_Wardrobe+Room_courtesy+Dennis+Maher+Studio.jpg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 6. Wardrobe Room, The Fargo House, Buffalo, N.Y., 2009-present, Dennis Maher. Courtesy Dennis Maher Studio. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3a9e8455-cf95-4a29-88e5-06c16e3fe90e/Fig+7-The+Assembly+House_Building+Arts+Library+_photo+by+David+Schalliol_2500.jpeg Home - Unfinished: Uncanny Lessons from the Basement - Make it stand out Figure 7. The Assembly House Building, Arts Library, Dennis Maher and Assembly House 150 with John Zissovici and Ethan Davis, 2017. Photograph by David Schalliol. https://www.platformspace.net/home/curating-modern-life-and-architecture-in-taiwan-part-2 monthly 0.5 2025-07-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/31922229-942d-4779-a3f1-fc773d48195e/Figure+1.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 2 - Make it stand out Figure 1. Former main library of National Cheng Kung University, Wang Ji-Chang, Wu Mei-Xing, Chen Wan-Rong, and W.I. Freel, Tainan, 1959. Photography Taipei Fine Arts Museum. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7fa8ff25-b160-42b3-b950-a12da8232670/Figure+2.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 2 - Make it stand out Figure 2. Architectural drawing, San Sin High School of Commerce and Home Economics (Wave Building), Chen Ren-He, Kaohsiung, 1963. Source: National Taiwan Museum. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/be8465ac-d795-4f45-9355-a90f5de95724/Figure+3.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 2 - Make it stand out Figure 3. Taiwan Semiconductor Manufacturing fabrication facility, Phoenix, AZ, 2024 (tsmc.com). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1b185769-d712-42f2-ad12-59c3f320e52f/Figure+4.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 2 - Make it stand out Figure 4. Taipei Fine Arts Museum, Kao Er-Pan, Taipei, 1983. Photography Taipei Fine Arts Museum. https://www.platformspace.net/home/sidewalk-apprehensions-unmasking-migrant-detention-histories-in-the-united-states monthly 0.5 2025-10-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7eb2a68c-2b36-4551-9636-d4b59fd5499f/Lopez_fig1.jpg Home - Sidewalk Apprehensions: Unmasking Migrant Detention Histories in the United States - Make it stand out Figure 1. Cognitive drawing by Miguel of a pod in the South Texas ICE Processing Center, Pearsall, Texas, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/749ba1df-fc15-443b-8488-867ed645e26b/Lopez_Figure+2.jpg Home - Sidewalk Apprehensions: Unmasking Migrant Detention Histories in the United States - Make it stand out Figure 2. Migrant workers from Mexico who have been accepted to do farm labor in the U.S. through the Bracero Program, ca. 1942-ca.1945. Source: National Archives; Identifier 7452192. https://www.platformspace.net/home/curating-modern-life-and-architecture-in-taiwan monthly 0.5 2025-07-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d871ef01-369e-4bd7-b2fa-2f6c6a726e5b/Figure+1.JPG Home - Curating “Modern Life” and Architecture in Taiwan, Part 1 - Make it stand out Figure 1. San Sin High School of Commerce and Home Economics (Wave Building), Chen Ren-He, Kaohsiung, Taiwan, 1963. Photograph by Chang Wen-Jui. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/71114d34-9689-4596-97bd-ba57fd0f79e0/Figure+2.JPG Home - Curating “Modern Life” and Architecture in Taiwan, Part 1 - Make it stand out Figure 2. Chiang A-Hsin Mansion, Beipu Town, Hsinchu County, 1946. Courtesy Chiang A-Hsin Mansion’s official Facebook page. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/af908ce2-2e84-4973-bbc1-bc63fcfa7281/Figure+3.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 1 - Make it stand out Figure 3. Exhibition model, Chiang A-Hsin Mansion, Beipu Town, Hsinchu County, 1946. Courtesy of Taipei Fine Arts Museum, Taiwan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/73858980-9d80-4a34-9146-eaecb3034e47/Figure+4.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 1 - Make it stand out Figure 4. Former National Taiwan Science Center (now National Taiwan Craft Research and Development Institute, Taipei Branch), Lu Yu-Jun, Taipei City, 1959. Courtesy of Ministry of Agriculture, Taiwan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/92d0fffa-7f42-4829-b6b5-7d9b73b61de5/Figure+5.jpg Home - Curating “Modern Life” and Architecture in Taiwan, Part 1 - Make it stand out Figure 5. Wannien Commercial Building, Tsai Puo-Fuon and Chen Chao-Wu, Taipei, 1973. Courtesy of Taipei Fine Arts Museum. https://www.platformspace.net/home/architecture-students-crisis-in-china-and-hong-kong monthly 0.5 2025-06-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2ac43061-4c69-4a7d-a9a3-59e283e71b71/Figure1.jpg Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 1. Due to the overexpansion of China's real estate sector in the past years, there have been vacant estates dubbed ghost towns. An example is this abandoned residential complex in the Chenggong district, Kunming, Yunnan, photographed in 2011. Chinaunderground/ Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6550a0ed-9ed2-4af2-ac21-015af8e405ba/Figure2.jpeg Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 2. Chen Guoen, a participant of the Chinese workplace reality show, An Exciting Offer, and an architecture student, contemplating on changing careers from the discipline. Tencent. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/69af5f33-b14a-405f-b636-4a5de4ad3fb8/Figure3.jpg Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 3. As local developers are strapped on cash, they issued discounts to newly built housing estates, attracting an oversubscription of interests. This is a recent example, Sierra Sea developed by San Hung Kai Properties, attracting an oversubscription of 66 times in the April launch. The banner writes that Sierra Sea has made history by selling out in 6 rounds of sales. 樓行睇盤/ Facebook. https://www.facebook.com/share/p/1BoJSibKrF/ https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/27ac6bce-55f4-4635-af0a-6806e4cd6834/figure4.jpg Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 4. Another construction company, Chi Fu Construction Co, owed wages to its construction workers. Some were seen protesting with banners in Sham Shui Po district in January this year, requesting the payment of owed wages. Photograph by the author, 2025. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a3abb200-9ca0-4259-bd6f-0efadad38ad6/Figure5.jpg Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 5. Screengrab of internal email from Ronald Lu & Partners (top; Mingpao) and from DLN Architects Limited (bottom; LIHKG/ Vision Times). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1123476e-9cec-4fe0-9e08-79372226722c/Figure6.png Home - Architecture Students’ Crisis in China and Hong Kong - Make it stand out Figure 6. An online meme by Instagram account @hkconstructionbrawl, ridiculing the slow speed of an infamous construction company, Aggressive Construction Co. Ltd, in issuing wages to its construction workers, compared to the fast imposition of Martial Law by South Korea president Yoon Suk Yeol last year. The construction company has recently been suspended from its license by the Buildings Department. Instagram. https://www.instagram.com/p/DDH8pbeyVi9/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== https://www.platformspace.net/home/unlearning-as-research-lessons-from-migrant-women-in-liverpool monthly 0.5 2025-10-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0135f3fb-3b53-4341-b748-76ec38e91648/Fig.1+map+of+L8.jpg Home - Unlearning as Research: Lessons from Migrant Women in Liverpool - Make it stand out Figure 1. Map of the Toxteth neighbourhood in Liverpool, U.K., known locally as Liverpool 8 or L8. Source: Hana Koubková, Francesca Piazzoni. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5601b773-129c-42ed-ba4f-453503da479c/Fig.2+L8+cover.jpeg Home - Unlearning as Research: Lessons from Migrant Women in Liverpool - Make it stand out Figure 2. Landmarks of Liverpool 8, from left to right: the Igbo Community Center (previously the Deaf and dumb Benevolent Society Building, built in 1864, currently abandoned); the Kuumba Imani Millennium Center (built in 2004 on a site demolished in the mid-1990s); Edge Hill Library (built in the 1880s, closed to the public in the 1990s, currently abandoned); terraced houses on Ducie Street (built in the 1880s, demolished in the 1990s);Tiber Street School (built in 1904, demolished in 1994). More information on the buildings and the women who cherish them at L8 HERstory: An Architectural Guide from Older Women. Source: Luke Fawcett. https://www.platformspace.net/home/trump-is-about-to-devastate-american-cities monthly 0.5 2025-06-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/55ef43e7-15ad-48b4-acb7-2a70ee55fc75/FIG+1+master-pnp-fsac-1a34000-1a34800-1a34847u_sm.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 1. Steel and concrete going into place rapidly as a new steel mill takes form, Columbia Steel Co., Geneva, Utah, 1942. The new plant was to make important additions to the vast amount of steel needed for the World War II effort. Photograph by Andreas Feininger. Courtesy U.S. Farm Security Administration - Office of War Information color slides and transparencies collection, Library of Congress (fsac 1a34847 https://hdl.loc.gov/loc.pnp/fsac.1a34847). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/80198eba-b4ef-432f-a027-0b552975b07b/FIG+2+master-pnp-fsa-8c52000-8c52900-8c52905u.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 2. Bethlehem houses and steel mill, Bethlehem, Pennsylvania. Photograph by Walker Evans, 1935. Courtesy U.S. Farm Security Administration - Office of War Information Photograph Collection, Library of Congress (fsa 8c52905 https://hdl.loc.gov/loc.pnp/fsa.8c52905). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dd8798e2-8af9-4537-9659-070a69c66281/FIG+3+Carnegie_Mellon_University_as_seen_from_the_Cathedral_of_Learning.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 3. The main campus of Carnegie Mellon University in Pittsburgh as seen from the 36th floor of the Cathedral of Learning. Photograph by Dllu, 2015 via Wikimedia Commons, CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c7e75a01-3eba-4241-9c83-eaf99c8a9032/FIG+4+master-pnp-highsm-58500-58520u_sm.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 4. Aerial view of Pittsburgh, Pennsylvania, with the Allegheny River on the right and the Monongahela River, just out of the photo to the left. They come together downtown at what's called The Point and become the Ohio River. Photograph by Carol M. Highsmith, 2019. Courtesy of Carol M. Highsmith Archive, Library of Congress (highsm 58520 https://hdl.loc.gov/loc.pnp/highsm.58520). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/12e97f20-fc6b-4a6a-9c9a-3996618d1620/FIG+5+iiif-service_pnp_highsm_41700_41708-full-pct_25-0-default.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 5. Rusted steel-mill remnants and trains in Mahoning County, Ohio, along a stretch of abandoned mills that once bustled with activity beside the Mahoning River between Youngstown and Struthers. Photograph by Carol M. Highsmith, 2019. Courtesy of Carol M. Highsmith Archive, Library of Congress (highsm 41708 //hdl.loc.gov/loc.pnp/highsm.41708). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a5cce20e-6ebc-4c65-b692-aa2a1d6c552a/FIG+6+service-pnp-highsm-41400-41456_sm.jpg Home - Trump is About to Devastate American Cities - Make it stand out Figure 6. A steel statue of a penguin welcomes visitors to Youngstown State University in Youngstown, Ohio. Photograph by Carol M. Highsmith, 2019. Courtesy of Carol M. Highsmith Archive, Library of Congress (highsm 41456 //hdl.loc.gov/loc.pnp/highsm.41456). https://www.platformspace.net/home/in-remembrance monthly 0.5 2025-05-26 https://www.platformspace.net/home/architecture-studio-after-the-encampments monthly 0.5 2025-05-19 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dcbcb364-73ea-4631-b21f-5abd1995b6a3/fig-1_adam-nussbaum.JPG Home - Architecture Studio after the Encampments - Make it stand out Figure 1. A sketch of the books from the first day of the protest on Beinecke Plaza. April 15, 2024. Photograph courtesy of an anonymous architecture student. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f704e9fc-021d-42d2-a939-082088e39ceb/fig-2_tashroom-ahsan.jpg Home - Architecture Studio after the Encampments - Make it stand out Figure 2. The books on Beinecke Plaza later in the week, just before tents went up. April 19, 2024. Photograph courtesy of Tashroom Ahsan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fa1086db-cfe3-42b4-8b75-931ee2f689c5/fig-3_dylan-antonioli_sm.png Home - Architecture Studio after the Encampments - Make it stand out Figure 3. Students celebrate the retreat of police on the first night of the tent encampment. April 19, 2024. Photograph courtesy of Dylan Antonioli. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/29bda7a4-4892-4c82-9ae7-a89b555b5df3/fig-4_koby-chen+%282%29.JPG Home - Architecture Studio after the Encampments - Make it stand out Figure 4. The encampment library, after the books had been moved into new bookshelves. April 20, 2024. Photograph courtesy of K. C. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/049e0eb4-33f8-43f3-be80-d6c06654bb73/fig-5_jabez-choi.jpg Home - Architecture Studio after the Encampments - Make it stand out Figure 5. Poster from the U-ACT encampment on New Haven Green. October 23, 2024. Photograph courtesy of Jabez Choi and the New Haven Independent. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b0a45281-21c3-475b-9218-2df69a5af6fa/fig-6_koby-chen.JPG Home - Architecture Studio after the Encampments - Make it stand out Figure 6. People share soup at the encampment on Beinecke Plaza. April 20, 2024. Photograph courtesy of K.C. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cc3c09e0-bb22-4ab5-bef5-75554317af55/fig-7_ruthie-block.jpg Home - Architecture Studio after the Encampments - Make it stand out Figure 7. Library stamp used to mark the 1500+ books from the encampment, before they were redistributed to centers and individuals across New Haven. Photograph courtesy of Ruthie Block. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7b629051-b5c6-4d14-a0b7-4454a40d531b/fig-8_yale-library.jpg Home - Architecture Studio after the Encampments - Make it stand out Figure 8. Sketch from the archives of The Black Workshop, 1969. Reproduced with permission from the Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5af56bcb-9259-4b80-85a4-cdc3592e590a/Fig+9.JPG Home - Architecture Studio after the Encampments - Make it stand out Figure 9. The bookshelf wall, dismantled. April 15, 2024. Photograph courtesy of K.C. https://www.platformspace.net/home/chinampa-veneta-a-scenography-of-extractivism-at-the-venice-biennale monthly 0.5 2025-06-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c6b37636-8766-457d-b949-e752a539ea9a/Mendoza_FIG1.jpg Home - Chinampa Veneta: A Scenography of Extractivism at the Venice Biennale - Make it stand out Figure 1. Chinampero moving between chinampas by canoe, San Gregorio Atlapulco, 2023. Photograph by Elis Mendoza. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e9afaba1-e502-45d5-987c-b6a0418adc6e/Mendoza_FIG2.jpg Home - Chinampa Veneta: A Scenography of Extractivism at the Venice Biennale - Make it stand out Figure 2. A chinampero prepares the chapines to receive the seeds, San Gregorio Atlapulco, 2023. Photograph by Daniel P. Gamez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d8d34b79-7160-4063-a18f-8967fe2f07e3/Mendoza_FIG3.jpg Home - Chinampa Veneta: A Scenography of Extractivism at the Venice Biennale - Make it stand out Figure 3. Benito, a chinampero’s cat, plays between kale growing on a chinampa, San Gregorio Atlapulco, 2024. Photograph by Sergio Beltrán-García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dc94ca41-10e5-4622-994e-0ba0440075b8/Mendoza_FIG4.jpg Home - Chinampa Veneta: A Scenography of Extractivism at the Venice Biennale - Make it stand out Figure 4. A chinampa with rows of thriving different crops, San Gregorio Atlapulco, 2023. Photograph by Sergio Beltrán-García. https://www.platformspace.net/home/quarantine-an-architecture-of-waiting-from-public-health-to-political-limbo monthly 0.5 2025-05-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2d4397e8-e640-4ac3-a7c3-4a8e59b9a311/Fig1.jpg Home - Quarantine: An Architecture of Waiting, From Public Health to Political Limbo - Make it stand out Figure 1. Ideal plan for a quarantine station from John Howard, An Account of the Principal Lazarettos in Europe (1789). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f2bb9927-2072-4c4e-b9c7-1d9398e7478a/Fig2+stitched.jpeg Home - Quarantine: An Architecture of Waiting, From Public Health to Political Limbo - Make it stand out Figure 2. 1847 plan of the Canadian quarantine station on Grosse-Ile, near Quebec City, which combines the order of the wards in the “Sick Division” with the picturesque ensemble of buildings around the bay in the “Healthy Division.” Source: Library and Archives Canada, H1/340/Grosse Ile/[1850] (NMC: 53839) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6728e1b4-b0ef-4a6d-9ef4-b539cad03979/Fig3.jpeg Home - Quarantine: An Architecture of Waiting, From Public Health to Political Limbo - Make it stand out Figure 3. “Kamaran harbour and village from the north-east, seen from the air. Quarantine station in foreground.” Source: Naval Intelligence Division [UK], Western Arabia and the Red Sea (1946). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/81b30867-b533-4939-9933-0e74c9a4270b/Fig4.jpg Home - Quarantine: An Architecture of Waiting, From Public Health to Political Limbo - Make it stand out Figure 4. 1910 additions to the United States quarantine station in San Juan. Source: National Archives at College Park, Cartographic Division, RG90. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/775994fc-a7a3-4555-baec-9555100e0c71/Fig5.JPG Home - Quarantine: An Architecture of Waiting, From Public Health to Political Limbo - Make it stand out Figure 5. The quarantined area of Honolulu during the 1900 plague epidemic; the entire area would burn to the ground two weeks later. From the Honolulu Advertiser (Jan. 5, 1900); in a doctor’s scrapbook in the National Library of Medicine (Acc 2002-019). https://www.platformspace.net/home/carceral-formations monthly 0.5 2025-04-28 https://www.platformspace.net/home/exploring-difference-and-power-in-the-built-environment monthly 0.5 2025-04-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1119b2f6-c33b-4072-a763-ff90a032742d/Sewell_FIG1.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 1. Ladies’ Reading Room, Buffalo Public Library. The throw rugs, rocking chairs set at various angles, and fireplaces suggest a place of leisure based on the norms of a parlor. The Buffalo Library and Its Building: Illustrated with Views (Buffalo, NY: by the library, 1887), opp. 30. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a7af6794-bc9e-496a-a6fc-7bafbe22c670/Sewell_FIG2.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 2. The ladies’ reading room in the Lister Drive Carnegie Library and Reading Rooms, Liverpool, UK, is separated from the general reading room by a vestibule, which can also be directly accessed through a discreet ladies’ entrance. Thomas Shelmerdine, 1904, public domain, Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d00fda88-ddb2-453d-8585-053d9c9a51e3/Sewell_Fig3.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 3. Camp Fire Girls Shower House plan. This washhouse provides six shower stalls, each with a dressing room, and just two toilet stalls. Adapted from Camp Fire Girls, When You Plan Your Camp (New York: Camp Fire Girls, 1946). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5e903769-37e6-4374-b84b-56fba2f44e2b/Sewell_FIG4.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 4. YMCA camp washhouse for boys. This washhouse provides a small space for showering, with no private stalls. Plan of Unit Washhouse for a YMCA Camp, John A. Ledlie, ed., Layout Building Designs, and Equipment for Y.M.C.A. Camps (New York: Young Man’s Christian Association, 1946), 48. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/600ec578-ef1f-4c64-95cc-4932ab2bd209/Sewell_FIG5.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 5. This plan of the second floor of a women’s dorm shows rooms along a double-loaded corridor, accessed by a shared staircase. The coming and going of women students and their guests is easily surveilled by controlling access to the staircase. Plan of second floor of Green Hall, University of Chicago, 1893–1898, Henry Ives Cobb, architect. Drawing by Tabi Summers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6da3a268-51b1-4244-a582-735c8566533a/Sewell_FIG6.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 6. Ridenbaugh Hall, a women’s dormitory at the University of Idaho, is typical in its single entrance and comparative lack of openness at the ground floor, ensuring women students’ rooms are shielded from those outside and facilitating surveillance. Postcard, c.1910. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2f950a15-db7f-4bf5-bdad-c6760e240fdc/Sewell_Fig7.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 7. In this men’s dorm at Yale University, rooms, organized into shared suites, cluster around multiple staircases, and students can come and go without central surveillance. Portion of Calhoun College (now Grace Hopper College), Yale University, 1932–1933, John Russell Pope, architect. Drawing by Tabi Summers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bf3c6487-abee-429b-9c93-62d6557476f9/Sewell_FIg8.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 8. YWCA, Binghamton, New York, in repurposed grand domestic building. Postcard, c. 1908. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b309505a-1ab5-4d10-a96f-0728491250ee/Sewell_Fig9.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 9. The Dayton, Ohio, YWCA is a picture of middle-class respectability and prosperous permanence. It presents the YWCA as a solid, respectable, and modern organization. Postcard, c. 1910. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a9c77a54-5c5e-4c03-853e-6305a4aca5bc/Sewell_Fig10.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 10. The Fifteenth Ward Relief Society Hall, in Salt Lake City, Utah, is a resolutely commercial building, from the prominent lettering on its façade to the glass-fronted store on its first floor. Used by permission, Utah State Historical Society. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e3218dd5-5cb4-4b92-876c-3c62351db8c7/Sewell_Fig11.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 11. In this c.1960 ranch house plan, the master bedroom is significantly larger than the other three bedrooms and has a private bath. House plan 7224 from “Garlinghouse Split Level Homes.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a5443975-73bd-41e9-a8f5-5b9ce1e8440f/Sewell_FIg12.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 12. The 1941 Weston Havens house in Berkeley, by Harwell Hamilton Harris, has three bedroom suites, each with a private bathroom (highlighted in this drawing). Drawing by Tabi Summers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2e55921b-4af2-4561-a870-c66c2e4e1544/Sewell_Fig13.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 13. The three bedrooms in the 1972 Angelo Donghia House on Fire Island, designed by Horace Gifford, are strikingly nonhierarchical. Plan showing circulation drawn by Tabi Summers, based on Architectural Digest, Nov./Dec. 1973. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d3ace178-27e2-4639-a479-7447233d0a3b/Sewell_Fig14.jpg Home - Exploring Difference and Power in the Built Environment - Make it stand out Figure 14. Rainbow flags like this one declare a queer presence in suburbia just as they do in cities, marking ordinary single-family houses as queer space. Suburban rainbow flag decoration, 2021. Photograph by Nicole Schroeer. https://www.platformspace.net/home/writing-architectural-histories-in-dark-and-cruel-times monthly 0.5 2025-04-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0e6bef71-92c1-4144-ac61-b86de6997306/Fig+1.jpeg Home - Writing Architectural Histories in Dark and Cruel Times - Make it stand out Figure 1. Van Tiger Camp, Sutter County, CA, 2022. Photograph by Arijit Sen. The remnant of the Van Tiger Camp building that housed Punjabi laborers studied by Allan Miller. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cfab8b49-77de-4f8a-8414-1495939cd838/Fig+2.jpeg Home - Writing Architectural Histories in Dark and Cruel Times - Make it stand out Figure 2. Yard at the Van Tiger Camp, Oak Grove, Sutter County, CA, 2022. Photograph by Arijit Sen. Miller describes the activities that took place in the verandah and this yard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9f0d1b7e-e999-4639-882c-c99fb5157a8b/Fig+3.JPG Home - Writing Architectural Histories in Dark and Cruel Times - Make it stand out Figure 3. Lakha Singh Chima (1892—1961) and Swaran Singh Chima home, Yuba City, CA, 2022. Photograph by Arijit Sen. The Chima brothers lived in this building while they worked in the farm. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f5a874e-c902-4eda-8969-796f1e5b80e0/Fig+4.jpg Home - Writing Architectural Histories in Dark and Cruel Times - Make it stand out Figure 4. Chima home courtyard, Yuba City, CA, 2022. Photograph by Arijit Sen. This courtyard space became a space of social gathering for local farmers as well as activists and students associated with the Ghadar Party, an early twentieth century international political movement that attracted expatriate Indians who wanted to overthrow British colonial rule in India. https://www.platformspace.net/home/farewell-to-the-penny monthly 0.5 2025-04-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ab5e523-88a4-42ca-8452-89feb2f8a352/1+Union+Penny+from+Wiki-public+domain.jpg Home - Farewell to the Penny - Make it stand out Figure 1. The Union Shield Penny reverse (2010-present). Public Domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a75722ff-3cd0-4491-939a-14214029ef17/2+Lincoln+Memorial+penny-public+domain.png Home - Farewell to the Penny - Make it stand out Figure 2. Lincoln Memorial Cent, reverse (1959-2008). Public Domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a72b4163-01d8-4264-a141-f2d2ad471e06/3.+NNC-US-1860-1C-Indian_Head_Cent_%28public+domain%29.jpg Home - Farewell to the Penny - Make it stand out Figure 3. The “Indian Head” Penny and reverse (1859-1909). Public Domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/75e7b660-13b0-486e-bcfb-70dc044352eb/4+_Wheatie_+public+domain.jpg Home - Farewell to the Penny - Make it stand out Figure 4. The “Wheat Penny” reverse (1909–1958). Public Domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/11f119bc-24da-4f99-afb6-b0339c805bf3/5+March+on+Wasington+1963.jpg Home - Farewell to the Penny - Make it stand out Figure 5. Leaders of the March on Washington at the Lincoln Memorial, including Martin Luther King, Jr., 28 Aug 1963. Photographer: Rowland Scherman. Public domain. https://www.platformspace.net/home/the-destruction-of-heritage-and-the-power-of-student-protests monthly 0.5 2025-03-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6a5f803f-12a0-4350-9c07-210c8f3c1c2c/BABIC_Fig1.jpg Home - The Destruction of Heritage and the Power of Student Protests - Make it stand out Figure 1. Protests in Belgrade, Serbia. The general strike took place on January 24, 2025. Courtesy of Wikimedia. Image licensed under the Creative Commons Attribution 4.0 International license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/206e12c1-fefa-4c11-899c-8717d0ddb1bb/BABIC_Fig2.jpg Home - The Destruction of Heritage and the Power of Student Protests - Make it stand out Figure 2. Collapsed canopy of the Novi Sad Railway Station. November-December 2024. Courtesy of Wikimedia. This image was made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/58b48552-837c-4463-88df-7cf0e002c22c/BABIC_Fig3.jpg Home - The Destruction of Heritage and the Power of Student Protests - Make it stand out Figure 3. Railway Station in Novi Sad, Serbia, before the collapse. Courtesy of Wikimedia. Image licensed under the Creative Commons Attribution 4.0 International license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bd68c0d7-2101-468e-890a-0b49779cbec6/BABIC_Fig4.jpg Home - The Destruction of Heritage and the Power of Student Protests - Make it stand out Figure 4. “Blood on your Hands.” Protest poster. 2024-2025. Courtesy of Wikimedia. This image was made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. https://www.platformspace.net/home/writing-migration-now monthly 0.5 2025-04-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c5a1a02a-0449-48cd-95de-9d9c72c34fa6/Fig+1+-+MPI+Total+Emigrant+Pop+mid+2020.jpg Home - Writing Migration Now - Make it stand out Figure 1: "Total Immigrant and Emigrant Populations by Country,” Originally published by the Migration Policy Institute (MPI) Data Hub. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/15233345-0fe7-40f6-a64a-99adacc32b3a/Figure+2_Baldev+Singh+Passport.jpg Home - Writing Migration Now - Make it stand out Figure 2. “Baldev Singh’s Passport,” 1958. Pioneering Punjabis Digital Archive, UC Davis Library, Archives and Special Collections. Reproduced with permission. https://www.platformspace.net/home/in-between-dimensions-architecture-digitality-and-protest-through-the-azadi-monument-in-tehran monthly 0.5 2025-03-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5e9b691f-2c40-4daf-9043-8d39c3e9e00b/Figure+1-Soltani.jpg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 1. A compilation of Instagram posts (graphics) collected by the author from September to November 2022. Instagram. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0184f0d5-c7c5-41ae-930f-4407f237643b/Figure+2-Soltani.jpg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 2. 1976-77 map of Tehran. University of Chicago Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4cae101a-07c8-494e-8a47-2c782989c19f/Figure+3-Soltani.jpg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 3. Anti-Shah sketch confiscated by SAVAK in Shahrud, Summer 1978. The text above the portal reads “The Great Gate of Civilization” referring to the Shah’s speech during the opening ceremony of Shahyad. Ṭarḥʹhā Va Kārīkātūrhā-Yi Mardumī Bih Rivāyat-I Asnād-I Sāvāk (Tehran: Markaz-i Barrasī-i Asnād-i Tārīkhī-i Vizārat-i Iṭṭilāʻāt, 2008), 56. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c4743e0c-1287-45cd-ad72-5eae66b94bff/Figure+4-Soltani.jpeg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 4. Shahyad Square, February 1979. Institute for Iranian Contemporary Historical Studies, Tehran. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/83fd84ca-6a04-409b-b937-9ab9079ece5e/Figure+5-Soltani.jpg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 5. Poster titled “The Rightful is Arriving (in Arabic), Imam (Khomeini) is coming (in Persian)” with an image of the first page of Kayhan Newspaper with the bold title “Iran is preparing for the biggest reception in history,” produced by the planning organization of the anniversary of the revolution, 1984. Poster IR 141.10, Poster Collection, Hoover Institution Library & Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e58ea9fd-3049-4685-b5f1-a799541095ad/Figure+6-Soltani.jpg Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 6. Azadi as the backdrop of memory shots. Omid Habibi in A Testimony of Azadi: Collection of the photographs exhibited in Azadi photograph competition (Tehran: Roudaki Foundation, 2005), 58. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6f19fc06-2a03-48f5-8a76-59ae26266405/Figure+7-Soltani.png Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 7. Left: “To Liberty Tower: a deep wish for the day when your name fits you!” Instagram, October 2022; Center: “The day after freedom, Iran’s refugees.” Instagram@iranianpopart, November 12, 2022; Right: “Woman, Life, Freedom – Queer, Trans, Liberty.” Instagram@iranianpopart, March 23, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5b851f47-3cf0-4023-b7f8-8e6e8acd2a41/Figure+8-Soltani.png Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 8. Selection of photos and still shots from videos posted on Instagram from September to December 2022. Instagram. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3065f836-a200-48d5-b537-13ee67ba1f43/Figure+9_Soltani.png Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 9. Graphic created using actual photograph from September 2022 protests in Tehran. Instagram, November 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/93c3ee2a-a852-4441-b8d2-0080900ea037/Figure+10-Soltani.png Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 10. Left: “Gate of Words” light projection by Philipp Geist in 2015, showing the Persian word, Azadi (Freedom) projected on the tower. Photograph by Kaveh Nassimi, Tehran, 2015; Right: “Woman, Life, Freedom” digitally generated image with Mahsa’s picture projected at the apex of the arch. Instagram, November 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/863abda8-2280-42d3-af0f-ddc6b5312729/Figure+11-Soltani.png Home - In-Between Dimensions: Architecture, Digitality and Protest through the Azadi Monument in Tehran - Make it stand out Figure 11. Left: “Long Live Freedom.” Instagram, December 2022; Right: Tehran preparing for the celebrations of the anniversary of the 1979 Revolution in February 2023. Instagram account of the Tehran Municipality’s Beautification Organization, Instagram@zibasazi_ir, February 9, 2023. https://www.platformspace.net/home/the-plantation-logic-of-nusantara monthly 0.5 2025-03-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e0bd86af-1d35-43e9-8684-45db1c71203b/Fig+1_Nusantara+from+Above.jpg Home - The Plantation Logic of Nusantara - Make it stand out Figure 1. Satellite views of Nusantara on April 26, 2022 (left) and February 19, 2024 (right). Courtesy of NASA Earth Observatory. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/32153bf9-8d75-479d-91ec-267a93428e08/Fig+2_Delineation+Map+Nusantara+%282023%29.jpg Home - The Plantation Logic of Nusantara - Make it stand out Figure 2. Map of Nusantara’s zoning over the existing border of East Kalimantan. The pink area is the Main Governmental Zone; the green area suggests the Capital City Area; and the orange area denotes the Capital City Development Zone. Attachment I to Law Number 21 of 2023 on State Capital. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/24a91099-aff8-4a6f-8ec8-2da572a9bb84/Fig+3_website+image.png Home - The Plantation Logic of Nusantara - Make it stand out Figure 3. The front page of the official website of Nusantara. The image shows the site of the future capital dominated by eucalyptus, an invasive plant widely cultivated by pulp and paper companies in East Kalimantan. Public domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/054c6822-97e8-4fe6-ae8d-14e806586e1e/Fig+4_1624px-Upacara_HUT_ke-79_RI_di_Istana_Garuda%2C_Nusantara_%28IKN%29.jpg Home - The Plantation Logic of Nusantara - Make it stand out Figure 4. Indonesia's Independence Day Ceremony at the State Palace in Nusantara, August 17, 2024. Courtesy of BPMI Sekretariat Presiden Republik Indonesia, public domain. https://www.platformspace.net/home/street-hustling-in-los-angeles monthly 0.5 2025-03-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3fc5680d-ee1c-40d1-b533-d3016b7e2bb4/Allison_Cano_FIG1_art.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 1. One of Roland’s art pieces on canvas. Photograph by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c89b86cc-e439-4243-8e71-1b4b4ce91e7b/Allison_Cano_FIG2_map1.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 2. The boundaries of the County and City of Los Angeles and this study’s field site. Graphic by Victor Cano-Ciborro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7de3b21c-6cae-4383-bd05-6b76df36c297/Allison_Cano_FIG3_map2.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 3. The infrastructures Roland visits on a regular basis. Graphic by Victor Cano-Ciborro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ba2171ee-c066-4771-8228-8c6024d05313/Allison_Cano_FIG4-map3.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 4. Roland’s hustling tactics and the locations of other informal activities at the intersection. Graphic by Victor Cano-Ciborro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d905f415-3319-4883-93f4-1fb4c7100f7d/Allison_Cano_FIG5_infrastructure.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 5. The east/west movement of vehicles traveling on the Santa Monica Freeway. Photographs by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6d7e5f89-eadd-45b3-b311-cc55e99b2e60/Allison_Cano_FIG6_liv+qtrs.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 6. Roland’s living quarters among the trees and shrubs aligning the Santa Monica Freeway. Photograph by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7b771f13-6138-42af-ad31-598416cdd0d2/Allison_Cano_FIG7_sign.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 7. View of the Hollywood sign from the intersection where Roland lives and works. Photograph by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d5f50dc-2404-40c7-9d89-e084bb47e7ef/Allison_Cano_FIG8_cinder+blk.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 8. The cinderblock Roland uses to exercise. Photograph by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4c26b4d9-4f81-4a12-881e-9a2f84aab3f8/Allison_Cano_FIG9_aerial+view.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 9. Aerial view of the location where Roland hustles in the street, 2024, annotated by Noah Allison. Courtesy of Google Earth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a4fad4e4-b558-4571-bc65-9eec4d86aa27/Allison_Cano_FIG10_lanes.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 10. Traffic-calming lanes that Roland relies on for safety while soliciting donations from motorists. Photographs by Noah Allison, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1a6cdd08-1f23-4a7c-ba2f-b929db614462/Allison_Cano_FIG11.jpg Home - Street Hustling in Los Angeles - Make it stand out Figure 11. Roland defying the autocentric road while hustling in the street. Photographs by Noah Allison, 2024. https://www.platformspace.net/home/mass-housing-in-ukraine-war-past-future monthly 0.5 2025-02-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/041a8476-cbf5-4841-ac93-a27fa18b138a/Malaia_Figure+1a_destroyed+homes1.jpg Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 1a. Destroyed homes in Borodianka, Kyiv oblast, August 2022. Oleksandr Burlaka and Philipp Meuser. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a5a8af11-5466-48e4-a499-5a7fec6db64e/Malaia_Figure+1b_destroyed+homes2.jpg Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 1b. Destroyed homes in Borodianka, Kyiv oblast, August 2022. Oleksandr Burlaka and Philipp Meuser. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/74a713d6-8d03-4ad4-9d2f-1311d25c66b2/Malaia_Figure+1c_destroyed+homes3.JPG Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 1c. Destroyed homes in Borodianka, Kyiv oblast, August 2022. Oleksandr Burlaka and Philipp Meuser. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/53199c3d-d2d7-41b4-a1d2-bb819a9f629f/Malaia_Figure+2_street+in+Mariupol.jpg Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 2. A street of Mariupol during the siege of the city in the course of the 2022 Russian invasion of Ukraine, March 2022, Ministry of Internal Affairs of Ukraine. Creative Commons Attribution 4.0 International license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/18d62fcc-4fa5-4b1c-aeb0-dbe0ae5777e2/Malaia_Figure+3_plans.png Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 3. Block-section plans from Series 87 catalogue, 1971–1975. Zabolotnyi State Scientific Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/894cb3a7-7ccf-43f8-8afd-97fb9e85961c/Malaia_Figure+4a_Ukraine+map1.png Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 4a. Map of Ukraine during 1922-1939. Soviet annexation of Eastern Galicia and Volhynia during WWII, Amitchell125. Creative Commons Attribution 4.0 International license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6cffe46e-a6b1-4ec0-b35c-610a5f7724e9/Malaia_Figure+4b_Ukraine+map2.jpg Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 4b. Map of Ukraine during 1945-1954. Administrative borders of the Ukranian SSR in 1947, Mr.petruccio, Creative Commons 0 license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/52358d35-b010-4a0d-b8d8-45f7d016c459/Malaia_Figure+4c_Ukraine+map3.png Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 4c. Map of Ukraine between 1954 and now (not reflecting the Russian land grabs). United Nations map. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ca960f0-fef8-4158-a129-9f70ab138be4/Malaia_Figure+5_central+streetJPG.JPG Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 5. Khreshchatyk, the central street of Kyiv, rebuilt after World War II. Philipp Meuser. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e249e007-5b31-48b4-b306-9289cdb0803f/Malaia_Figure+6_map-housing+bldg.jpg Home - Mass Housing in Ukraine: War, Past, Future - Make it stand out Figure 6. Map of Ukrainian House-Building Factories and the series they manufactured. Inozemtseva et al., Zhilishchnoe Stroitel'stvo v Ukrainskoi SSR. https://www.platformspace.net/home/fire-and-collective-futures monthly 0.5 2025-02-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e17c941a-09c6-4e1d-9d65-937d0898e000/Kehar_Fig+1_native-land_1.jpg Home - Fire and Collective Futures - Make it stand out Figure 1. Map of Indigenous homelands, western United States. Source: Native Land Digital, Native Land CA, accessed January 24 2025, https://native-land.ca/. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e463a16f-04a5-46d4-8ceb-a1fb14e1216a/Kehar_Fig2_burning.jpg Home - Fire and Collective Futures - Make it stand out Figure 2. Cultural Burning Workshop. 19 February 2022. Southern Sierra Miwok Homelands (Mariposa County). https://www.platformspace.net/home/finding-a-place-to-live-in-an-ordinal-society monthly 0.5 2025-02-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c294cf06-7c47-49aa-8b29-847238e77128/Burrows_Figure+1.jpg Home - Finding a Place to Live in an Ordinal Society - Make it stand out Figure 1. A street of predominantly rented properties in York, UK. Photograph by Roger Burrows. https://www.platformspace.net/home/design-technocracy-and-new-school-architecture-in-shenzhen-china monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/aa43187d-154d-4a11-8a1f-67a6b5b46b4a/Figure+1.jpg Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 1. The east-west Shennan Avenue and the north-south central axis of Futian CBD define Shenzhen’s unique urban landscape, 2019. Photograph by Cong Sun https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/16812656-ba97-47d1-b6de-466cece2a19d/Figure+2.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 2. Yuehai Cultural and Sports Center by Urbanus, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/aecf543f-ae25-4d5b-a0f4-933ec9086706/Figure+3.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 3. Facade details of Yuehai Cultural and Sports Center by Urbanus, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d02a41e1-1393-43fe-81d3-7054343be199/Figure+4.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 4. Southeast view of Hongling Experimental Primary School by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/88b233b6-1c0d-4fb8-b66e-b384f74bfffd/Figure+5.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 5. Aerial view of Hongling Experimental Primary School by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4e8570f5-7a92-4152-8a8c-68a27e4cb75b/Figure+6.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 6. East facade of Hongling Experimental Primary School by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/02023f1e-de8f-4947-9812-368283180fdc/Figure+7.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 7. Aerial view of Futian High School by reMIX Studio, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e189d2e6-bcfe-4f35-8740-8d123f79421e/Figure+8.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 8. Viewing the teaching buildings of Futian High School by reMIX Studio, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a9d3e767-9e36-4fd9-a230-c78d40c1e857/Figure+9.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 9. Dormitory building of Futian High School by reMIX Studio, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5dbf1836-4a59-491c-9681-ea6f253590d6/Figure+10.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 10. Street view of Futian High School by reMIX Studio, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7204bdf8-4293-4c79-93e4-6586e87e5146/Figure+11.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 11. Aerial view of Liyuan Foreign Language Primary School Section 2 by Vector Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/86a84bc2-7e1f-4cb5-8d6c-b3c943c36554/Figure+12.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 12. Courtyard view of Liyuan Foreign Language Primary School Section 2 by Vector Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6e27681a-6941-4058-bda4-3736b0bb559a/Figure+13.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 13. Public spaces of Liyuan Foreign Language Primary School Section 2 by Vector Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0df80f82-df37-4b43-b5c6-787a43e71da9/Figure+14.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 14. The gabion walls of Hongling High School Sports and Arts Center by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/815cb3e6-0162-4e21-9c3c-b76054c19ec2/Figure+15.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 15. Aerial view of Hongling High School Sports and Arts Center by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ad5487e9-fe44-4dd8-a076-8b3eb8eecd96/Figure+16.JPG Home - Design Technocracy and New School Architecture in Shenzhen, China - Make it stand out Figure 16. Roof view of Hongling High School Sports and Arts Center by O-office Architects, 2024. Photograph by Cong Sun and Yuhui Song https://www.platformspace.net/home/the-brutalist-and-the-nightmare-of-the-american-dream monthly 0.5 2025-01-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6f7f36ac-f4b4-4bb2-90f0-eb763957c0fa/Figure+1.jpg Home - The Brutalist and the Nightmare of the American Dream - Make it stand out Figure 1. Adrien Brody as László Tóth in The Brutalist, dir. Brady Corbet, 2024. https://www.platformspace.net/home/from-city-to-metropolis-planning-without-politics-in-hong-kong monthly 0.5 2025-01-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3878d7d6-8df4-451a-a562-76e25216c39b/Fig.+1+Hong+Kong+border+with+Shenzhen+skyline.jpg Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 1. Hong Kong’s northern border facing Shenzhen, June 2023. Authors’ photo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/99adf38e-d966-40f3-85f8-589a6d03e819/Fig.+2+Site+of+Norther+Metropolis_page+54+of+development+strategy.png Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 2. Site of the Northern Metropolis, with Shenzhen in the background and Hong Kong’s northern New Territories in the foreground. Northern Metropolis Development Strategy, October 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c3b3cd77-b48c-4c8b-ac52-d4392d870185/Fig.+3+Two+Cities-Three+Circles_page+26.png Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 3. “Two Cities, Three Circles” spatial imaginary for the Northern Metropolis. Northern Metropolis Development Strategy, October 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/25f27dcf-e938-4dee-a3b8-916c0d025328/Fig.+4+Northern+Metropolis+Action+Agenda_2023_Four+Zones_HK+SARgov.png Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 4. Demarcating Four Major Zones based on “strategic positioning and development themes.” The Northern Metropolis Action Agenda, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6df6447b-f245-4b21-8e91-d2cb7a9a5b6d/Fig.+5a+San+Tin_site+of+San+Tin+Tech+Zone.jpg Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 5a. Site of San Tin Technopole, June 2023. Authors’ photo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d550ca67-8771-4310-8403-289ceaecf152/Fig.+5b+San+Tin+Innovation+and+Technology+Zone+conceptual+image_NM+Action+Agenda.png Home - From City to Metropolis: Planning without Politics in Hong Kong - Make it stand out Figure 5b. San Tin Technopole as it’s envisioned in the Northern Metropolis Development Strategy. https://www.platformspace.net/home/screening-photographs-global-tourism-and-cultural-heritage-in-south-india monthly 0.5 2024-12-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/aaed1049-7eb1-47e1-b207-0c4bb569203c/Pai_FIG1.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 1. Book cover of Architecture of Sovereignty: Stone Bodies, Colonial Gazes, and Living Gods in South India (Cambridge University Press, 2023) by Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ea869e91-7aaf-4fd4-9f0a-fac065709b0d/Pai_FIG2.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 2. R. P. Sundararaj Pillai, Entrance to the Pudu Mandapam at the Minakshi-Sundareshvara temple, Madurai, ca. 1930s. INDIA: Madura, ca.1930s, Folder 39, box 69. Subseries 6B: Photographs of Indic Temples and Artwork, 1906-1948, Ananda K. Coomaraswamy Papers C0038, Special Collections, Princeton University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2e9b8bf0-3c3b-4ee0-a992-425112beb2a4/Pai_FIG3.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 3. Archaeological Survey of India, General view of the Pudu Mandapam from the north-east, 1899-1900. Photo 1008/4(355), © The British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a62a9e9f-a765-4aef-953e-ca5e224f1cec/Pai_FIG4.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 4. Linnaeus Tripe, “East Front of the Puthu Mundapum,” 1858. Linnaeus Tripe, Photographic Views in Madura. By Captain L. Tripe, Government Photographer. Part II. With Descriptive Notes, 1858 (Madras: Madras Presidency, 1860), plate 1. J. Paul Getty Museum 84.XO.1363.2.1, courtesy of Getty’s Open Content Program. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703368424-XG5YNS5M8F384MS302JZ/Pai_FIG5.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 5. Tailors stitch decorative items, garments, and bags, Pudu Maṇḍapam, 2011. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703369386-AH9139YSEAXHHAX6SNU7/Pai_FIG6.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 6. A shopkeeper vends devotional items, Pudu Mandapam, 2011. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703377458-JSJI28EYT9OLEEN8JZH9/Pai_FIG7.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 7. A tourist browses through the stalls’ merchandise, Pudu Mandapam, 2017. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703376691-6CPQKCDQ82XEYFGU0R4U/Pai_FIG8.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 8. Makeshift screens at the Pudu Mandapam’s main entrance, 2009. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d6c3e57a-6b6f-4279-8210-722ecef5b6f9/Pai_FIG9.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 9. Nicholas & Co., Entrance to the Pudu Mandapam, 1882. Photo 1003(2302), © The British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/746ebbbe-61f4-48f0-97a0-9a9cfdd50ba2/Pai_FIG10.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 10. Eastern entrance, Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703566177-E5Q8DV3POW9QCDA398BC/Pai_FIG11.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 11. A temple worker cleans the Pudu Mandapam’s entrance, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703560698-58A9OC4NOCSUBBR8L65L/Pai_FIG12.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 12. Goddess Minakshi enters the Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703592075-DUHHADEFAM7S0WD0WMV7/Pai_FIG13.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 13. Central nave, Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703677559-1QMRFHQEWCSZNNJSMYYP/Pai_FIG14.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 14. North corridor, Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703679160-9W0HXBMBWBON6BZC5A0G/Pai_FIG15.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 15. South corridor, Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703688885-8LZ1RB1WIAG86SMF2OUX/Pai_FIG16.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 16. Linnaeus Tripe, “Aisle on the South side of the Puthu Mundapum, from the Western Portico,” 1858. Linnaeus Tripe, Photographic Views in Madura. Part II. plate 2. J. Paul Getty Museum: 84.XO.1363.2.2, courtesy of Getty’s Open Content Program. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6b2ab0fe-cdf5-45ca-87ed-4e0c433c8632/Pai_FIG17_r.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 17. Edmund David Lyon, “Madura, Trimul Naik's Portico, The Side Aisle,” 1868. ACP: 97.33.0028, The Alkazi Collection of Photography. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5b36b7a2-4244-4f13-a353-b227a8c44f22/Pai_FIG18.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 18. Del Tufo & Co., Madras, “Interior of Puthoo Muntapam, Madura,” c. 1890s. Author’s private collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703888740-D5G3ML8KJB3GCV93W2AI/Pai_FIG19.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 19. Conservation equipment, Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703914552-OOAD39MI1M7SM06IPC5K/Pai_FIG20.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 20. A sign explaining why heritage sites need to be conserved, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703934070-SJTLXXGBH1KNSJYN903T/Pai_FIG21.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 21. Renovation work at the Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1733703941756-J3ZIHGZR3344C6APZ5MI/Pai_FIG22.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India Figure 22. Renovation work at the Pudu Mandapam, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/79524bb9-35ca-4d47-b8b8-f5abac1ef016/Pai_FIG23.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 23. A woman prays to goddess Kali, 2023. Photo by author, © Gita V. Pai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/602be051-e83e-4646-93ca-ae6938a6dc18/Pai_FIG24.jpg Home - Screening Photographs: Global Tourism and Cultural Heritage in South India - Make it stand out Figure 24. A woman prays to goddess Kali, 2018. Photo by author, © Gita V. Pai. https://www.platformspace.net/home/undecorated-early-modern-italian-villas-as-racial-casts monthly 0.5 2024-12-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/00ad1564-5d45-4390-af43-006300e12037/Apostolski_FIG1.jpg Home - Undecorated: Early Modern Italian Villas as Racial Casts - Make it stand out Figure 1. Detail from an undecorated wall from the Villa Farnese in Caprarola. Photograph by author, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e84b490-1a41-423c-86ff-600d5343592b/Apostolski_FIG2.JPG Home - Undecorated: Early Modern Italian Villas as Racial Casts - Make it stand out Figure 2. Undecorated, dark, and minute service hallway in the Villa Farnese in Caprarola. Photograph by author, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/03060de4-68dd-42b4-9ddb-86d6f2e98206/Apostolski_FIG3.jpg Home - Undecorated: Early Modern Italian Villas as Racial Casts - Make it stand out Figure 3. World map with racialized representations of the continents in the Sala del Mappamondo in the Villa Farnese in Caprarola. Photograph by author, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d4b9363-7946-4d6c-94c1-36b7acc88e65/Apostolski_FIG4.JPG Home - Undecorated: Early Modern Italian Villas as Racial Casts - Make it stand out Figure 4. Blocked door behind a fire extinguisher and a golden rope crowd barrier. The obstructed door leads to the foiled corridor and servant stairs in the Villa Farnese in Caprarola. Photograph by author, 2024. https://www.platformspace.net/home/water-infrastructure-and-resistance-at-qurna-re-reading-hassan-fathys-architecture-for-the-poor monthly 0.5 2024-11-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/235a3473-6a66-4c65-a915-5d1fce037352/Schultz_Figure+1.jpg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 1. Hassan Fathy, Plan of New Qurna. Regional Architecture Collection, 46.02 A 101. © Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/815c4ffb-0e21-4c77-9398-7c3d28e4bd8d/Schultz_Figure+2.jpeg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 2. Hassan Fathy, Plan and Drawing of Village Fountain at New Qurna. Regional Architecture Collection, 46.02 A 302-y-a. © Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2784a148-50d4-42a9-ae2c-fc2376ab0f9d/Schultz_Figure+3.jpeg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 3. Hassan Fathy, Proposed Artificial Lake at New Qurna. Regional Architecture Collection, 63.04 A 204 Y. © Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2991c146-73a2-4e37-9d4f-7ecf7f3576c9/SchultZ_Figure+4.jpg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 4. Hassan Fathy, Boys Swimming in a Canal near Quran. Hassan Fathy Photographs, Box 5, Project 46G. © Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/26f7c748-a5eb-4677-a969-f727985953fa/Schultz_Figure+5.jpg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 5. Photographer Unknown. Hassan Fathy (?) as the “Demon” Bill Harzia. Hassan Fathy Photographs, Box 30. © Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/afc81d09-ddfe-4e0d-a8d6-b6798de2f77f/Schultz_Figure+6.jpeg Home - Water Infrastructure and Resistance at Qurna: Re-reading Hassan Fathy’s Architecture for the Poor - Make it stand out Figure 6. Juxtaposition of boys swimming in the canal and Hassan Fathy’s artificial lake. Published in Fathy, Architecture for the Poor (Cairo: AUC Press, 1989). Images © Rare Books and Special Collections Library, The American University in Cairo. https://www.platformspace.net/home/nrx-a-brief-guide-for-the-perplexed monthly 0.5 2025-11-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3e5a1a04-39bf-40b3-bf39-90b3c51e7ecf/fig1.jpg Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 1. JD Vance speaking with attendees at the 2021 Southwest Regional Conference hosted by Turning Point USAat the Arizona Biltmore in Phoenix, Arizona. Photograph by Gage Skidmore (https://www.flickr.com/photos/gageskidmore/51128072732) NonCommercial-ShareAlike Creative Commons License (CC BY-SA 2.0) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2d6771fd-defc-42e5-9b15-c99713eba093/fig2.jpg Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 2. Peter Thiel speaking with attendees at the 2022 Converge Tech Summit at The Waste Management Phoenix Open at the Skybar at TPC Scottsdale in Scottsdale, Arizona. Photograph by Gage Skidmore (https://www.flickr.com/photos/gageskidmore/51876933345) NonCommercial-ShareAlike (CC BY-SA 2.0) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3363f00c-4393-4a06-a974-6ccb2e228347/fig3.jpg Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 3. Curtis Yarvin (https://commons.m.wikimedia.org/wiki/File:Curtis_Yarvin.jpg) Creative Commons CC0 1.0 Universal Public Domain Dedication https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c0c33b8b-4161-48a5-be82-a5886fd0a464/fig4.png Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 4. Seasteading. Credit Wendy Sitler-Roddier (https://www.flickr.com/photos/9742300@N06/3213494031/) NonCommercial-ShareAlike (CC BY-NC-SA 2.0) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ce453707-f1df-4a8f-851e-1aa4dca4b12d/fig5.jpg Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 5. Snow Crash by Neal Stephenson (Fair use) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8837ce2d-71a0-4893-8ca5-1a9d14a3b173/fig6.png Home - NRx: A Brief Guide for the Perplexed - Make it stand out Figure 6. Sovereign Individual by James Dale Davidson and Lord William Rees-Mogg with a new preface by Peter Thiel (Fair use). https://www.platformspace.net/home/connecting-the-dots-reframing-the-history-of-the-built-environment-of-the-americas monthly 0.5 2024-11-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bb4a9cd5-c66b-4756-b37d-837924d04a3e/Figure+1.png Home - Connecting the Dots: Reframing the History of the Built Environment of the Americas - Make it stand out Figure 1. 2018 map featuring all the buildings mentioned by Kostof 1985 (20th century chapters), Frampton 1992, Curtis 1996, and Cohen 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c8773fba-fdfe-4611-be07-3ba7071eed66/Figure+2.png Home - Connecting the Dots: Reframing the History of the Built Environment of the Americas - Make it stand out Figure 2. The dots in canonical order: 1 Egypt, 2 Greece, 3 Rome, Renaissance, 4 French Beaux Art, 5 Chicago, 6 European contemporary https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ab571e43-ffb3-44e8-bffd-199ad2dc20da/Figure+3.png Home - Connecting the Dots: Reframing the History of the Built Environment of the Americas - Make it stand out Figure 3. The “expansion” adds data points to the global map of architectural manifestations but does not dislocate the centrality of the Eurocentric canon. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a8c3b65-b709-4092-807b-5e6a20547e83/Figure+4.png Home - Connecting the Dots: Reframing the History of the Built Environment of the Americas - Make it stand out Figure 4. The “expansion” needs to induce other connections of potential currents of influence and counter-influence for a pluriversal picture to emerge. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/985baef4-c1c7-4701-a5a1-616a48f1ed98/Figure+5.png Home - Connecting the Dots: Reframing the History of the Built Environment of the Americas - Make it stand out Figure 5. With the Americas as the center, the multiple data-points show a plurality of building traditions in which the Eurocentric canon is one among many possible narratives. https://www.platformspace.net/home/labor-production-and-value-in-youtube-building-explainers monthly 0.5 2024-11-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/32ccaecb-52f3-433d-ae4c-91990a992ecb/Fig_1.jpg Home - Labor, Production, and Value in YouTube Building Explainers - Make it stand out Figure 1. As of 1 November 2024, the Gosforth Handyman YouTube channel consists of 396 videos which have been viewed over 42 million times. Video #151, “How to fix REALLY HEAVY things to walls”. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/90d1e4f1-8e26-4dd2-942a-466e9268d38a/Fig_2.jpg Home - Labor, Production, and Value in YouTube Building Explainers - Make it stand out Figure 2. The Gosforth Handyman videos dispense both practical wisdom and cultural capital. The same voice – seemingly practical, calm and expert – merges design with production knowledge. Video #291, “How to PROPERLY re-silicone a shower". https://www.platformspace.net/home/utopia-the-new-administrative-capital-of-egypt monthly 0.5 2024-10-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/611d050c-fe7e-4843-aa96-1daadbfe048c/El-Hakem_FIG1..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 1. One of the street vendors under a bridge, Downtown Cairo, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a31db5ec-6743-43f0-a777-97f04dd34773/El-Hakem_FIG2..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 2. Child laborers packed on a truck commuting to and from construction sites in the NAC, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/79c986a0-2521-46d6-addc-1242f82617a8/El-Hakem_FIG3..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 3. Service workers’ transportation with the NAC business district skyscrapers in the background, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2cf3f91c-f43b-4786-8f32-58f6103ab715/El-Hakem_FIG4..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 4. The designed environment ensuring the thermal comfort of student and faculty of AUC, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/08626c56-6d2b-4c53-adf2-56a771718e82/El-Hakem_FIG5..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 5. Laborers (mostly living far from the NAC) dragging their tools and daily belongings to work, September 2021. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cc0737bf-b3c1-4bd2-b037-83b8aa46bce5/El-Hakem_FIG6..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 6. Students walking to one of the AUC gates under one of the designed shaded areas across campus. June 2024, Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/540b5c74-44d0-4e64-9aba-1069920e368e/El-Hakem_FIG7..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 7. The labor behind the monumental buildings and grandiose of the New Capital, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6e072786-78af-4ab8-86fe-60dd73f9a4b8/El-Hakem_FIG8..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 8. The exhaustion of the laborers walking in the NAC searching for a commute, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/718256d2-60d7-4c9e-b03d-10f9608b13a9/El-Hakem_FIG9..JPG Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 9. Beggars on the side of highway beneath a cloth seeking shade from the sun, Highway leading to Cairo, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d8586fe0-9d2e-4014-9636-82f1106bca2b/El-Hakem_FIG10..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 10. Newly poured highway beside “the people’s park” where the “crazy” citizens attempted to cross on foot, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b09f52e3-23c2-40f4-8f43-3b2ee70f85ce/El-Hakem_FIG11..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 11. The man, the loaf of bread, the microbus from Badr to the NAC, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4bca0d36-f194-4b62-855e-22ac0aa13733/El-Hakem_FIG12..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 12. The New Administrative Capital entrance gates, June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/87169604-81cf-4f5c-8daf-f0d9dec5c877/El-Hakem_FIG13..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 13. The scorching sidewalk leading to the gated “Knowledge Hub,” June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/51f0771d-17f2-451f-a09c-9f439dd6dccd/El-Hakem_FIG14..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 14. The air-conditioned drive out of the NAC while workers walked under the sun. June 2024. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5ffd2808-5c3e-4806-be8d-724a907dd85a/El-Hakem_FIG15..jpg Home - Utopia: The New Administrative Capital of Egypt - Make it stand out Figure 15. "With sincere labor, hope comes true,” ordered the state. June 2024. Photograph by the author. https://www.platformspace.net/home/centering-jugaad-challenging-construction-historiography monthly 0.5 2024-10-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/787ac117-3f35-410b-8232-f4b0596994f3/Fig.+1+reinforcement+tying.jpg Home - Centering Jugaad, Challenging Construction Historiography - Make it stand out Figure 1. Laborers tying reinforcements on an early concrete footbridge constructed under the supervision of Major E. Stokes-Roberts. Source: Marsh and Dunn, Reinforced Concrete, 604. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0457a42e-019e-4e4e-bfde-26a594b10bc9/Fig.+2+reinforcement+details+for+water+tank.png Home - Centering Jugaad, Challenging Construction Historiography - Make it stand out Figure 2. Details of reinforcement in brick walls of water tanks by Major Stokes-Roberts. Source: Stokes-Roberts, A New System of Reinforced Brickwork, Plate IV. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a181ddc7-d789-4a23-a771-d882e5ccb4cf/Fig.+4.+earth+centering+in+water+tank_edited.jpg Home - Centering Jugaad, Challenging Construction Historiography - Make it stand out Figure 4. Centering for the dome of a reinforced brick water tank made with “blue-gum rods” and “mud plaster,” which is similar to the technique used by local building contractors in central India today. Source: Stokes-Roberts, A New System of Reinforced Brickwork, Plate V. https://www.platformspace.net/home/naturals-not-in-it-cultivating-casta-in-the-late-viceregal-alameda-central monthly 0.5 2024-10-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6ca0ea7f-d2dd-47f8-b03b-6c62c553801d/Mangione+PLATFORM+image+01.jpeg Home - Natural’s Not in It: Cultivating Casta in the Late Viceregal Alameda Central - Make it stand out Figure 1. De Albina y Español, produce Negro torna atrás, late eighteenth century. Oil on copper, 18 1/8 x 21 5/8 inches (46 x 55 cm) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d959ab84-2034-476c-a326-d8a187917f48/Mangione+PLATFORM+image+02.jpg Home - Natural’s Not in It: Cultivating Casta in the Late Viceregal Alameda Central - Make it stand out Figure 2. Cuadro de Castas, eighteenth century. Oil on canvas https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ca946b50-d63d-44d6-886f-40d4baeb559c/Mangione+PLATFORM+image+03.jpg Home - Natural’s Not in It: Cultivating Casta in the Late Viceregal Alameda Central - Make it stand out Figure 3. Plano de la ciudad de México mostrando su división en cuarteles mayores y menores, 1782. Engraving, 29.5 x 26.5 cm https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1e3ea10f-5d0d-4a5d-9aca-ad04983af84a/Mangione+PLATFORM+image+04.jpg Home - Natural’s Not in It: Cultivating Casta in the Late Viceregal Alameda Central - Make it stand out Figure 4. Biombo de La Conquista de México y Vista de la Ciudad de México, late seventeenth or early eighteenth century. Oil on canvas and gold leaf https://www.platformspace.net/home/legally-visible-glimpses-of-the-enslaved-africans-who-built-havana monthly 0.5 2024-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/23a638e6-cd57-4dbc-8dc7-dd09cb41bff7/Furioso_Figure1.jpg Home - Legally Visible: Glimpses of the Enslaved Africans Who Built Havana - Make it stand out Figure 1. The Palacio de Aldama, Havana, Cuba, c. 1841­–1844. Photograph by Dante Furioso, September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ea351015-1088-41a0-ab62-d341e0fdbdee/Furioso_Figure2.png Home - Legally Visible: Glimpses of the Enslaved Africans Who Built Havana - Make it stand out Figure 2. The sixth page of the 1841 deposition with the end of don Domingo de Aldama's testimony and the beginning of don Evaristo del Monte's testimony. Domingo Aldama and et. al., “Depositions of Domingo Aldama, et. al. Havana, October 1841,” October 9, 1841, Oficina del Historiador de la Ciudad de la Habana. https://www.platformspace.net/home/city-icons-super-architects-and-the-super-rich monthly 0.5 2024-09-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c304eae4-4019-42ca-8af2-db9692d446d2/Fig+1+2018-04-24+14.59.12.jpg Home - City Icons, Super Architects, and the Super-Rich - Make it stand out Figure 1. One Hyde Park apartment complex in London was designed by Richard Rogers’s Rogers Stirk Harbour + Partners and completed in 2009. It replaced a mid-century office block. Photograph by Rowland Atkinson, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/babd55aa-50a5-4df5-9392-4e4bede0d403/Fig+2+2019-01-20+18.17.30.jpg Home - City Icons, Super Architects, and the Super-Rich - Make it stand out Figure 2. The Museo Soumaya in Mexico City was designed by “fr·ee,” the firm of Fernando Romero, son-in-law of the museum’s billionaire founder, Carlos Slim. It was completed in 2011. Photograph by Rowland Atkinson, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/27231101-5c43-4548-90db-33837970c58d/Fig+3.jpg Home - City Icons, Super Architects, and the Super-Rich - Make it stand out Figure 3. The Shard (formerly London Bridge Tower), the tallest building in the U.K., rising above London’s historic center, The City. The 72-story skyscraper, which replaced a 24-story one built in the 1970s, was designed by Renzo Piano and completed in 2012. Photograph by Amparo Tarazona-Vento, 2023. https://www.platformspace.net/home/the-art-and-space-of-rebellion-how-irans-streets-became-a-revolutionary-stage monthly 0.5 2024-09-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/90db785e-48ae-4820-a617-c8a530e69fdc/Fig+1+%281%29.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig. 1 Women in Red, Mohammad Hosseini et al., 2011, Ferdowsi Square, Tehran. Photograph by Saeed Kiaee. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c78ace80-f9e9-4281-a950-5ef7c63ec383/Fig+2.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig 2 Cover of the book, Women, Art, Freedom: Artists and Street Politics in Iran (2024) by Pamela Karimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/72e61ccc-d748-4a09-9505-ee6d1c85dd56/Fig+3.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig. 3 Nasrin Shahbeigy, The Cry of the Body, performed in multiple locations across Mashhad and showcased in video format at Persbook’s 12th Annual of Contemporary Art in Fall 2023. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a4dabf23-d96a-4765-a323-857e0e363e08/Fig+4.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig. 4. Hand to Hand, Mojdeh Atrak, 2023, Tehran. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7001afc0-4f27-446d-94bb-810138839c88/Fig+5.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig. 5 Tanin Torabi et al., still from Until…, 2023, Tehran. This film, based on a real-time performance on the streets of Tehran during the peak of the uprising, "reenacts” the protest. Courtesy of Tanin Torabi and photographer Arya Khaksari. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8e1ff24c-896b-4789-ab19-6e0441b1cdf2/Fig+6.jpg Home - The Art and Space of Rebellion: How Iran's Streets Became a Revolutionary Stage - Make it stand out Fig. 6 Samira Yahyaie performing at Vayu Residency in Kashan. Photo courtesy of Mahmoud Maktabi, Director of Vayu Residency. https://www.platformspace.net/home/the-disenchantment-of-the-vernacular-architectural-representation-from-the-witch-hunt-to-the-picturesque monthly 0.5 2024-09-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c648cc78-1f15-47db-b534-b4b71284c1c8/Nikos_Fig+1.jpg Home - The Disenchantment of the Vernacular: Architectural Representation from the Witch-Hunt to the Picturesque - Make it stand out Figure 1. The Temptations of Saint Anthony Abbot, Workshop of Hieronymous Bosch, ca. 1510-15. Copyright ©Museo Nacional del Prado. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bfb40458-d1e0-4032-ac62-3492cc9c6f8f/Nikos_Fig+2.jpg Home - The Disenchantment of the Vernacular: Architectural Representation from the Witch-Hunt to the Picturesque - Make it stand out Figure 2. John Thomas Smith, “Lady Plomer’s Palace, on the summit of Hawke’s Bill Wood, Epping Forest,” Remarks on Rural Scenery (1797). https://www.platformspace.net/home/back-to-school-again monthly 0.5 2024-09-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6262cd6f-946b-4757-a0e0-621c245c79cb/Fig+1+HOCK.jpg Home - Back To School, Again - Make it stand out Figure 1. A street in the heart of the Centro Histórico, Quito. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4c805e15-e292-4c4d-8047-d085a32401a2/Fig+2+MACE.JPG Home - Back To School, Again - Make it stand out Figure 2. Students presenting during the Public Forum, March 24, 2023. Photograph courtesy of Sean McNeely. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7f481b2f-1730-4c0e-9ae4-c873c612438f/Fig+3+MACK.jpeg Home - Back To School, Again - Make it stand out Figure 3. Campaign posters for the 2022 Swedish elections in central Stockholm, Sept. 2022. Many Swedish politicians focused on crime, especially from gang members, in the campaigns and the idea of “safety” [trygghet], seen here. Notably, posters for the Christian Democrat politician at center include the slogan: “Build beautifully — no more concrete boxes.” Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0e959cf9-d230-47dd-bb42-2ee6f897da88/Fig+4+STEWART.JPG Home - Back To School, Again - Make it stand out Figure 4 . Iterations of the prompt “contemporary style architecture, volumetric, minimal, panoramic windows, housing block” from Midjourney, April 5, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d05f1695-6f0c-49b8-869a-61a8bf5c394e/FIG+5+Yusaf%2BRajagopalan.jpeg Home - Back To School, Again - Make it stand out Figure 5. Yusaf and Rajagopalan at work, mapping their essay https://www.platformspace.net/home/why-i-give-papers-at-conferences monthly 0.5 2024-08-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a8564324-4468-491e-85c2-cf20821e868f/Taking+Place+website.png Home - Why I Give Papers at Conferences - Make it stand out A screenshot of the home page of Taking Place. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e6d1bc63-08f9-4bfc-9313-7c6523f1e218/LloydThomas_FIG1.jpg Home - Why I Give Papers at Conferences - Make it stand out Fig 1. Julia Dwyer introducing Taking Place 8, Interstitial Breakfast, at Architecture and Feminisms, KTH, Stockholm, 2015 (Photo: Sue Ridge) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/234af679-a681-48c8-b243-ce0df1e5f9c2/LloydThomas_FIG2.JPG Home - Why I Give Papers at Conferences - Make it stand out Fig 2. Table settings at Taking Place 8, Interstitial Breakfast, at Architecture and Feminisms, KTH, Stockholm, 2015 (Photo: Sue Ridge) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a45b4628-e774-4752-b30b-33feb5b71a28/LloydThomas_FIG3a.JPG Home - Why I Give Papers at Conferences - Make it stand out Fig 3a. Anne Thorne and Fran Bradshaw at How We Live Now: Making Spaces in the North East with Matrix Feminist Design Co-operative, Newcastle Contemporary Art, 2023 (Photo: Katie Lloyd Thomas) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7edd4ce9-13ba-4965-a9ac-f7402884e644/LloydThomas_FIG3b.JPG Home - Why I Give Papers at Conferences - Make it stand out Fig 3b. Workshop with Fran Bradshaw, Jos Boys and Newcastle University architecture students at How We Live Now: Making Spaces in the North East with Matrix Feminist Design Co-operative, Newcastle Contemporary Art, 2023 (Photo: Katie Lloyd Thomas) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/588269cf-5040-4bff-8ead-8e0de1e6b33a/LloydThomas_FIG4a.jpg Home - Why I Give Papers at Conferences - Make it stand out Fig 4a. Sérgio Ferro with Katie Lloyd Thomas and Cecília Lenzi at the Production Studies International Conference, Newcastle, 2024 (Photo: Carlos Martins) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/650014de-75cb-4966-8a0a-7920252078b1/LloydThomas_FIG4b.jpg Home - Why I Give Papers at Conferences - Make it stand out Fig 4b. Sérgio Ferro and Christine Wall at the Production Studies International Conference, Newcastle, 2024 (Photo: Sylvia Fisch) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c458010e-57bc-4f42-b697-b2cf365753a0/LloydThomas_FIG4c.jpg Home - Why I Give Papers at Conferences - Make it stand out Fig 4c. Lara Melotti introducing the Production Pedagogies lunch at the Production Studies International Conference, Newcastle, 2024 (Photo: José Figueira) https://www.platformspace.net/home/re-imagining-home-in-the-mosaic-diaspora monthly 0.5 2024-08-19 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/39556497-7916-48d4-a471-8df2b5693fb8/Fig.+1+The+province+%28vilayet%29+of+Aleppo+at+the+beginning+of+the+20th+century.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 1. The province (vilayet) of Aleppo at the beginning of the 20th century (Source: houshamadyan.org) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4f76dc8b-b840-4ec2-bf98-bca5a2220f18/Fig.+2+Workers+excavating+Theater+of+Dionysus%2C+1936.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 2. Workers excavating Theater of Dionysus, 1936. Courtesy of Antioch Expedition Archive, Department of Art and Archaeology, Princeton University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/15b96db8-bab8-4fda-b517-948d2330e346/Fig.+3+Transport+truck+with+workers.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 3. Transport truck with workers, fieldman and driver & excavated finds, date unknown. Visual Resources Collection, Princeton University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ae4acd75-452f-4fdc-9d2b-eb3e001ac243/Fig.+4+Excavations+at+Musa+Dagh%2C+House+of+Cilicia+.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 4. Excavations at Musa Dagh, House of Cilicia (House 1 and Vicinity), Courtesy of Antioch Expedition Archive, Department of Art and Archaeology, Princeton University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6b80de6d-0abb-43e7-bbd6-512fa71b56c3/Fig.+5+Yoghunoluk%2C+one+of+the+Armenian+villages.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 5. Yoghunoluk, one of the Armenian villages on the Musa Dagh, 1928 (Source: Vahram Shemmassian collection, Los Angeles). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e615935c-1c40-4955-9bb0-1d99e59bcf86/Fig.+6+The+Map+of+Musa+Dagh+and+its+environs.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 6. The Map of Musa Dagh and its environs (Source: houshamadyan.org) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b7679c86-97cd-480f-b40d-38ca26d3175e/Fig.+7+Some+old+houses+in+Yoghunoluk.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 7. An old house in Yoghunoluk. (Photo: Norair Chahinian) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/194a86bc-2afd-4246-bf74-94f63dfd98aa/Fig.+8+Some+old+houses+in+Yoghunoluk.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 8. An old house in Yoghunoluk. (Photo: Norair Chahinian) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8680ad5f-22d3-4704-94ba-6e8c69987350/Fig.+9+Mulberry+Tree.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 9. Mulberry Tree, video still by the author (2019/-). View of Kel Mountain from Yoghunoluk Church. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/237eb0a1-c9a9-4915-b20d-9dcd184b4bf7/Fig.+10+Mulberry+Tree.png Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 10. Mulberry Tree, video still by the author (2019/-). Inside of Yoghunoluk Church. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1379d74b-72d5-472e-8ca4-72f666db7af4/Fig.+11+House+of+the+Boat+of+Psyches+.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 11. House of the Boat of Psyches (DH-200-217), general view of the entire remains of the building showing mosaics. Courtesy of Antioch Expedition Archive, Department of Art and Archaeology, Princeton University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/75357f2d-9d13-4542-85ed-08c0f7260eef/Fig.+12+Europa.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 12. Europa, House of the Boat of Psyches, the Baltimore Museum of Art, Maryland/ABD, 2023 (Photo: Ezgi Erol). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/38204bea-efd4-4934-bdeb-bb46caaa802e/Fig.+13+Detail+Europa.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 13. Detail, Europa, House of the Boat of Psyches, the Baltimore Museum of Art, Maryland/ABD, 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a8b45e5a-0e7d-4ea6-a21a-5e4d5117d28e/Fig.+14+Courtesy+of+Antioch+Expedition+Archive.jpg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 14. Courtesy of Antioch Expedition Archive, Department of Art and Archaeology, Princeton University, 1934. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/abcc284f-c69d-4746-a9ce-557576c1caac/Fig.+15+St.+Asdvadzadzin+Church.jpeg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 15. St. Asdvadzadzin Church in Vakıflı, in restoration, 2024 (Photo: Johanna Bröse) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/55d6493d-e49a-4fbe-b76c-33f6243d5b94/Fig.+16+St.+Asdvadzadzin+Church.jpeg Home - Re-Imagining Home in the Mosaic Diaspora - Make it stand out Figure 15, 16. St. Asdvadzadzin Church in Vakıflı, in restoration, 2024 (Photo: Johanna Bröse) https://www.platformspace.net/home/selective-abolitionism-germanys-socialist-prisons-and-coming-to-terms-with-one-side-of-history monthly 0.5 2024-08-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e59a9e29-56a6-4c95-838b-3e4e415d8934/Figure+1.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 1. "Forgetting is treason." Graffiti on the exterior of the Neubrandenburg prison's enclosing wall. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dda5c87d-c651-4fb3-8365-b3d816000132/Figure+2.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 2. Inside the Neubrandenburg prison complex. Entrance portico in the background on the far left; administrative wing extends on the left, prisoner cell block is in the middle and workshops on the right. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5ec21c80-3804-495f-a64c-c45372e1ee81/Figure+3.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 3. Visitors lined up to enter the former Neubrandenburg remand prison (1987-1989) and general penitentiary (1990-2018) during the June 28, 2022 “open house.” Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/75f4a6fb-37d7-4db3-9927-f23383a3a806/Figure+4.png Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 4. Visitors exploring the second floor of the Neubrandenburg prison’s cell block. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8888052f-bf15-4589-9514-1257236f9a55/Figure+5.png Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 5. Inscriptions hidden along the now removed bedbunk frames, left behind by those imprisoned in the Neubrandenburg general penitentiary. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6d69e05a-ccae-4039-a72f-829987f138f2/Figure+6.jpg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 6. The Suhl remand prison construction nearing completion, designed and built under the auspices of the Stasi, circa 1989. BArch MfS BV Suhl Abt XIV Fo 1378 Bild 45. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/aa6945a5-1ac5-4e8a-85c7-8336f6adbae2/Figure+7.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 7. Model of a Stasi remand prison cell accommodating two, on display at the Gedenkstätte Bautzner Straße in Dresden. The prison, built in 1954, became a memorial and research & learning center in 2001. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2d70bbbe-17a1-490e-8781-ca8ae5874010/Figure+8.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 8. Solitary courtyard structure erected at the Stasi's former Dresden remand prison, preserved and displayed at the Gedenkstätte Bautzner Straße. Photograph taken from one of the two platforms delineating the so-called “free boxes.” Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1953fa26-6758-441b-b19f-d042166e908a/Figure+9.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 9. Looking down from the watchguard platform onto the free-time cells (Freizeitzelle) at the former Stasi remand prison in Dresden. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0c30a888-5074-4116-b7bb-286fb59f0c00/Figure+10.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 10. Interior of the prisoner cell block at the Stasi’s former Dresden remand prison. Lights installed above each cell belong to the prison's stoplight system. Author’s photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/554cd501-741f-4a9b-a362-7559ff1b5b2a/Figure+11.png Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 11. Now empty prisoner cells of the former Neubrandenburg penitentiary. Glass bricks have been replaced with window frames that can be opened from the inside. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2e78da19-7470-4d27-aea0-d3e879b918a3/Figure+12+copy.jpg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 12. A small remnant of the panoptic solitary yard structure at the Neubrandenburg prison has been preserved. The green metal watchpod overlooking the prison courtyard is a post-1989 addition. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/601d1608-d470-45f5-965e-2c4efdfc0471/Figure+13.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 13. Now empty courtyard of the former Neubrandenburg penitentiary. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/10cdb49b-5090-468b-b9ab-1c5a270f17fc/Figure+14.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 14. Ennumareted prisoner cell windows behind bars as viewed from the courtyard. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c93cfc13-fbe2-4c7f-a3ed-bc72bee8148e/Figure+15.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 15. Where previously the carport for prisoner transport vans was attached. Author's photo, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0b13c00e-3da0-4cc1-be6d-cd35105800d6/Figure+16.jpeg Home - Selective Abolitionism: Germany’s Socialist Prisons and “Coming-to-Terms” with One Side of History - Make it stand out Figure 16. Reinforced concrete wall structure behind barbed wired fencing with spotlights and security cameras enclose the Neubrandenburg prison compound. Author's photo, 2022. https://www.platformspace.net/home/baltistans-architectural-heritage-resistance-and-identity-formation-in-northeastern-pakistan monthly 0.5 2024-08-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a56b9c83-6e43-428b-8702-f2762d171655/Fig.+1.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 1. Jami Masjid Imamia Ithna ‘Asharia Shigar, completed c.2022. Photograph by Kishwar Rizvi, June 2024 (all photographs, unless otherwise noted, are © Kishwar Rizvi). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a302c9b4-8725-426f-8880-abec7d92c42a/Fig.+2+.png Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 2. Map of Pakistan and Gilgit-Baltistan. Map by Andreas Benz, accessed July 1, 2024. Creative Commons Attribution 4.0 International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b3669d89-639d-4ba0-b68b-18f982635c95/Fig.+3.JPG Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 3. Tourists disembarking a Pakistan International Airlines carrier, Skardu, 2024. Photograph courtesy of Reza Bergemann. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e265891-6b7b-4707-9164-fb3c1f4231be/Fig.+4.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 4. Markazi Masjid Jami Imamiyya, Skardu. Photograph by Zaman ‘Ali, accessed July 1, 2024. Google Maps, open access. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d5b62d1b-0173-4daa-9fa9-e24d7a04c0bc/Fig.+5.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 5. Amburiq Mosque, 2024, built 14th c. restored c. 2000. Exterior. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f2a2c2fa-c99a-4898-8e40-70e27b9ee0d8/Fig.+6.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 6. Amburiq Mosque, 2024. Interior prayer room. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bd46688d-ff74-4648-926a-3575656d075a/Fig.+7.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 7. Amburiq Mosque, 2024. Roof detail. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1cafcfe6-82d6-4843-a72e-1bcfa32bff07/Fig+8.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 8. Amburiq Mosque, south façade before restoration, c. 1997. © Aga Khan Trust for Culture /Mathieu Paley (photographer). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dbb41750-3736-4722-a3f2-7a85abee31ca/Fig+9.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 9. Amburiq Mosque, section through west-east, looking to north, 1998. © Aga Khan Trust for Culture. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6086f9b4-cb2b-455a-b04b-882d83e2f123/Fig+10.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 10. Amburiq Mosque, completion drawing, east elevation, 1999. © Aga Khan Trust for Culture. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b1230a8b-635c-4d49-9697-49cf7f045500/Fig+11.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 11. Amburiq Mosque; window and portal with restored woodwork, 2004. © Aga Khan Trust for Culture / Gary Otte (photographer). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/28278d50-d1ea-408e-9c37-bccf40e0f5c2/Fig.+12.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 12. Chaqchan Mosque and Khanqah, Khaplu, 2024. Established 15th c. Entrance gateway. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bdbfd124-3c26-4610-a754-ab7e36be9baa/Fig.+13.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 13. Chaqchan Mosque and Khanqah, 2024. Street view. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fc17eed0-d861-489f-8253-6610bc94ebdd/Fig.+14.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 14. Chaqchan Mosque and Khanqah, 2024. Second floor, showing the collection box for Abbas ‘Alamdar,’ a grandson of Prophet Muhammad. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/40925a7d-0150-484c-9320-11eea4ec6b84/IMG_6362.JPG Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 15. Chaqchan Mosque and Khanqah, 2024. Third floor arcade and prayer hall. Photograph courtesy of Arif Belgaumi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/28b05e2b-0904-4e09-8285-6564c65a90c0/Fig.+16.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 16. Chaqchan Mosque and Khanqah, 2024. Arcade ceiling. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/86ab6c88-88b2-4c24-a98f-1b03fcd875d4/Fig.+17.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 17. Chaqchan Mosque and Khanqah, 2024. Entrance into prayer hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/906a9cde-23c5-45e5-bc46-c16216c2540c/Fig.+18.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 18. Chaqchan Mosque and Khanqah, 2024. Interior view of prayer hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/64c030b7-87c2-4aa3-939a-45362779abdc/Fig+19.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 19. Chaqchan Mosque and Khanqah. Exterior view, c. 1973. © Aga Khan Trust for Culture / Max Klimburg (photographer). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e3ba966e-156e-466e-9a71-a40a3d0a2e30/Fig+20.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 20. Chaqchan Mosque and Khanqah. Interior view of prayer hall, c. 1973. © Aga Khan Trust for Culture / Max Klimburg (photographer). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/96a1c43f-e7ee-4455-9c83-758bc89f97f6/Fig.+21.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 21. New hotels and resthouses under construction in Fairy Meadows, Chilas, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/02ecf7c4-0ab9-43cc-86dc-2f664d9fe73e/Fig.+22.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 22. Khanqah-i Maulah, Shigar, 2024. Completed c. 1614. View of prayer hall through the courtyard. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b40ddd63-047d-4650-a65f-cc34e879e7f4/Fig.+23.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 23. Khanqah-i Maulah, 2024. Urdu plaque outside prayer hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a123e789-a02f-4be6-9dff-05844899a8ce/Fig.+24.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 24. Khanqah-i Maulah, 2024. Chinar tree and prayer hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b3f8411f-7f1b-4568-ac1b-4feab96600fe/Fig.+25.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 25. Khanqah-i Maulah, 2024. Interior view of qibla wall and mihrab in the prayer hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8bedbb6e-e37a-4105-b6a8-8fc297fd5f62/Fig.+26.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 26. Khanqah-i Maulah, 2024. Interior view of window screen and meditation spaces. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/11f67b4f-4ccb-4008-ac85-e1f8c093d8f2/Fig.+27.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Figure 27. Khanqah-i Maulah, 2024. View of trabeated ceiling. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/70611e88-f024-4600-9240-18cd77999e85/Fig.+28.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 28. Khanqah-i Maulah, 2024. Exterior of second-floor summer/women’s prayer space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/95ea04b7-4250-4fc2-afc4-d8745449bb69/Fig.+29.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 29. Khanqah-i Maulah, 2024. Second-floor summer/women’s prayer space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3fcdc368-58e5-4d3c-9440-275351e3287d/Fig.+30.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 30. Roadside dry fruit store, Gilgit-Skardu Road, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/90a75e9b-b9e0-4a2b-8753-13c24ffdcddf/Fig.+31.jpg Home - Baltistan's Architectural Heritage: Resistance and Identity Formation in Northeastern Pakistan - Make it stand out Fig. 31. Tomb of a holy figure, Shigar Valley, 2024. https://www.platformspace.net/home/the-housing-crisis-and-newsomville-2024 monthly 0.5 2024-07-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d3d9eb2e-8981-4823-9dae-6c65b0d7066d/Ellsmore_Fig+1.jpg Home - The Housing Crisis and Newsomville 2024 - Make it stand out Figure 1. After the City of Oakland cleared the Wood Street encampment in 2023, one community member resettled the roadside just meters away from where it remained for months incorporating a “no encampments” sign into its layout. Photograph by Ben Jameson-Ellsmore, August 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/762bd7f0-bb10-49e1-bf74-8ae8401db258/Ellsmore_Fig+2.jpg Home - The Housing Crisis and Newsomville 2024 - Make it stand out Figure 2. View of the vast and vacant Wood Street Commons lot from the I-880 overpass after the encampment was cleared. Photograph by Ben Jameson-Ellsmore, August 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/732ce64b-2faa-4823-80eb-14c9ee6e3de6/Ellsmore_Fig+3.jpg Home - The Housing Crisis and Newsomville 2024 - Make it stand out Figure 3. Nikki reveals the barbed wire and fence appropriated as the rear wall in the “She Shed” at the Fifth Street Natives encampment. Photograph by Ben Jameson-Ellsmore, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a464afe2-d135-4f5d-b1e0-712e17df351d/Ellsmore_Fig+4_landscape.jpg Home - The Housing Crisis and Newsomville 2024 - Make it stand out Figure 4. The Fifth Street Natives encampment uses a utility pole and lamp post as supports. Photograph by Ben Jameson-Ellsmore, 2021. https://www.platformspace.net/home/homing-devices-womens-home-planning-scrapbooks-1920s1950s monthly 0.5 2024-07-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620233523-6Z9LNOZP6Z5PZOIAZEWQ/1+USG+Pak+of+Ideas+my+cover.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 1: Cover, United States Gypsum, “Popular Home’s Pak of Ideas” (Chicago: United States Gypsum Co., 1944). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620233670-U0ANU7N2KJC8ILJITZ6O/2+American+Scrapbook.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 2: Advertisement for the American Home Scrapbook, American Home 29 (Feb., 1943): p. 40. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620235633-05B5YNWQXHO9ZBPLTC7P/3+Parents%27+Mag+Idea+File.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 3: Idea File placed on an article by Henry N. Wright, Parents’ Magazine, "Bathrooms for the Future," Parents' Magazine (Oct, 1944): p. 136 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620240113-3Z6VREA3CRGSOZ366O3V/4+GE-When+Girls+Come+Home.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 4: Advertisement for General Electric, Pencil Points (June 1944): p. 27. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620237792-KDE8NRZ6T8BOEL2O82WN/5+The+Home+Today+1939+p+39.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 5: William J. Micheels, Gladys W. Babcock, and Frances M. Obst, The Home Today: A Unified Arts Curriculum for Art, Home Economics and Industrial Arts Education (Minneapolis: Burgess Publishing Co., 1939), p. 39. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620241763-AXRJ5PIZTIP9IC6GGAAX/6+MyHome.cover+copy.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 6: Cover of Emily Gilardone’s My Home scrapbook, 1927. Courtesy of Steven P. Levin. Scrapbooks became a cultural phenomenon in the nineteenth century when an increasingly literate public with leisure time turned to mass circulation magazines as a source for craft activity. The scrapbook was an easy fit with home economics. By 1905 every major land grant university had a “household science” department and the methodology of the discipline was already established. After the publication of Frederick Winslow Taylor’s Scientific Management (1911), interest grew in courses in “house planning” and the application of scientific management and efficiency. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620243909-E7FNT5MJEUOIXVDHNFGX/7+HomeEc.BadWalls+My+Home+1927.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 7: Good and bad rooms, Emily Gilardone, My Home scrapbook, 1927. Courtesy of Steven P. Levin. Clockwise from top left: “bad upholstery,” “bad window shade,” “bad walls,” and “well hung draperies. The teacher questioned her judgment about the wainscotting in the lower left image. The assignment offered an education in taste and architectural design within the context of the established “feminine” activity of the scrapbook. For many students, the assignment also would have been a valuable entrée into the world of bourgeois propriety. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620244676-AMYTMSRBLDOSX6FUXHU1/8+Margaret+Ann+Myers+scrapbook+early+1950s+LR+good+and+bad+arrangement.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 8: Good and bad room arrangement, Margaret Ann Myers scrapbook, probably early 1950s. Author’s collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620245684-3YJ4TZL9LG6CI3044BMU/9+MyHomeSketch.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 9 Elevation from Emily Gilardone’s My Home scrapbook, 1927. Courtesy of Steven P. Levin. The scrapbooks demanded complex thinking of students, who had to draw plans and elevations, demonstrate knowledge of historical styles, and think through spatial relationships. The curriculum took students through sophisticated readings and demanded wide knowledge.. Students were asked to consider the role of “sincerity as applied to artistic expression,” to know the history of taste in the United States, and to have command of factual data, such as the names of common hardwoods and the biographies of important designers and furniture makers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620247500-IEFHXNHT8X43GWSNA2EZ/10+Margaret+Ann+Myers+scrapbook+early+1950s+My+Dream+House+insert+plan.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 10: Plan from Margaret Ann Myers scrapbook, undated, with teacher’s comment. Author’s collection. Many plans were cut out or traced from existing plans. In other cases, students skillfully drew their own measured plans. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620248563-2HF9PP8B05DU14S6N981/11+MyHome.Kitchen1.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 11: Ideal Kitchen from Emily Gilardone’s My Home Scrapbook, 1927. Courtesy Steven P. Levin. Women’s magazines supplied most of the images, but these were not infallible sources. The judicious student had choices. While the run of rooms often is haphazard, it roughly follows a taxonomy. Students surveyed the various species of rooms as a naturalist might collect insects and fixed them neatly in their paper “cabinet.” They focused on that part of the home in which the future homemaker could exercise authority, the interior. The scrapbook structured the results. The method divided the house into manageable parts that conveniently fit onto single pages in the book. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620251283-10CIBHHI43CCDREACQZA/12+My+Dream+House%2C+undated%2C+no+author+dad%27s+room.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 12: Dad’s room, from My Dream House scrapbook, undated and unsigned, ca. 1940. Author’s collection. Deviations from the standard taxonomy of rooms reveals the changing spatial and gender dynamics of the home in the 20th century. Here an unnamed room is simply “A room that Dad can call his own.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620251941-Y2TA8HEHEXU2B4DXRFAX/13+MyHomeDesk.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 13: Desk and typewriter, Emily Gilardone, My Home scrapbook, 1927. Courtesy Steven P. Levin. Where the first part of this scrapbook suggests a student flipping through magazines absent-mindedly looking for images of rooms, a fragment of a roomless typewriter interrupts the banal house tour. “Every housewife should have a desk,” she writes, “with a type writer, so she can be businesslike in her house work.” Here she gets down to the business of home economics with a substantial, dark-stained, heavy-handled working desk. Aside from the flowers and the red typewriter, this could be a man’s office. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620256309-15LFU4GBN1VYSCVA6II2/14+MyHome.Sink.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 14: Kohler Electric Sink, Emily Gilardone, My Home scrapbook, 1927. Courtesy Steven P. Levin. She has stocked her house with cutting-edge technology in the same moment when Le Corbusier declared the house a “machine for living in”: An electric egg beater, electric coffee urn and percolator, waffle iron, a vacuum cleaner, a Thor electric washing machine, and the Kohler Electric Sink, with its automatic dishwasher—pointedly compared to older hand-washing sinks. In the 1920’s, many houses still lacked the electrical wiring to accommodate such a range of appliances. She carefully chose a “phantom view” (lower right) that peels away the porcelain to show the mechanism of the dishwasher at work. At lower left, a woman presses a button to make it all happen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620405231-642QXKECWOJTNONJIVFS/15+MyHome.fridge2.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 15: Three refrigerators, Emily Gilardone, My Home scrapbook, 1927. Courtesy Steven P. Levin. The refrigerator appears three times. First, a woman shows it to a neighbor, then as a self-standing object, and finally, in an appeal to a skeptical husband. The three images show the how the scrapbook’s descriptive possibilities are distinct from the conventional triumvirate of plan, section, and elevation, the descriptive tools of the professional architect. Its ability to detail the inner life of the house, if not the inner life of its inhabitants, lent it expansive narrative potential. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620260191-U73BFK029GB5DS6F0BCG/16+MyHome.ARestUnit.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 16: A Rest Unit and a Work Unit, Emily Gilardone, My Home scrapbook, 1927. Courtesy Steven P. Levin. Images of rooms allowed Emily Gilardone to reconsider the entire house. In keeping with the technical and scientific basis of home economics, she reconceptualized the menagerie of rooms into work, recreation, and rest units. A new taxonomy and nomenclature freed her to rethink domestic space. These were flexible units, spaces that served multiple functions. A “rest unit” might double as a “recreation unit,” and the latter might be spontaneously converted into a “work unit,” as in a basement with a playroom and laundry. The interest in flexibility mirrors that of the Modern Movement’s interest in breaking down the programmatic rigidity of conventional architecture. The naming system was modern in other ways, as well. It echoed the contemporary idea of neighborhood units and unit planning in prefabrication. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721701104610-C9ACAUXQ54PXV0QQ9QUS/17.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 17: “Balance,” from an undated, unsigned scrapbook, ca. 1940. Author’s collection. By contrast, this student thought of rooms in terms of aesthetic abstractions: “balance,” “opposition,” “expressiveness,” and the more spatial “transition.” The scrapbook is roughly put together, but the comparison to an ice skater, the Chippendale cut in the middle image that echoes the fireplace below, and the circular cut filled with the word balance are artful, conceptual, and humorous. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620261978-F7ZXM16XO2TYMRMLAP88/18+Edwards+Signaling.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 17: Advertisement for Edward’s Signaling, Pencil Points 25 (Jan., 1944): p. 2. When the scrapbooks were reprised on the American homefront, many advertisements referenced scrapbook homes directly. They used the gravity of war to promote post-war consumption, but they also encouraged active reading. They open a window onto the problem of how magazines and advertisements were read. They turned advertisements and articles into working documents. Here the benign spirit of the architect lends a hand. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620264205-MYGS2WV87C7L7KZJ5T98/19+Hotpoint+ad.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 18: Advertisement for Hotpoint Kitchens home planning file, American Home 29 (Apr., 1943): p. 75. Hotpoint made scrapbook planning into a game. The ad directly connects the desire for an ideal home with the war effort. War bonds became a ubiquitous emblem of postwar bounty, tying the economy of the household to that of the nation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620265706-OTBALTHNLHQIWRJ4IEHF/20+US+Steel+ad.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 19. Advertisement for United States Steel, American Home 27 (May, 1942): p. 87. This ad tells the story of a young couple that "saved a whole bookful of ideas" in order to modernize a Victorian house. The man holds up the scrapbook, his wife a pair of scissors. Below, the woman waves a war bond like a winning lottery ticket beside a page of their "Ideal Home Scrapbook.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620267045-TP3RTNXHXIFHY8PE3WHQ/21+Holmes+and+Edwards+Ad.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 20: Advertisement for Holmes and Edwards, Ladies’ Home Journal 61 (June, 1944): p. 85. Home economics had taken the woman’s role as a manager of the household seriously. The wartime images dropped this managerial role. In place of an astute and trained expert, the woman becomes pure consumer. In this case, her body visually rhymes with the spoon and the scissors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620269392-62CSFCSFYORA41XWCTFO/22+Popular+Home%E2%80%99s+Ideas+Galore+-stereoscope+folder.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figures 21 and 22: Idea folder and planning file from Popular Home’s Ideas Galore (Chicago: United States Gypsum Company, 1946). Two filing systems for tearsheets, ideas, and scraps. The commercial scrapbooks of the homefront replaced the pedagogy of the earlier home economics assignment with built-in instructions. The drawing of the stereoscope locates home planning in the sphere of female domesticity. The focused lighting isolates the woman in an interior existence. She seems to knit her scrapbook, linking the process to an even older craft associated with women and the home. It is hard to imagine a man being inserted into this space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721701303820-UJ89UM995MDLD9FX2BUT/23+USG+Planning+file2+larger.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figures 22 and 23: Idea folder and planning file from Popular Home’s Ideas Galore (Chicago: United States Gypsum Company, 1946). Two filing systems for tearsheets, ideas, and scraps. The commercial scrapbooks of the homefront replaced the pedagogy of the earlier home economics assignment with built-in instructions. The drawing of the stereoscope locates home planning in the sphere of female domesticity. The focused lighting isolates the woman in an interior existence. She seems to knit her scrapbook, linking the process to an even older craft associated with women and the home. It is hard to imagine a man being inserted into this space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1721620272163-PBRSJJ6X741AH70BCS6T/24+Crane+Plumbing+scrapbook+copy.jpg Home - Homing Devices: Women’s Home Planning Scrapbooks, 1920s—1950s Figure 23: Advertisement for Crane Plumbing, Architectural Forum (Feb., 1944): p. 25. Crane Plumbing references Norman Rockwell’s “Planning the Home” of 1920. A woman pores over images as her child works on the scrapbook, while her husband looks on. As in Rockwell’s painting, the man sits just enough to the side to exonerate him from this emasculating activity. Compared to the contemporary muscle flexing images of Rosie the Riveter, these homefront women are tame, predictable, house-bound. Scrapbook culture could be instruction in passivity, preparation for Rosie’s return to the home. https://www.platformspace.net/home/five-years-of-platform monthly 0.5 2024-06-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6e9ec29c-5411-4892-ac3f-e27f2923077b/Fig+1.jpg Home - Five Years of PLATFORM - Make it stand out Figure 1. This sign at Point Comfort/Fort Monroe, Virginia, marks where the first Africans arrived in the English colonies that would later become the United States. Photograph by DrStew82, 2014, via Wikimedia Commons, CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/72055eb0-5c95-48f1-a745-39af78df8577/Fig+2.jpg Home - Five Years of PLATFORM - Make it stand out Figure 2. Map of Tenochtitlan and Gulf of Mexico, attributed to Fredrich Peypus, 1524. Courtesy of Newberry Library via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0b61e5fb-6041-4f99-aa51-5392b08ea4e2/Fig+3.jpg Home - Five Years of PLATFORM - Make it stand out Figure 3. Stonewall Jackson statue removed from Monument Avenue in Richmond, Virginia, on July 1, 2020. Photograph by Zach Clarke. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/56879b78-4298-47ff-a7c4-8ae1af763676/FIg+4.jpg Home - Five Years of PLATFORM - Make it stand out Figure 4. The Community Women’s Center of Philadelphia, a crisis pregnancy center. Photograph by M.C. Overholt, June 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e0e0b18c-ed13-4d53-b48b-324ad10fd51e/Fig+5.jpg Home - Five Years of PLATFORM - Make it stand out Figure 5. Stereotypical Barbie’s single-family house (second from left) sits on a cul-de-sac. Its design, like those of its neighbors, was inspired by Richard Neutra’s Kaufmann Desert House in Palm Springs. Still from Barbie, dir. by Greta Gerwig, Warner Bros. Pictures, 2023. https://www.platformspace.net/home/writing-in-kinship monthly 0.5 2024-07-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/863f4fc5-1c7f-472e-847b-1ac2429b3fe5/Yusaf%2BRajagopalan_Figure+1_Begum+Samru%27s+Army+CBL.jpg Home - Writing in Kinship - Make it stand out Figure 1 Muhammad Azam, Begum Samru and her army, c. 1815 Chester Beatty Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f690810-213e-447e-ae52-57f695039ca5/Yusaf%2BRajagopalan_Figure+2_dhammal.png Home - Writing in Kinship - Make it stand out Figure 2. Dhammal (devotional dance to drumming) at Shah Jamal Shrine in Lahore, 2023. Photo Credit: Shundana Yusaf and Fatema Udaipurwala. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/19e6e777-e9f9-4fef-aab7-a152c8023572/Yusaf%2BRajagopalan_Figure+3.jpeg Home - Writing in Kinship - Make it stand out Figure 3 Mapping this essay, November 2023. https://www.platformspace.net/home/landscapes-of-loss-at-lordstown-latoya-ruby-frazier-depicts-suburban-deindustrialization monthly 0.5 2026-01-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2070f10c-a1f1-45ed-a185-01f35e4f2f8c/Fig+1.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 1. Sherria Duncan (23 years at Lordtown), Jason Duncan (19 years at Lordstown), Jason Duncan (17 years at Lordstown), at home with family, Austintown, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/643a4ee0-3abe-4884-afb1-9a43bb99feee/Fig+2.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 2. Kesha Scales (22 years at Lordstown) at home, Youngstown, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/96bd119a-cc21-4938-8ffa-f0c09b6fd0e0/Fig+3.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 3. "The Last Cruze" photos arranged in groups of three. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9b292bc8-30f8-4a65-b78a-9a4ea2abe4c9/Fig+4.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 4. Left: Trisha Amato (11 years at Lordstown) with boyfriend and children at home, Poland, Ohio, 2019; right: UAW monthly meeting at union hall, Lordstown, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/735e8b98-eed4-4814-9832-fcd0cf8b7bb8/Fig+5.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 5. "The Last Cruze" installed on a custom rack resembling an assembly line. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0fbef542-6330-4e95-93d9-4cd3e3e835e3/Fig+6.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 6. David Green, UAW Local 1112 president (24 years at Lordstown) in his parents' living room, Girard, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ca346612-8434-40b8-bc9e-604d47aa268d/Fig+7.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 7. Left: Ernie Long (11 years at Lordstown) with wife in front of their new custom-built house, Highland Township, Ohio, 2019; right: Brandie Long (8 years at Lordtown) with her brother at home, Highland Township, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4fd7c71f-1fde-4336-b355-20b38bee46d4/Fig+8.jpeg Home - Landscapes of Loss at Lordstown: LaToya Ruby Frazier Depicts Suburban Deindustrialization - Make it stand out Figure 8. Houses across from Lordstown, Warren, Ohio, 2019. Installation view of LaToya Ruby Frazier, Monuments of Solidarity, Museum of Modern Art, 2024. Photograph by Matthew Gordon Lasner. https://www.platformspace.net/home/text-prompt-on-the-peculiarities-of-writing-as-technique monthly 0.5 2024-05-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1716044759225-1Z1RDZCVC33C8CE67ZOM/Fig+A+-+contemporary+style+architecture%2C+volumetric%2C+minimal%2C+panoramic+windows%2C+housing+block.jpeg Home - Text Prompt: On the Peculiarities of Writing as Technique Figure 1. Iterations of the prompt “contemporary style architecture, volumetric, minimal, panoramic windows, housing block” from Midjourney, April 5, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1716044761754-1IIFNFVFF8TOYTGLZIDC/FIG+B+-+contemporary+style+architecture%2C+volumetric%2C+minimal%2C+panoramic+windows%2C+housing+block.jpeg Home - Text Prompt: On the Peculiarities of Writing as Technique Figure 2. Iterations of the prompt “contemporary style architecture, volumetric, minimal, panoramic windows, housing block” from Midjourney, April 5, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1716044762376-WQ255JLU51UVZ0MYIA42/FIG+C+-+contemporary+style+architecture%2C+volumetric%2C+minimal%2C+panoramic+windows%2C+housing+block.jpeg Home - Text Prompt: On the Peculiarities of Writing as Technique Figure 3. Iterations of the prompt “contemporary style architecture, volumetric, minimal, panoramic windows, housing block” from Midjourney, April 5, 2024. https://www.platformspace.net/home/the-lost-generation-trauma-and-rehabilitation-cyclone-shelter-part-ii monthly 0.5 2024-05-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e0c5edeb-00ce-490a-bd05-96a997924733/Fig.01.+Material+matrix+of+resources_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 1. “Material matrix of locally available resources”. 24x35 Inches. Drawing by Reem Nassour and Nabil Haque, December 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/74205dc3-60cc-4e84-8a8c-f5e51e9ae926/Fig.02.+Physical+Site+Model+of+Camp+10.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 2. “Physical 1:7500 Site model of Camp 10”. 75x 75cm. Wood, Butterboard and Paint. Model by Reem Nassour, Nabil Haque, and Ethnie Xu, September 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0444e3f2-9600-4ced-942f-613f3fcfe495/Fig.03.+Sketch+of+Design+Risk+Matrix.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 3. “Sketch of Design Risk Matrix”. Ink on Paper. Drawing by Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8eabc86b-7057-466f-99b1-4a3024f2dc27/Fig.04.+Sketch+of+Preliminary+Section.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 4. “Sketch of Preliminary Section”. Ink on Paper. Drawing by Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/08fcf818-be83-4e5c-a1e4-e9904fe2e64c/Fig.05.+Site+Strategy+Drawing_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 5. “Site Strategy Drawing”. 35x50 Inches. Drawing by Reem Nassour and Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6baef4db-2b4d-45ed-8516-d287577a435c/Fig.06.Site+Plan_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 6. “Site Plan”. 35x50 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/29b90096-82a3-4f81-b5fa-35ab86a92214/Fig.07.+Area+exploration+of+4sq.ft+pp.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 7. “Area explorations of 4.sq.ft per person” Images by Reem Nassour and Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e613ca52-f632-446f-b38e-0795b6b095f3/Fig.08.Image+of+Prayer+Mat+and+5sq.ft.png Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 8. “Image of Prayer Mat adjacent to 5.sq.ft Module” Images by Reem Nassour and Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e4a06b3e-f5ca-4f49-a085-adca7ea0426d/Fig.09.+Sketch+of+prayer+mat+and+bed.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 9. “Sketch of prayer mat and self-constructed beds”. Sketch by Nabil Haque, October 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5a54d9e8-0f5f-4a88-b98b-56b3fffc6b18/Fig.10.Ground+Floor+Plan+-+Pre+Cyclone_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 10. “Ground Floor Plan - Pre-Cyclone - Multi-Purpose Community Centre”. 35x50 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/72388aa2-d1f8-4d2a-aa4f-5289cb230291/Fig.11.+Ground+Floor+Plan+-+Post+Cyclone_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 11. “Ground Floor Plan - Post-Cyclone - Cyclone Shelter”. 35x50 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/050003e1-b8a1-45f1-ad4d-7959c84a3a67/Fig.12.+Cross-section+-+Pre+and+Post+Cyclone_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 12. “Cross-section - Pre and Post Cyclone ”. 35x70 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ec1d0ec-e591-4c5c-a2c2-5bdb96f207e8/Fig.13.+View+into+raised+counselling+room_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 13. “View into a raised counseling room”. 24x25 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0d86a425-5f7c-4b5d-a6e3-34252263e7a3/Fig.14.+View+into+central+atrium%2C+pre-cyclone_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 14. “View into a central atrium, pre-cyclone”. 24x35 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/926b717e-714e-4fde-9a4d-05fe939da2d5/Fig.15.View+into+central+atrium%2C+post-cyclone_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 15. “View into a central atrium, post-cyclone”. 24x35 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f70f9bd8-e016-41c0-ba97-15020bd55d21/Fig.16.+View+into+internal+living+room.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 16. “View into internal living rooms”. 24x35 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/013a104b-9462-41d6-9695-dcd94ddf817e/Fig.17.Construction+drawing+of+roof+module.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 17. “Construction Drawing of Roof Module”. 24x35 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2c0df0f3-285e-4a9b-83cf-9f17dcbaa51e/Fig.18.View+across+radial+roof+structure_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 18. “View across radial roof structure”. 24x35 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d8569e6-0c47-42d4-8a05-f67b6faf5bf8/Fig.19.+View+of+the+shelter+across+the+camp_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 19. “View of the shelter from across the camp”. 24x35 Inches. Render by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8924a2f8-d917-476e-95b8-2909555e8cd6/Fig.20.Physical+Model+at+1-75.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 20. “Physical Model at 1:75” . 75x75cm. Wood and Butterboard. Constructed by Reem Nassour and Nabil Haque, December 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/24efb1e2-cd1a-4d1e-96e6-cc1bc15b3717/Fig.21.+Exploded+Axonometric_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 21. “Exploded Axonometric of the Roof and Ground Layers”. 35x102 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d9970e92-2fcc-40d9-bf46-c2cc43c8e948/Fig.22.Reflected+Ceiling+Plan_sm.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 22. “Reflected Ceiling Plan and Close up Elevation”. 35x50 Inches. Drawing by Reem Nassour and Nabil Haque, November 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5da059ea-5183-4bea-8342-6899ab78f3b9/Fig.23.+Close+up+view+of+Physical+Model+at+1-75.jpg Home - ‘The Lost Generation’: Trauma and Rehabilitation Cyclone Shelter, Part II - Make it stand out Figure 23. “Close up view of Physical model at 1-75”. 75cmx75cm. Model by Reem Nassour and Nabil Haque, December 2023 https://www.platformspace.net/home/paulo-freire-as-an-antidote-to-the-hegemony-of-abstraction monthly 0.5 2024-05-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5ee41265-c9ae-4410-b703-f6cd49f82f27/Freire+01.png Home - Paulo Freire as an Antidote to the Hegemony of Abstraction - Make it stand out Figure 1. Paulo Freire in 1977. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/56c071b2-c67b-4f4d-b422-5831028dc689/Freire+03.png Home - Paulo Freire as an Antidote to the Hegemony of Abstraction - Make it stand out Figure 2. Freire’s literacy method. Illustration by André Koehne. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/47a310db-0f56-4740-9373-a00f9ea83ab1/Freire+02.png Home - Paulo Freire as an Antidote to the Hegemony of Abstraction - Make it stand out Figure 3. Mural at Universidad del Bio, Chile. https://www.platformspace.net/home/preservation-futures-science monthly 0.5 2025-07-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/74b49fa3-0a56-4755-968a-120e78b9ab78/Fig+1.jpg Home - Preservation Futures: Science - Make it stand out Figure 1. Pages from Friedrich Rathen’s Die Konservirung von Alterthumsfunden (1898), the first conservation handbook, which was later translated into English. https://www.platformspace.net/home/designing-the-future-with-children monthly 0.5 2024-04-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f2dcde85-fb10-462f-bc30-e7431ad9ea2b/Figure1.jpg Home - Designing the Future With Children - Make it stand out Figure 1. Artist Matt James’ illustrations (assets) for the Playshop. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ea23d4c4-36bd-46ad-896f-8022901be324/Figure2.png Home - Designing the Future With Children - Make it stand out Figure 2. A page layout using assets. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2ee72546-f656-4248-a70d-e2d49b09a159/Figure3.png Home - Designing the Future With Children - Make it stand out Figure 3. Still from animation using assets. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/377eed08-cb1f-4359-b35a-9a764d8947b9/Figure4.png Home - Designing the Future With Children - Make it stand out Figure 4. Still from animation using assets. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/68f138e0-1758-4ced-8d6d-e64673030bbe/Figure5.png Home - Designing the Future With Children - Make it stand out Figure 5. A page from the teaching guide. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ec5b4b16-c848-4fbe-92cf-b6d817e0ed07/Figure6.png Home - Designing the Future With Children - Make it stand out Figure 6. A page from hands-on activity guides. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ec1f7d49-e006-4909-a96b-0fade08f91e4/Figure7.png Home - Designing the Future With Children - Make it stand out Figure 7. Read-alouds page from the project website. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ed9b4d3-c105-4dfb-9201-8e5a589a8787/Figure8.jpg Home - Designing the Future With Children - Make it stand out Figure 8. Drawing of Playshop exhibition at the elementary school in April 2023; children behind their designs ready to receive visitors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7b192c6e-4a02-4624-9ae9-2085bcb82de0/Figure9.jpg Home - Designing the Future With Children - Make it stand out Figure 9. Drawing of Playshop exhibition at the elementary school in April 2023; children behind their designs ready to receive the visitors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7f2f6335-cb7c-473b-9c56-7ea5052e075d/Figure10.jpg Home - Designing the Future With Children - Make it stand out Figure 10. Drawing of Playshop exhibition at the elementary school in April 2023; children’s group photo with the student-teachers https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8c448898-82ae-4c84-b3b3-d06b272bdd1e/Figure11+sm.jpg Home - Designing the Future With Children - Make it stand out Figure 11. Drawing of Playshop process depicted in a composite plate. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b13ad0ef-12d4-4d1b-ab58-ec29e99b1bba/Figure12.jpg Home - Designing the Future With Children - Make it stand out Figure 12. Students identified themselves in the drawings. Photo by McGill University Faculty of Engineering Communications Office. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a6b9236c-ef7e-47f3-94f6-5e04eee0093b/Figure13+sm.png Home - Designing the Future With Children - Make it stand out Figure 13. Drawing. Detail with conversations from Playshop process depicted in a composite plate https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f843cd37-ad69-43a2-9470-d57929fbfeec/Figure14.png Home - Designing the Future With Children - Make it stand out Figure 14. Drawing of detail with conversations from Playshop process depicted in a composite plate. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1713357835959-L1JQZVDCNT4ZYGY2TH4D/Figure15.jpg Home - Designing the Future With Children Figure 15. Drawing of children’s models https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1713357819959-8MRNSWBKLAW0YDCIPK41/Figure16.jpg Home - Designing the Future With Children Figure 16. Children’s models photographed and redrawn. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1713357826344-62WVZ74OS27KTIG2LWMK/Figure17.jpg Home - Designing the Future With Children Figure 17. Drawings of Playshop exhibition at the School of Architecture at McGill University, May 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1713357834226-5M4LTNQT4XS7NJ15MW8G/Figure18.jpg Home - Designing the Future With Children Figure 18. Drawings of Playshop exhibition at the School of Architecture at McGill University, May 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1713357837262-F2ZLHPWHE9QDZ3CTOYY3/Figure19.jpg Home - Designing the Future With Children Figure 18. Drawings of Playshop exhibition at the School of Architecture at McGill University, May 2023. https://www.platformspace.net/home/the-prison-as-tourist-site monthly 0.5 2024-04-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/44e38f81-cb49-4822-ba16-66c31d187416/Waits_Platform2024_Figure1++%282%29.jpg Home - The Prison as Tourist Site - Make it stand out Figure 1. “Tiny Town Jail,” Tiny Town & Railroad, Morrison, CO. Author’s photo, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d817306c-e111-4537-888d-03c4fd894a5b/Waits_Platform2024_Figure2.jpg Home - The Prison as Tourist Site - Make it stand out Figure 2. Denver County Jail, 1930-1940. Courtesy of the Denver Public Library Special Collections X-20608) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3dbfbc89-ab84-4ede-947a-0b9a702c1f1e/Waits_Platform2024_Figure3+%282%29.jpg Home - The Prison as Tourist Site - Make it stand out Figure 3. “Al Capone’s Cell,” Eastern State Penitentiary. Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d051949d-dadf-438f-8a61-a73253679ed6/Waits_Platform2024_Figure4+%282%29.jpg Home - The Prison as Tourist Site - Make it stand out Figure 4. “Main Hall,” Kilmainham Gaol, Author’s photo, 2023. https://www.platformspace.net/home/the-lost-generation-trauma-and-rehabilitation-cyclone-shelter-part-1 monthly 0.5 2024-04-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0d5d1fe2-7c6c-40db-8a15-024aef9e18e9/Fig.1.1+-+Two+young+men_11x8.5+in.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 1. Two young men at the Kutupalong Camp. Photography by Reem Nassour. September 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c86fd714-50cc-4cc2-9cf3-240217f64734/Fig.1.2+-+Satellite+image+Location-top.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 2a. Satellite image location of the Kutupalong Refugee Camp (top). Imagery from Google Earth. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/019c98db-3e9d-4852-b647-85306b5a260c/Fig.1.2-Annotated+journey-+bottom.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 2b. Annotated image indicating the journey across the Naf River from Myanmar to Bangladesh (bottom). Imagery from Google Earth. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1c48e84a-9c7e-45f5-83fc-7f54b47b15fd/Fig.1.3_Series+of+satellite+images+of+the+camp_s+urban+evolution+from+2002-2023.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 3. Series of satellite images describing the camp’s urban evolution from 2002 to 2023. Imagery from Google Earth. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cc75a2c1-a3e3-4d51-871a-4a7f65a6412d/Fig.1.4-+Camp+10+from+across+the+hill_11x8.5+in.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 4. View of the temporary shelters at Camp 10. Photography by Reem Nassour. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c2cdd1a1-e72f-4d7a-890e-f1e36aa8d384/Fig.1.5+-+Construction+of+retaining+walls.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 5. Construction of retaining walls along Camp 10 hills by re-trained refugees. Photography by Reem Nassour. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/33e2b19e-8a5d-4cac-93e6-f666ba20879a/Fig.+1.6+-+Embroidered+artwork+of+camps+10%2C+11+and+12.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 6. Embroidered artwork of camps 10, 11 and 12 as illustrated by resident artists Photography by Reem Nassour. Art from Rohingya Cultural Memory Center, Kutupalong. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0a5b2b3d-06fc-4344-97f5-0d8e6d9d33ac/Fig.1.7+-+Folkculture+Map_sm.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 7. Hand-drawn map describing the inseparability of people and place throughout Bangladesh. “Folkculture Map”. Drawing by Reem Nassour and Nabil Haque. October 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f939c325-8efa-4753-a38f-8da03e91c9c5/Fig.+1.8+-+Archive+Image+of+the+damage+to+homes.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 8. Archive Image of the damage to homes in Patharghata village after Cyclone Bhola. Imagery from The World Bank. November 1970. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b1334cfb-39fe-4b89-80ed-8c6ae0bdabc7/Fig.+1.9+-+An+image+of+a+typical+cyclone+shelter+in+Bangladesh.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 9. An image of a typical cyclone shelter in Bangladesh. Imagery from the Pulitzer Center. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0178a641-595b-4737-8ad8-c3a106f4ddad/Fig.+1.10+-+Image+catalog+of+objects.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 10. Image catalog of objects made by refugee artists at the RCMC. Imagery from the Rohingya Cultural Memory Center, Kutupalong. November 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0518e60c-c853-47c1-b171-626300c2c696/Fig.1.11+-+Image+of+hand-made+tiled+floors.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 11. Image of hand-made tiled floors at the Rohingya Cultural Memory Center. Photography by Reem Nassour. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4eabcfcc-9395-468d-a451-9942f8181198/Fig.1.12+-+Image+of+a+woven+Kantha.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 12. Image of a woven Kantha, made by young Rohingyan Women, at the Rohingya Cultural Memory Center. Photography by Reem Nassour. September 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3c4c1d0e-2aae-46a0-8b67-c1cba32bdd06/Fig.1.13-+Life+in+the+Camp++Triptych+01+03_sm.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 13. A Sequence of hand-drawn narratives. “Life in the Camp” Triptych 01/03.Drawing by Reem Nassour and Nabil Haque. October 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ba9c5ad-7a35-43dd-b24b-e2c3c4a3e912/Fig.+1.14-The+Shelter+as+Multi-Sited+InfrastructureTriptych+02+03_sm.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 14. A Sequence of hand-drawn narratives. “The Shelter as Multi-Sited Infrastructure” Triptych 02/03. Drawing by Reem Nassour and Nabil Haque. November 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4e467bba-1a77-47b0-a182-5dae6931863d/Fig.1.15+Life+within+the+Shelter+Triptych+03+03_sm.jpg Home - "The Lost Generation": Trauma and Rehabilitation Cyclone Shelter, Part 1 - Make it stand out Figure 15. A Sequence of hand-drawn narratives. “Life within the Shelter” Triptych 03/03. Drawing by Reem Nassour and Nabil Haque. December 2023. https://www.platformspace.net/home/the-nature-of-perception-richard-neutra-and-maria-nordman monthly 0.5 2024-04-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c47a7e7f-b991-4927-8778-ce65370f287f/Fig+1+article01_large-98.jpg Home - The Nature of Perception: Richard Neutra and Maria Nordman - Make it stand out Fig. 1. Page showing Nordman’s 1973 Saddleback Mountain in Peter Plagens, “Maria Nordman,” Artforum 12, no.6 (February 1974): 41. https://www.artforum.com/features/maria-nordman-2-212814/ https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ed767239-f08f-4821-98cd-76435ed693d9/Survival+1954+back+cover+copy.jpg Home - The Nature of Perception: Richard Neutra and Maria Nordman - Make it stand out Fig.2. Back Cover of Richard Netura, Survival through Design (Oxford: Oxford University Press, 1964) ã Oxford Publishing Limited https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dd2a0ad2-e457-40d2-a09b-e6dd98b418ed/0623181148b_HDR.jpg Home - The Nature of Perception: Richard Neutra and Maria Nordman - Make it stand out Fig. 3 Richard Neutra, VDL House, Silver Lake, Los Angeles, California, photo by author, 2018. https://www.platformspace.net/home/preservation-futures-design monthly 0.5 2024-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bc0d681c-a467-4d96-80fa-c2f82ec57468/Figure+1_RanchHouse_elevated.jpg Home - Preservation Futures: Design - Make it stand out Figure 1. Communities are challenged when trying to balance the impacts of climate change and retaining their historic resources. In 2021, Preservation Design Partnership developed Flood Mitigation Design Guidance for Historic Residences for the City of St. Augustine, Florida, to assist property owners seeking to sensitively improve their resilience. Courtesy of City of St. Augustine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/061af1d7-33d7-48eb-8f67-7034f1862bd6/Figure+2_Sidwell+Friends+BEFORE.jpg Home - Preservation Futures: Design - Make it stand out Figures 2. The mid-century Kenworthy gym at the Sidwell Friends School in Washington, D.C., before KieranTimberlake transformed it into a new space for worship. Courtesy of KieranTimberlake. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/374b098e-f019-4d97-aa55-f13970bede85/Figure+3_Sidwell+Friends+AFTER.jpg Home - Preservation Futures: Design - Make it stand out Figures 3. The new Quaker Meeting House at Sidwell Friends, after transformation by KieranTimberlake in 2011. Photograph by Michael Moran/OTTO, courtesy of KieranTimberlake. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1eb3d717-5a76-40c8-8b85-5aee78d25c92/Figure+4_Heritage+Landscapes.jpg Home - Preservation Futures: Design - Make it stand out Figure 4. The degraded lagoon element in Jackson Park, Chicago, was reshaped through a 2015-16 plan by Heritage Landscapes into a scenic area with a graceful walk. Photograph by Robbie Sliwinski, U.S. Army Corps of Engineers, courtesy of Heritage Landscapes. https://www.platformspace.net/home/tokyo-stealth-wealth-designer-toilets-and-manmade-forests-in-perfect-days monthly 0.5 2024-03-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fa2f5f05-07d4-4114-83e7-ceef1e892d79/Fig+1.jpg Home - Tokyo Stealth Wealth: Designer Toilets and Manmade Forests in Perfect Days - Make it stand out Figure 1. Protagonist Hirayama cleans the facilities at Ebisu East Park of The Tokyo Toilet project, designed by Fumihiko Maki. Still from Perfect Days, dir. by Wim Wenders, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d23df3ef-6397-485d-a67e-2712195f84d6/Fig+2.jpg Home - Tokyo Stealth Wealth: Designer Toilets and Manmade Forests in Perfect Days - Make it stand out Figure 2. The facilities at Yoyogi Fukamachi Mini Park of The Tokyo Toilet project, designed by Shigeru Ban, feature smart glass technology that transforms the walls from transparent to opaque with a simple switch. Still from Perfect Days, dir. by Wim Wenders, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b146cc14-3243-4157-838c-1b004c0d183c/Fig+3_Yoyogi_Park_from_Hyatt.jpg Home - Tokyo Stealth Wealth: Designer Toilets and Manmade Forests in Perfect Days - Make it stand out Figure 3. Aerial view of Yoyogi Park and the Meiji Shrine, showing a forest surrounded by dense architecture. Photo by jonny-mt, CC BY-SA 3.0 Deed https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9d450b8e-5dbf-4a15-b18b-5ae160088058/Fig+4.jpg Home - Tokyo Stealth Wealth: Designer Toilets and Manmade Forests in Perfect Days - Make it stand out Figure 4. Hirayama commiserates with a stranger near Sakura Bridge as they stare at the dark waters of Sumida River. Still from Perfect Days, dir. by Wim Wenders, 2023. https://www.platformspace.net/home/welcoming-spring monthly 0.5 2024-03-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a1ccc3f7-e673-48ce-8422-0438a3e86da0/Figure+1.jpg Home - Welcoming Spring - Make it stand out Figure 1. Photograph of the Khaju bridge (Hasanabad bridge) over the Zayande river connecting the Fathabad chaharbagh to the Aminabad chaharrbagh. This bridge was originally constructed under Shah Abbas II in the 17th century and Sadr-i Isfahani restored and repaired it while establishing his new chaharbagh avenues in the early 19th century. Photo: Samira Fathi, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/719da776-bdc9-4d45-85b4-9da33a65cf65/Figure+2.jpeg Home - Welcoming Spring - Make it stand out Figure 2. Uprising in Tehran, Keshavarz Boulevard September 2022, Photo by Darafsh, Source: Wikimedia Commons https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/181941a1-834f-4601-ae59-05c806336340/Figure+3.jpeg Home - Welcoming Spring - Make it stand out Figure 3. A morning “gate opening ceremony” at the reconstructed Imperial-era city wall, 2019. The woman’s sash reads: “The home of ancient beauty welcomes you.” Courtesy Shutterstock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/528cb3df-1515-4ed3-a469-a5b7da2c5202/Figure+4.JPG Home - Welcoming Spring - Make it stand out Figure 4. Kumbhalgarh temple, ca. 1450. Photograph by Madhuri Desai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5f257842-8d59-404e-8d93-abb4ff0a3f5a/Figure+5.JPG Home - Welcoming Spring - Make it stand out Figure 5. Pakistan Chulah, Makli, Pakistan, 2015. Photograph courtesy of Heritage Foundation. https://www.platformspace.net/home/artistic-fusion-in-isfahan-the-evolution-of-armenian-murals-in-vank-cathedral monthly 0.5 2024-03-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d4e36b5a-b012-49ac-9671-9b2628452697/Figure+1.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 1. Interior of Vank Cathedral, 1655-1664, Isfahan. Photograph by Ahmad Yengimolki, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d5ba0267-a64d-4383-816a-d4454f2f3f72/Figure+2.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 2. Entry of Christ into Jerusalem, southern wall of western cross, Vank Cathedral. Photograph by Ahmad Yengimolki, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e333ff2d-62e2-4169-90eb-4a5ed1e05177/Figure+3+alt.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 3. Annunciation, illuminator unknown, MS W.540, fol. 7v, 1475, the Walters Art Museum, Baltimore. Licensed for use under Creative Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/677feecd-afff-4275-898a-53e9565aaf71/Figure+4.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 4. Gospel Book, MS M.623 fol. 6r, 1658-1659, Microform Collection (MICROPR), Morgan Library & Corsair online Catalogue, Princeton. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/352adac3-81ae-41bf-a204-5d341978da62/Figure+5.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 5. The Adoration of the Magi, southern wall of eastern cross, Vank Cathedral. Photograph by Ahmad Yengimolki, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d4ad9fd4-3abd-43ea-8c5b-90b7d89984d9/Figure+6.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 6. Christ Washing the Feet of Peter, western wall, Vank. Photograph by Ahmad Yengimolki, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4ad4e54a-f2d6-4644-80ad-217dd4f6fa86/Figure+7.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 7. Christ Washing the Disciples’ Feet, Adriaen Collaert, 1598 – 1618, RP-P-1885-A-9657, Rijksmuseum, Amsterdam, Netherlands. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0d9ddffd-ab7c-4a84-bfe1-a7eed3fca1c3/Figure+8.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 8. The Annunciation, Sadeqi Beyg, c. 1590, 1999.289, Harvard Art Museums, Boston. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2a66233b-2725-441b-a8f7-a03e617e568b/Figure+9.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 9. The Annunciation, East wall, Vank Cathedral. Photograph by Ahmad Yengimolki, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d71de66d-1e0a-4e18-a347-73e1f474e99d/Figure+10.jpg Home - Artistic Fusion in Isfahan: The Evolution of Armenian Murals in Vank Cathedral - Make it stand out Figure 10. Man in European attire with dog, veranda of north façade, west side, Chihil Sutun. Photograph by Ahmad Yengimolki, March 2022. https://www.platformspace.net/home/preservation-futures-history monthly 0.5 2024-02-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/46115959-8196-47f6-922d-418af42e9b37/Fig+1.jpg Home - Preservation Futures: History - Make it stand out Figure 1. The Armory Newsprint [New Haven, CT] vol. 1, no. 1, Sept. 18, 2022, reprinted May 10, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a87cd73-f6f6-495a-b54a-acf5e88d06e3/Fig+2.jpg Home - Preservation Futures: History - Make it stand out Figure 2. Rittenhouse Street Elevation of Mount Vernon Baptist Church (originally Bethel A.M.E. Church). Photograph by Aaron Wunsch, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b3547932-3395-41a8-bc7b-4f0766c9c7ab/Fig+3.jpg Home - Preservation Futures: History - Make it stand out Figure 3. Pastor ChaChira Smith-Robinson (center), her father, Pastor Emeritus Bernard C. Smith (left), and a descendant of the Montier family, donors of the land on which the church was built. Photograph by Aaron Wunsch, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8adae7e3-f543-4f69-b70b-de3fba4d9b6c/Fig+4.jpg Home - Preservation Futures: History - Make it stand out Figure 4. Rittenhouse Street Elevation of Mount Vernon Baptist Church (originally Bethel A.M.E. Church), by Alberto Calderon using measurements gathered by fellow students in University of Pennsylvania, HSPV 601 (Recording) in spring, 2017. https://www.platformspace.net/home/the-impact-of-informal-adus-on-affordable-housing monthly 0.5 2024-03-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/320ebfa2-f6c5-4e11-a33e-7a6258b22475/Fig+1.JPG Home - The Impact of Informal ADUs on Affordable Housing - Make it stand out Figure 1. Living over a garage? Portland, Or. Photograph by Rebecca Summer, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/015b5e7d-ad1e-4dd0-9d57-8318dceac103/Fig+2.JPG Home - The Impact of Informal ADUs on Affordable Housing - Make it stand out Figure 2. A cottage at the end of the driveway? Portland, Or. Photograph by Rebecca Summer, 2024. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8474084e-569c-44ac-9921-a56275abed41/Fig+3.JPG Home - The Impact of Informal ADUs on Affordable Housing - Make it stand out Figure 3. A new construction ADU? Portland, Or. Photograph by Rebecca Summer, 2024. https://www.platformspace.net/home/reifying-a-shatter-zone-the-geopolitics-of-extraction-in-the-upper-euphrates monthly 0.5 2024-02-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1833ab75-2546-46ac-a7d2-b27d88f924ac/Figure+01.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 1. Superimposition of the Restricted Zone (pink) over the boundaries of the Vilayat-ı Sitte (blue). (Drawn by the author over a map adapted from the 1942 school history textbook atlas, Unat, Faik Reşit. Tarih Atlası. İstanbul: Kanaat, 1942.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f5e4db3-c6c3-4880-9643-34a31c623fb4/Figure+02.jpeg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 2. The abandoned silos at the back of a parking lot in Maden (Elazığ). Photo by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/927fea15-f5e4-49ba-90c3-9f29a46237a2/Figure+03.jpeg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 3. The abandoned silos at the back of a parking lot in Maden (Elazığ). Photo by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/156de11d-b55f-4a48-9c6d-da52802fb252/Figure+04.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 4. The Maden Prefecture Building, ca 1880, currently under restoration in August 2023. Photo by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f4da2fe1-3a34-4837-b914-65fa315e6aa1/Figure+05.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 5. The modern smelter at Ergani Maden Copperworks (source: Yazman, Aslan Tufan. Etibank 1935-1945. Istanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0db76512-5076-4831-aa76-e4a93f9b9084/Figure+06.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 6. Ergani Maden Copperworks, general view of the main production area with the smelter in the background (source Yazman, Aslan Tufan. Etibank 1935-1945. Istanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d96d0276-9511-4c68-a1e0-fbf4608c6916/figure+07.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 7. A map of Turkish Railways as of ca 1935. Highlighted is the route between Maden and the Port of Mersin. Projected on an existing Turkish State Railroads Map by the Author (source for base map Cumhuriyet Halk Partisi. On Beşinci Yıl Kitabı. Ankara: Cumhuriyet Matbaası, 1938. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8781abe7-aef8-4e61-93a8-ecd07fe517e1/Figure+08.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 8. The chromite deposit silo at Maden, terminus point of the aerial tram system built by Poehlig to transport raw ore to Maden for shipment to the Port of Mersin. The train cars awaiting deposit can be seen at the bottom. (source: Yazman, Aslan Tufan. Etibank 1935-1945. Istanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1f19160c-0f02-4292-95a8-c7311e737712/Figure+09.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 9. Single family housing for high level administrators in Guleman (postcard from author’s personal collection). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7f9a0c4d-b231-413d-a5d4-9ad0da59e25b/Figure+10.JPG Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 10. Title page of the book “Tunceli Medeniyete Açılıyor” (Tunceli is Opening up to Civilization), published in the immediate aftermath of the Dersim Operation. A propaganda book, it was authored by Naşit Hakkı Uluğ, a journalist known for his proximity to the country’s leadership. The book describes several infrastructural projects and institutional improvements that are being brought to Dersim, now Tunceli, to bring it into the fold and civilize its peoples. (Source: Uluğ, Naşit Hakkı. Tunceli Medeniyete Açılıyor. Istanbul, 1939.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6d0b538e-2e00-4a93-ad3b-4b2dd0f83065/Figure+11.JPG Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 11. A page from “Tunceli Medeniyete Açılıyor” describing the construction of new roads through the mountainous landscape of the province. (Source: Uluğ, Naşit Hakkı. Tunceli Medeniyete Açılıyor. Istanbul, 1939.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0ed0c831-8faf-42fd-bea0-70a071906ce9/Figure+12.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 12. The former Headquarters of the 4th Inspectorate General in Elazığ, currently being used as the regional offices of the Turkish Postal Service PTT. (Photo by the author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5e69760a-b431-4111-b07c-02bce4c00a1d/Figure+14.jpeg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 13. Window detail at the former Headquarter of the 4th Inspectorate General in Elazığ. The multilayered detail of shutters and blinds on rails is an imported technology that was new in Turkey at the time, and certainly unusual in this region. (Photo by the author). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e7c54ca4-fe7f-4a84-96b4-40978620039c/figure+13.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 14. Aerial view of central Tunceli, located in the village formerly known as Mameki. Two large army barracks (buildings 1 and 2) anchor the new administrative center, which was relocated from Hozat, which was harder to reach from Elazığ. The barracks in the middle ground (1) was restored as a museum and opened in 2020; the smaller one in the back is used as a recreational facility. (Photo courtesy of Tunceli Museum). The small cluster of residential semidetached houses in the foreground were built to house military officials and civil servants. (Photo courtesy of Tunceli Museum) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9073d7c6-fde8-44e3-97a7-b24d09657e64/Figure+15.jpg Home - Reifying A Shatter Zone: the Geopolitics of Extraction in the Upper Euphrates - Make it stand out Figure 15. Army barracks prior to reconstruction. After serving as a barracks for several years, the building was eventually converted into housing for civil servants, thereafter, it was abandoned and became a slum for many years. The roof material as seen in the photo is unlikely to be original, but the massing of the dormers and window detailing suggest an German-inspired formal composition (Photo courtesy of Tunceli Museum). https://www.platformspace.net/home/the-everyday-architecture-of-carnaval monthly 0.5 2024-02-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e321cce7-9c02-4211-aea6-1159d5e715bc/Fig+1.JPG Home - The Everyday Architecture of Carnaval - Make it stand out Figure 1. Belo Horizonte, Brazil and the Serra do Curral Mountain Range, Belo Horizonte. Sketch by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992138289-SHT1XOATGPWB0PN5A6FO/Fig+2.jpeg Home - The Everyday Architecture of Carnaval Figure 2. Viaduto Santa Tereza lit up at dusk as seen from an adjacent street, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1707062321834-W81FGM9OHHPCZNP1BJTU/Fig+3+.jpg Home - The Everyday Architecture of Carnaval Figure 3. Every couple of weeks, a samba group hosts an open dance circle at midnight, known as Samba de Meia-Noite. Standing on top of the stage, you have a prime view of the show, and, beyond can see straight down to the opposite end of the viaduct. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992142979-W2YTBXFUUZI8J7HG6SD6/Fig+4.jpeg Home - The Everyday Architecture of Carnaval Figure 4. A drum practice open to the public on a January Sunday morning. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e76866f-187e-46dd-9094-300550084dd0/Fig+5.jpg Home - The Everyday Architecture of Carnaval - Make it stand out Figure 5. Plan and elevation of Viaduto Santa Tereza, Belo Horizonte, by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992244945-AEGKODLOV596Z9TXOMNH/Fig+6.jpeg Home - The Everyday Architecture of Carnaval Figure 6. Garagem Maladeza at night, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992245174-NT5LI3LOUKHNOVQ8ZVJF/Fig+7.jpg Home - The Everyday Architecture of Carnaval Figure 7. The entrance to the space opens directly to the street, allowing for easy flow between the practice area and the surrounding neighborhood. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992247914-F1JOPSNLYLR0Z8L4D929/Fig+8.jpg Home - The Everyday Architecture of Carnaval Figure 8. The floors are a poured concrete that has been laid and re-laid as the space has grown and changed. Often people feel comfortable dancing with bare feet. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4d4dfcae-cf3c-4e77-a101-eee35872cad2/Fig+9.jpg Home - The Everyday Architecture of Carnaval - Make it stand out Figure 9. Plan and Elevation of Garagem Maladeza, Belo Horizonte, by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992373585-8HQ2SIPUL510XD6Z8C2E/Fig+10.jpg Home - The Everyday Architecture of Carnaval Figure 10. Armazém do Campo as seen from the street, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992371746-9GUWKUU5HJ9OMAIKWUQG/Fig+11.jpeg Home - The Everyday Architecture of Carnaval Figure 11. Members of a drumming group in Armazém do Campo on a Sunday morning. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992374425-HA9RLO6B4NIWNGQ7OZBB/Fig+12.jpg Home - The Everyday Architecture of Carnaval Figure 12. Various drum groups performing outside of Armazém during a celebration of Lula winning the presidency in the 2022 elections. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9f68f723-bb6d-4672-89fe-83c93e521f45/Fig+13.jpg Home - The Everyday Architecture of Carnaval - Make it stand out Figure 13. Elevation and plan of Armazem do Campo, Belo Horizonte, by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992408028-XYV1G0FTAJM0Y55UIWC5/Fig+14.jpeg Home - The Everyday Architecture of Carnaval Figure 14. Praça Joaquim Ferreira da Luz, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992408978-0K5C1LLQNWV9CYBVORUD/Fig+15.jpeg Home - The Everyday Architecture of Carnaval Figure 15. Thursday evening practice. Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992411634-CBV0Z6KWAY3FV38BXEW7/Fig+16.jpeg Home - The Everyday Architecture of Carnaval Figure 16. A pause during practice, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/80b4e0b8-d2dd-4761-9b03-457852a8ec3a/Fig+17.jpg Home - The Everyday Architecture of Carnaval - Make it stand out Figure 17. Elevation and plan of the plaza, Belo Horizonte, by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992499962-JV1LGIN0KFR6R08RWKDF/Fig+18.jpeg Home - The Everyday Architecture of Carnaval Figure 18. Barracão Pedro during a quiet afternoon, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992500150-XY6SQTY3I8PH6F3311I9/Fig+19.jpeg Home - The Everyday Architecture of Carnaval Figure 19. Pedro reviewing rhythms during a practice break, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1706992502109-TET7LHYNQ8SA824P3Q6Q/Fig+20.jpg Home - The Everyday Architecture of Carnaval Figure 20. Dancers performing during a practice on the patio, Belo Horizonte. Photograph by Lydia Collins, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4a88e311-65fe-4bc6-9fc5-076fae8979f5/Fig+21_crop.jpeg Home - The Everyday Architecture of Carnaval - Make it stand out Figure 21. Drummers in a moment of quiet before a Carnaval performance, Belo Horizonte. Photograph by Lydia Collins, 2023. https://www.platformspace.net/home/memorial-artifacts-and-portable-sovereignty monthly 0.5 2024-01-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6d8cd15a-c5e3-4388-805c-396ba465c6df/text+on+cross.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4f5c53ab-27f0-467a-ad09-a62c4b775b7c/Chattopadhyay_Fig+1+red.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 1. Back of wooden replica of memorial cross. British Library shelfmark: Mss Eur F630/8. © British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f7351ca1-e9db-46d1-9eeb-11b3d6760a70/Chattopadhyay_Fig+2+red.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 2. Bottom of pedestal of wooden replica of memorial cross. British Library shelfmark: Mss Eur F630/8. © British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3a178d27-56f0-4b87-a690-e9faa9478084/Chattopadhyay_Fig+3_map.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 3. Map of British India showing location of Kanpur (Cawnpore) and Lucknow, Imperial Gazetteer of India, 1909. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f3306a63-2871-4cc0-86b0-9bffea2efa0d/Chattopadhyay_Fig+4_tytler+red.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 4. The well in Kanpur before the building of the Kanpur Memorial Well Monument. The 32nd’s memorial cross is within a fenced rectangular enclosure. Photograph by Robert Tytler and Harriet Tytler. © British Library Board. Photo 193(21). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e6dfe3d2-a65a-4ec7-8e37-4fcc11756805/Chattopadhyay_Fig+5_Bibighar.jpg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 5. “Slaughter House” or “Bibighar,” a panel from the Mutiny Scroll, British Library, Add Ms 37153. In the Public Domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ee4499b1-1b37-4f0a-a80b-c751d6e653ad/Chattopadhyay_Fig+6.jpeg Home - Memorial Artifacts and Portable Sovereignty - Make it stand out Figure 6. Memorial cross of the 32nd Regiment in the yard of the All Souls’ Memorial Church, Kanpur, shrouded in grass. In the foreground is another memorial to the “women and children of the late ill-fated 1st Comp. 6th Battalion Bengal Artillery” killed on the 18th July 1857, raised by “a non-commissioned officer who formerly belonged to the 1st Company 6th Battalion.” Neither memorial “marks the spot” that they originally sought to commemorate. Photograph: Swati Chattopadhyay, October 2022. https://www.platformspace.net/home/preservation-futures-society monthly 0.5 2024-01-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/de160673-6fe0-4b19-ae6a-d02ebece4772/Wiley+FIG+1.jpg Home - Preservation Futures: Society - Make it stand out Figure 1. Black Wall Street mural by Donald “Scribe” Ross, north side of I-244 at N. Greenwood Ave., Tulsa, Okla, completed 2018. Photograph courtesy U.S. Dept. of Housing and Urban Development (HUD). https://www.platformspace.net/home/a-lab-for-the-present-post-mortem-considerations-of-the-18th-architectural-biennale-in-venice monthly 0.5 2024-01-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d3309ee1-1b62-4573-9b89-c8982d830f81/Fig01.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 1. Canal Grande, Venice (Photo: Marco Sosa, 2023) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ca465105-2a40-470e-97f1-9eb3c30f075c/Fig02.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 2. Serge Attukwei Clottey, Time and Chances, Gaggiandre dell’Arsenale, Venice (Photo: Lina Ahmed, 2023) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a09ebaef-5842-42b6-96d5-0e43bd7052c2/Fig05_TurkishPavillion.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 3. Ghost Stories. Carrier Bag Theory of Architecture, Türkiye (Photo: Roberto Fabbri, 2023) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1903e451-a7fa-41f5-bfd0-5950203e86e7/Fig04_Uzbekistan_Detail.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 4. Unbuilt Together, Republic of Uzbekistan. Photo: Roberto Fabbri, 2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7ceef4d8-de79-4ca8-b53e-0102a3f68433/Fig06_MexicanPavillion.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 6. Utopian infrastructure: the Campesinos Basketball Court, México (Photo: Roberto Fabbri, 2023) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1bf0d637-727a-4e04-9b65-967aa1c479d8/Fig03_Latvian_Pavillion.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 3. T/C LATVIJA (TCL), Latvia Photo: Roberto Fabbri,2023 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ebd2e09f-486d-42d0-86c0-58f5bbcc903f/Fig07_Canadian_Pavillion.jpg Home - A Lab for the Present? Post-Mortem Considerations of the 18th Architectural Biennale in Venice - Make it stand out Figure 7. Not for Sale!!, Canada (photo: Roberto Fabbri) https://www.platformspace.net/home/pulling-closer-caregiving-as-method-part-3 monthly 0.5 2024-01-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/93793899-6a0c-4233-b0a2-714fa7ddd168/Fig+1.jpg Home - Pulling Closer: Caregiving as Method, Part 3 - Make it stand out Figure 1. A graphic representation of key concepts and dilemmas that workshop participants put forward as central to relationships between caregiving and architecture. Each thematic grouping loosely responds to moderator Garnette Cadogan’s question, “What does it mean to think of care as a way of pulling ‘something’ closer, or pulling others closer to you?” Presenters expanded the themes by collectively assembling a bibliography of related work. https://www.platformspace.net/home/words-and-things-taxonomies-of-demolition-in-scandinavia monthly 0.5 2023-12-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c1b74cd0-eee6-4240-ab61-77072d204f95/Figure+1+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 1. Demolition of a high-rise housing tower in the neighborhood of Brøndby Strand, outside Copenhagen, May 2023. This section, called Brøndby Strand Parks, was constructed in the late 1960s and early 1970s. The Danish government currently lists Brøndby Strand as a “prevention area” [forebyggelseområde] at risk of becoming a “parallel society” [parallelsamfund]. Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0ad61e32-adf4-420e-bc7d-12a2e1fab101/Figure+2+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 2. Lawns and housing in the Swedish neighborhood of Norsborg (classified as an “especially vulnerable area” by the Swedish Police in 2020), Dec. 2018. Norsborg was originally constructed during the Swedish Million Program, which produced one million dwelling units in the years between 1965 and 1974. The 2020 policy document “Right Action in the Right Place” outlined three levels of neighborhoods in need of intervention and called for additional police resources to address this. Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4b5c7360-b5c4-419e-bd18-35e800f4c5d6/Figure+3+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 3. Building construction in Tingbjerg, outside Copenhagen, Sept. 2022. In Steen Eiler Rasmussen’s original urban designs, this was the site of a commercial center, which was demolished to make way for new housing for compliance with the Ghetto Plan. One way to reduce family social housing to less than 40% of the total is to build new privately-owned homes and rental housing for other groups, such as students or the elderly. All of these strategies are being used in urban planning for Tingbjerg, which moved from the “hard ghetto” [hård ghetto] list (called “conversion area” [omdannelseområde] from 2021) to the “prevention area” [forebyggelseområde] list in 2022. Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f0b49b6c-4d69-4609-8156-7ba6bc6e421e/Figure+4+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 4. Campaign posters for the 2022 Swedish elections in central Stockholm, Sept. 2022. Many Swedish politicians focused on crime, especially from gang members, in the campaigns and the idea of “safety” [trygghet], seen here. Notably, posters for the Christian Democrat politician at center include the slogan: “Build beautifully — no more concrete boxes.” Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/639a207e-483f-4c15-bba9-cfc252104e64/Figure+5+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 5. Model showing planned urban design with new rowhouse construction in Tingbjerg, to be built for compliance with the Ghetto Plan, June 2023. The real estate development company NRep is one of the actors carrying out new projects in Tingbjerg, and the model is displayed in their local showroom. Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/78b2972b-1a3b-42d1-8c2f-b9e60c0398fa/Figure+6+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 6. Landscapes and housing in Hallunda-Norsborg in the winter, 2018. The original landscape designs included bushes like these to reinforce traffic-separated, modernist urban planning concepts of the late twentieth century. Photograph by Jennifer Mack. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/507d3424-9271-4f85-bcb9-97f67a576d8c/Figure+7+Mack.jpeg Home - Words and Things: Taxonomies of Demolition in Scandinavia - Make it stand out Figure 7. Landscapes and housing in Tingbjerg in the spring, 2023. The courtyard spaces outside existing mid-rise housing are designated for infill with rowhouses, according to the current plans for the neighborhood. Photograph by Jennifer Mack. https://www.platformspace.net/home/what-are-suburbs-for-paving-paradise-in-london monthly 0.5 2023-12-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8c4171e9-8c2e-40ee-9395-e234d557d293/Figure+1.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 1. Rendering of a potential intensification project on a suburban street, by Michael DeMaagd Rodriguez. From Samuel Hughes and Ben Southwood, Strong Suburbs (2021). Courtesy of Michael DeMaagd Rodriguez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e1c56ea2-9e09-4a82-b3f4-2bfcc141a98a/Figure+2.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 2. London’s population, 1801-2021. From Centre for London, London’s Homes Today (2023), which analyses Greater London Authority, Historical Census Tables (2019), and Office for National Statistics, First Results From Census 2021 in England and Wales (2022). This informatoin is licensed under the terms of the Open Government License. Courtesy of Centre for London. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8db87283-9c32-4a2a-9b95-87c785dff6b1/Figure+3.jpeg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 3. Average house prices, 2001-2023, drawing on Greater London Authority, UK House Price Index (2023). This information is licensed under the terms of the Open Government License. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/42480557-76b6-47e9-8a59-bfc2cc6d5ae7/Figure+4.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 4. Models of urban capacity, by Andrew Wright Associates. From Urban Task Force, Towards an Urban Renaissance (1999). Courtesy of Queen’s Printer and Controller of HMSO. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ad2c0a2e-984e-41d0-8021-dcc96a96bb22/Figure+5.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 5. High-rise blocks of flats, both recent and under construction, in the area around Battersea Power Station, London (with new United States embassy at far right). Photograph by Geoff Henson, 2022, via Flickr. CC BY-ND 2.0 DEED. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8ab8e696-dca2-4753-949a-fd4410189928/Figure+6.jpeg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 6. The proportion of households that do not own a car or van by population density (people per square kilometer) for all Lower Layer Super Output Areas in London. From Centre for London, Moving with the Times: Supporting sustainable travel in outer London (2023). Courtesy of Centre for London. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/492c67e8-ef22-47e7-b240-80a14b734e54/Figure+7.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 7. Net number of new build homes completed in small developments (fewer than ten homes) in London by borough, 2012-13 to 2021-22. From Greater London Authority, Housing in London (2023). Courtesy of Greater London Authority. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1e53720e-2f4c-4bbe-8c17-1afa052f1649/Figure+8.jpg Home - What Are Suburbs For? Paving Paradise in London - Make it stand out Figure 8. Evolution of streets with detached homes. From Croydon Council, Suburban Design Guide (retracted), 2019. Courtesy of Croydon Council. https://www.platformspace.net/home/pulling-closer-caregiving-as-method-part-2 monthly 0.5 2023-12-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2f36500c-423e-4324-99fd-b133f329389c/Fig+1.jpg Home - Pulling Closer: Caregiving as Method, Part 2 - Make it stand out Figure 1. A graphic representation of key concepts and dilemmas that workshop participants put forward as central to relationships between caregiving and architecture. Each thematic grouping loosely responds to moderator Garnette Cadogan’s question, “What does it mean to think of care as a way of pulling ‘something’ closer, or pulling others closer to you?” Presenters expanded the themes by collectively assembling a bibliography of related work. https://www.platformspace.net/home/pulling-closer-caregiving-as-method-part-1 monthly 0.5 2023-12-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/342debc1-4fe8-4715-8b71-e024187165cf/Fig+1.jpg Home - Pulling Closer: Caregiving as Method, Part 1 - Make it stand out Figure 1. A graphic representation of key concepts and dilemmas that workshop participants put forward as central to relationships between caregiving and architecture. Each thematic grouping loosely responds to moderator Garnette Cadogan’s question, “What does it mean to think of care as a way of pulling ‘something’ closer, or pulling others closer to you?” Presenters expanded the themes by collectively assembling a bibliography of related work. https://www.platformspace.net/home/the-debris-of-war monthly 0.5 2023-11-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e717fe36-01d7-4ce3-b125-cf7ba6d3a897/Fig+5+MEYEROVITCH_FIG5.jpg Home - The Debris of War - Make it stand out Figure 1. The ruins of the village of Al-Sumayriyya, al-Sumayriyya, 1948. Photograph by Joseph Hass, the Joseph Hass Collection, Haifa University Library, Israel. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b47f4072-eb66-4696-86d4-d7f830c1e9a6/Roy_figure+3.jpg Home - The Debris of War - Make it stand out Figure 2. An ancient tree honoring Ibrahim al-Adham, in Beit Hanina village in the West Bank. Photograph by Arpan Roy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/162290b2-a0ed-4a3e-9f12-4c97a5523bb7/SABBAGH_FIG1.jpg Home - The Debris of War - Make it stand out Figure 3. Palestinian youth watching the sunset from the Acre Old City ramparts, one of the few open public spaces they have access to, 2021. Photography by Mahdi Sabbagh. https://www.platformspace.net/home/transnational-hip-hop-reflections-of-haiti monthly 0.5 2023-11-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/138dea1e-6356-4680-b916-6d6d15354cca/Fig+2_IMG_0171.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 2. La Maison d’Haïti (LMdH) is a community-based cultural organization in the St. Michel neighborhood of Montréal. LMdH neighborhood center welcomes new arrivals with educational support and professional training — and Cafe Lakay (“Home Café” in Haitian Creole). Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b78036ee-75d3-490a-ba93-67c7f8a93f18/fig+3.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 3. View toward the center of Montréal from the city’s Mount-Royal Park. 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fd15cb94-018d-4099-860f-1c27c86ac866/fig+4.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 4. Parc Frédéric-Back, Montréal. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825596104-E95ZSRANI3LJL3B3O2S6/fig+5.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 5. Projet 45 skate park at Parc Frédéric-Back. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825595367-YUGNL2SAHC9EZ3Z7GOH5/fig+6.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 6. Projet 45 T-shirt. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825609536-NOLKO1UHJJH9XO01MRQ7/fig+7.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 7. Mural at Projet 45. Photograph by a friend of the author who wishes to remain anonymous, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825609594-M47X8UDBFB5Q4F7T4JWF/fig+8.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 8. Mural at Projet 45. Photograph by a friend of the author who wishes to remain anonymous, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825628609-1UX7580Z9OAQ993MQW0N/fig+9.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 9. Projet 45 community garden at Parc Frédéric-Back. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699825624515-FA49KFWBUNBWRJDRBWTX/fig+10.jpeg Home - Transnational Hip-Hop: Reflections of Haiti Figure 10. Grilling vegetables from Project 45’s community garden, next to the skate park, at Parc Frédéric-Back. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e3602ac5-4015-4d59-b0d6-9a4cae0bc7cf/fig+11.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 11. Namori Cissé is a singer, drummer, songwriter, and composer from Côte d’Ivoire based in Montréal. His music is influenced by reggae, rock, folk, and soul roots, and his fashion fuses global hip-hop styles, like in this remix of the flipped-backward hat and African print shirt. Here he plays Afro-jazz at La Petite Marche, Montréal. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a1466c94-7fca-45ba-ba70-fa11522b56b0/Fig+12_IMG_1760.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 12. On the evening of Cissé’s show, the street outside La Petite Marche was popping. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/28746587-a9c7-448f-9b4e-f4527b4c8423/fig+13.jpg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 13. Pétionville, Haiti, overtaken by sprawl from Port-au-Prince. With rapid rural-to-urban migration in the 20th century, architects like Albert Mangonès worked to contain urban growth but largely failed to. Photograph by a friend who wishes to remain anonymous, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/734b2ecb-08b5-4bd8-935e-9a728ab4095e/fig+14.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 14. Selfie of the author (left), Leslie Voltaire of CIDIHCA, and Abigail Moriah of Black Planning Project. Photograph by Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f762337f-07de-44ef-838c-0da38670af86/Fig+15_IMG_1960.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 15. The 15th annual Day of Haitian Books at CNAR, August 19, 2023. Photograph by Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/51018b61-b393-4804-bf7f-85d12fda8020/Fig+16_IMG_0257.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 16. My Planet, My Future was the theme for the annual International Day of Youth at LMdH, August 12, 2023. A youth group performs a musical skit to tell stories about the environment. At far right is Josué Corvil, city councilmember representing VSP. Photograph by Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8929bab2-d1a6-4e9d-bd7a-66f6e51dec0d/Fig+17_IMG_0158.jpeg Home - Transnational Hip-Hop: Reflections of Haiti - Make it stand out Figure 17. Selfie of Cash Boy Reg and the author. Photograph by Sophonie Milande Joseph, 2023. https://www.platformspace.net/home/settling-in-the-scars-of-the-city monthly 0.5 2023-10-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/57c44c09-ee1e-405a-84f6-0553af896d28/Figure+1.jpg Home - Settling in the Scars of the City - Make it stand out Figure 1. One cob tiny house structure, formerly a part of the Cob on Wood community center, survived the Wood Street encampment eviction in April 2023 and moved several blocks away. In July 2023, its inhabitants demarcated their front yard with a forklift pallet fence. Photograph by Ben Jameson-Ellsmore, July 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8dac852d-e62a-4021-9f2b-bd31732e0f1c/Figure+2.jpg Home - Settling in the Scars of the City - Make it stand out Figure 2. Alex from Alameda County Vector Control carries traps filled with Norway Rats past an improvised shading structure at the center of the Home Depot encampment. Photograph by Ben Jameson-Ellsmore, July 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/20c64b2a-3e37-43c5-91f6-639b4002f6de/Figure+3.jpg Home - Settling in the Scars of the City - Make it stand out Figure 3. U.S. Home Owners Loan Corporation Residential Security Map of Oakland, 1937, annotated by Ben Jameson-Ellsmore to indicate six present-day homeless encampments. Courtesy Mapping Inequality. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/093501d2-c0c7-4d98-a5ec-644018df976f/Figure+4.jpg Home - Settling in the Scars of the City - Make it stand out Figure 4. Brush Street encampment with Interstate Highways 980 on the left and 880 (the Cypress Freeway) the far right. An encampment fire charred the 980 overpass. Photograph by Ben Jameson-Ellsmore, July 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1cc3955d-8895-45a0-a403-8acd4c7cd34e/Figure+5.jpg Home - Settling in the Scars of the City - Make it stand out Figure 5. Rendering of 980 cutting through demolished blocks separating West Oakland from the unrealized City Center complex on the left. The Brush Street encampment lot is outlined in yellow. Courtesy of Oakland Public Library, Oakland History Center, ca. 1975. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/963b76b3-399e-402c-98f4-1f390ccda48c/Figure+6.jpg Home - Settling in the Scars of the City - Make it stand out Figure 6. Looking west inside the walls of the 5th Street encampment one can see rugs covering the dirt where the sidewalk was removed in 2011. Photograph by Ben Jameson-Ellsmore, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7cb55dfc-f430-468e-ac12-9e725ab2a654/Figure+7.jpg Home - Settling in the Scars of the City - Make it stand out Figure 7. Panorama of the Cob on Wood community center shortly after completion in 2020 in the shadow of 880 overpasses. It comprised a community free store, health clinic, kitchen, sleeping cabin, and a composting toilet, landscaped with community gardens, walkways, benches, seating areas, and a performance stage. Cob on Wood and its surrounding neighbors were cleared by Caltrans in 2022. Photography by Miguel Elliott, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a2e866cc-c384-4283-bfe4-37217990a744/Figure+8+.jpg Home - Settling in the Scars of the City - Make it stand out Figure 8. Tommygun's two story home at the Wood Street Commons before eviction in April and May 2023. Photograph by David Bacon, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/efc09967-c246-4c11-8464-6493af288b33/Figure+9.jpg Home - Settling in the Scars of the City - Make it stand out Figure 9. Wood Street encampment residents settled under a defunct railroad trestle, including one resident with his abode suspended off the ground between the wood posts, with access via a ladder and pulley system. Photograph by David Bacon, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0da787a5-d14a-4ba3-b7b4-9e1fc59f6f4e/Figure+10.jpg Home - Settling in the Scars of the City - Make it stand out Figure 10. The Wood Street encampment settled the vast, unused land underneath 880 before its incremental eviction in 2022 and 2023. Photograph by Ben Jameson-Ellsmore, Sept. 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8243876a-8166-4e5a-9ba0-1bfcac6f98e5/Figure+11.jpg Home - Settling in the Scars of the City - Make it stand out Figure 11. “100% Affordable Housing” promised at the new development in the lot adjacent to the recently evicted Wood Street Commons; Ben Jameson-Ellsmore. Photograph by Ben Jameson-Ellsmore, July 2023. https://www.platformspace.net/home/community-partners-in-the-classroom monthly 0.5 2023-10-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907511255-Y67B3QM1VSR2QO0A454B/Fig.+1_new.jpg Home - Community Partners in the Classroom - Figure 1 Ontario Heritage Centre, Toronto, Ontario. Photograph by Jessica Mace, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907517278-J301LZGPEHHNQTBDUV3D/Fig.+2.jpg Home - Community Partners in the Classroom - Figure 2 Elgin Theatre, Toronto, Ontario. Photograph by Amanda N Sherrington, via Wikimedia Commons. CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907559344-G8AR79HACUX3KIXXVA2B/Fig.+3_new.jpeg Home - Community Partners in the Classroom - Figure 3 George Brown House, Toronto, Ontario. Photograph by Jeff Hitchcock, via Wikimedia Commons. CC BY-NC 3.0 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907524574-SC2AA7VMGOCBSR13OMG7/Fig.+4.jpg Home - Community Partners in the Classroom - Figure 4 Niagara Apothecary, Niagara-on-the-Lake, Ontario. Photograph by JohnnyH2000, via Wikimedia Commons. CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907535267-Y3LXHWESA4LPW2AJDFMH/Fig.+5.jpg Home - Community Partners in the Classroom - Figure 5 Fulford Place, Brockville, Ontario. Photograph by AilisNicGabhain, via Wikimedia Commons. CC BY-SA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1697907557379-H7MB8B4ITZTKVNQVP9ZX/Fig.+6.jpg Home - Community Partners in the Classroom - Figure 6 Barnum House, Grafton, Ontario. Photograph by Robert Taylor from Stirling, Canada, via Wikimedia Commons. CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e7759d89-9431-4128-9462-dc72fb37a5ee/Fig.+7.jpg Home - Community Partners in the Classroom - Make it stand out Figure 7. Class visit to the Ontario Heritage Centre. Photography by Jessica Mace, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cad623a8-7ac1-4e19-a635-ac7daf6829cc/Fig.+8.JPG Home - Community Partners in the Classroom - Make it stand out Figure 8. Students presenting during the Public Forum, March 24, 2023. Photograph courtesy of Sean McNeely. https://www.platformspace.net/home/memory-in-the-closet-queer-memorials-after-national-socialism monthly 0.5 2023-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/40fa0683-7496-46b1-a3f6-b8b9e04aec46/fig+1.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 1: Munich Memorial to Lesbians and Gays Persecuted Under Nazism. Corner of Oberanger and Dultstraße. Photograph by Simone Stirner, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/33a9a8cb-c261-44ef-af05-36777b758b7a/fig+2.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 2: Munich Memorial to Lesbians and Gays Persecuted under Nazism. Dultstraße with New Synagogue visible in the back. Photograph by Simone Stirner, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0eb9c9d7-63e9-4bf8-bb27-93c8424eebf4/fig+3.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 3: Berlin Memorial to Homosexuals Persecuted under Nazism. Photograph by Simone Stirner, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4060ee93-3b4e-4568-8a22-47c467273397/fig+4.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 4: Yael Bartana's film in the Memorial to Homosexuals Persecuted Under Nazism, Berlin. Photograph by Simone Stirner, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a828989-5ed2-41cc-91a0-0466defb931b/fig+5.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 5: Screenshot of the Video for the Memorial for the Homosexuals Persecuted Under Nazism, Yael Bartana, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9d0ccff5-e5ca-4e6d-a2e8-5ff9d6481c39/fig+6.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 6: Scene from Berlin Tiergarten, with the Memorial to Homosexuals Persecuted under Nazism in the background. Photograph by Simone Stirner, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/70602301-510d-4fef-9c8b-ab1cb1611a5d/Fig+7.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 7: AIDS-Memorial Munich. Photograph by enric archivell, 2014. Courtesy Flickr. CC BY-NC-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0654ec1f-3569-41c9-b24c-27bbdf776018/Fig+8.jpg Home - Memory in the Closet? Queer Memorials After National Socialism - Make it stand out Figure 8: Columns at Sendlinger Tor subway station, Munich. Photograph by Florian Schütz, 2006. Courtesy Wikimedia. https://www.platformspace.net/home/abstraction-lies-political-dissonance-and-braslias-miniature-worlds monthly 0.5 2023-10-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2926c903-86ee-4ddf-a3b0-21b58574e6d3/Fig+1+180+dpi.jpg Home - Abstraction Lies: Political Dissonance and Brasília’s Miniature Worlds - Make it stand out Figure 1. Photograph of Laercio Redondo’s Abstraction Lies, 2015, at Dallas Contemporary, 2016. Courtesy of Laercio Redondo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2ced1db3-b0fb-48d2-911b-f95b637511f7/Fig+2+-+240+dpi.jpg Home - Abstraction Lies: Political Dissonance and Brasília’s Miniature Worlds - Make it stand out Figure 2. Architectural model of Brasília’s Congresso Nacional destroyed during the invasion of the capital January 8, 2023. Photograph by Marcelo Camargo. Courtesy of Agência Brasil. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9aa750a6-89a2-4e6f-8e59-78bb43e9035c/Fig+3+-+144+dpi.jpg Home - Abstraction Lies: Political Dissonance and Brasília’s Miniature Worlds - Make it stand out Figure 3. Exhibition of Brasília organized at the Ministério of Educação e Saúde (MES) by NOVACAP during construction. Courtesy of Arquivo Público do Distrito Federal. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8a1e5190-f6fd-4e23-9257-6bfcad86aa73/Fig+4+-+350+dpi.jpg Home - Abstraction Lies: Political Dissonance and Brasília’s Miniature Worlds - Make it stand out Figure 4. Brasília’s Praça dos Três Poderes following the January 8 insurrection. Photograph by Fabio Rodrigues-Pozzebom. Courtesy of Agência Brasil. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/11be9a27-782a-4c78-a96c-413426d85938/Fig+5+-+240+dpi.jpg Home - Abstraction Lies: Political Dissonance and Brasília’s Miniature Worlds - Make it stand out Figure 5. Rioters in front of the Palácio do Planalto [Presidential Palace] in Brasília on January 8, 2023. Photograph by Marcelo Camargo. Courtesy of Agência Brasil. https://www.platformspace.net/home/caring-for-heat-re-presenting-geothermal-energy-at-the-eden-project monthly 0.5 2023-10-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e587f7de-02c9-45f7-9dcc-060f1c095a17/fig+1.jpg Home - Caring for Heat: Re-presenting Geothermal Energy at the Eden Project - Make it stand out Figure 1: Google Street view of Eden Geothermal plant. Although visible from the entrance to the facility, the 55m tall rig is hard to find from just a few yards away. The rest of the facility, including the pumping units, lagoon, and heat exchanger is hidden through distance and plantings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fc5cb56b-55e1-4726-956b-68ec72b63a4a/Figure+2-Alexander_von_Humboldt_-_1841_-_Diagram_of_a_cross-section_of_the_earth%27s_crust.jpg Home - Caring for Heat: Re-presenting Geothermal Energy at the Eden Project - Make it stand out Figure 2. Alexander von Humboldt, Diagram of a Cross-Section of the Earth's Crust, 1841. From Heinrich Berghaus, Physikalischer Atlas (Gotha: J. Perthes, 1852). The preeminent scientist of the 19th century, von Humboldt created or commissioned a series of large cross section drawings that emphasized the relationship between geological and biological developments, illustrating his understanding of the Earth as a singular, interdependent system. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/58cfe5c2-afdc-4d69-9a1c-91cbc9679617/figure+3-the-cycle-of-the-seasons.jpg Home - Caring for Heat: Re-presenting Geothermal Energy at the Eden Project - Make it stand out Figure 3. Hildegaard von Bingen, Cycle of the Seasons. From Liber Divinorum Operum Lucca, c.1150. Von Bingen was a polymath, adept in science, art, music, and religion. Her depiction of the four seasons includes a variety of human and non-human figures that illustrate the relationship between earthly, celestial and mythical agents, an image of diverse yet complete universe. https://www.platformspace.net/home/walking-as-a-form-of-architectural-learning-a-stroll-through-quito-ecuador monthly 0.5 2023-09-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563067452-X1K0VS97OCY1UF2FW16X/Figure+1.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 1. An Uribe Schwartzkopf project under construction, Epiq, designed by Bjarke Ingels Group, as seen from the Av. Eloy Alfaro. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563068891-F6X9HA7Y2Y1EA4VOI5KC/Figure+2.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 2. Two Uribe Schwartzkopf towers on the Av. de los Shyris, as seen from the Parque la Carolina: Safdie Architects’ Qorner, completed in 2022, and the Cosmopolitan Parc, 2014. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563076330-DADMJVMX9TWM80WP84AG/Figure+3.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 3. A billboard in the Bellavista neighborhood advertising Uribe Schwartzkopf’s newest housing project, Qondesa, designed by MAD Architects. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563080876-387ZIXXUYEPFH33WZUVZ/Figure+4.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 4. An informational kiosk for developer Uribe Schwartzkopf, including models of its high-rise housing and a city map, located in the Mall El Jardín. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563181703-CLURGFFWE5NUA09UJJMD/Figure+5.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 5. A street in the heart of the Centro Histórico. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563182354-EJQ9DLXN8L2VKDVIA5G8/Figure+6.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 6. The midcentury Edificio Guerro Mora on the Av Chile in the Centro Histórico, designed by the architect, politician, and future Ecuadoran president Sixto Durán Ballén y Arquin, 1954. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563195085-3XR4IF1PBMHEFQ12JFMO/Figure+7.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 7. The Gran Pasaje shopping center on the Calle Guayaquíl in the Centro Histórico. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563195086-PZ2M3HEAJFI2RZFVRXSH/Figure+8.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 8. City Hall on Quito’s main square, the Plaza Grande, designed by Diego Banderas Vela y Juan Espinosa Páez, 1970-1975. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563330668-WWN55D7LP9OVYR9JGEGH/Figure+9.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 9. Theater at the Escuela Politécnica Nacional, designed by Oswaldo de la Torre Villacreces, 1972. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563333831-T4P2DOM7M6X08L8MQ3LF/Figure+10.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 10. Detail of the theater at the Escuela Politécnica Nacional, designed by Oswaldo de la Torre Villacreces, 1972. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563338540-MU7YLCIPSE4TUGD6O5AL/Figure+11.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 11. A parking structure in the Centro Histórico, 1997. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563341298-PDYCHYVO90QT24X423Z9/Figure+12.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 12. The Capilla del Hombre (Chapel of Mankind) in La Carolina, designed by Handel Guayasamín, 1995. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563411784-AX1D81ISN8XXT4462ZR3/Figure+13.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 13. A chifa on Av. Gral. Ignacio de Vientimilla. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563412912-KIJDKBY1BN64TXP9L8O9/Figure+14.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 14. A chifa on the Calle Quayaquil. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563422003-719DR5MGXVIT620NBUVX/Figure+15.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 15. A chifa on La Pradera. Photograph by Jennifer Hock, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1695563423643-VCZWH16CAF5DDFQGUAJS/Figure+16.jpg Home - Walking as a Form of Architectural Learning: A Stroll Through Quito, Ecuador Figure 16. A chifa on the ground floor of a modern apartment building on the Av. 10 de Agosto. Photograph by Jennifer Hock, 2023. https://www.platformspace.net/home/historians-in-barbieland monthly 0.5 2023-10-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ceae4015-fcb3-46d9-beb4-9f62d065fe10/Fig+1+Barbieland+Aerial.jpg Home - Historians in Barbieland - Make it stand out Figure 1. Aerial view of Barbieland, modeled on Seaside, Florida, by way of the The Truman Show, whose Seahaven Island was filmed there. Still from Barbie, dir. by Greta Gerwig, Warner Bros. Pictures, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b5e6c77a-4afc-46d4-b67a-bc237befd0e1/Fig+2+Barbie+Cul-de-sac.jpg Home - Historians in Barbieland - Make it stand out Figure 2. Stereotypical Barbie’s single-family house (second from left) sits on a cul-de-sac. Its design, like those of its neighbors, was inspired by Richard Neutra’s Kaufmann Desert House in Palm Springs. Still from Barbie, dir. by Greta Gerwig, Warner Bros. Pictures, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2d984161-a01e-4f49-8e7c-8a84e56d5c35/Fig+3+Weird+Barbie+House+.jpg Home - Historians in Barbieland - Make it stand out Figure 3. The design of Weird Barbie’s house evokes John Lautner’s Elrod House. Still from Barbie, dir. by Greta Gerwig, Warner Bros. Pictures, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/42002503-ec03-4b93-925d-c1263e92c74c/Fig+5+2007+UM+Architect+Barbie+exhibition+wall+-+corrected.jpg Home - Historians in Barbieland - Make it stand out Figure 5. Barbie as an architect as imagined by students, faculty, and staff at University of Michigan for a 2007 exhibition curated by Despina Stratigakos. Courtesy Despina Stratigakos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/810cf988-5179-48de-9cfd-6e0f5c37afe3/Fig+6+2011+official+Architect+Barbie+Launch+in+New+Orleans+w+Despina+left+and+Kelly+right.JPG Home - Historians in Barbieland - Make it stand out Figure 6. The official Architect Barbie as launched in 2011 in New Orleans, with co-creators Stratigakos Despina (left) and Kelly Hayes McAlonie (right). Courtesy Despina Stratigakos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4e60b5e4-520a-43d4-87c8-711df923b21a/Fig+7+Century+City+2013+Chris+Martino+Flickr.jpg Home - Historians in Barbieland - Make it stand out Figure 7. Century City, a mixed-use “city within a city” on the West Side of L.A. developed by William Zeckendorf and ALCOA in the 1960s on the site of the former backlot of 20th Century Fox, represents the stereotypically male world of the business district — despite the fact that Mattel’s Ruth and Elliot Handler lived in a penthouse in the development’s first apartment complex, Century Towers, designed by I.M. Pei and completed in 1964. Photograph by Chris Martino, 2013. Courtesy Flickr. CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0520e6b2-ceda-4324-b23d-c1c1e18524e6/Fig+9+Highland%2C+CalProp-13-Corrected.jpg Home - Historians in Barbieland - Make it stand out Figure 8. Local builder (and one-time city councilmember and mayor of Hawthorne) Victor Zaccaglin started building stucco-box complexes for young adults in L.A.’s South Bay in late 1950s. The Highland Apartments, in Hawthorne, opened in 1961. Photograph by Matthew Gordon Lasner, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/25127f77-fadd-43e1-9beb-bbe0c886fc9a/Fig+8+South+Bay+Club+Look+Magazine-15+%5BUU+-+17A%5D.jpg Home - Historians in Barbieland - Make it stand out Figure 9. At the time of Barbie’s debut, in 1959, young single adults in L.A.’s South Bay, home to Mattel, were migrating to stucco-box apartment complexes, where they built a lively social scene. The South Bay Club in Torrance, designed by Robert H. Skinner and developed by R&B, was among the most elaborate and popular of these complexes when it opened in 1965. Photograph by Don Ornitz, 1967. Courtesy LOOK Magazine Photograph Collection, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c7d885df-bd88-4709-8b2c-5fe410d67a5a/Fig+10+DALL%C2%B7E+2023-09-10+10.55.21+-+a+hot+pink+plastic+model+of+a+low-rise+apartment+complex+with+a+swimming+pool+in+the+courtyard%2C+from+Barbieland+framed.jpg Home - Historians in Barbieland - Make it stand out Figure 10. What would the Barbie Dream House, first sold in 1962, have looked like if the doll’s “house” were an apartment complex? Here is what DALL-E, the generative AI tool, rendered, after much trial and error, with the prompt “a hot pink plastic model of a low-rise apartment complex with a swimming pool in the courtyard, from Barbieland.” Image by “Matthew [Gordon Lasner] x DALL-E, Human & AI,” Sept. 10, 2023. https://www.platformspace.net/home/the-political-is-personal-50-years-after-the-coup-detat-in-chile monthly 0.5 2023-09-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1d3fb23a-2426-4dc7-821f-45ead0aaf057/1+Image+2_Golpe_de_Estado_1973.jpeg Home - The Political is Personal: 50 Years After the Coup d'Etat in Chile - Make it stand out Figure 1. Coup of September 11, 1973. Bombing of La Moneda (presidential palace). Source: Biblioteca del Congreso de Chile. Creative Commons 3.0 Chile. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/98b96f3b-fd35-4f50-8049-973d56cb94f2/2+Image+3_historia2-4.max-1200x900.jpg Home - The Political is Personal: 50 Years After the Coup d'Etat in Chile - Make it stand out Figure 2. UNCTAD III, main entry, 1972. Photograph by Miguel Lawner. Courtesy of Centro Cultural Gabriela Mistral Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f0ca5138-2faf-4ed5-8e16-a69319d17159/3+Image+1_Lugares+de+la+memoria+Estadio+Nacional+17-08-2023-42.png Home - The Political is Personal: 50 Years After the Coup d'Etat in Chile - Make it stand out Figure 3. Visit to the National Stadium, August 2023. Courtesy of Felipe Poga. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ea9c17d0-7e27-45db-824d-952d8e8f553f/Image+4_Lugares+de+la+memoria+Estadio+Nacional+17-08-2023-24.jpg Home - The Political is Personal: 50 Years After the Coup d'Etat in Chile - Make it stand out Figure 4. Visit to the National Stadium, August 2023. Courtesy of Felipe Poga. https://www.platformspace.net/home/playing-out-tough-decisions-in-urban-planning-history-cross-bronx-expressway monthly 0.5 2023-08-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cabc2be2-8851-4449-a35e-a826ab417afb/Randl_Bronx_Figure+1.jpg Home - Playing out Tough Decisions in Urban Planning History: Cross Bronx Expressway - Make it stand out Figure 1. Prototype game board for Cross Bronx Expressway set up to begin the 1965 scenario. Courtesy Non-Breaking Space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d4dc35ef-bf8e-401b-a245-271764f7b8aa/Randl_Bronx_Figure+2.jpg Home - Playing out Tough Decisions in Urban Planning History: Cross Bronx Expressway - Make it stand out Figure 2. Prototype event card for Cross Bronx Expressway. Courtesy Non-Breaking Space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2acc14ea-47a5-412f-94db-84c1e5291149/Randl_Bronx_Figure+3.jpg Home - Playing out Tough Decisions in Urban Planning History: Cross Bronx Expressway - Make it stand out Figure 3. Prototype event card for Cross Bronx Expressway. Courtesy Non-Breaking Space. https://www.platformspace.net/home/the-three-sins-of-the-central-station-and-the-future-of-big-concrete-buildings monthly 0.5 2023-08-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/23552d9f-3d1d-45a4-82fa-28eeaa2d81fa/Horn_Fig1_028s.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 1. First design iteration for the Central Bus Station, Ram Karmi Architects, 1965. Courtesy Ram Karmi Collection, Azrieli Architectural Archive, Tel Aviv Museum of Art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ab9ddcaf-a248-4222-90ce-54ac2de6037f/Horn_Fig2_031s.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 2. Design iteration for the Central Bus Station, Ram Karmi Architects, 1966. Courtesy Ram Karmi Collection, Azrieli Architectural Archive, Tel Aviv Museum of Art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3653e758-ac01-43c5-a503-7d700754c198/Horn_Fig3-3240px-Tel_Aviv_Central_Bus_Station_2.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 3. Tel Aviv Central Bus Station today. Photograph by Chezki Mozes - Ein Hanetz, 2023, via Wikimedia Commons, CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5ba17432-dc18-4d75-987f-43be1f776151/Horn_Fig5_dev12-6076.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 5. The L-shaped Arab orange grove on which the station was built, on the border between Jaffa and Tel Aviv, 1946. Courtesy Micha Granit Maps Library, Department of Geography, Tel Aviv University. Annotated by Elad Horn. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/22f2a3cc-73f7-47a8-adb1-c0b20ec6cec6/Horn_Fig6-taza+2+001+fixed.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 6. The Central Bus Station under construction, mid-1970s. Photograph by Shimon Fox. Courtesy Ram Karmi Collection, Azrieli Architectural Archive, Tel Aviv Museum of Art. Annotated by Elad Horn. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9d121234-a527-43ce-a530-e5a266584b2a/Horn_Fig7_022s.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 7. Design for the main passenger’s hall of the Central Bus Station, Ram Karmi Architects, 1965. Courtesy Ram Karmi Collection, Azrieli Architectural Archive, Tel Aviv Museum of Art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a2565d09-2706-49ee-8cac-90b775e56109/Horn_Fig8_DSC_0031.JPG Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 8. The main passenger’s hall, Central Bus Station, April 2013. Photograph by Meged Gozani. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/55e2e476-da86-40e8-b554-30839820f3eb/Horn_Fig9+copy.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 9. A promotional booklet image showing the Central Bus Station at the center of Israel. In “The Center of the State,” 1989. Courtesy Elad Horn private collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/edf256ed-c80f-4ca4-9592-8e9b4adf874a/Horn_Fig11_DSF0525.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 11. The abandoned first floor of the Central Bus Station. Photograph by Tal Yam, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9dc3d96d-ad82-46ae-93b7-bdcac9f3c1db/Horn_Fig12_DSF0403.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 12. The light ramp, Central Bus Station. Photograph by Tal Yam, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a879ce1a-0802-4895-af4d-3c04f4fa46f6/Horn_Fig13_MG_9204.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 13. Escalators, Central Bus Station. Photograph by Meged Gozani, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dfd09cc6-e263-422b-b9e4-7b24d480c34f/Horn_Fig14_MG_3900.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 14. Pathway ramps, Central Bus Station. Photograph by Meged Gozani, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/83ad2ef3-4487-4b00-b290-039f646291ab/Horn_Fig15_DSC_0506.jpg Home - The Three Sins of the Central Station and the Future of Big Concrete Buildings - Make it stand out Figure 15. The third floor, Central Bus Station. Photograph by Elad Horn, 2018. https://www.platformspace.net/home/florida-invites-you-but-not-you-state-immigration-policy-and-the-making-of-modern-florida monthly 0.5 2023-08-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c10da4e3-ec9d-4170-a477-f542ce429164/Fig+1.jpeg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 1. Back cover of Florida of Today (Tallahassee: Bureau of Immigration, 1927), brochure in Box 10, Margolies Collection of Travel Ephemera (Acc. No. 20171116-JT). Courtesy of the Hagley Museum and Library, Wilmington, Delaware. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f3deac68-19fb-4f27-87c1-04f95f2b6092/fig+2+better.jpg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 2. Cover of Florida: March of Progress (Tallahassee, Florida: State of Florida, Department of Agriculture, Bureau of Immigration, 1932). Courtesy of the State Library of Florida. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9cb54a8a-c9a9-48c9-97a4-3913d951c5c7/fig+3+better.jpg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 3. Tropical Garden at the Florida Pavilion - Chicago, Illinois. 1933. Florida Memory, accessed Aug. 8, 2023. Courtesy of the State Archives of Florida. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/568d6a2e-8aaf-432a-9486-72528db2b459/fig+4.jpg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 4. Ad from Cosmopolitan (January 1949): 97. Advertisements like this evoke tropes of middle-class suburbia with a tropical twist, showing young white families or older adults enjoying outdoor living Florida style. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e5dfdf27-31b6-4459-b86d-4263b1368c93/fig+5.jpg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 5. Ad from Cosmopolitan (February 1948): 131. While many postwar ads targeted vacationers, some, like this one, targeted the potential permanent transplant, making the case one could “live, work, and play” full-time in the Sunshine State. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/475fce61-c520-496d-ba02-fbd14976af1b/fig+6.jpeg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 6. Page from “Welcome to Florida, All Year Vacation Land,” ca. 1950. Box 10 (item 22), Margolies Collection of Travel Ephemera (Acc. 2017116JT). Courtesy of the Hagley Museum and Library, Wilmington, Delaware. Like the flamingos, parrots, and the sandy beach, the Seminole boy wrestling with an alligator – a common form of tourist entertainment in South Florida - is presented as another tropical amenity for the would-be visitor. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6613c635-377e-4b02-be29-1e9c3ee5f8f8/fig+7.jpg Home - “Florida Invites You!” (But Not You): State Immigration Policy and the Making of Modern Florida - Make it stand out Figure 7. Page from “Welcome to Florida, All Year Vacation Land,” ca. 1950. Box 10 (item 22), Margolies Collection of Travel Ephemera (Acc. 2017116JT). Courtesy of the Hagley Museum and Library, Wilmington, Delaware. Single-family dwellings, with generous features for “outdoor living” in the form of patios, large backyards, and Florida rooms were designed to promote “a sunnier way of life for everyone,” at least those who were white, middle-class, and suburban. https://www.platformspace.net/home/reimagining-heritage-at-a-french-chteau monthly 0.5 2023-08-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1854216f-edb4-45b1-b4f1-6a1dde15e270/Fig+1+chateau+montrond.jpg Home - Reimagining Heritage at a French Château - Make it stand out Figure 1. The Château de Montrond. Photograph by Emma Krasnopoler, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b3293a81-4854-4779-a53e-fb5f8338d6fd/Fig+2+construction+notice.jpeg Home - Reimagining Heritage at a French Château - Make it stand out Figure 2. A construction notice posted outside the closed Château de Montrond in November 2022. The notice distinguishes between the “restoration” of the château and its “development” into a tourist attraction. Notably, the notice does not mention the Friends of the Château de Montrond Association. Photograph by Emma Krasnopoler, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/58e5a363-eef3-4890-9660-d9ad6d1ad8c5/Fig+3+garden+and+chateau.jpg Home - Reimagining Heritage at a French Château - Make it stand out Figure 3. The Château viewed from the Jardin de Marguerite. Photograph by Emma Krasnopoler, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/973ef050-130e-4774-8e06-a506db806579/Fig+4+garden+full+view.jpeg Home - Reimagining Heritage at a French Château - Make it stand out Figure 4. A view of the interior of the Jardin de Marguerite. Photograph by Emma Krasnopoler, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e7e2d6d-aa15-4c85-becf-184adf12132f/Fig+5+garden+beds.jpg Home - Reimagining Heritage at a French Château - Make it stand out Figure 5. The beds of the vegetable garden (potager) of the Jardin de Marguerite. Photograph by Emma Krasnopoler, 2022. https://www.platformspace.net/home/the-golden-takeover-replacing-heritage-on-the-bhujiyo-hill monthly 0.5 2023-11-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a7e02443-21b8-4397-b748-1abbf0df02c1/01-+Ninara%2C+Flickr.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 1. Bhujiyo Dungar with Bhujiyo Fort at the summit and the new Smriti Van Earthquake Memorial and Museum in the foreground. Photograph by Ninara, 2023. Courtesy Flickr under CC BY 2.0 license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dbfc3d4b-e669-4dc3-a679-96fc7561a565/02-+PUSHPARAJ_FIG12_ALT.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 2. Looking up toward the final Bastion of the fort wall from the new sunset point of the Smriti Van Memorial. Photograph by Roshini Pushparaj, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2fd77515-a3bf-41ec-bfd5-36ceba9f5fc6/03-+PUSHPARAJ_FIG3_HIGHRES.png Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 3. The apertures for firearm defense in the old Bhujiyo Fort wall. Photograph by Raj Sompura, 2018, annotated by Roshini Pushparaj with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3c4b0780-2c93-4ea6-a100-8f8f7d9988e3/04-+PUSHPARAJ_FIG2_HIGHRES.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 4. Map of the Bhujiyo Dungar. Illustrated by Roshini Pushparaj, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cf170121-243c-48f0-ac61-483e5ebdef78/05-+PUSHPARAJ_FIG4.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 5. View of the Bhujiyo Fort wall and the Bhujang Dev Temple. Photograph by Bhargavinf, 2012. Courtesy Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c5640ced-71fd-457a-8e70-ed5e7c206c5a/06-+PUSHPARAJ_FIG7+cropped.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 6. The Bhujiyo Fort wall, originally of built gray Kodaki stone, whose random-rubble course work is visible at top, has been repaired with golden Khavda stone, laid in stretcher bond, below, echoing the new architecture. Photograph by Raj Sompura, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a53f8560-97ae-40c5-9a7c-03e33939a877/07-+PUSHPARAJ_FIG5+new.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 7. View of the dam memorials from the Bhujiyo Fort wall. Photograph by Nizil Shah, 2016. Courtesy Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0bd535de-2a6c-45a4-a11a-a104f7251f56/08-+PUSHPARAJ_FIG1_HIGHRES.jpg Home - The Golden Takeover: Replacing Heritage on the Bhujiyo Hill - Make it stand out Figure 8. Overlooking Bhuj from Bhujiyo Dungar, with new walkway paved in gold-hued Khavda stone. Photograph by Roshini Pushparaj, 2023. https://www.platformspace.net/home/collaborative-research-on-mexican-vernacular-architecture-in-the-age-of-digital-humanities monthly 0.5 2023-07-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fee61968-07d8-435d-8930-baa7e2f25af5/1.+Arteaga+foto+The+Raws_sm.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 1. Interior of an adobe house with cement floors and walls painted with colored lime. Los Terreros, Arteaga municipality, Coahuila. Photograph by Paco Álvarez, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/56f757ba-5645-4e1b-94ca-620e05f8a65c/2.+IMG_0748_sm.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 2. Adobe production in Sandia, Aramberri municipality, Nuevo León. Photograph by Iván Manrríquez, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d81a5b3b-836d-4200-801c-2ec59aebd1cc/3.+IMG_2748.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 3. Wood and adobe house in San Ignacio, Bocoyna municipality, Chihuahua. Photograph by Josué Olivo, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/015912da-6e69-42cf-903a-5e8cb781b180/4.+Vallecillo-Bustamante+19_sm.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 4. Stone house in Vallecillo, Nuevo León. Photograph by Paco Álvarez, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3a215477-b5e2-47ab-ad51-9d2ad141e768/5.+IMG_8884.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 5. Wood and mud store in Magüiras, Hualahuises municipality, Nuevo León. Photograph by Josué Olivo, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d3b9a171-35e2-4ebe-a15f-0068546a1259/6.+IMG_7919-1.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 6. A tanner’s workshop in Lampazos, Nuevo León. Photograph by Nora I. Gómez, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/555b5afe-e33e-4bf0-b922-ebab6f96eb14/7.+ARQ_marcevela-3014.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 7. Aerial view of a cemetery in ejido San José de Bellavista, municipio de Mapimí, Durango. Photograph by José Kontos, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/51583c3c-e9e2-4645-8195-ff2a83c296ca/8.+DJI_0500.jpg Home - Collaborative Research on Mexican Vernacular Architecture in the Age of Digital Humanities - Make it stand out Figure 8. Aerial view of a casa tren in Tanque escondido, Saltillo municipality, Coahuila. Photograph by José Kontos, 2021. https://www.platformspace.net/home/a-college-essay-alternative monthly 0.5 2023-07-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/84002d5c-454e-4ea7-95ac-c11ea6b8cc50/Figure+1.jpg Home - A College Essay Alternative - Make it stand out Figure 1. Dell Upton’s Architecture in the United States published by Oxford University Press in 1998. https://www.platformspace.net/home/mapping-memory-the-reuse-of-sicilys-tuna-fisheries-part-3 monthly 0.5 2023-06-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1f7ca9b2-121f-4460-b8e6-bb619d9d0ab1/Figure+1.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 - Make it stand out Figure 1. A map of the nine tonnare I visited. The three discussed in this article are the Tonnara di Marzamemi, the Tonnara di Scopello, and the Tonnara di Favignana. Drawing by G. Vaccarino Gearty, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703053297-V3S19P4PTTG8OTBLIBCQ/Figure+2.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 2. The entrance to the Loggia at the Tonnara di Marzamemi. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703049510-3ORCPR0D4IJ1VWQYLSVD/Figure+3.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 3. The entrance to the Loggia at the Tonnara di Marzamemi. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703059636-N7BLTTEOM3A6RNO3IDR2/Figure+4.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 4. Piazza Margherita at the Tonnara di Marzamemi at dusk. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703627287-MGBNBUBGL9FQLRRJQKX9/Figure+5.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 5. Piazza Margherita at the Tonnara di Marzamemi at dusk. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703658721-7HSSM4S1MY4FRO0ZVQ7W/Figure+6.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 6. Piazza Margherita at the Tonnara di Marzamemi. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703685174-CPEW67R5B7SD2JJ7CZZ6/Figure+7.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 7. Palazzo Villadorata, the former residence of the fishery’s proprietor, Principe Villadorata. It has since been renovated into a luxury rental property. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703767809-20DGR6HIZJKX1C4LTMPV/Figure+8.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 8. A human-faced gargoyle/water spout on the Palazzo Villadorata. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703790451-MN4U3WA3BUBTNJ1J1JAK/Figure+9.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 9. The interior of the Loggia at the Tonnara di Marzamemi. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703821876-16HY9MF9FU31ALTF35YB/Figure+10.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 10. Prince Villadorata used this little balcony within the Loggia to periodically check on the workers’ progress. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703845881-EGZWU5AO8PLNHS7RBR3T/Figure+11.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 11. Much of the former production spaces at Marzamemi, which are in poor condition, are currently being renovated, though the outcome is unclear. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687703937622-SQYZENOTLLXG8YWAZY8U/Figure+12.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 12. View of the Tonnara di Scopello from the path leading down to the water’s edge. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704064652-RURJWALKRLQOOJ0ASFAV/Figure+13.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 13. The Tonnara di Scopello. The pink building is the former proprietor’s residence, now hotel rooms. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704090568-G08OFULFGKP1UBKIQVZ3/Figure+14.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 14. The Tonnara di Scopello. The sloped concrete surface was originally a boat slip. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704236378-VRSVEK14YYR9ZWWWDNY8/Figure+15.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 15. The white building in the background is former fishermen’s housing, which has also been converted into hotel rooms. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704268515-CVY1O1TBPPAC2KQFBG04/Figure+16.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 16. A view of the interior courtyard at the Tonnara di Scopello. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704287948-6J7KWDPAIOECJLX1Y2GO/Figure+17.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 17. On one end of the courtyard is a small chapel, where the fishermen prayed for good luck at sea. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704321381-4IKKMNOA0P131388AMX4/Figure+18.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 18. The rear of the proprietor’s palazzo. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704385067-JMNS5EL7BLQV27Q5BJ6A/Figure+19.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 19. These archways constituted a small Loggia, a production space where workers cleaned and hung the tuna. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704409136-5JF55CFZ3PS1V3JINYMF/Figure+20.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 20. A cat, sound asleep. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704435260-FM12XBLU86L98NMA4SOU/Figure+21.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 21. A view of one of the former storage areas at Scopello that had been converted into an exhibition space. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704562596-QFG5ZMHU4P2WGDQVQL7Z/Figure+22.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 22. The Tonnara di Favignana, seen at dusk. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704585304-2JXHX6X3ACYYB6Z5JVAP/Figure+23.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 23. The Tonnara di Favignana, viewed from the port across the bay. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704610955-6G3M8E2QT0F9CKEKSDD8/Figure+24.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 24. The lush courtyard at the entry to the Tonnara di Favignana. As this tonnara was Sicily’s most successful throughout the nineteenth and twentieth centuries, the entrance was quite ornate. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704641230-WOJ4SUPZU8SA5QNUFOMB/Figure+25.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 25. One of the exhibition halls, a former canning facility, which displays the original tuna cans. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704663908-F0A1C4DB79GXFQ5X52JV/Figure+26.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 26. The tuna cans, emblazoned with name of the Florio family, a successful entrepreneurial family from Genova that owned the tonnara for most the nineteenth century. The lion was the family’s symbol. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704687742-WOJ1CRLMS65BRL8OD5U7/Figure+27.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 27. A detail of one of the original canning tables, which had a raised lip to prevent spillage. The tuna, after being cooked, was packed in olive oil. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704713839-FMKM0RA1ZSLZOGCK48BY/Figure+28.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 28. A view of another preserved interior exhibition space. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704742191-DKXL3U0BT3P2PZHBCN25/Figure+29.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 29. Simple yet elegant column capitals. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704764486-EW87AY2ZHA7ROXWBYANO/Figure+30.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 30. Many of the fishery’s boats were kept in this hall that is positioned right upon the water. The boats on display are original. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704787230-ETRJT37S1TN26ZJ9A3KF/Figure+31.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 31. A view of one of the internal courtyards. This area once had a roof and was where workers cooked the tuna in large vats before canning them. The chimneys were part of a larger mechanical system that conducted smoke and steam away from the complex. Photograph by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687704805094-8IS07ALIE9C59NBJNVOJ/Figure+32.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 3 Figure 32. An example of one of the video interviews on display. Shown here is Gioacchino Cataldo, Favignana’s last rais, or head fisherman. Photograph by G. Vaccarino Gearty, 2022. https://www.platformspace.net/home/archives-of-empowerment-unearthing-aftheretas-architectural-documentation-in-1970s-greece monthly 0.5 2023-06-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b44d4afb-7057-4507-98e8-dac65874fde1/Figure+1.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece - Make it stand out Figure 1. Panoramic view of the afthereta at Peristeri in 1968. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687110536124-8CP93X9BY2BTUGOH9FBY/Figure+2.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 2. General view of the afthereta at Kipoupolis, shot during the AA summer studio in 1969. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687110539609-GGFCDMUW9D1QRWPO5JCT/Figure+3.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 3. Street in the afthereta at Kipoupolis, shot during the AA summer studio in 1969. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687110543026-8JSPLTYKQSRRHT57O8TR/Figure+4.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 4. A house at Kipoupolis, shot during the AA summer studio in 1969. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687110547357-UMYWRZAX4PW9BDUYPXCP/Figure+5.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 5. A house interior at Kipoupolis, shot during the AA summer studio in 1969. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bf27f1a5-99ed-4bba-8dff-4efd1019e136/Figure+6+%28old+9%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece - Make it stand out Figure 6. Residents grieve after the authorities demolished their house at aftereta in Kamatero (1973). Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/41bd578e-dd58-44f9-ad5c-ecab50a94e9e/Figure+7+%28new%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece - Make it stand out Figure 7. The AGA shows solidarity at the squatter settlement at Perama (1974). Image published at the February 1975 volume of the Association’s Bulletin. Reproduced with permission by the Archives of the Technical Chamber of Greece. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f1439ff2-3be8-48f0-87f6-640f6b1b22e5/Figure+8+%28old+15%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece - Make it stand out Figure 8. The poster of Romanos’s course at the AA. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687187873568-ANJQP4YGDOUWDDGV2PKY/Figure+9+%28old+6%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 9. Aristedes Romanos with students and residents at Kipoupolis, shot during the AA summer studio in 1969. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687187918234-LN7SIB0KZNKD76C11NDI/Figure+10+%28old+7%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 10. AA students at a local restaurant at Kipoupolis, shot during the AA summer studio in 1969. Notice the water wagon behind them which provided drinking and washing water to dwellers. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687187951768-UUXSHIUQGU5ONQ3GF53I/Figure+11+%28old+12%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 11. Restructuring proposal for the afthereta at Kipoupolis, which follows Turner’s sites-and-services and incremental housing approaches. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687187969569-0C8YK8F4XGIJBVZXMGVT/Figure+12+%28old+13%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 12. Elevation and section drawings of a house at Kipoupolis. Reproduced with permission of Aristedes and Maria Romanos. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1687188001423-AELGV40BOLQ1MS4G5MGN/Figure+13+%28old+14%29.jpg Home - Archives of Empowerment? Unearthing Afthereta’s Architectural Documentation in 1970s Greece Figure 13. List of houses and amenities at Kipoupolis. Reproduced with permission of Aristedes and Maria Romanos. https://www.platformspace.net/home/unbuild-downtown-to-make-cities-for-living monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/78577c66-523b-40e9-b9d6-c6f05b77b901/Downtown+Brooklyn+Skyscraper+Housing+04.jpeg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 1. In downtown Brooklyn, a forest of new apartment buildings have transformed the area into a residential enclave — reflecting how people want to use it — revitalizing it to a degree that efforts centering on office space, like MetroTech (in the 1980s), never could. Photograph by Matthew Gordon Lasner, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/54780e2b-657f-4db8-9022-0f7cb1d84541/Market+Street+Empty+Without+Cars+San+Francisco.jpeg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 2. Moribund Market Street in San Francisco, shorn of private cars by statute (in a prepandemic effort to revitalize it), and of life — workers, shoppers, pedestrians — by postpandemic preference. Photograph by Matthew Gordon Lasner, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f845c50-7642-4321-9a16-81349ff049e3/Looking+up+First+Street+Towards+101+California+Street%2C+San+Francisco%2C+Ken+Lund.jpg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 3. Looking up First Street from Mission Street towards 101 California Street, a 48-story tower with 1.25m square feet of office space in San Francisco’s financial district. The building, which opened in 1982, was developed by Hines and designed by Philip Johnson and John Burgee. Photograph by Ken Lund, 2013. Courtesy flickr, CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a720b8ca-149b-4ddc-8274-07ce6648ed14/Condominium+Advertisement%2C+23+Wall+St.jpg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 4. Advertisement for apartments in a 1928 office building successfully converted to housing (between 2003 and 2007), albeit at very high prices, in Lower Manhattan, America's first high-rise office district. Collection of Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a23840ea-da08-4e87-b45a-5c2db1fa05ee/pexels-thomas-brenac-599746.jpg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 5. Empty office space. Photograph by Thomas Brenac. Courtesy pexels.com. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b9a35ff8-359d-446f-bdd7-f54e18da020b/Mall+and+Peace+Monument%2C+Japan+Town%2C+Western+Addition+Title+I%2C+San+Francisco.jpg Home - Unbuild Downtown to Make Cities for Living - Make it stand out Figure 6. In San Francisco, urban renewal was used to clear much of the Western Addition, home to the Japantown and historically Black Fillmore districts, primarily for luxury housing and the Japan Center trade mart and shopping center. Today, renewal could target failing office districts. Photograph by Matthew Gordon Lasner, 2013. https://www.platformspace.net/home/unarchiving-toward-a-practice-of-negotiating-the-imperial-archive monthly 0.5 2023-06-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6b152352-8c18-4736-910c-51e8ff19be36/Chattopadhyay_Fig.1_Owoo_still1.png Home - Unarchiving: Toward a Practice of Negotiating the Imperial Archive - Make it stand out Figure 1. Film Still from Nii Kwate Owoo, You Hide Me (1970). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3f54f800-63a6-48dd-82f1-6914a1f17e4c/Chattopadhyay_Fig.2_Owoo_still2.png Home - Unarchiving: Toward a Practice of Negotiating the Imperial Archive - Make it stand out Figure 2. Film Still from Nii Kwate Owoo, You Hide Me (1970). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9223ea62-d6d4-47b6-85a8-9d19ea2bbfcd/Chattopadhyay_Fig.3_Owoo_still3.png Home - Unarchiving: Toward a Practice of Negotiating the Imperial Archive - Make it stand out Figure 3. Film Still from Nii Kwate Owoo, You Hide Me (1970). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/caa47be8-8583-47c6-9722-ea86a65991f7/Chattopadhyay_Fig.4_Owoo_still4.png Home - Unarchiving: Toward a Practice of Negotiating the Imperial Archive - Make it stand out Figure 4. Film Still from Nii Kwate Owoo, You Hide Me (1970). https://www.platformspace.net/home/mapping-memory-the-reuse-of-sicilys-tuna-fisheries-part-2 monthly 0.5 2025-03-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/35c5d9a0-b2f9-484c-b08b-2d9effe71c61/Figure+1.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 2 - Make it stand out Figure 1. An example of a baglio, in Levanzo, Sicily. This is a more ornate example than perhaps was typically found, but displays the enclosed formation that was typical of the type. Courtesy Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9b05c21d-0e34-4af8-b223-0b5f8bd9e785/Figure+2.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 2 - Make it stand out Figure 2. View of interior courtyard of a masseria. Figure by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9cea4e37-dca2-48b8-842a-871cd71c0be6/Figure+3.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 2 - Make it stand out Figure 3. Main entrance to the Baglio di Scopello, now incorporated into the historic center of Scopello in western Sicily. Photograph by Frédérique Voisin-Demery, 2013. Courtesy Flickr, CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a103f445-c65d-4104-8efa-6e31287302ed/Figure+4.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 2 - Make it stand out Figure 4. A figure-ground map of the Tonnara di Bonagia, which has a loose configuration of spaces around a central courtyard. Graphic by G. Vaccarino Gearty, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bd967bf7-3a38-4928-923a-9b5c3ba1d271/Figure+5.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 2 - Make it stand out Figure 5. An aerial view of the Tonnara di Santa Panagia, which doesn’t follow the enclosed courtyard configuration at all, but consists of a conglomeration of buildings on an isolated bay in southeastern Sicily. Courtesy Wikimedia Commons. https://www.platformspace.net/home/reconciling-memory-and-history-in-abadan-iran monthly 0.5 2023-05-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8ef0bdce-a783-4264-b729-8d471ea59d42/Figure+1.jpg Home - Reconciling Memory and History in Abadan, Iran - Make it stand out Figure 1. Screenshot of British Petroleum’s webpage Our History, First oil – 1901-1908, on BP.com, with photograph of the first commercial discovery well at Masjed Soleyman, where a large oil reserve was found in May 1908. British Petroleum, or BP, is a successor firm to the Anglo Persian Oil Company. Accessed May 12, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/520cd310-cb9c-4c84-91f9-653edf2b1432/Figure+2.jpg Home - Reconciling Memory and History in Abadan, Iran - Make it stand out Figure 2. Aerial view of Abadan (circa 1950) showing, bottom to top: Bawarda garden suburb, “native town” and workers’ quarters, the refinery, and Braim. From Illustrated London News, Sept. 8, 1951. Courtesy Illustrated London News Ltd/Mary Evans. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/615175e0-970d-4d4e-9e41-452d394bfc87/Figure+3.jpg Home - Reconciling Memory and History in Abadan, Iran - Make it stand out Figure 3. Map of Abadan (1938), annotated by Leila Saboori, showing the Anglo Persian Oil Company (by then National Iranian Oil Company) refinery (center, highlighted in red); Braim, the initial British bungalow area (left); and “native town” and other workers’ quarters (right). A second enclave built for British and senior Iranian employees, Bawarda, is shown under construction to the right of Abadan Village, separated by roads, an industrial site, and a dredged channel. East India Company, the Board of Control, the India Office, or other British Government Department. Courtesy Qatar Digital Library. https://www.platformspace.net/home/immobile-travels monthly 0.5 2023-05-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ac2cf2c6-1a6f-4b99-9234-749b806c7d51/Fig+1n.jpg Home - Immobile Travels - Make it stand out Figure 1. Photograph of Phellos taken by students in Lycia as part of The Architect’s Journey course in 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5603e152-91f6-43a4-a17b-8fcc161b6578/Fig+2n.jpg Home - Immobile Travels - Make it stand out Figure 2. Photographs by students in Lycia for The Architect’s Journey course in 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0c4bdafa-0bb9-490a-b25d-d80f0f781c92/Fig+3n.jpg Home - Immobile Travels - Make it stand out Figure 3. A collage of photographs taken by students in Phrygia for The Architect’s Journey course in 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/82db8286-53e0-4e25-a92a-7fbe5e25ec64/Fig+4n.jpg Home - Immobile Travels - Make it stand out Figure 4. Photographs of The Architect’s Journey: Phrygia exhibition taken by students at METU Archaeological Museum in 2019. https://www.platformspace.net/home/mapping-memory-the-reuse-of-sicilys-tuna-fisheries-part-1 monthly 0.5 2023-06-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004434461-WTJKEV117S0N2C860JNS/Figure+1.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 1. The Tonnara del Tono in Milazzo, Sicily. Today vacation apartments, the fishery (the red buildings at the center of the image) ceased operations in 1966. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004435762-819VUG5IFRII8F5DALWW/Figure+2.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 2. The Tonnara di Arenella in Palermo, Sicily. This fishery was one of the more ornamented structures I visited and was designed by Carlo Giachery, an architect in Padova, in 1844. The tower, called “I Quattro Pizzi” or “four points,” was the proprietor’s residence. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004445718-9J2EC71EPFYSWE2COFA4/Figure+3.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 3. 1889 map of all the fisheries in Sicily. Source: Pavesi, Pietro, L’Industria del Tonno: Relazione Commissione Reale per le Tonnare, Roma: Tipografia Eredi Botta, 1889. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004449124-9YEZY7RRP23ZG9ZDWPT7/Figure+4.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 4. Model of the “isola,” or system of nets by which the fishermen trapped tuna. A series of “chambers” funneled tuna into the “chamber of death” (at the left), where the fishermen harpooned the tuna. From private collection of Michele Modica, photograph produced with permission. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004447789-ZSO4YFD6A3S6AZO5N4QT/Figure+5.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 5. Sicily was a center for tuna fishing because, every year, Atlantic Bluefin Tuna migrated to the warm waters around the island to spawn. There are two types of fisheries: all’andata, in northern/western Sicily, and al ritorno, in eastern/southern Sicily. Graphic by author, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004450112-9M9UB7FLFMIGIS8DJUMQ/Figure+6.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 6. This wall plaque in the Tonnara di Favignana reads that 6828 fish were caught in 1853. Such numbers, for that era, merited a wall plaque. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004450358-SCGWV3ODZZ9X7EGZT92K/Figure+7.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 7. A diagram of the typical layout of a tonnara. A tuna fishery was a contained, nearly self-sufficient community of workers, situated near important trade and transportation networks to ensure speedy distribution of the tuna products. Graphic by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004458765-RJECQIHE0BV3SXX2D5X0/Figure+8.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 8. The Tonnara di Marzamemi, Marzamemi, Sicily. Tuna fisheries comprised not only the spaces of production, but also the entire landscape of auxiliary structures and functions, like housing and religious spaces. Here we see the central piazza, a church, and fishermen’s huts, all adjoining the factory spaces at the right. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004460043-JWJUDZE392UEOYJS6699/Figure+9.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 9. The Tonnara di Bonagia, Trapani, Sicily. This 17th-century fishery contains a former military tower, which was absorbed into the tonnara complex. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004471788-506HWM5JV6EM35SUMQBW/Figure+10.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 10. Another model of the fishermen’s netting system with its system of “rooms.” From exhibition at the Tonnara di Bonagia, Trapani, Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004472687-2NSKC15NVANWNCHQ59NJ/Figure+11.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 11. An example of a muciara, or long wooden rowboat used by the fishermen. Tonnara di Bonagia, Trapani, Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004485306-XTO06HPX90MDKAU37LA5/Figure+12.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 12. Harpoons and other tools used by the fishermen during the mattanza. From exhibition at the Tonnara di Bonagia, Trapani, Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004491993-2V0TFT6UXNDXPS3X7472/Figure+13.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 13. Painting of the mattanza. From exhibition at the Tonnara di Vendicari, Vendicari, Sicily. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004492798-Q0FTYKD0DZ4JJK6D0ED7/Figure+14.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 14. A videorecorded interview with Gioacchino Cataldo, the last rais at the Tonnara di Favignana. This interview was part of a larger oral history project in display in the tonnara’s museum. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004503012-HO97T4MM9BLCFKGHRCTE/Figure+15.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 15. An array of the tools the fishermen used to maintain and build their boats. There was significant crossover between the tools that fishermen and agricultural workers used, as many fishermen worked the fields during the off-season. Museo Ryolo, Milazzo Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004503373-MJAIXMIN5S2DF36A47SV/Figure+16.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 16. Wedges, chisels, and other tools the fishermen used on their boats. Museo Ryolo, Milazzo Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004514304-1UN2O2MJTMGX84BIOA3M/Figure+17.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 17. One of the painted wooden crosses that the fishermen placed in the sea as offerings to the Virgin Mary. From exhibition at the Tonnara di Favignana, Favignana, Sicily. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004516331-IHYVE1HA0P54U6N1TYVO/Figure+18.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 18. A street in downtown Favignana. The town is very popular as a tourist destination during the summer. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004528638-XKHWWQ9SYFSQLFCPDSGK/Figure+19.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 19. An exhibition hall at the Tonnara di Favignana, formerly a canning facility. On display are the original tuna cans. Photograph by author, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1682004529647-87OJNXW20IGFXKQK3Z1P/Figure+20.jpg Home - Mapping Memory: The Reuse of Sicily’s Tuna Fisheries, Part 1 Figure 20. These massive chimneys at the Tonnara di Favignana adjoined the canning facilities, where workers cooked tuna in massive vats before canning them. Photograph by author, 2022. https://www.platformspace.net/home/landscape-history-now-part-2 monthly 0.5 2023-04-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/84287e31-f0db-4bf0-bae8-103460e77770/Norsworthy%2C+Scott_Afterlife.jpg Home - Landscape History Now, Part 2 - Make it stand out Figure 1. Photograph of materials sorting on site after the demolition of the IBM Canada facilities at 844 Don Mills Road, August 2020. © Scott Norsworthy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6232ff90-2d6d-4620-942e-8b50439d40b8/BlackArchitectsArchive+copy.jpg Home - Landscape History Now, Part 2 - Make it stand out Figure 2. The Black Architects Archive makes architectural and landscape history a public resource for local history. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/75dcef1a-6dbb-4f74-8ecc-7eeb797f75f7/Specket%2C+Conrad_The+Second+Egress_300dpi.jpg Home - Landscape History Now, Part 2 - Make it stand out Figure 3: Conrad Speckert, The Second Egress: Building a Code Change. Example of a graduate student project that examines the National Building Code of Canada as an object of design and site of critical inquiry. https://www.platformspace.net/home/a-tragedy-in-four-acts monthly 0.5 2023-04-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d1183761-530f-4285-9119-699645b4b658/IMAGE+1.jpg Home - A Tragedy in Four Acts - Make it stand out Figure 1: Handwritten note on Jina’s burial ground: “Dear Jina, you are not dead! Your name will become our watchword”, Image created by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7b2207ad-c155-4366-82e3-938de98f9ab5/IMAGE+2.jpeg Home - A Tragedy in Four Acts - Make it stand out Figure 2: Uprising in Tehran, Keshavarz Boulevard September 2022, Photo by Darafsh, Source: Wikimedia Commons https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d5a89d50-d86d-4cd2-bf30-259d9b3b4e46/IMAGE+3.jpeg Home - A Tragedy in Four Acts - Make it stand out Figure 3: Morality Police petrol in Tehran, Photo by Satyar Emami, Source: Wikimedia Commons https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b754a6ae-8a3e-4b58-9e51-92bab83e0634/IMAGE+4.jpeg Home - A Tragedy in Four Acts - Make it stand out Figure 4: First squad of Morality Police in Tehran, Photo by Satyar Emami, Source: Wikimedia Commons https://www.platformspace.net/home/where-children-sleep-photography-and-the-child-in-need monthly 0.5 2023-03-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0c283188-72ec-4a1b-95af-6f73e8e2a596/VanSlyck_Fig1.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 1. Jacob Riis, “Street Arabs in sleeping quarters [areaway, Mulberry Street],” How the Other Half Lives (New York: Charles Scribner’s Sons, 1890; reprint of 1901 edition New York: Dover, 1971), 159. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7badc5f3-bb3a-41da-aa9b-1124932b064d/VanSlyck_Fig2.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 2. Where Children Sleep, as installed at the Lyman Allyn Art Museum, New London, Connecticut. Bikram, 9, Makwanpur, Nepal. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e2c91c49-fd27-468e-b679-15409a06dfc5/VanSlyck_Fig3.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 3. Where Children Sleep, as installed at the Lyman Allyn Art Museum, New London, Connecticut. From left to right: Kaya, 4, Tokyo, Japan; Romanian Boy, 4, Rome, Italy; Jasmine, 4, Kentucky, USA. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c1bfc3bd-233d-41d5-9797-60713e83a893/VanSlyck_Fig4a.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 4a. James Mollison, Lamine, 12, Bounkiling, Senegal. Courtesy of Curatorial Exhibitions, Pasadena, California. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4cb83d41-ab7e-41f7-87b1-d5bcbd8f9a81/VanSlyck_Fig4b.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 4b. James Mollison, Lamine, 12, Bounkiling, Senegal. Courtesy of Curatorial Exhibitions, Pasadena, California. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/39555a4c-af77-40f7-8280-911fc0a61129/VanSlyck_Fig5.jpg Home - Where Children Sleep: Photography and the Child in Need - Make it stand out Figure 5. Where Children Sleep, as installed at the Lyman Allyn Art Museum, New London, Connecticut. Lay Lay, 4, Mae Sot, Thailand. Photo by author. https://www.platformspace.net/home/peoples-park-autumn-2022-part-2 monthly 0.5 2023-03-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267397194-18WMLKSISML1MWGZJ182/Bronston+pt+2+Fig+1.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 1. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267396650-NJ2I6MKAQSWZFZ8XTRIV/Bronston+pt+2+Fig+2.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 2. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267401901-SPMEYYQGZ0T7LNCUM8FY/Bronston+pt+2+Fig+3.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 3. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267402811-DHYMFHJL7MF2S2FXQ17C/Bronston+pt+2+Fig+4.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 4. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267407232-6NNR5ZXU8HN5EYP2LRR8/Bronston+pt+2+Fig+5.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 5. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267408299-ZR52I7G65DRL4M7O23IP/Bronston+pt+2+Fig+6.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 6. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267495942-5IKYO1Y8A8ANIMOTZBRT/Bronston+pt+2+Fig+7.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 7. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267411241-MGIFBP7U49E9GGCGHQNJ/Bronston+pt+2+Fig+8.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 8. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267559968-H1C1Y9O1NE1VWK4IDNL6/Bronston+pt+2+Fig+9.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 9. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267560876-OZX7Q5A1FOA6D3YGFEPV/Bronston+pt+2+Fig+10.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 10. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267564436-0D323PGURRWQZG9MZWJX/Bronston+pt+2+Fig+11.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 11. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267565944-KF8G6O83NPRQ30QJ05NV/Bronston+pt+2+Fig+12.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 12. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267569241-ROFX7BHJX3IFWZ4OAO6J/Bronston+pt+2+Fig+13.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 13. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267571163-NP5Y2YD4U1GNTGYEVPV5/Bronston+pt+2+Fig+14.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 14. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267574770-50YNLBP7YNJMSTXHR69X/Bronston+pt+2+Fig+15.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 15. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267576909-6FJQJYFUZC3AC9XZ9J0S/Bronston+pt+2+Fig+16.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 16. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267688123-87I6BYLQEL80DWQ08T15/Bronston+pt+2+Fig+17.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 17. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267688026-2DCUU4T7D0T55FCLA7EI/Bronston+pt+2+Fig+18.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 18. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267692939-VSMX7DVUQNGNODWRS85D/Bronston+pt+2+Fig+19.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 19. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267691899-JJ3ASL6X5IJXHQHEYAZZ/Bronston+pt+2+Fig+20.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 20. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267695610-9YU1T1WDLYE4JD3042RR/Bronston+pt+2+Fig+21.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 21. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267696129-WNY1YYB57YBKRJFN3I8Y/Bronston+pt+2+Fig+22.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 22. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267700990-TXIDBRQ3WHZN10DUS9O1/Bronston+pt+2+Fig+23.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 23. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267701139-SUR9VXVPWH59UVGW0UGI/Bronston+pt+2+Fig+24.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 24. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267764965-346UNTLAUKICO3VLW3WU/Bronston+pt+2+Fig+25.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 25. Sproul Plaza, University of California, Berkeley. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267764424-JLGDB0WUW5XAYWVT0MB2/Bronston+pt+2+Fig+26.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 26. Sproul Plaza, University of California, Berkeley. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267767442-69991G6GPA7V1AIPJMJ5/Bronston+pt+2+Fig+27.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 27. Sproul Plaza, University of California, Berkeley. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267767978-DRTLR5RIU1X5Z7QE6V1C/Bronston+pt+2+Fig+28.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 28. Sproul Plaza, University of California, Berkeley. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267819854-SV2N3ICZ625LN5IAD8MX/Bronston+pt+2+Fig+29.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 29. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267819412-LZIHMI3E0YL1F87PJ9KK/Bronston+pt+2+Fig+30.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 30. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267824348-38CPN2SRRT9JF7J9MVZT/Bronston+pt+2+Fig+31.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 31. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267825651-2QUDC4GEDLETYHU0GXPM/Bronston+pt+2+Fig+32.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 32. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267828784-VK37P7JIWF6RGXM90199/Bronston+pt+2+Fig+33.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 33. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267830826-VWVL8ZTUPZFBB61W0TX2/Bronston+pt+2+Fig+34.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 34. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267834167-6T58ZFAIFJ8ZQL4VM9A6/Bronston+pt+2+Fig+35.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 35. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267835970-N03NKJ167HBLGKTPZALW/Bronston+pt+2+Fig+36.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 36. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267905312-HSMSRVT9JUNFFOOB24KX/Bronston+pt+2+Fig+37.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 37. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267907351-APQQ8FV4BPXYDH07FB40/Bronston+pt+2+Fig+38.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 38. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267912261-WU69N7NX7TJJ09TP9S7K/Bronston+pt+2+Fig+39.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 39. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1679267913881-C0MVCGKTGI5QW7I9OKWZ/Bronston+pt+2+Fig+40.jpg Home - People’s Park, Autumn 2022, Part 2 Figure 40. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://www.platformspace.net/home/the-man-who-remade-harlem monthly 0.5 2023-03-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4b11e87b-6f3c-4575-a895-c64fde4c4b8b/Fig+1+Butts+Screen+Shot.jpg Home - The Man Who Remade Harlem - Make it stand out Figure 1. Calvin Butts at the groundbreaking ceremony for the National Museum of African American History and Culture, Washington, D.C., 2012. Video still from Smithsonian Institution, “NMAAHC Groundbreaking 2012 Highlights.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e6354597-8bfc-4b69-8273-5c712deb7c27/Fig+2+West+One+Three+One+Plaza.jpg Home - The Man Who Remade Harlem - Make it stand out Figure 2. West One Three One Plaza, at 51 W. 131st Street, the first condominium project of the Abyssinian Development Corporation, completed in 1993. Photograph by Brian D. Goldstein, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a38555c6-f0e1-46f7-bf9e-cc52d5592dc3/Fig+3+Harlem+Center.jpg Home - The Man Who Remade Harlem - Make it stand out Figure 3. Harlem Center, an office tower with first-floor retail, was developed by ADC and Forest City Ratner at the intersection of W. 125th Street and Lenox Avenue. Photograph by Brian D. Goldstein, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/62d69505-fa3e-4f1b-bce9-66d84415d302/Fig+4Pathmark.jpg Home - The Man Who Remade Harlem - Make it stand out Figure 4. The Pathmark at W. 125th Street and Lexington Avenue, the first new supermarket in Harlem in years when it opened in 1999. In 2014, ADC sold it to Extell Development; it closed shortly thereafter. Photograph by Brian D. Goldstein, 2012. https://www.platformspace.net/home/a-year-of-war-in-ukraine monthly 0.5 2023-03-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cf66408d-2183-4913-b8ef-0ab014833d49/Fig+1.jpg Home - A Year of War in Ukraine - Make it stand out Figure 1. Gated entrances to one of London’s exclusive new high-end housing developments. Photograph by Rowland Atkinson, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a65b490e-fd07-4c58-945f-f23c691f4200/Fig+2.jpg Home - A Year of War in Ukraine - Make it stand out Figure 2. Arsenal’na subway station in Kyiv, Ukraine, 1960. Photograph by user AMY 81-412, 2010, via Wikimedia Commons under Creative Commons CC BY-CA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9e087f54-8591-42b6-adfc-acd0bd322ab1/Fig+3.jpg Home - A Year of War in Ukraine - Make it stand out Figure 3. User-modified balconies in Kyiv, Ukraine. Photograph by Kateryna Malaia, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bc73f329-5fb5-4eff-bb0c-700a7e8a0a37/Fig+4.jpg Home - A Year of War in Ukraine - Make it stand out Figure 4. Berlin Hauptbahnhof (Hbf), the main rail terminal in the center of Berlin, Germany, was the principal port of entry for refugees to the country from Ukraine. In spring of 2022, an average of 10,000 arrived here daily. Photograph by Mireille Moga, March 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c03bd476-53b0-4b06-82d4-428ae2f907b3/Fig+5.jpeg Home - A Year of War in Ukraine - Make it stand out Figure 5. Central Post Office, Kharkiv, Ukraine, architect A. Mordvinov, 1927-29. Photograph by Christina E. Crawford, 2012. https://www.platformspace.net/home/defending-architectural-history monthly 0.5 2023-03-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b44588c6-6b51-4cea-8e66-26678eb617ba/Fig+1+MEL_Aerial_Grounds_SS+Sanjay+Suchak%2C+June+2020.jpg Home - Defending Architectural History - Make it stand out Figure 1. Aerial view of the University of Virginia with the Memorial to Enslaved Laborers in the foreground and the the original campus, designed by Thomas Jefferson, just behind it, Charlottesville, Virginia. Photograph by Sanjay Suchak, June 15, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f35d194-a46c-44a7-941f-b11554ef7b61/Fig+2+MEL_ss_03%2C+Sanjay+Suchak%2C+June+2020_sm.jpg Home - Defending Architectural History - Make it stand out Figure 2. The Memorial to Enslaved Laborers at dusk, University of Virginia, Charlottesville, Virginia. Photograph by Sanjay Suchak, June 15, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d0d3fa9-82e0-4357-8282-4616d7e13ad5/Fig+3+MEL_Memory_Marks_Names_ss_01+Sanjay+Suchak%2C+June+2020.jpg Home - Defending Architectural History - Make it stand out Figure 3. “Memory Marks Names.” Names of slaves etched into the Memorial to Enslaved Laborers, University of Virginia, Charlottesville, Virginia. Photograph by Sanjay Suchak, June 23, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5c5dc020-7064-4fe0-922a-3d7189da9820/Fig+4+White_Coats_Black_Lives_ss_08+June+5%2C+2020_sm.jpg Home - Defending Architectural History - Make it stand out Figure 4. Members of the University of Virginia community at a White Coats for Black Lives event at the Memorial to Enslaved Laborers, University of Virginia, Charlottesville, Virginia, June 15, 2020. Photograph by Sanjay Suchak. https://www.platformspace.net/home/transforming-architectural-history-through-experiential-learning monthly 0.5 2023-08-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d471fac8-9242-4c1b-b020-9d80b906cf58/1_Mace.JPG Home - Transforming architectural history through experiential learning - Make it stand out Figure 1. Wong Dai Sin Temple, Markham, Ontario, Canada, from student Jiawen Wang’s article. Shim-Sutcliffe Architects, 2015. Photo: Shim-Sutcliffe Architects https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0bd855e5-b9a6-4175-ab49-5401e5bbff9e/2_Mace.png Home - Transforming architectural history through experiential learning - Make it stand out Figure 2. Numbers 9 and 11 Spadina Road, Toronto, Ontario, Canada, from student Rylee Lachance Linklater’s article. Photo: Rylee Lachance Linklater https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/669f9911-48e5-43d7-86d6-54ce89ded594/3_Mace.png Home - Transforming architectural history through experiential learning - Make it stand out Figure 3. Illustration of an Iroquois Longhouse (1913) shows the curved and woven design of wooden supports, from student Ana Markovic’s article. Image: Wilbur F. Gordy, Stories of American History. New York: Charles Scribner's Sons, 1913, p. 20. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/da5755a4-3032-45b5-89b6-c07c1d7071bf/4_Mace.JPG Home - Transforming architectural history through experiential learning - Make it stand out Figure 4. First Peoples’ House, University of Victoria, Victoria, British Columbia, Canada, from student Mehek Raman’s article. Alfred Waugh, 2010. Photo: Menno Hubregtse https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f40fcd6b-4de5-4642-8be4-61701ab99c7a/5_Mace.jpg Home - Transforming architectural history through experiential learning - Make it stand out Figure 5. St. Mary’s Catholic Church, Red Deer, Alberta, Canada, from student Bailey Storey’s article. Douglas Cardinal, 1964. Photo: Robert Storey https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0a0d076e-2a8d-4467-9283-62f73265be5b/6_Mace.png Home - Transforming architectural history through experiential learning - Make it stand out Figure 6. Exploring Tiffany Crescent in the Beaverbrook suburb, Ottawa, Ontario, Canada, from student Jessica Fisher’s article. Photo: Jessica Fisher https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1cf2c9cd-c12a-4ff9-bf71-c5c4db2160c7/7_Mace.png Home - Transforming architectural history through experiential learning - Make it stand out Figure 7. St. Thomas, Moose Factory, Ontario, Canada, from student Miyopin Cheechoo’s article. Photo: Miyopin Cheechoo https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/99ce8d87-dd86-4f86-9369-85a660f1860f/8_Mace.jpeg Home - Transforming architectural history through experiential learning - Make it stand out Figure 8. Awen Gathering Place, Collingwood, Ontario, Canada, from student Christine Sutcliffe’s article. Photo: David Whittaker, courtesy of Brook McIlroy Inc. https://www.platformspace.net/home/the-borderlands-at-display-the-show-window-vs-the-wall monthly 0.5 2023-02-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/df304dd4-2a51-478e-9f24-b29529e8664a/Fig1.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 1. PRONAF – Section of “Mexico has an enormous show window” illustration. Source: PRONAF Booklet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5f57b5eb-6d39-4c20-b36b-8c0ff4d69790/Fig2.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 2. PRONAF - Mexico has an enormous show window. Source: PRONAF Booklet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e6e1c889-02b5-43f0-a701-36f4096eac08/Fig3.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 3. Brussels World’s Fair Mexican Pavilion.1958. By Pedro Ramírez Vázquez, and Rafael Mijarez. Source: Arquitectos de México (México, D. F., México). -- No. 8 (Jun. 1959). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d799a3f-96b2-4fd6-a8e0-cce14ba47c51/Fig4.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 4. Perspective render of the “Model of the most modern Commercial Center in Latin-America.” 1961 Mario Pani y Arquitectos Asociados. Source: PRONAF Booklet https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8f0adbc7-b894-4d0b-ab26-2a567ffe2da0/Fig5.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 5. Plan Regulador for Cd. Juárez showing locations of PRONAF in relation to the borderline. n.d. By Mario Pani and Arquitectos Asociados. Source: Fondo Mario Pani Darqui https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/00716440-097b-4006-9b62-507d38f666a1/Fig6.jpg Home - The Borderlands at Display: The Show Window vs. the Wall - Make it stand out Figure 6. Perspective render of “Centro Comercial PRONAF Cd. Juárez. Showroom.” 1961 Mario Pani y Arquitectos Asociados. Source: PRONAF Booklet https://www.platformspace.net/home/architectural-education-for-the-future-a-conversation-with-deborah-berke-and-marta-gutman monthly 0.5 2023-02-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/80e40472-4fc7-4b7e-a117-bc89490ee426/Fig+3.jpg Home - Architectural Education for the Future: A Conversation with Deborah Berke and Marta Gutman - Make it stand out Figure 1. Group photo of first-year M.Arch I students participating in the 2019 Jim Vlock First Year Building Project. Yale University. Photographs copyright Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d7574955-9896-4b3a-b532-2e929d8f57ac/Fig+2.jpg Home - Architectural Education for the Future: A Conversation with Deborah Berke and Marta Gutman - Make it stand out Figure 2. First-year M.Arch I students add exterior plywood sheathing to the deck area of the 2019 Jim Vlock First Year Building Project. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/168dea47-2062-430a-bca2-453959208393/Fig+5.jpg Home - Architectural Education for the Future: A Conversation with Deborah Berke and Marta Gutman - Make it stand out Figure 3. Dean Marta Gutman, 2022. Photograph courtesy of City College Office of Institutional Advancement, Communications, & External Relations. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e71a1fba-3dfe-48aa-94da-506fa9a11ca8/Fig+4.JPG Home - Architectural Education for the Future: A Conversation with Deborah Berke and Marta Gutman - Make it stand out Figure 4. Dean Deborah Berke, 2019. Photograph copyright Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d9e1a20-dd52-42fa-8c22-576ada0cc001/Fig+1.jpg Home - Architectural Education for the Future: A Conversation with Deborah Berke and Marta Gutman - Make it stand out Figure 5. Commencement 2022, Spitzer School of Architecture. Photograph courtesy of Christian Volkmann. https://www.platformspace.net/home/grounds-in-disarray-social-housing-and-the-open-and-public-spaces-of-parisian-suburbs monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354875000-Q6W1LGA8BZPHQHY80XMB/Riahi_Figure+1.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 1 Émile Aillaud, once imagined as a “prairie” by its architect, is ravaged by violence and stripped from its structures of gathering and togetherness. Émile Aillaud, cité de l’Abrevoir, Bobigny. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354876574-I7P8COAACNTCQRVDIFTQ/Riahi_Figure+2.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 2 The mature trees still provide shade and soften the environment. Émile Aillaud, cité de l’Abrevoir, Bobigny. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354878138-FBK8IHWI9YZ7AD3B6KQM/Riahi_Figure+3.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 3 The grounds and buildings of Aillaud’s were interlinked and the passage of time and changes to the environment have not yet undone this intertwinement. Emile Aillaud, cité de l’Abrevoir, Bobigny. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354879436-1MRK6UUICOINHCXVYSH9/Riahi_Figure+4.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 4 A clear disconnect at the ground level dissociates the residences from the “prairie.” Émile Aillaud, cité de l’Abrevoir, Bobigny. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354880612-DR05EW49JLFBDECVHITB/Riahi_Figure+5.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 5 A constellation of buildings by Émile Aillaud, and now named after him as the Tours Aillaud in Nanterre, depicting natural patterns turned into a cacophony of towers. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354884964-FN92O88HAAN8GDR6ZVUY/Riahi_Figure+6.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 6 Aillaud’s attempts to shape the ground and create outdoor spaces for individuals and collectives found different degrees of success in Nanterre. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354884987-1VWH40ARAUJ980Z72263/Riahi_Figure+7.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 7 A large playground, equipped with a play structure/ sculpture and surrounded with trees, is now forlorn, empty, and unsafe, in the Tours Aillaud by Émile Aillaud, Nanterre. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354889066-TDK5P5FD9H2IDU3FS6FY/Riahi_Figure+8.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 8 The ground is sculpted into pathways, ramps, staircases, terraces and courtyards by Renée Gailhoustet in La Maladrerie, Aubervilliers. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354890275-MT6GVAMXSAKWGB8CCAZD/Riahi_Figure+9.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 9 The ground becomes the connecting element, leading one from the hubbub of the street to the calm of the interior by Renée Gailhoustet, La Maladrerie, Aubervilliers. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354891193-B9OYVA0MAZN003H5BDE3/Riahi_Figure+10.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 10 On the street side, the contrast between the complex and the world outside is set by the materials and colors. Renée Gailhoustet, La Maladrerie, Aubervilliers. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354893513-0Z7OO24RRSWEKGFJ4YFD/Riahi_Figure+11.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 11 Greenery opens and determines one’s path through a maze of concrete units stacked upon each other by Renée Gailhoustet, La Maladrerie, Aubervilliers, Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354895256-8111WXY2WYW9J62P5ZYE/Riahi_Figure+12.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 12 Repetition and lack of layered spaces to help one transition from the inside to outside, make this complex’s access to open space inhospitable in the Cité des Francs Moisins, Saint Denis. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354896492-7RQOVWMTO0UEVBLL03DZ/Riahi_Figure+13.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 13 The tangle of housing, roads, cars, graffiti and passersby manifest an environment, distinct from that of the historic city, lacking spaces to either linger on or gather in. This photo is characteristic of so much of the peripheral zone, with the ring road defining a hard, loud and impenetrable edge. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354897586-HI9OCCJB08VK280LYKU8/Riahi_Figure+14.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 14 An informal vegetable garden, grown by residents sits in the center of a depressed concrete courtyard, Quartier de la Noue, Bagnolet. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354901223-SXBHSYJ6W31NSGZU9Q8Z/Riahi_Figure+15.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 15 A small, contained playground, framed to the scale of its potential occupants, counteracts a large concrete block of housing, cite Arago, Saint Ouen. Photograph by Pari Riahi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1675354900406-U4PBKJZR4EAHDQ1SSP1B/Riahi_Figure+16.jpg Home - Grounds in Disarray: Social Housing, and the Open and Public Spaces of Parisian Suburbs - Figure 16 Provisional cooling pools in the foreground help the children of the complex to cool off during the heat wave at the cité des Francs Moisins, Saint Denis. Photograph by Pari Riahi. https://www.platformspace.net/home/the-branding-dangers-of-a-new-york-city-public-plaza monthly 0.5 2023-01-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/811b96d6-3613-4f8f-af6f-7efd02949207/Allison_FIG1.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 1, Southeast facing birds-eye view of Diversity Plaza. Photograph by kike Calvo, November 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e005c22e-7d9b-483f-8d59-264a69690132/ALLISON_FIG2.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 2. Diversity Plaza’s location in Queen’s New York. Rendering created by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6f1bd856-b74b-4db4-885e-80e5d8f091e4/Allison_FIG3.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 3. Congestion led to the creation of the pedestrian plaza in 2011. Rendering created by author. Source NYCDOT. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ae9b3f55-3670-47b3-8ce7-9e9eb5a1bf29/Allison_FIG4.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 4. Rendering of Diversity Plaza’s makeover. Source: New York City Department of Design and Construction. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2c78ce94-55e9-41e6-9b21-d99ade393474/Allison_FIG5.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 5. Government officials at the 2017 groundbreaking of Diversity Plaza’s makeover. Source: New York City. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/11dd0380-8940-43a2-96a4-0acff0d738e2/Allison_FIG6.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 6. West facing view of Diversity Plaza. Photograph by Noah Allison, August 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4aef340c-7b73-4919-80ba-251ff88f4db2/Allison_FIG7.jpg Home - The Branding Dangers of a New York City Public Plaza - Make it stand out Figure 7. Diagram illustrating the spatial segmentation of the various groups comprising the area. Graphic created by author. Visualization source. https://www.platformspace.net/home/peoples-park-autumn-2022-part-1 monthly 0.5 2023-01-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/296d1b0e-9845-41ee-8e7c-853c7fc792dc/Fig+1+Panorama+%282500%29%28c%29HelenBronston2023.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 1. Panoramic view looking west, north, and east. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5e34e9d7-0829-4754-88d4-d742fb09b8e3/Fig+2+Demo+%282500pw%29-+2022+-+0096.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 2. Disabled demolition equipment. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1e1d9488-f101-4328-958f-83d5ab2a56ec/Fig+3+Tents+%282500pw%29+2022+1123+-+50.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 3. Tents with university dormitories beyond. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e77149e3-7310-4b96-a048-22702ba7bc35/Fig+4+Dwight+Way+%282500pw%29+2022+1123+-+33.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 4. Tents along Dwight Way. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0a67a0f3-f230-4ad9-a18f-32775cb77d19/Fig+5+1969+%282500pw%29+2022+1123+-+19.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 5. Commemorative poster of People’s Park construction, 1969. Creator unknown. Caffe Milano, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8085a211-1965-440d-892f-e9521a1d97ab/Fig+6+Makeshift+%282500pw%29+2022+1123+-+53.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 6. Makeshift shelters with Bernard Maybeck’s Christian Science Church beyond People’s Park, Berkely, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9b138fbc-ed17-42fe-abd5-fee52109cd80/Fig+7+Tree+%282500pw%29+-+2022+-+0088+%28c%29HelenBronston2023.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 7. Downed palm tree. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/614a8fed-a486-4256-8ae1-0138ea7c4b18/Fig+8+Food+%282500pw%29+-+2022+-+0023.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 8. Food distribution table, with redwood tree, compound, and tree platform beyond. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f347b7f6-3a8d-48e7-874f-0f627b3325a9/Fig+9+Backhoe+%282500pw%29+2022+-+0098+%28c%29HelenBronston2023.jpg Home - People’s Park, Autumn 2022, Part 1 - Make it stand out Figure 9. Disabled backhoe with improvised swing. People’s Park, Berkeley, Calif. Photograph by Helen Bronston, 2022. https://www.platformspace.net/home/immiscible-interventions-graffiti-and-mandala-in-the-modern-southeast-asian-city monthly 0.5 2023-01-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ccf832cc-99d4-43be-860e-eb9a2f9491c2/Figure+1.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 1. Graffiti by Pirachai Patanapornchai. Courtesy: Bangkok Art Biennale, Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4c8d30a4-036f-4cfe-a089-2823e3a66f07/Figure+2.jpeg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 2. Pirachai Patanapornchai in front of one of his “mind maps.” Courtesy: Raphael Treza https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b6741822-8d98-4f1c-950d-f413211126bb/Figure+3.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 3. Graffiti by Pirachai Patanapornchai on the sidewalks of Bangkok. Source: Just Sayori, Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c51252dc-1ef9-4ac8-9730-e3c6f4c707d2/Figure+4.jpeg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 4. Pirachai Patanpornchai creating one of his “mind maps,” Bangkok. Courtesy: Raphael Treza. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2c53f42d-6751-446b-8138-0e6acba80931/Figure+5.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 5. Naganam mandala from the 1825 recension of the Tamra phichai Songkhram, republished by the Department of Fine Arts in 1969. Redrawn by Alexander Kuhn in Bangkok Utopia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2afcc2eb-3391-4da6-b2c4-c01bb93a7159/Figure+6.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 6. Illustration from a nineteenth-century leporello manuscript of the Tamra phichai Songkhram, British Library Or. 15760. Copyright: The British Library Board. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ca3528a5-d80c-4307-af61-4c9d6f075b8d/Figure+7.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 7. Map of Bangkok showing the axis between the city pillar (lak muang) and the home of the Supreme Patriarch of Thai Buddhism (Phra Sangharat) at Wat Rakhang Kositaram (formerly, Wat Bang Wa Yai). (https://www.google.com/maps/d/u/0/edit?mid=1xqYFUqrDeIORfxRhndgIZQH_1bL6KI8&usp=sharing) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6f98ae69-a627-4a5e-b1d3-417c5cb15bc9/Figure+8.JPG Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 8. Detail of the phra merumat or cremation pyre of King Rama IX, showing various chimera on the slopes of Mount Meru. Photograph by Lawrence Chua. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c34d8552-b8d2-4eb5-8d9c-e71dff0eb8ba/Figure+9.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 9. Garuda on the cornice of the General Post Office (Miw Jitrasen Aphaiwong). Photograph by Lawrence Chua. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cfd9c13a-74f7-4c70-bfdd-78058afc973e/Figure+10.jpg Home - Immiscible Interventions: Graffiti and Mandala in the Modern Southeast Asian City - Make it stand out Figure 10. A balustrade depicting a makara disgorging a naga at Wat That Phun, Vientiane, Laos. The makara and naga are chimeric creatures that inhabit the Himmaphan forest on the slopes of Mount Meru, the center of the Indic cosmos. Source: Chaoborus, Wikimedia Commons https://www.platformspace.net/home/turning-towards-action-in-landscape-history monthly 0.5 2023-01-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/92a3c6eb-dd32-469e-8601-a531929ef870/Fig+1.jpeg Home - Turning Towards Action in Landscape History - Make it stand out Figure 1. Old growth oak woodland in Golden Gate Park, San Francisco, 2015. Photograph by Margot Lystra. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/48bca5e8-a54b-4fc7-814e-c63d498e4a7a/Fig+2.jpg Home - Turning Towards Action in Landscape History - Make it stand out Figure 2. Navigation lock under construction at the Muscle Shoals Canal, Alabama, ca. 1889. Photograph courtesy National Archives, College Park, Maryland. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a56bc283-2ef8-4a7f-ac91-68bed19047d6/Fig+3.jpg Home - Turning Towards Action in Landscape History - Make it stand out Figure 3. Prospect Park in late August 2022 after a thunderstorm and several weeks of drought. Photograph by Charlotte Leib. https://www.platformspace.net/home/rethinking-co-op-city-white-flight-and-race monthly 0.5 2022-12-19 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c794e89c-07c9-4cde-8478-8ec58cbec2d8/Fig+1.jpg Home - Rethinking Co-op City, White Flight, and Race - Make it stand out Figure 1. Co-op City under construction, Aug. 12, 1969. Courtesy of the International Ladies Garment Workers Union Archives, Kheel Center, Cornell University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e06493be-2114-4d73-b9d5-3a74e91a3800/Fig+2.jpg Home - Rethinking Co-op City, White Flight, and Race - Make it stand out Figure 2. Young and old gather outside Building 4 at Co-op City in the 1980s, n.d. Photograph by Gregory Myers. https://www.platformspace.net/home/remembering-tony-anthony-douglas-king-1931-2022 monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fb988cd8-3e01-4beb-aca0-396ccb4b9511/Figure+1_Architext_Author+page.png Home - Remembering Tony: Anthony Douglas King (1931-2022) - Make it stand out Figure 1. The author list of Architext, Routledge. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2526e58e-a26c-49de-ab75-582a518b8867/Figure+2_Gandhi_at_Darwen.jpg Home - Remembering Tony: Anthony Douglas King (1931-2022) - Make it stand out Figure 2. Mahatma Gandhi during his visit to Darwen, 1931. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b10173d8-9dfc-4483-91a8-1889c44d608b/Figure+3_Tony+in+Jakarta.jpg Home - Remembering Tony: Anthony Douglas King (1931-2022) - Make it stand out Figure 3: Anthony King in Jakarta. Photograph courtesy Abidin Kusno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7118f379-a1e3-4546-a6a1-b347ec0e0760/Figure+4_2011+Tony+King+in+Fatahilah+Museum+Jakarta.jpg Home - Remembering Tony: Anthony Douglas King (1931-2022) - Make it stand out Figure 4: Anthony King at the Fatahilla Museum, Jakarta, 2011. Photograph courtesy Abidin Kusno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f772e3ea-43a8-48bd-b751-35a8d63bb1a5/Figure+5_Vancouver+Islands-+BC+Ferries.JPG Home - Remembering Tony: Anthony Douglas King (1931-2022) - Make it stand out Figure 5: Anthony King in Vancouver. Photograph courtesy Abidin Kusno. https://www.platformspace.net/home/reimagining-new-delhis-central-vista-part-ii monthly 0.5 2022-12-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2383f3a2-c39c-4897-b238-a49c3106dda2/Fig+1+Cullen%27s+vista+sequence.jpeg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 1. Gordon Cullen’s visual sequence for the New Delhi vista, adapted by Michael S. Dodson from an illustration in The Ninth Delhi (1961). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/37d30a41-773f-4a92-a8e4-891b1a24a81f/Fig+2+Cullen%27s+fear+for+the+vista.jpeg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 2. Gordon Cullen’s fear was that buildings would spread from west to east along the vista. Adapted by the Michael S. Dodson from an illustration in The Ninth Delhi (1961). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dfb37a07-6749-4bf3-a194-029e6c051fa2/Fig+3+Vista+relationships.jpeg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 3. Gordon Cullen’s spatial relationships for the vista. Adapted by the Michael S. Dodson from an illustration in The Ninth Delhi (1961). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/dec70b07-3d45-46fa-901c-199b22e5e3cb/Fig+4+Cullen+vista+1.jpg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 4. Cullen’s illustration of a high-rise tower adjacent the secretariat’s south block. From Gordon Cullen, The Ninth Delhi (1961). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/6df82e02-cefb-46c0-9fc8-0616e362b582/Fig+5+Cullen+vista+2.jpg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 5. Cullen’s illustration of a pedestrian plaza near India’s parliament building. From Gordon Cullen, The Ninth Delhi (1961). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cdaf5625-cd44-4498-921c-643334df5ab5/Fig+6+Cullen+vista+3.jpg Home - Reimagining New Delhi’s Central Vista, Part II - Make it stand out Figure 6. Cullen’s illustration of India’s parliament building, surrounded by high-rise towers. From Gordon Cullen, The Ninth Delhi (1961). https://www.platformspace.net/home/reimagining-new-delhis-central-vista-part-i monthly 0.5 2022-11-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b581dcf9-6f78-4669-a135-f667b0fc7445/1.+HCP+Delhi+Vista.jpeg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 1. New Delhi’s central vista, redesigned by architect Bimal Patel. Courtesy of HCP. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/e78a94eb-961d-4e97-b2c0-37085d792068/2.+Delhi+vista+outline.jpg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 2. New Delhi central vista, basic outline, ca. 1931. Drawn by Michael S. Dodson. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f998866a-5f34-4764-9b17-8b5284c0c51b/3.+ND+spatial+orientation.jpg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 3. New Delhi spatial orientation, viz. older sites of political sovereignty. Drawn by Michael S. Dodson. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7367f4f7-2d15-4995-bb91-1b84bad8ac35/4.+Secretariats+North+Block.jpeg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 4. “North block” of the Secretariat buildings, New Delhi, designed by Herbert Baker, completed in 1927. Photograph by Alexandra Lande, courtesy of Adobe Stock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3b3db569-36a1-4fa8-931f-02e135295973/5.+Krishi+Bhavan.jpeg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 5. Krishi Bhavan, New Delhi, Built by the CPWD in 1957. Photography by Leonid Andronov, courtesy of Adobe Stock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ec16d797-c89c-49b4-a9ca-5b3dd5d528ce/6.+Early+additions+to+the+vista.jpeg Home - Reimagining New Delhi’s Central Vista, Part I - Make it stand out Figure 6. Early Post-Colonial Additions to New Delhi’s Vista. Drawn by Michael S. Dodson. https://www.platformspace.net/home/plattenland monthly 0.5 2022-11-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669057998917-X4T2TTB34LUEPP8L5G0S/fig+1.jpg Home - Plattenland Figure 1. On the right is the Kalihalde Teutschenthal, a potash dump near the village of Teutschenthal, Saxony-Anhalt. It is a man-made mountain of the remnants of the potash plant that was active from the early 1900s until 1992. From the mid- to late 1800s, this area started turning away from small-scale farming toward industrialized agriculture and mineral extraction. Sugar beets, coal, potash, and rock salt became the focus. The building seen here is part of an enclave of housing surrounded by a sea of agriculture. Photograph by Mireille Moga 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058032806-YQPCN5WEOIKDQG3ZDG93/fig+2.jpg Home - Plattenland Figure 2. Butting right up against a field, this building is one of a grouping on the outskirts of Torgau, Saxony, a town on the bank of the Elbe River made famous in WWII as the place where United States and Soviet troops met in April 1945 before storming Berlin. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058032080-VFT9JTF65LVG4Y81VDX7/fig+3.jpg Home - Plattenland Figure 3. The dry, dusty mountain in the background of this image taken in Teutschenthal-Bahnhof, Saxony-Anhalt, lends it an American-southwest character, which couldn't be farther from the truth. The mountain itself is artificial, a man-made repository from the potash salt plant located nearby. The garages pictured belong to the Plattenbau apartments located behind the camera. Photograph by Mireille Moga 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058074225-QHUFMYXA2A5MMPJPP9UD/fig+4.jpg Home - Plattenland Figure 4. Reminiscent of a picturesque, foggy landscape, the eye moves across the picture and comes, unexpectedly, to a housing block in Götschendorf. First mentioned in writing in 1375, this village in the state of Brandenburg is home to a few hundred residents, some of whom landed here after the evacuation of Prussia in 1945. The main road running through the town goes passed this sparsely inhabited block, which also serves as temporary housing for itinerant farm workers. Photograph by Mireille Moga 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058080329-YXUJH7XKT3IAUW8CVBKJ/fig+5.jpg Home - Plattenland Figure 5. A four-story housing block in Gerswalde, Brandenburg of type QA3, built mostly from the mid-1950s to early 1960s. When seen against a vast sea of agriculture and open sky, the building takes on the scale of a toy. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058085163-C82CDOTCWWCLQWKOACDD/fig+6.jpg Home - Plattenland Figure 6. Standing on the edge of a field of rapeseed in bloom, encircled by woodlands, is an enclave of renovated type Q3A (Querwandtyp [Nr. 3] Variante A, or transverse walls type 3, variation A) blocks in Bergwitz, Saxony-Anhalt. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058112250-CLD0RD02YHLH6PNP1YX1/fig+7.jpg Home - Plattenland Figure 7. The building type WBS 70 (Wohnungsbauserie, or residential construction series from 1970) such as this one in Friedersdorf, Brandenburg, was one of the most replicated in the GDR. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058112814-0YALC865ZE63EPGTUXH2/fig+8.jpg Home - Plattenland Figure 8. Located in Schönerlinde, Brandenburg, on the northern outskirts of the German capital, this scene epitomizes the relationship of city and country—the countryside fulfills the agricultural and energy requirements of cities, while cities export their way of life to the country. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058120506-3HQ585VKVGLKZQNGRD10/fig+9.jpg Home - Plattenland Figure 9. Surrounded by a sea of corn is a type QA3 block in Faulenrost, Meklenburg-Vorpommern, with another two just behind it. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058196618-TRQAYO213SMJAJRZ5RTF/fig+10.jpg Home - Plattenland Figure 10. A type QA3 in Clausdorf, Meklenburg-Vorpommern, built in the early 1960s. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058194779-QFBK0OPG7CVVTCAPT23S/fig+11.jpg Home - Plattenland Figure 11. Looming over a solitary bench, the presence of this building in Kalihalde Teutschenthal, Saxony-Anhalt, exemplifies a confrontation of scales, of what we are capable of versus what it is that makes us human. Photograph by Mireille Moga 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058210350-R8NMWOXB5WJYUL166Q88/fig+12.jpg Home - Plattenland Figure 12. View from an allotment garden of a six-story Plattenbau spared the wrecking ball. The building was once part of a complex of three sitting at the western edge of the village of Vockerode, Saxony-Anhalt. Located near Dessau on the Elbe River, Vockerode was established in the 1400s and was primarily a fishing and farming village until 1937, when it became the site of a large brown coal-fired power plant. The plant was shut down in the mid-1990s, taking people away from the region. Since I took the image, this last standing building has been converted to a hotel, presumably for tourists. Photograph by Mireille Moga 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058206572-TKQEN2G31PLMFP5WA15L/fig+13.jpg Home - Plattenland Figure 13. Built next to a factory in Götschendorf, Bahnhof, that produces prefabricated, reinforced-concrete floor slabs is a housing block along the edge of the surrounding state-managed woods. The factory, still in operation, has been around since 1961. With nearly a thousand workers, it claims to have been the largest factory of its type in the GDR, producing floor slabs for many of the prefab buildings such as the one pictured. Photograph by Mireille Moga 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058218000-XY0H7PFP1USF0EHV1WNM/fig+14.jpg Home - Plattenland Figure 14. This row of type QA3 blocks on the edge of agricultural land in Flieth-Stegelitz, Brandenburg, resembles a military barracks. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058223080-1MZPEV4WB8LJKRQE3DQ1/fig+15.jpg Home - Plattenland Figure 15. This village of five hundred residents in Kratzeburg, Meklenburg-Vorpommern, in northern Germany serves as a gateway to the Müritz-National Park. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058254634-O20RI582NDXUSNSALPTF/fig+16.jpg Home - Plattenland Figure 16. Right in the middle of rolling hills of agricultural land in Mittenwalde, Brandenburg, is this four-story Plattenbau. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058258029-FJX5ZEGXM4FUP1O0GH3L/fig+17.jpg Home - Plattenland Figure 17. What appears to be a barn is in fact a three-story housing block on the edge of a small village in Bergwitz, Saxony-Anhalt. Photograph by Mireille Moga 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058270238-TTDAOZXACB98X5BUMQJW/fig+18.jpg Home - Plattenland Figure 18. Unfolding before a five-story housing block is a solar farm in the village of Glau, Brandenburg. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058269952-B8JCTLDWKF59ZLIFHD4H/fig+19.jpg Home - Plattenland Figure 19. Long, single-story parking structures such as this one are amenities typical of housing blocks in the countryside, such as this one in Gerswalde, Brandenburg. Photograph by Mireille Moga 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1669058277220-K5K7P3CCUVWE6ALQ7UQI/fig+20.jpg Home - Plattenland Figure 20. Berlin's easternmost district, Marzahn, was once a village dating from the 1300s that was incorporated into the city in 1920. In April 1977, Europe's largest housing project broke ground there, and took over thirteen years to complete. With its 450,000 units, all using a refined version of the WBS-70 building type, it was a massive chunk of the three million units the East German government promised to create. The mass and presence of the buildings pictured are cleverly hidden by a wilderness-like setting. This is the only image in this series taken in a city. It demonstrates the care and consideration given to providing a bucolic environment for city-dwellers when the opposite was true in the countryside. Photograph by Mireille Moga 2019. https://www.platformspace.net/home/d459di5qgv934tkivyi4v35dnqmw45 monthly 0.5 2022-11-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1668104965376-P6EAI39MLY9CA0H89JEO/Elmont.jpg Home - The GI Bill Restoration Act and Why Acts of Reparations Matter - Make it stand out Figure 1. Morty Weiss sits on the front steps of the home he purchased with support from the GI Bill in Elmont, Long Island NY. https://www.platformspace.net/home/spatiocide-as-spectacle-part-3-imperialist-fantasy-making-and-the-symbolic-death-of-old-kashgar monthly 0.5 2022-11-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574068922-IAQ7CCXEO4BQK0NXH670/Figure+1.jpeg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 1. Typical security checkpoint on a street in Old Kashgar. Courtesy Gene Bunin, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574104598-X6G3HGWWA6UGVIBKO94U/Figure+2.jpg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 2. 1908 British intelligence map of Imperial-era Kashgar. Courtesy Duke University Libraries. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574134371-A5H4FYGPYE5CEK2WW7JI/Figure+3.jpg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 3. Kashgar with city wall in the foreground in 1915. Photograph by Percy Sykes. Courtesy Duke University Libraries. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574170163-QDHVVB33DFP6O33T77DD/Figure+4.jpg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 4. East Gate of the reconstructed Imperial-era city wall, 2015. The flags represent the eight banners of the Qing military. Courtesy Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574212333-HV9UHPSBFFH8Q65CRYU3/Figure+5.jpg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 5. 1915 photo of Geng Gong Temple as viewed from the floodplain below. Photograph by Percy Sykes. Courtesy Duke University Libraries. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667574260107-ZE73GA98TNIXNA26W14T/Figure+6.jpg Home - Spatiocide as Spectacle, Part 3: Imperialist Fantasy-Making and the Symbolic Death of Old Kashgar - Make it stand out Figure 6. Reconstructed Geng Gong Temple with expanded water feature, 2015. A viewing pavilion extends into the water in the style of a Song-era water garden. Courtesy Wikimedia Commons. https://www.platformspace.net/home/waiting-at-the-taps-stereography-and-water-infrastructure-in-cairo monthly 0.5 2022-10-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072317124-EM61VR9UFYHZGP5AM9N9/Schultz_FIG1.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 1. Filling their goat skins, water sellers of Cairo, Egypt (inscription on verso), stereo print, undated. Courtesy: Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072350866-OPZJM1ENZRFAMPBIOLQM/Schultz_FIG2.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 2. The stereograph as an educator - Underwood patent extension cabinet in a home library. Stereocard, 1900-1910, Underwood & Underwood. Library of Congress Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072381277-ZYKFIFNFJD3ICLENLZG2/Schultz_FIG3.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 3. The goatskins hold from 2x4 weibas of water [weibas 8 gallon]. These men are employed in sprinkling of the streets and labor all day for six piastres. Cairo, Egypt (inscription on verso). Keystone photo print, 1931, Keystone View Company. Courtesy: Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072404645-BYGBI5H832X5U7ZCAX0W/Schultz_FIG4.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 4. Stereo print showing line of people waiting at tap outside of the funerary complex of Khayrbak. The note on the back misidentifies the building as the complex of Qaytbay. Courtesy: Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072438770-PS0S21UIYSGU4JYYKL5U/Schultz_FIG5.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 5. Annotated map indicating water company taps, mosques, and sabils. Showing a portion of the administrative district and neighborhood of Darb al-Ahmar. Sheet 40-J, Maslahat al-Misahah, Cairo, 1:1000, 1915, portions updated 1920-1986. Courtesy: Rare Books and Special Collections Library, The American University in Cairo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1667072467194-MMTGWMWRLYZ7B1TLR7AU/Schultz_FIG6.jpg Home - Waiting at the Taps: Stereography and Water Infrastructure in Cairo - Make it stand out Figure 6. Detail of Figure 5. Annotated map with hypothetical trip from a home to a public water tap indicated. Courtesy: Rare Books and Special Collections Library, The American University in Cairo. https://www.platformspace.net/home/spatiocide-as-spectacle-part-2-haussmannization-ossification-and-the-symbolic-death-of-old-kashgar monthly 0.5 2022-10-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1666271666537-VFWT05PDZVQBGQWEBPAG/Figure+1.jpg Home - Spatiocide as Spectacle, Part 2: Haussmannization, Ossification, and the Symbolic Death of Old Kashgar - Make it stand out Figure 1: A 2012 master plan called for historic preservation in four areas within Old Kashgar (marked in red) with “controlled construction” in most other areas (dark blue). By 2010, only the two poorer areas were preserved (marked in blue outline). Left: courtesy Shenzhen Urban Planning and Design Institute. Right: courtesy Stefen Geens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1666271718779-N1L68N6H5VEM8TQ1BJTH/Figure+2.jpg Home - Spatiocide as Spectacle, Part 2: Haussmannization, Ossification, and the Symbolic Death of Old Kashgar - Make it stand out Figure 2: In a partially demolished home, the functional heart, the mihrab, is visible. In reconstructed space, it becomes a design motif on exterior walls. Left: photograph by Lauren Restrepo, 2010. Right: courtesy Shutterstock, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1666271765558-PZKEAYW7Q3JHIM3MQVGH/Figure+3.jpeg Home - Spatiocide as Spectacle, Part 2: Haussmannization, Ossification, and the Symbolic Death of Old Kashgar - Make it stand out Figure 3: The skyline of reconstructed Old Kashgar. Courtesy Shutterstock, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1666271815610-URCG1J1198OBBY350KMV/Figure+4.jpg Home - Spatiocide as Spectacle, Part 2: Haussmannization, Ossification, and the Symbolic Death of Old Kashgar - Make it stand out Figure 4: The Islamic School of Kashgar, within the formally protected Id Kah mosque district, during demolition. Photograph by Lauren Restrepo, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1666271937718-DPZM8NJ192CJQUUSV8BF/Figure+5.jpg Home - Spatiocide as Spectacle, Part 2: Haussmannization, Ossification, and the Symbolic Death of Old Kashgar - Make it stand out Figure 5: High-end new residential construction in the Id Kah mosque district. Photograph by Lauren Restrepo, 2013. https://www.platformspace.net/home/chinas-architecture-andas-globalization monthly 0.5 2022-10-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665668902842-WDKFRFK75WARML2T0LBR/Figure+1.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 1: Zhang Yaozeng, Huadong Architectural Institute of Design, Longbai Hotel, Shanghai, 1982 (Courtesy East China Architectural Design & Research Institute, Co., Ltd) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665668939657-KGQNV0D9BA69USIDLU5J/Figure+2_Reduced.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 2: P&T Group, Jinling Hotel, Nanjing, Jiangsu, 1983 (author’s collection) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665668966219-VSB34FYKRJEWT3SCVHEI/Figure+3.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 3: Skidmore Owings & Merrill, Jin Mao Tower, Shanghai, 1999 (photo by author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669173386-46TXIQ74G5N2C2QFQEY8/Figure+4.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 4: Jiakun Architects, West Village, Chengdu, Sichuan, 2015. (Photography, Arch-Exist; Copyright Jiakun Architects) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669207008-KQAWRH5TUZ7R0N6B420W/Figure+5.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 5: Xu Tiantian/DnA Design and Architecture, Quarry #9, Jinyun County, Zhejiang, 2022 (Courtesy DnA Architecture) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669288672-OU93Y6OGBZXZWY4LP2VK/Figure+6.jpg Home - China’s Architecture and/as Globalization - Make it stand out Figure 5: Xu Tiantian/DnA Design and Architecture, Quarry #9, Jinyun County, Zhejiang, 2022 (Courtesy DnA Architecture) https://www.platformspace.net/home/spatiocide-as-spectacle-part-1-planning-and-the-symbolic-death-of-old-kashgar monthly 0.5 2025-01-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064069477-1PYLNGID1ANQQ0NQQPRF/Figure+1.jpeg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 1: A morning “gate opening ceremony” at the reconstructed Imperial-era city wall, 2019. The woman’s sash reads: “The home of ancient beauty welcomes you.” Courtesy Shutterstock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064131700-CN6PGPQFJOLLYGPI7Q66/Figure+2.jpeg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 2: By 2017, unmonitored contact between hostel guests and locals was stymied by barbed wire. Courtesy Gene Bunin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064491699-FEYPPF4X7UV6WEEU2SJC/Figure+3.jpg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 3: Map of Xinjiang, with Kashgar indicated by a star. Courtesy Shutterstock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064795336-ROSZVW9P8LLRXEIW4Y14/Figure+4.jpg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 4: In both 2005 (left) and 2021 (right), all roads in Old Kashgar led to Id Kah Mosque. The post-reconstruction space, however, is markedly less dense. Courtesy Google Earth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064871416-DZ8RCYGJKAUKEKVBML5T/Figure+5.jpeg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 5: A community mosque surrounded by shophouse-style buildings in 2007. Such spaces no longer exist. Courtesy Joshua Kucera. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665064962545-URCC912PD1XB9EZMH4E9/Figure+6.jpg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 6: Typical Uyghur-style homes feature a gated private courtyard and self-built vertical construction. New state-approved designs exclusively open to the street. Left: Courtesy Wikimedia Commons. Right: photograph by Lauren Restrepo, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665065019716-7YZHAHSTGNNILQVYJI7R/Figure+7.jpg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 7: Comparison of the planning area of the 1998 Kashgar master plan (left) and the 2012 plan (right). The approximate planning area of the 1998 plan is outlined in yellow in the 2012 plan. The red zones mark the existing “Old City District” and the then-planned “New City District.” Blue dots represent the manufacturing zones planned and paid for by Shenzhen and Guangzhou. Left: courtesy Xinjiang Youth Press. Right: courtesy Shenzhen Urban Planning and Design Institute. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665065172416-QZPHEQ75C6UX2CSA1UZ7/Figure+8.jpg Home - Spatiocide as Spectacle, Part 1: Planning and the Symbolic Death of Old Kashgar - Make it stand out Figure 8: Left: in 2013, New Guangzhou felt raw and in-progress. Now, Old Kashgar is bounded by green space and utterly dwarfed by Chinese-style, new-build development. Left: photograph by Lauren Restrepo. Right: Shenzhen Urban Planning and Design Institute, year unknown. https://www.platformspace.net/home/lessons-from-american-arcadia-white-spaces-black-athletes-and-insulated-professors monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664387295645-PYBUSDMO9Z70TG5SG2TQ/Figure+1_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 1. The H.F. Ahmanson Company’s “Wilshire Colonnade” completed in 1970 by architect Edward Durell Stone, imitating Bernini’s Piazza San Pietro in Rome and bringing corporate and suburban high modernism to central Los Angeles. Photograph by Redbobsled. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664387315052-SWYKOBM1ZI8WV7FAXCUX/Figure+2_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 2. Main peristyle garden of the Getty Villa, Malibu, California, completed in the 1970s by R.E. Langdon and E.C. Wilson, modeled on the ancient Roman Villa of the Papyri near Herculaneum. Photograph by Jeremy Thompson. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664387334628-AR0ULYOO793GXEYRFTN8/Figure+3_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 3. The Huntington Library, San Marino, California, completed in 1921 by Myron Hunt for the book and art collections of Henry E. and Mary de Jesus Huntington, set in lavish gardens modeled on early Modern Italian examples. Photograph by Prayitno Hadinata. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664387580372-MYFJH6PW28SEH7I9XSBR/Figure+4_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 4. The Forum sports arena in Inglewood, California, completed in 1967 by Charles Luckman Associates, and the former home of the NBA Los Angeles Lakers from its opening through 1999. Its external circuit of arches and columns frame walls painted in Pompeian red, connecting its racially diverse urban setting in Inglewood with environs familiar to its white spectators. Today, the overwhelming majority of in-person spectators holding prohibitively expensive tickets remain white, despite whites forming a discrete minority of television viewers of NBA games. Photograph by Fido. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664387609412-24TTVSBMP55K2IRDPE6X/Figure+5_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 5. Intersection of Turk Street and Taylor Street in the Tenderloin district of San Francisco, California, where O.J. Simpson was raised prior to attending USC on an athletic scholarship in 1967-1969. Image captured on May 16, 2014. Photograph by Mobilus in Mobili. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664388031777-O0O2KR6TV23GXTSXTTXU/Figure+6_Senseney.jpeg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 6. Jesse Owens competing in the long jump at the 1936 Olympic Games in Berlin, Germany. Bundesarchiv Bild 183-R96374. Creative Commons License CC-BY-SA-3.0 DE. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664388106868-GHOKO7JA3U2NXH2LVGVS/Figure+7_Senseney.jpg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 7. Draymond Green (center) creating space to secure a defensive rebound by kicking and swinging an elbow during an NBA playoff game between the Golden State Warriors and Houston Rockets in Oakland, California, April 28, 2019. Photograph by Mark Gunn. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664389674046-QQ4A7D73L58HW2LSST2X/Figure+8_Senseney.jpeg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 8. Jackie Robinson, the first Black player to transition from the Negro leagues to Major League Baseball 1947, shown here in batting pose while a member of the Brooklyn Dodgers (now Los Angeles Dodgers). Photograph by Bob Sandberg. Public domain. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1664389783421-FT2UZBPTTM1S879KLRHI/Figure+9_Senseney.jpeg Home - Lessons from American Arcadia: White Spaces, Black Athletes, and Insulated Professors - Make it stand out Figure 9. Bill Russell (left) absorbing contact on defense during the 1962 NBA Finals between the Boston Celtics and Los Angeles Lakers in Los Angeles, California. Photograph not attributed. Creative Commons License CC-BY-SA-3.0. https://www.platformspace.net/home/can-brazilian-spatial-patterns-of-exploitation-explain-bolsonaro-and-lula monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1663802674550-Z5XS68KYA3T1IR19495Y/Image+1.jpg Home - Can Brazilian Spatial Patterns of Exploitation Explain Bolsonaro and Lula? - Make it stand out Figure 1. Street campaign for Lula, São Paulo, September 2022. Photo by persmisison of Elineudo Meira Chokito. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1663802756998-LRQ25AWURV09HL4E0X2D/image2.jpg Home - Can Brazilian Spatial Patterns of Exploitation Explain Bolsonaro and Lula? - Make it stand out Figure 2. Conceptual tripod diagram, by Fernando Lara and Ana Paula Koury. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1663802827201-2SXOUF36QR66N9710NP5/Image+3.jpg Home - Can Brazilian Spatial Patterns of Exploitation Explain Bolsonaro and Lula? - Make it stand out Figure 3. Street campaign for Lula, São Paulo, September 2022. Photo by persmisison of Elineudo Meira Chokito. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1663803550575-0GN6BFNFPKS9BL5SDVF5/Image+4.jpg Home - Can Brazilian Spatial Patterns of Exploitation Explain Bolsonaro and Lula? - Make it stand out Figure 4. Street campaign: Women against Bolsonaro, São Paulo, August of 2022. Photo by persmisison of Elineudo Meira Chokito. https://www.platformspace.net/home/framing-performing-forgetting-the-emamzadeh-yahya-at-varamin monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642300635-YBUURDEH8OTPISSAPLWE/figure+1%2C+Overton.jpg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 1. The Emamzadeh Yahya at Varamin, Iran, c. 1260-1307, on earlier foundations. Photograph by Jane Dieulafoy, June 1881. Bibliothèque de l’INHA, Paris, 4 Phot 18 (1), p. 65. Courtesy of the Institut national d’histoire de l’art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662397492916-A3AI3EH25M6IOQCJR34U/figure+2%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 2. A Varamin spread in Jane Dieulafoy’s photography album Perse 1. On the left is the Emamzadeh Shah Hossein, and on the right is the Emamzadeh Yahya (see Figure 1) and a portrait of its guards and a mullah (upper left). Photograph by Keelan Overton, March 2022, with the permission of INHA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642335583-KCN8QH9695GROW1BM441/figure+3%2C+Overton.jpg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 3. The luster mihrab and qibla wall of the Emamzadeh Yahya (left) and the adjacent squinch (right). Photographs by Jane Dieulafoy, 1881. Bibliothèque de l’INHA, Paris, 4 Phot 18 (1), p. 66. Courtesy of the Institut national d’histoire de l’art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642363486-OMZ8JBO8GZIZEKFOYWKB/figure+4%2C+Overton.jpeg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 4. The luster mihrab of the Emamzadeh Yahya, dated Shaban 663/May 1265 and signed by Ali b. Muhammad b. Abi Tahir. Photograph by Jane Dieulafoy, 1881, slightly cropped and contrasted (see Figure 3). Bibliothèque de l’INHA, Paris, 4 Phot 18 (1), p. 66. Courtesy of the Institut national d’histoire de l’art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642422049-C6JEJCI4AYJV88D5FYNM/figure+5%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 5. The mihrab void from the west side (men’s) of the Emamzadeh Yahya. Photograph by Hamid Abhari, October 2021. Compare to Figure 12 and notice the new screen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642465045-7DEGYFHTD3R85YED5DGV/figure+6%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 6. The stucco epigraphic frieze, dated 707/1307, and dado on the east side (women’s) of the Emamzadeh Yahya. Some replacement underglaze tiles, c. 1890, are visible. Photograph by Keelan Overton, April 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642612302-9CZL2ISIAEM9K4UKYRXQ/figure+7%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 7. Panel of luster stars and crosses from the Emamzadeh Yahya on view at the entrance of the Jameel Gallery, Victoria and Albert Museum, London. Photograph by Keelan Overton, September 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662658035077-GDJAO4AHQGJCNDAHQ942/figure+8.jpg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 8. Courtyard and entrance façade (north) of the Emamzadeh Yahya at Varamin. Photograph by Hamid Abhari, October 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642653628-9CDT33OUO6NQ733X07U4/figure+9%2C+Overton.jpg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 9. The Emamzadeh Yahya mihrab on display in the International Exhibition of Persian Art at the Royal Academy of Arts, London, 1931. Royal Academy of Arts, 10/4764. ©Royal Academy of Arts, London. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642813518-UKB82V1CPLIWKSWQWBUN/Figure+10%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 10. Mihrabs on view in the Islamic Museum, Tehran. On the right is the luster mihrab from the Emamzadeh Ali b. Jafar at Qom, dated 1 Ramadan 734/5 May 1334 and signed by Yusuf b. Ali b. Muhammad b. Abi Tahir. Photograph by Keelan Overton, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662642959449-PGDO1MPZRBM88MBKZIM8/figure+11%2C+Overton%2C+Harvard.jpg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 11. Luster tilework in situ in the tomb of Imam Reza, Shrine of Imam Reza at Mashhad. Visible is the mihrab dated Rabi II 612/August 1215 and signed by Abu Zayd and Muhammad b. Abi Tahir. Photograph by Stephen H. Nyman, 1937. Courtesy of Special Collections, Fine Arts Library, Harvard University, W687813_1. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643018356-5PDURSLQA7UE4GBFC15T/figure+12%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 12. The curation of the mihrab void in the Emamzadeh Yahya. Photograph by Keelan Overton, April 2018. These signs have since been removed (compare to Figure 5). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643190072-3JNX5XC6X3ADKBMZFFRJ/figure+13%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 13. Detail of the collage in the mihrab void (see Figure 12). Photograph by Keelan Overton, April 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643216476-862FDPSNQKG5KSEDBX57/figure+14%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 14. A tip of a luster cross remounted at the top of the mihrab void. Visible above are imprints of luster half-stars and half-crosses that once framed the mihrab (see Figure 4). Photograph by Hamid Abhari, October 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643390023-EPB3JGM65Y6U6WSJMPPU/figure+15%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 15. Looking through the zarih into the current cenotaph of Emamzadeh Yahya. Photograph by Keelan Overton, April 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643416911-3O82XQGMDUU0Y5M436Z8/figure+16%2C+Overton.jpeg Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 16. View upon entering the Emamzadeh Yahya, looking south. Directly in front is the screen dividing the space by gender. Still of a video by Hamid Abhari, October 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643474555-X8DFRUS9DMN7T3THKNFD/figure+17%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 17. Luster stars and crosses from the Emamzadeh Yahya (lower left) on view in “Architectural Tiles from Iran and Central Asia,” Albukhary Foundation Gallery, British Museum, London. Photograph by Keelan Overton, September 2021. The monitor on the right shows photographs of the source buildings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643897173-I5VP91FGX5V4UQ5E4M28/figure+18%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 18. The photograph of the Emamzadeh Yahya in the British Museum display (see Figure 17). The video overlays one of the tomb’s luster stars, visible in reflection in the upper left of this photograph. Photograph by Keelan Overton, September 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662643947553-M6HVA3V3OD7SDS2J4SIF/figure+19%2C+Overton.JPG Home - Framing, Performing, Forgetting: The Emamzadeh Yahya at Varamin - Make it stand out Figure 19. Imprints of the luster tilework (mihrab, epigraphic frieze, dado) that once decorated the tomb of Shaykh Abd al-Samad at Natanz, 707/1307-8. Compare to Figure 11. Photograph by Keelan Overton, 2016. https://www.platformspace.net/home/back-to-school-2022 monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662729719663-RDN1TO75ISATECDJ789T/Sen_Fig_1.jpg Home - Back to School 2022 - Make it stand out Figure 1. Image of a vacant lot and boarded up building in Milwaukee’s Northside. © Buildings-Landscapes-Cultures Field School, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662730023228-CDRIMFSTMYE978QN6FWI/13.jpg Home - Back to School 2022 - Make it stand out Fig. 2. View of the often empty Courtyard at the Crusader Citadel in Acre. The Citadel, despite it holding one of the few open spaces in the city, is ticketed and as such most of Acre's residents do not spend time there, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1662729768615-MR5FH8V1DE001UY3ZMMB/Landa%2C+figure+1.jpg Home - Back to School 2022 - Make it stand out Figure 3. Aerial view of Tijuana and the wall dividing the United States and Mexico in June 2020. © Francisco Álvarez. https://www.platformspace.net/home/how-many-pandemic-memorials-does-it-take-to-remember-a-pandemic monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661621695252-YI6I9YMZX6EAFEU6R2OG/Figure+1.+Robb_Elementary_School_Memorial_Site.jpg Home - How Many Pandemic Memorials Does it Take to Remember a Pandemic? - Make it stand out Figure 1. Spontaneous Memorial at Robb Elementary School, Uvalde, Texas, May, 2022. Photograph by U.S. Department of Homeland Security (DHS). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661622521115-GLFL17PV8L7MEBBS4DT4/Figure+2.+Plague+Column+Villach+Shanken.jpg Home - How Many Pandemic Memorials Does it Take to Remember a Pandemic? - Make it stand out Figure 2. Plague Column, Villach, Austria, 1739. Photograph by author in 2019. https://www.platformspace.net/home/garden-variety-empire-the-nineteenth-century-glasshouse-as-colonial-non-site monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661017830186-AKYJP5BPV0F1FO2TPQD7/Mangione_glasshouse_01.jpg Home - Garden-variety Empire: The Nineteenth-century Glasshouse as Colonial Non-site - Make it stand out Figure 1. Advertisement for Samuel Hereman’s “Hothouses for the Million,” in The Gardeners’ Chronicle and Agricultural Gazette (January 28, 1860), 88. Image courtesy Biodiversity Heritage Library; holding institution: Missouri Botanical Garden, Peter H. Raven Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661017862508-XKVP9KYKU2U6O2YBKRQP/Mangione_glasshouse_02.jpg Home - Garden-variety Empire: The Nineteenth-century Glasshouse as Colonial Non-site - Make it stand out Figure 2. “A Semi-Attached Domed Conservatory” in “Glass Structures and Appliances: Green-Houses and Conservatories,” Cassell’s Popular Gardening 3 (1886): 44. Image courtesy Biodiversity Heritage Library; holding institution: Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661017896834-9PXVW8ZS4C8Q6HTLES79/Mangione_glasshouse_03.jpg Home - Garden-variety Empire: The Nineteenth-century Glasshouse as Colonial Non-site - Make it stand out Figure 3. Isometric view of a “double detached Suburban Villa, in Porchester Terrace, Bayswater” with an attached “domical conservatory” and detached hot-house and greenhouse in rear in John Claudius Loudon’s The Suburban Gardener and Villa Companion (London: A. Spottiswoode, 1838), 334. Image courtesy Bodleian Libraries, University of Oxford, and scanned by Google, Inc. for the Google Books Library Project. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1661017926893-H96KCMG2T9YOKAZAXWK3/Mangione_glasshouse_04.jpg Home - Garden-variety Empire: The Nineteenth-century Glasshouse as Colonial Non-site - Make it stand out Figure 4. “Unique Iron Conservatory” installed on spec at the Royal Horticultural Society’s South Kensington Gardens and available for purchase from Messrs. Trollope, a Belgrave Square–based architectural and engineering contractor, in The Journal of Horticulture and Cottage Gardener (July 25, 1867), 62. Image courtesy Biodiversity Heritage Library; holding institution: New York Botanical Garden, LuEsther T. Mertz Library. https://www.platformspace.net/home/artists-village-as-counter-infrastructure-kcs-paniker-cholamandal-and-placemaking monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660293626595-NNCEHMXMU1NCE975OM0P/01_MG_9475_CholamandalEntranceND.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 1. Undated photograph of the entrance to Cholamandal, courtesy Nandagopal family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660293675674-I9YMIB8E2UWD3XV8Q7JR/02_NiallBanyan_IMG_4869.jpeg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 2. Banyan tree at Cholamandal entrance, with sculpture in foreground by Irish artist Niall Walsh (Head, 1988-90, granite), photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660293706516-TWHHL7XO1WIC9PMOTW21/03_GalleryEntry_chl12.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 3. Gallery entrance as it appears today, after renovation by Shilpa Architects in 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660294183510-297ZGJ4S5648SXE7N3QY/04_MG_9476_CholamandalbuildingsND.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 4. Undated photograph of some of the early buildings at Cholamandal, courtesy Nandagopal family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660294256039-67R8HQAW34YI7FOEN68I/05_ArtistsSeated_spanF.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 5. Artists at Cholamandal in its early years (Paniker top row, third from left), courtesy Nandagopal family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660296702650-HPPOU6LA4RFU3G5NID6C/06_ArtistsBeach_small.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 6. Artists in discussion on the beach (D. Venkatapathy and M. Senathipathi standing), undated, unattributed photograph, from Josef James, Cholamandal: An Artists’ Village, courtesy James family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660294302929-6VLPAWP6UV6KVSL5U3DK/07_Paniker_groupathome_MG_9941.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 7. Paniker with artists at Cholamandal during construction, courtesy Nandagopal family. Pictured: bottom step, left to right: unknown, Peter, Paniker; middle step, left to right: M.V. Devan and ACK Raja; top: Ramanujam https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660294334991-FWUE7U5MBPW6745DDGPK/08_MG_9493_PanikerBatik.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 8. Paniker looking at batik samples, August 1965, courtesy Nandagopal family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660295389602-27P58ASPXSHYOC84SUTQ/09_VasudevSketch1966_vrc2022_0240.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 9. Sketch by S.G. Vasudev from c. 1968 brochure, sketch c. 1966, copyright S.G. Vasudev, with permission of the artist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660295481363-D3FBWP9Z13J9WJGEKJV1/10_CholamandalCover_vrc2022_0239.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 10. Front of a brochure about Cholamandal, published c. 1968. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660295590667-XNVVVFNOT4PSTCIQNZ5U/11_PanikeratWork_WaSoilcanv66x59_1968.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 11. Paniker painting in his Cholamandal home, c. 1968, courtesy Nandagopal family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1660295754578-0UYR4DTLEFDS56LMP4YR/12_WaSoilcanv66x59_1968.jpg Home - Artists’ Village as Counter-Infrastructure? KCS Paniker, Cholamandal, and Placemaking - Make it stand out Figure 12. The finished painting, KCS Paniker, Words and Symbols, 1968, oil on canvas, 66 x 49 in. Paniker Art Gallery, Thiruvananthapuram, Kerala, courtesy Department of Museums and Zoo, Government of Kerala and courtesy Nandagopal family. https://www.platformspace.net/home/architectural-history-and-the-environmental-humanities-a-call-for-an-expanded-approach monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1659983406379-33MWBDGBFAETH5GWSIVM/Figure+1+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 1. Simone Leigh, Façade (thatch, steel, wood), 2022. U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658934872481-RQYAFCA7I40DU8Y1JF72/Figure+2+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 2. Simone Leigh, Façade, 2022, exterior detail. U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658935590032-3GBQGQPYCVY8X1TQ70CO/Figure+3+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 3. Simone Leigh, Façade, 2022, exterior detail. U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658935634014-XJWU53QR2TI1N81QTI1K/Figure+4+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 4. Simone Leigh, Façade, 2022, supporting structural framework. U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658935735747-8855OQ9896MHDB5UZCUO/Figure+5+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 5. Simone Leigh, Satellite (bronze), 2022. Forecourt of U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658935988030-VO1OCX27G0IUENCUSGDS/Figure+6+copy.jpg Home - Architectural History and the Environmental Humanities: A Call for an Expanded Approach - Make it stand out Figure 6. Simone Leigh, Sentinel (bronze), 2022. Interior rotunda of U.S. Pavilion at the 59th International Art Exhibition, La Biennale di Venezia. Photo by author. https://www.platformspace.net/home/reframing-colonial-technologies-reinforced-brickwork-in-early-twentieth-century-india monthly 0.5 2022-08-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658581285826-2B36889CONJSPX4GKNM2/Figure+1+Reinforced+brick+slab+in+Jamshedpur.jpg Home - Reframing Colonial Technologies: Reinforced Brickwork in Early Twentieth-Century India - Make it stand out Figure 1. Exposed section of reinforced brick slab. Photograph by Gauri Bharat. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658581403076-5OVROCXKFV02W2MIF180/Figure+2+Kleine+slab.gif Home - Reframing Colonial Technologies: Reinforced Brickwork in Early Twentieth-Century India - Make it stand out Figure 2. Detail of Klein flooring system. Based on report published in Builder, 3 September 1904. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1658581444572-V0IKAKL1UJ1AVI4HN2N1/Figure+3+Jamshedpur+slab.gif Home - Reframing Colonial Technologies: Reinforced Brickwork in Early Twentieth-Century India - Make it stand out Figure 3. Detail of reinforced brick slab in Jamshedpur https://www.platformspace.net/home/when-the-landscape-talks-back-uncanny-heritage-and-the-armenian-spectre-in-southeastern-turkey monthly 0.5 2022-07-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657808586321-JZYA4VW2J5LR9X2KOPQL/FIG+1.jpg Home - When the Landscape Talks Back: Uncanny Heritage and the Armenian Spectre in Southeastern Turkey - Make it stand out Figure 1. Eastern Turkey as a three-fold contested geography. The Lake Van region between the territorial imaginations of “Western Armenia” and “Northern Kurdistan”. (photo by the author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657808747243-TXPEJ2F6SNM3NBGQBHE4/FIG+2.JPG Home - When the Landscape Talks Back: Uncanny Heritage and the Armenian Spectre in Southeastern Turkey - Make it stand out Figure 2. Full-scale restoration of the Kaya Çelebi Mosque, Van, Eastern Turkey. (photo by the author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657808782516-UD7FR5BL9NDA7YFSOHXO/FIG+3.JPG Home - When the Landscape Talks Back: Uncanny Heritage and the Armenian Spectre in Southeastern Turkey - Make it stand out Figure 3. Cross-stone (khachkar) with Armenian inscriptions tossed in the back of the local history museum, Van, Eastern Turkey. (photo by the author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657808878751-S257B6D7I123QGE08SON/FIG+4.JPG Home - When the Landscape Talks Back: Uncanny Heritage and the Armenian Spectre in Southeastern Turkey - Make it stand out Figure 4. Remnants of a ruined medieval Armenian church, Ani, Province of Kars. (Photo courtesy of Mischa Bareuther) https://www.platformspace.net/home/thinking-peripherally-with-miramare-part-ii monthly 0.5 2022-07-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657806891922-LSPDAK0QLLC5HH1BYTRG/Walton_Miramare-ii_Figure1.JPG Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 1. Dissonant Cold War histories at Miramare. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807081220-WQSN4SUIICN0WY15CJ3K/Walton_Miramare-ii_Figure2.jpg Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 2. A late nineteenth century map of Habsburg Trieste. Image courtesy of David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries. Creative Common License CC-BY-SA-3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807118621-2JZIZG3JYQ91XK9HMG38/Walton_Miramare-ii_Figure3.JPG Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 3. Trieste’s Fountain of the Four Continents. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807177405-9J8GJ2DZLYMDLU8DVLIU/Walton_Miramare-ii_Figure4.JPG Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 4. Maximilian’s Return on Piazza Venezia. Photograph by Author https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807425176-VF4B1BVMZDPCIAU1BMDB/Walton_Miramare-ii_Figure5.JPG Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 5. The Difficult Heritage of Guglielmo Oberdan. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807463540-0PXGPH7AEUTHR7C2YY3C/Walton_Miramare-ii_Figure6.jpeg Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 6. The WC in the Duke of Aosta’s Miramare rooms. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807541610-IIMH46QLKJSUNHZADP00/Walton_Miramare-ii_Figure7.jpeg Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 7. Miramare in miniature. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807576405-U5X30B8HTFNGT7BMWZ7I/Walton_Miramare-ii_Figure8.jpeg Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 8. Villa di Seppi, a ruinous reminiscence of Miramare. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657807737142-XKDASNAE43CAKND5EV5I/Walton_Miramare-ii_Figure9.jpeg Home - Thinking Peripherally with Miramare, Part II - Make it stand out Figure 9. Maximilian’s resplendent living legacy on the island of Lokrum. Photograph by author. https://www.platformspace.net/home/thinking-peripherally-with-miramare-part-i monthly 0.5 2022-07-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110253654-15J4YB1FXY9MIK8LJH5K/Walton_Miramare-i_Figure+1.JPG Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 1. Miramare looms above the Adriatic. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657284144668-EKLEY4IOCKJZ0KOINWIC/Walton_Miramare-i_Figure+2%28a%29.JPG Home - Thinking Peripherally with Miramare, Part I Figure 2. Schönbrunn, Chapultepec, and Schloss Habsburg, as depicted in Miramare. Photograph and montage by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657284141930-58KGUE7T90DFWY9IIA73/Walton_Miramare-i_Figure+2%28b%29.JPG Home - Thinking Peripherally with Miramare, Part I Figure 2. Schönbrunn, Chapultepec, and Schloss Habsburg, as depicted in Miramare. Photograph and montage by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657284148592-DZCUE20S3Y9N0FAEJAA0/Walton_Miramare-i_Figure+2%28c%29.JPG Home - Thinking Peripherally with Miramare, Part I Figure 2. Schönbrunn, Chapultepec, and Schloss Habsburg, as depicted in Miramare. Photograph and montage by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110470170-QFKNQ5YRQGU6GBFGAZ6Y/Walton_Miramare-i_Figure+3.JPG Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 3. Maximillian in imperial splendor. Santiago Rebull, Portrait of Maximilian, Emperor of Mexico (1865). Photograph of original by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110504256-67DBI6YBYTZKT6KOYPQE/Walton_Miramare-i_Figure+4.jpg Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 4. Cesare Dell’Acqua, Ferdinand Maximilian of Austria is Appointed Emperor of Mexico (1867). Wikimedia Commons. Creative Common License CC-BY-SA-3.0 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110534754-G5MVF9ILF7ABZDMFS47P/Walton_Miramare-i_Figure+5.jpg Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 5. Édouard Manet, The Execution of Emperor Maximilian (1868-1869). Wikimedia Commons. Creative Common License CC-BY-SA-3.0 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110609362-TD8OQY5NWSWZLSMQ98UH/Walton_Miramare-i_Figure+6.JPG Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 6. Miramare’s eclectic historicist detail. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110660891-QJ3TE9BDBOOKR9XN9ZAT/Walton_Miramare-i_Figure+7.JPG Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 7. A Ptolemaic sphinx lends Orientalist grandeur and authority to Miramare. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110696953-2TETCL6APY3467967ROL/Walton_Miramare-i_Figure+8.JPG Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 8. Peter Johann Nepomuk Geiger, The Archduke Maximilian Visits the Slave Market at Smyrna (1850). Photograph of original by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1657110721586-83TASLBGGZ1M2CTXNFBN/Walton_Miramare-i_Figure+9.jpg Home - Thinking Peripherally with Miramare, Part I - Make it stand out Figure 9. Germano Prosdocimi, Moorish Lounge in Villa Lazarovich (c. 1854). Wikimedia Commons. Creative Common License CC-BY-SA-3.0 https://www.platformspace.net/home/love-letter-to-ukraine-in-the-language-of-architecture monthly 0.5 2022-07-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656862297076-YVIPW17HLSSCR7DDHRHD/1_CRAWFORD_Kharkiv_Palace+of+Culture+for+Railway+Workers_Dmitriev_1927-32+106.jpeg Home - Love Letter to Ukraine in the Language of Architecture - Make it stand out Figure 1. Palace of Culture for Railway Workers, Kharkiv, Ukraine. Architect: O. Dmitriev with V. Veruzhsky, 1928-32. Photograph by Christina E. Crawford, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882396959-OVJRTD7CCKLC481F91AS/2_CRAWFORD_Ukraine+map_PLATFORM+key_yellow.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 2. Locations of photos on map of Ukraine. The photo essay is organized in an east-to-west sweep across the country, from Kharkiv to Lviv. Map by Christina E. Crawford. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882429824-PS3C4WMFHMBWOPQAZZCY/3_CRAWFORD_Kharkiv_Derzhprom1_2012.jpeg Home - Love Letter to Ukraine in the Language of Architecture Figure 3. State Industry Building (Derzhprom), Kharkiv, Ukraine. Architects: S. Serafimov, S. Kravets, M. Felger, with engineer P. Rottert, 1925-28. Photograph by Christina E. Crawford, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882432066-P4MU83XI27778BC297X1/4_CRAWFORD_Kharkiv_Central+Post+Office_Mordvinov_1927-29_2012.jpeg Home - Love Letter to Ukraine in the Language of Architecture Figure 4. Central Post Office, Kharkiv, Ukraine. Architect: A. Mordvinov, 1927-29. Photograph by Christina E. Crawford, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882434927-SZ0RLFGH2STERURIS7YR/5_CRAWFORD_Poltava_zemstvo_oblique+w+good+sun+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 5. Zemstvo (local governing council) building, Poltava, Ukraine. Architect: Vasyl H. Krychevsky, 1905. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882442664-23AXC473Y1YWG4S8SAXY/6_CRAWFORD_Poltava_zemstvo_upper+stair+panorama+small+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 6. Zemstvo (local governing council) building, Poltava, Ukraine. Architect: Vasyl H. Krychevsky, 1905. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882441818-N9SVSOD47WQGX1MUJ29A/7_CRAWFORD_Crimea_Swallow%27s+nest2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 7. Swallow’s Nest, Haspra, Crimea, Ukraine. Architect: Leonid Sherwood, 1912. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882447335-ICJDA6MKQCML4OAJ0TY9/8_CRAWFORD_Crimea_Bakhchasarai-khan%27s+palace+exterior+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 8. Bakhchysarai Palace of the Crimean Khans, Bakhchysarai, Crimea, Ukraine. 1530s. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882447579-S6F38E6Z10PRX6TKVSLM/9_CRAWFORD_Crimea_Bakhchasarai-khan%27s+door+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 9. Bakhchysarai Palace of the Crimean Khans, Bakhchysarai, Crimea, Ukraine, 1530s. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882457931-6N33R03GMZ1C400ZFNAU/10_CRAWFORD_Crimea_Sevastopol-eagle+column+panorama+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 10. Monument to the Sunken Ships (Eagle Column), Sevastopol, Crimea, Ukraine. Designer: Amandus Adamson, 1905. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882454169-TPVSC6GL6Z012LRPOV0A/11_CRAWFORD_Chernihiv_katerininska+tserkva+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 11. Katerynska tservkva (St. Catherine’s Church), Chernihiv, Ukraine, 1715. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882476154-5ZD3X42PX66Y0FLWV8WY/12_CRAWFORD_Kyiv_Chimera+house_2012.jpeg Home - Love Letter to Ukraine in the Language of Architecture Figure 12. House with Chimaeras (residence of the President of Ukraine), Kyiv, Ukraine. Architect: Władysław Horodecki, 1902. Photograph by Duke Guthrie, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882466184-6FY7C5MILZKY3BM43Y4N/13_CRAWFORD_Kyiv_Kirilivskyi+sobor_balcony--lower+portion+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 13. Kyrylivskyi monastyr (St. Cyril’s Monastery), Kyiv, Ukraine. Architect: Ivan Hryhorovych-Barskyi, 1760, with frescoes by Mikhail Vrubel, 1885. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882473065-RL1HZ7N0VFH8DRYM1FB5/14_CRAWFORD_Kyiv_WWII+memorial2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 14. National Museum of the History of Ukraine in the Second World War, Kyiv, Ukraine. Architect: V. Elizarov et al., 1979-81. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882480616-HFKVBARBUL0VODE7BE2N/15_CRAWFORD_Ustya_hata2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 15. Traditional Ukrainian house, Ustya, Vinnytsia Oblast, Ukraine. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882480918-LQT8846QQLDD2EDXL2PH/16_CRAWFORD_Ustya_ustya-yellow+fields2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 16. Fields, Ustya, Vinnytsia Oblast, Ukraine. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882481813-W01AXSTE5GL4XKVBAZ1D/17_CRAWFORD_Kamianets-Podilskyi_tower+view1+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 17. Kamianets-Podilskyi Castle, Kamianets-Podilskyi, Ukraine, this iteration from after 1241. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882481984-BPW001HYBRQC1DLZMP7Q/18_CRAWFORD_Kamianets-Podilskyi_alley+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 18. Fortress passageway, Kamianets-Podilskyi, Ukraine, this iteration from after 1241. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882483179-ZUGYLHVTXPNALJR764KS/19_CRAWFORD_Ostrih_bohayevayenska+church+shadows+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 19. Bohoiavlenska tservkva (Church of the Epiphany), Ostroh, Ukraine, 1520, restored 1887. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882483607-ZRO412N3LXXEYS706ER6/20_CRAWFORD_Khotyn_river+view2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 20. Khotyn Fortress, Khotyn, Ukraine, 1325. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882484765-XVTYQ03OQEMSPYRTU1ZD/21_CRAWFORD_Chernivtsi_university+bldg--central+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 21. Residence of Bukovinian and Dalmatian Metropolitans (now Chernivtsi University), Chernivtsi, Ukraine. Architect: Josef Hlavka, 1864 to 1882. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882485362-CJT96JDJETRNR07IS036/22_CRAWFORD_Chernivtsi_university+interior--stairway1-1+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 22. Residence of Bukovinian and Dalmatian Metropolitans (now Chernivtsi University), Chernivtsi, Ukraine. Architect: Josef Hlavka, 1864 to 1882. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882487613-TXYO62OLRK694CQUZMTL/23_CRAWFORD_Lutsk_fortress+from+below2+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 23. Lutsk Castle, Lutsk, Ukraine, 14th c. Photograph by Christina E. Crawford, 2001. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882487941-CHYO67FZE05LU3GD87E6/24_CRAWFORD_Lviv_armenian+dome1+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 24. Armenian Cathedral, Lviv, Ukraine. Architects: Doring, 1363; A. Kellar, 1630; Ph. Mączyński, 1908; et al. Photograph by Christina E. Crawford, 2002. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656882489145-KCTKHOHS1IQY556BPNVP/25_CRAWFORD_Lviv_dnister+insur.+bldg+tower+copy.jpg Home - Love Letter to Ukraine in the Language of Architecture Figure 25. First Municipal Polyclinic (former Dnister Insurance Company Building), Lviv, Ukraine. Architects: Jan Lewiński and Tadeusz Obmiński, 1905-1906. Photograph by Christina E. Crawford, 2002. https://www.platformspace.net/home/fantasy-is-the-beginning-of-creation monthly 0.5 2022-06-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280006403-NB4V98O7MKKN20XPWWON/F1+Vider_ch4_08.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 1. Phyllis Birkby filming at artist Caroling’s stained glass Wholeo Dome in Monte Rio, California, February 1978. Noel Phyllis Birkby Papers, Sophia Smith Collection, Smith College, Northampton, Mass. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280055572-9A22HUISRWDWP5GR7OCO/F2+Birkby+image+1.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 2. “My Block by Joan (Lavender Lane) in the City of Sisterly Love,” was one of the earliest fantasy environment drawings collected by Birkby, c. 1974. Noel Phyllis Birkby Papers, Sophia Smith Collection, Smith College, Northampton, Mass. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280098130-JXFOZ0BSAFGE23C7693E/F3+cowan.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 3. Fantasy environment drawing by Liza Cowan, c. 1973, from one of Birkby’s earliest fantasy environment exercises. Noel Phyllis Birkby Papers, Sophia Smith Collection, Smith College, Northampton, Mass., with permission of Liza Cowan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280143300-WGE56OA3KSB9RKVE244R/F4+Birkby+image+2.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 4. This fantasy environment drawing, c. 1974, included a dome that could be variably opened and closed, allowing friends in but keeping demands out. Noel Phyllis Birkby Papers, Sophia Smith Collection, Smith College, Northampton, Mass. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280192553-2RY8CESHKYYZLSMU7CN4/F5+Birkby+image+3.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 5. Birkby presented her own fantasy environment drawing at the Gay Academic Union conference in Fall 1974, featuring a monogamy dome, serial monogamy domes, and “multiple relationship domes.” Noel Phyllis Birkby Papers, Sophia Smith Collection, Smith College, Northampton, Mass. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656280239230-YNRZJ0J80UKS1PP1EOUD/F6+Birkby+image+4.jpg Home - Fantasy is the Beginning of Creation - Make it stand out Figure 6. Birkby and Leslie Kanes Weisman included the fantasy environment exercise in their core course, “Women and the Built Environment: Personal, Social, and Professional Perceptions,” at the first session of the Women's School of Planning and Architecture in Biddeford, Maine, August 1975. Women's School of Planning and Architecture Records, Sophia Smith Collection, Smith College, Northampton, Mass. https://www.platformspace.net/home/lessons-from-the-crisis-pregnancy-center-anti-abortion-activism-and-the-architecture-of-coercion monthly 0.5 2022-06-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656086403869-P6LIMBCA8M8YDT76H2VA/Figure+1.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 1. The Mazzoni Center’s Washington West Project, which provides HIV and STI testing, Philadelphia. Photograph by M.C. Overholt, June 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656086579281-9MQ688RDJ9SK6G84QQ4M/Figure+2.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 2. Planned Parenthood’s Elizabeth Blackwell Center, Philadelphia. Photograph by M.C. Overholt, June 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656086701233-540UY6ZB273QV8Y4J1AA/Figure+3.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 3. The Community Women’s Center of Philadelphia, a crisis pregnancy center. Photograph by M.C. Overholt, June 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656087289895-ALHVTLZAMCMRL6SPYKVZ/Figure+4_Hi+Res.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 4. Statement of Principles in “How To Start And Operate Your Own Pro-life Outreach Crisis Pregnancy Center,” written by anti-abortion activist Robert J. Pearson, 1984. The pamphlet was included as an exhibit in the 1985 and 1986 U.S. Congressional oversight hearings on abortion clinic violence. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656086919298-THBGUSIA4WKT4J71JXGD/Figure+5.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 5. “Accommodations Needed” subsection in “How To Start And Operate Your Own Pro-life Outreach Crisis Pregnancy Center,” in which Robert J. Pearson outlines the architectural agenda of his idealized crisis pregnancy center, 1984. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1656086962510-716772UC8XRW82VK368M/Figure+6.jpg Home - Lessons from the Crisis Pregnancy Center: Anti-abortion Activism and the Architecture of Coercion - Make it stand out Figure 6. Crisis Pregnancy Center advertising placed below a Planned Parenthood advertisement in the Pacific Bell Directory, c. 1985. Image included as an exhibit in the 1985 and 1986 U.S. Congressional oversight hearings on abortion clinic violence. https://www.platformspace.net/home/globalism-in-the-covid-era-reflections-on-expo-2020-dubai monthly 0.5 2022-06-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652299229-2U5TBYFVNL0I3U9WF92I/Pruitt_Figure1.jpg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 1. Map of Expo 2020 Dubai https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652670885-XSN2CQEVR5NGD5YG378F/Pruitt_Figure2.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 2. al-Wasl Dome, Expo 2020 Dubai. Architect Adrian Smith + Gordon Gill. Photo by Jennifer Pruitt https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652520524-Z1ONPMXC7A1MRPCVHO2W/Pruitt_Figure3.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 3. Friendly robot, equipped with artificial intelligence, reminds users to don their face masks, Expo 2020, Dubai. Photo by Jennifer Pruitt. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652535950-WPABDU6FTIBYFHUIX7RF/Pruitt_Figure4.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 4. Oman Pavilion, designed to mimic the form of the frankincense tree. Architect F & M Middle East, Expo 2020 Dubai. Photo by Jennifer Pruitt https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652565330-6WUR7M3WS5UATOQ1APC7/Pruitt_Figure5.jpg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 5. UAE Pavilion, Expo 2020 Dubai. Architect Santiago Calatrava. Photo by Mike Krüger CC-BY-SA-4.0 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652606499-2M4U7BPRW1945MGRWLWS/Pruitt_Figure6.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 6. UAE Pavilion, “The Oasis,” Expo 2020 Dubai. Architect Santiago Calatrava. Photo by Jennifer Pruitt https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652698570-46ZUUC59QBNKZJWV6XCP/Pruitt_Figure8.jpg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 7. Saudi Arabia Pavilion, Expo 2020 Dubai. Architect Boris Micka Associates. Photo by Harjawalski, CC-BY-SA-4.0 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652814804-2T4E3L2KLYK1BEBKISKS/Pruitt_Figure9.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 8. Saudi Arabia Pavilion, Expo 2020 Dubai. Architect Boris Micka. Photo from dezeen.com https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652846954-JIFY9KWD63MWIO9UAJVK/Pruitt_Figure10.jpg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 9. Design for Qatar Pavilion, Expo 2020 Dubai. Architect Santiago Calatrava. Photo from Calatrava. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652886347-X14PP4KC60LAHNUL01IB/Pruitt_Figure11.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 10. Russia Pavilion, Expo 2020 Dubai. Architect Tchoban Speech. Photo by Jennifer Pruitt. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655652938982-UV5BFV8CDZ3HVWMQ4H6X/Pruitt_Figure12.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 11. Russia Pavilion, interior, showing the “Mechanics of Wonder” exposition. Photo by Jennifer Pruitt https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1655653510555-6X0BDSRLVZC37SR91BE1/Pruitt-Figure13.jpeg Home - Globalism in the COVID Era: Reflections on Expo 2020 Dubai - Make it stand out Figure 12. Russia Pavilion gift shop. Photo by Jennifer Pruitt https://www.platformspace.net/home/keywords-for-building-the-modern-world monthly 0.5 2022-06-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654967993958-UP4CK5204PXYIXOD66I4/Chattoapdhyay_BMW_Figure+1.jpg Home - Keywords for Building the Modern World - Make it stand out Figure 1: The visualization of connections among the contents in this project. Each dot represents a piece of content color-coded by type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654967566685-Q5EVGRFFT9ZFVPC811FR/Chattopadhyay_BMW_Figure+2.jpg Home - Keywords for Building the Modern World - Make it stand out Figure 2: Alternative way of visualizing connections for each keyword. Each box represents a piece of content, color-coded by type. The darker the box, the more connections it has to other content (relative to the other boxes). Each line represents a connection, color-coded by type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654967676952-O5ODEIH6DWWBFTHOVTD7/Chattopadhyay_Figure+3_Handkerchief%2C__1851.jpg Home - Keywords for Building the Modern World - Make it stand out Figure 3: Opening visual content of keyword World’s Fairs/Exhibitions: “The Great Industrial Palace,” handkerchief with portraits of Queen Victoria and Prince Albert with figures representing Europe, Asia, Africa, and America. Would have been a souvenir of the Great Exhibition of 1851, London. Collection of the Cooper Hewitt, Smithsonian Design Museum. Source: Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654967732743-LXWYE6ROLI1SIIPHFIBC/Chattopadhyay_BMW_Figure+4+.jpg Home - Keywords for Building the Modern World - Make it stand out Figure 4: Portion of keyword page: verandah. https://www.platformspace.net/home/a-reply-to-liang-sichengs-review-of-my-book monthly 0.5 2022-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469000538-3X27CF4GF9IV7FM4ZFHQ/Fig2.+Entrance2Chinapavilions.jpg Home - A Reply to Liang Sicheng’s Review of My Book - Make it stand out Figure 1. Entrance to the China exhibit at the Panama Pacific Exhibition of 1915, San Francisco. Photo courtesy of the San Francisco History Center, San Francisco Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469096163-ATQZBUCIXIYNA8GK842S/1%2C+Yue%27s+book+title.jpg Home - A Reply to Liang Sicheng’s Review of My Book - Make it stand out Figure 2. Title page of Yue Jiazao’s A History of Chinese Architecture, first published in 1933. Photograph by the translator, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469162893-MB63FRLJV9BVQVJWOB0X/fig3.+Baoguo+monastery+hall.JPG Home - A Reply to Liang Sicheng’s Review of My Book - Make it stand out Figure 3. The main hall of the Baoguo Monastery, Ningbo, Zhejiang province, showing the upturned eaves and corners. Photograph by the translator, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654379965342-OJVKIPXFLRX0GKL55JNE/Fig+3.+MiFu_Inkstone1stpage.png Home - A Reply to Liang Sicheng’s Review of My Book - Make it stand out Figure 4. First page of A History of the Inkstone, by renowned Song-dynasty calligrapher, painter, and poet Mi Fu (1051-1107). Screenshot of later edition online by the translator, 2022. https://www.platformspace.net/home/writing-a-history-of-chinese-architecture monthly 0.5 2022-06-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652737850963-VFU4FM9J7R347DW58VA5/fig+7_LinjiPagoda.JPG Home - Writing a History of Chinese Architecture - Make it stand out Linji Monastery Pagoda. Photograph by Jiaqi Chen, 2018. https://www.platformspace.net/home/reading-and-repudiating-errors-in-a-history-of-chinese-architecture-by-yue-jiazao monthly 0.5 2022-06-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652201710473-AJCONSD48QR5UYRO4N5Z/1%2C+Yue%27s+book+title.jpg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 1. Title page of Yue Jiazao’s A History of Chinese Architecture, first published in 1933. Photograph by the translator, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652201734719-V5BO9091MFQ9LGI457OE/2%2C+Yingzao+fashi.jpg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 2. Yingzao fashi, The Building Standards of Song, first published in 1103, republished Zhongguo shudian, 2006. Photograph by the translator, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652201754419-MOID1F2Q2I4BUFFKXLFC/3%2C+Gongcheng+zuofa.jpeg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 3. Gongcheng zuofa, The Construction Methods of Qing, what Liang Sicheng calls, together with the Building Standards, “the grammar books of Chinese architecture.” Screenshot of the online edition by the translator, 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1653351666504-PLF9Y6JLE6RFGLU43VK0/4%2C+Yue_fig.50+Songyue+si+pagoda_cropped.jpg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 4. Yue’s illustration of Songyue Monastery Pagoda. Yue, A History of Chinese Architecture. Photograph by the translator, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652625977959-1NVN9Z2KA1IKXYO0HEAS/5%2C+Songyue+monastery+pagoda++%28photo+Ding%29.jpeg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 5. Songyue Monastery Pagoda. Photograph by Boyi Ding, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652201878472-WOIJ8TIGWSEYB2D74FQ7/6%2C+Linji+pagoda+plan+by+Liang+%281%29.jpeg Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 6. Plan of the Linji Monastery Pagoda (upper right). Liang, “A brief account of our investigation at Zhengding,” Bulletin of the Society for Research in Chinese Architecture, 4.2 (1933): 2-41. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652201960935-SPMTOQ2CNH0491E5G0G4/fig+7_LinjiPagoda.JPG Home - Reading and Repudiating Errors in A History of Chinese Architecture by Yue Jiazao - Make it stand out Figure 7. Linji Monastery Pagoda. Photograph by Jiaqi Chen, 2018. https://www.platformspace.net/home/towards-equitable-histories-of-ancient-built-environments monthly 0.5 2022-05-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547519013-K93RQ9I98BODBU341NIR/Figure+1_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 1. Obelisks of Hatshepsut (left) and Thutmose I (right) in their original setting at the Karnak Temple in Luxor, Egypt. Photograph by Dennis Jarvis. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547550862-IEWJC6E900U8PFHMHKBH/Figure+2_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 2. Egyptian Obelisk in Piazza Montecitorio, Rome, extracted from its original context under the Roman emperor Augustus. Photograph by Yves Doutreligne. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547600597-JQ3RJX4IF5S7344XZEL9/Figure+3_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 3. Detail of the Egyptian Obelisk taken to Rome under Augustus, against the background of the Palazzo Montecitorio, seat of the Italian Chamber of Deputies. Photograph by Harvey Barrison. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547675108-HJEL0P9OUKZLCAOGX8GC/Figure+4_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 4. The Parthenon, Athens. Photograph by Phanatic. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547712654-LJUHEQEIU5RQ9PAJT0PG/Figure+5_Senseney.png Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 5. The Parthenon, Athens, exploded axonometric view showing the Parthenon Frieze at 1 in its original architectural context of the east peristyle, east porch, and pronaos. Drawing by John R. Senseney, “The Architectural Origins of the Parthenon Frieze,” Journal of the Society of Architectural Historians 80 no. 1 (2021), 12-29. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547733677-XEPSJKW2WDKBPTMKPZ27/Figure+6_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 6. The Parthenon, Athens, photograph showing portion of the Parthenon Frieze visible through the west peristyle, restored as a modern cast to its original setting. Photography by VideoVik. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547758040-FZNXAQSLEK5UMIO1LPEE/Figure+7_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 7. The Parthenon Frieze, detail of cavalcade in its eye-level setting in the British Museum, London. Photograph by Bram Souffreau. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547785659-OC2SF754C8Z1EKTG3LBW/Figure+8_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 8. The Parthenon Frieze, detail of cavalcade in its eye-level setting in the British Museum, London. Photograph by Egisto Sani. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547854696-XY9Z0BNA9T5FSBNI2UXD/Figure+9_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 9. The Pantheon, Rome, detail of front portico and intermediary block. Photograph by Cogito Ergo Imago. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652547894829-6MOGYTW4KEJ3DRWEB6F3/Figure+10_Senseney.jpg Home - Towards Equitable Histories of Ancient Built Environments - Make it stand out Figure 10. The Pantheon, Rome, interior of rotunda. Photograph by Moon Man Mike. Creative Commons License CC-BY-SA-4.0. https://www.platformspace.net/home/ruins-of-the-yet-to-come monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652018080349-AU8IT99G9UA6ZPR1XAXO/Levin_FIG1.jpg Home - Ruins of the Yet-to-Come - Make it stand out Figure 1. The Sierra Leone House of Parliament assembly hall interior, Freetown, Sierra Leone, April 1961. Reproduced with permission by Zvi Meltzer. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652018103583-E9XN6T11BBIIB0R2GGFX/Levin_FIG2.jpg Home - Ruins of the Yet-to-Come - Make it stand out Figure 2. Architect Dov Karmi (second from the left) presents the model of the parliament to Prince Edward, the Duke of Kent, with Sierra Leone prime minister Sir Milton Margai on the right, Freetown, Sierra Leone, April 1961. Reproduced with permission by Zvi Meltzer. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652018136624-8OK0EUJRLKNJ0VHD85VA/Levin_FIG3.jpg Home - Ruins of the Yet-to-Come - Make it stand out Figure 3. Mokola Baptist Church, Ibadan, Oyo State, Nigeria, 2013. Photography by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652018173330-XEXXS9KHKVZ2HNY2V92G/Levin_FIG4.JPG Home - Ruins of the Yet-to-Come - Make it stand out Figure 4. Obafemi Awolowo University Guest House, Ife, Osun State, Nigeria, 2013. Photography by the author. The first two floors of the incomplete wing are semi-operational with laundry facilities and cheaper hostel rooms. https://www.platformspace.net/home/dispossession-and-resistance-in-the-living-city-of-acre monthly 0.5 2022-05-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431797640-I9SG1ZGIOF7I6A8RK1K7/SABBAGH_FIG1.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 1. Palestinian youth watching the sunset from the Acre Old City ramparts, one of the few open public spaces they have access to, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431881877-A5G0W2N11NWMR409X2RD/SABBAGH_FIG2.jpeg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 2. Acre's skyline exhibits numerous minarets and church towers atop an otherwise consistent and dense urban fabric, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431913912-TYRYORMN97TQNLY0N4WF/SABBAGH_FIG3.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 3. A Palestinian residential building in Acre's Old City shows crumbling stucco facades, ad hoc electrical work, and an added makeshift room atop the roof, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431933944-HNY5879D4IR3S3UG2PNR/SABBAGH_FIG4.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 4. Palestinian homes in Acre often exhibit a patchwork of maintenance and renovation done by residents as the Israeli authorities neglect the community's old buildings, despite them being part of a UNESCO world heritage, Photograph by author, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431960570-2RTPCJWFXSX8XZEFWN84/SABBAGH_FIG5.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 5. Entrance to a Palestinian home with a "NOT FOR SALE" sign above the door. Such signs can be found around Acre's Old City and are meant for Israeli and International buyers who attempt to buy houses from Palestinians, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651431983585-DZV2MJBO1WE5I5A22R1X/SABBAGH_FIG6.jpeg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 6. One of the many "NOT FOR SALE" signs hung on Palestinian homes, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432015715-1IA9QDEZJ6CJIWJ4AXUN/SABBAGH_FIG7.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 7. The entrance to the Khan el Umdan, once a public space, is now barred off as it is in the process of being converted into a luxury hotel, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432044022-PNUEFG5T22RCMMO4YC5D/SABBAGH_FIG8.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 8. View of the Khan el Umdan courtyard from the barred off entrance, while it is being converted into a luxury hotel, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432093484-IWTSF6K60GIZMIK2ZCD0/SABBAGH_FIG9.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 9. View of the often empty Courtyard at the Crusader Citadel in Acre. The Citadel, despite it holding one of the few open spaces in the city, is ticketed and as such most of Acre's residents do not spend time there, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432119530-N49PQ3X5KUH1B280X2MC/SABBAGH_FIG10.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 10. Youth planning to dive into the sea from the Acre Old City ramparts, despite it being a prohibited activity by the Israeli authorities, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432151538-39LK6VCNF1K73T5WVGO6/SABBAGH_FIG11.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 11. A Palestinian couple on a date atop the Acre Old City ramparts, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432209185-9QYVTM9FNRSNYCO68M2N/SABBAGH_FIG12.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 12. An "Unauthorized Swimming Zone" sign near the Acre bay beach. Instead of investing in lifeguards and allowing for safe swimming, the Israeli authorities in Acre opt to render swimming illegal in predominantly Palestinian areas, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432244549-P8J9R75U4J0UF032GSPG/SABBAGH_FIG13.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 13. The Acre bay beach, with some defiant swimmers, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432291477-6B7VEANAEJ19W1F2AONL/SABBAGH_FIG14.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 14. Entrance to the Jazzar Mosque with a sabil to its right, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432336548-LI1AR3NNAFGOJB582XR8/SABBAGH_FIG15.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 15. View of the lush grounds of the Jazzar Mosque compound, a veritable protected public space in the heart of Acre, 2021. Photography by Mahdi Sabbagh. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1651432363310-0KAVSQ52JHUFBFFZCMCV/SABBAGH_FIG16.jpg Home - Dispossession and Resistance in the Living City of Acre - Make it stand out Fig. 16. General View of the Jazzar Mosque, also known as the White Mosque of Acre, 2021. Photography by Mahdi Sabbagh https://www.platformspace.net/home/paolo-soleris-arcosanti-and-the-limits-of-utopia monthly 0.5 2022-04-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650570057961-HO10GYTSXHI1Y84IHJ5N/fig+1+SANDSTROM_FIG3.png Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 1. The main building at Arcosanti, one of the few completed, where visitors and staff gather to eat, dine, and shop. The concrete tower and floor-to-ceiling windows are a desert anomaly. Without any façades for shading, the building requires energy-intensive cooling methods that are at odds with Soleri’s fantasy of an “environmentally sound” utopia. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650570105948-TCJ3BBHMKVQCYVYT49UA/fig+2+SANDSTROM_FIG1.png Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 2. The siltcast workshop area, overlooking the scenic mesa desert. The small community of artists and volunteers who presently occupy Arcosanti relies heavily on the sale of crafts and ceramic bells produced on the site, such as these. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650570160391-NC9AEZ8ROVOM57KER3Q9/fig+3+SANDSTROM_FIG2.png Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 3. The main building where visitors are welcomed, sits in isolation, at the end of a long service road. The paved walkways that connect the whole site begin here. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650570198076-C3VJYQ0Q54SEKYLGVMBZ/fig+4+SANDSTROM_FIG4.png Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 4. Decorative bells made by staff (top right) are displayed below the magnificent circular paned window in the dining area of the main building. The interior features the same concrete pour used in all of the buildings at Arcosanti. The sun floods in and heats the concrete, retaining its heat into the night. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650865424589-WRNVVMU528V979M95FDU/Figure+5.jpg Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 5. Soleri used circular windows and cut outs to frame a scenic relationship with the landscape. He also included small terraces for staff to gather. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650865449913-SJINJAO72QQOS9MXKPWL/Figure+6.jpg Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 6. The colorful dome roof of the Foundry, which stands over the individual offices where artists make their crafts. Photograph by Emily Sandstrom, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650570539660-U5WU2WQS09ZL9NFB8ERL/fig+7+SANDSTROM_FIG7.png Home - Paolo Soleri’s Arcosanti and the Limits of Utopia - Make it stand out Figure 7. The East Crescent includes the amphitheater, where concerts at Arcosanti are held. Surrounding the theater are the dormitories for volunteers and staff. Photograph by Emily Sandstrom, 2021. https://www.platformspace.net/home/an-oddly-bookish-city-neighborhood-libraries-in-calcuttakolkata monthly 0.5 2022-12-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124077609-B8SRB9SHGBGRJDS6RYDM/Figure+1_Bagbazar+Reading+Library.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 1. Entrance to Bagbazar Reading Library, founded 1883, originally at 22 Lakshmi Dutta Road, Kolkata. It was moved to its present location at 2 K.C. Bose Road. In 1942 the library had a collection of 12,554 volumes and 299 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124096794-1O197YV6O49TTN2Z54XO/Figure+2_Chaitanya+Library_entry.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 2. Entrance to Chaitanya Library, founded 1889. Originally located at 83 Beadon Street, the library was moved to its own building in 1893 at 4/1 Beadon Street. In 1942 it had a stock of 10,106 volumes and 429 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124140414-Y2A8UP80PVSCKSJWHDYC/Figure+3_growth+of+libraries.jpg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 3. The growth of libraries in Calcutta, 1774-1944. Aaheli Sen and Sounita Mukherjee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124186071-D8C5E26PXQHY0IU2CJKG/Figure+4_Boys+Own+Club.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 4. The Boy’s Own Reading Room and Young Men’s Institute, founded 1909. Originally located in a residence at 12 Ram Narayan Bhattacharya Lane, it was moved to 7/3 Beadon Street in 1917, then to 71 Masjidbari Street, and then to this location at 76/2 Bidhan Sarani (Cornwallis Street) in 1936. Some of the library services are offered at this location, and the rest in its own building constructed in 1961 at CIT Road 1. The latter street is now named after the library. In 1942 the library had a stock of 7,057 volumes and 259 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124228562-I4QYQ4LZBZPBEN0S93AS/Figure+5_Young+Men%27s+Association_bakulbagan.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 5. Bookshelf, 36/1A Bakulbagan Road, Kolkata, founded 1928, and later renamed Young Men’s Association. In 1942 the library had a stock of 2,115 volumes and 67 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124295844-SENMX61Q9793YCNKVBET/Figure+6_Syed+Ameer+Ali+LIbrary.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 6. Syed Ameer Ali Library, 39 Mominpore Road, Kolkata. Founded 1929; the building is a recent construction. In 1942 the library had a stock of 2,913 volumes and 373 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124447048-45MRL40611ORDS5RZ8CZ/Figure+7_Kolkata_1911.png Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 7. Population density of Calcutta, 1911. By Thomas Crimmel, based on the Census Report on Calcutta, 1911. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124493832-W3GYQNOZA183F6HCH36R/Figure+9_Kamala+Library_Palmer+Bazaar_2.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 9. Entry to Kamala Library, 6 Palmer Bazar Road, founded 1911. The single story building dedicated to the library has a yard in front that accommodates various community activities. When this photograph was taken, the front yard was occupied by a Durga Puja pandal. In 1942, the library had a stock of 9,225 books and 95 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124519291-ODKFOW9YQO7SUFXPHATC/Figure+10_Beniapukur+Library_bookshelf.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 10. Bookcase in the Beniapukur (Baneapuker) Library and Reading Room donated by a local family, with the family’s name inscribed on the top of the bookcase. In 1942 the library had a stock of 4,236 volumes and 101 members. The library building on 36/B Beniapukur Road was burned down in the 1946 communal riots, and was rebuilt at 3 Beniapukur Road. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124746491-J8R0V3LOE5S623YV8ZVK/Figure+11_Entally+Bani+Institute_entry+to+library.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 11. Entry to the library of Entally Bani Institute, 51M Pottery Road, Kolkata, founded 1925. In 1942 it had a stock of 4,289 books and 85 members. A secondary entrance on the left that leads to the entry hall and staircase is now used as the primary entry. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124766894-NNRCSTV9SPU9BXMDNHY0/Figure+12_Entally+Bani+Institute_interior.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 12. Interior of library, Entally Bani Institute. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124785355-X0JRKEHHEP6GFFAUIMIN/Figure+13_Entally+Bani+Institute_coaching+center.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 13. Children in a tutorial session in the multipurpose upper-floor hall, Entally Bani Institute. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124814089-W6PWDS3ZZ6PE754Q54HJ/Figure+14_Islamia+Library-Ext1.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 14. Islamia Library and Free Reading Room, 1/5 Raja Dinendra Street, Kolkata, founded 1925. In 1942 the library had a stock of 1,689 volumes and 157 members. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124835312-SNE2K44OMZJ4UHNFJIXM/Figure+15_islamia+Library_Ext2.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 15. Located in an early twentieth-century building in a working-class neighborhood, the library is freely accessible to locals. The keys to the library are kept by a storeowner on the opposite side of the street. The iron grill at the building’s entry serves as an anchor for a clothesline used by locals who wash their clothes at the roadside water tap. Signboards next to the entry gate inform that the coaching center, computer training center and tailoring center are under the management of Islamic Library. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124860701-CQT0KJ4PX6KSZYLFMUW3/Figure+16_Islamia+Library_int.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 16. Main reading room, Islamia Library and Free Reading Room. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124877827-F7WM81OQ7I8VI5FGTB79/Figure+17_Islamia+Library_stairs.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 17. Staircase with sign pointing to the location of “urban homeless shelter,” Islamia Library building. Photograph by Swati Chattopadhyay, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1650124895244-Q5DY2AXZD0JL63G15NQL/Figure+18_Ananth+Library_ext.jpeg Home - “An Oddly Bookish City”: Neighborhood Libraries in Calcutta/Kolkata - Make it stand out Figure 18. Demolished premises of Ananth Library and Sabikash Free Reading Room, 47 Haldarpara Road, Kolkata. Founded in 1920, it was part of the premises of a residence of the Haldar family. In 1942, the library had a stock of 3,516 books and 58 members. Photograph by Swati Chattopadhyay, 2021. https://www.platformspace.net/home/melting-lee monthly 0.5 2022-04-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648825060162-XW4M6ZW9KMRMKK65C75E/Fig+1+Krovetz.jpg Home - Melting Lee - Make it stand out Figure 1. Robert E. Lee Memorial rolling out of Charlottesville, Va., on a flatbed truck July 10, 2021. Courtesy Natalie Krovetz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648825216348-N1TURKNYWAZUZSP7DAQI/Fig+2.jpg Home - Melting Lee - Make it stand out Figure 2. Scene at the unveiling of the monument to General Robert E. Lee at Richmond, Virginia, drawn by Thure De Thulstrup from a photograph, published in Harper’s Weekly June 14, 1890. Courtesy Richmond Nineteenth-Century Print Collection, Virginia Commonwealth Library, Richmond, Virginia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648825278484-EPGDQSV75I7YY0F78JMM/Fig+3+Wiley%2C+RR2022-007_%28c%29VMFA_2019-39_E202004_DS_016.jpg Home - Melting Lee - Make it stand out Figure 3. Kehinde Wiley (American, b. 1977). Rumors of War, 2019. Bronze, stone (pedestal), 328⅞" H × 305⅞ W × 189⅝" D (835.34 cm × 776.92 cm × 481.65 cm). Courtesy Virginia Museum of Fine Arts, Richmond. Purchased with funds provided by Virginia Sargeant Reynolds in memory of her husband, Richard S. Reynolds, Jr., by exchange, Arthur and Margaret Glasgow Endowment, Pamela K. and William A. Royal, Jr., Angel and Tom Papa, Katherine and Steven Markel, and additional private donors, 2019.39. Photograph by David Stover, copyright Virginia Museum of Fine Arts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648825345960-7EMC8VED2H40VE61ZN0C/Fig+4.jpg Home - Melting Lee - Make it stand out Figure 4. Robert E. Lee Memorial, Charlottesville, Va., Nov. 28, 2017. Courtesy Sanjay Suchak. https://www.platformspace.net/home/out-of-sight-out-of-mind-trailers-on-the-edge monthly 0.5 2025-11-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648823807384-TUQ4J8EJADD322FA4ZI7/Fig+1.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 1. A stalwart mid-century trailer, Germantown, WI. Older examples have aged in place. Not only are relocations expensive, but they often damage older models beyond repair. Mobile homes are hardly mobile. Photograph by Eduard Krakhmalnikov, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648823840653-W9R77LSYG6MA7BKUZYI5/FIG+2.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 2. Residents often decorate their small patches of yard, even when they rent, as at this trailer in Germantown, WI. Note here the mini-white picket fence, a tongue-in-cheek nod at normative expectations. Photograph by Eduard Krakhmalnikov, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648823929478-9OFRB4NEBO9TBUDZ4J4G/FIG+3.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 3. John, a longtime resident in a suburban park in Germantown, WI, lives next to several abandoned trailers whose residents have been evicted. Photograph by Eduard Krakhmalnikov, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648823956722-AFW0NM0YLR6T14T5Q688/FIG+4.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 4. Trailer parks are out of sight, out of mind places. Here, one is tucked between a six-lane highway and a wooded lot, Germantown, WI. Photograph by Eduard Krakhmalnikov, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648824038413-N4UYI9KL7DLLJ7PY7EJT/FIG+5.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 5. An abandoned trailer with skirting removed, showing concrete block supports, Germantown, WI. Note the hitch and chassis. Photograph by Eduard Krakhmalnikov, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648824166463-9GT7CIVL6YK5ZVL0RDQP/FIG+6.jpg Home - Out of Sight, Out of Mind: Trailers on the Edge - Make it stand out Figure 6. An example of new manufactured housing, Germantown, WI. Photograph by Eduard Krakhmalnikov, 2021. https://www.platformspace.net/home/letter-from-berlin-the-war-in-ukraine-pushes-the-citys-limits monthly 0.5 2022-03-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388980165-LAY35IUDDPN3VPANWB37/Fig+1.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 1. Berlin-Tegel, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. Since 1948 Berlin-Tegel operated as an airport well within the city limits in the northern part of the city. In November 2020 Tegel was shut down, eight years later than originally planned, as the land was slated for mixed use redevelopment. It has remained, however, largely intact as a critical piece of public infrastructure. In 2021 it served as a vaccination center and since March 12 it has been serving as a refugee registration center and temporary housing. Tegel will be able to process 10,000 refugees a day (register and get them moving on to other destinations) and offer up to 3,000 beds for the night. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388981050-FY15A9WRZVWYYRK162L6/fig+2.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 2. Berlin Hauptbahnhof (Hbf), Berlin, Germany, March 2022. Photograph by Mireille van der Moga. Berlin Hauptbahnhof (Hbf), or the main rail terminal in the center of Berlin, is the main conduit for refugees coming to Germany. On average 10,000 arrive here daily with another few thousand coming through the main bus terminal (ZOB), another rail station in the south of Berlin, and private cars. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388984907-AARPRLIHK0BZ0XGYSBZP/fig+3.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 3. Ukrainian flag at the Berlin Hauptbahnhof (Hbf), Berlin, Germany, March 2022. Photograph by Mireille van der Moga. Besides being a sign of solidarity, the Ukrainian flag is used as a wayfinding tool at Berlin Hauptbahnhof to break through the clutter and catch the attention of Ukrainians. On the left is an officially produced map of the rail station, with information in Ukrainian, Russian, and English as well as German. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388984931-9LZDRUQEG1R9JPLI0NMP/fig+4.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 4. Berlin Hauptbahnhof (Hbf), Berlin, Germany, March 2022. Photograph by Mireille van der Moga. This large white tent in front of the Hbf is the Welcome Center where new arrivals with no known destination beyond Berlin first check in and are directed what to do and where to go next. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388990794-UFB59S7NT933KNNYJCGA/fig+5.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 5. Refugees, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. Assistance comes in all forms in Berlin. Pictured on the left is a line of refugees waiting to pick up sim cards from the telephone company Vodafone, which is giving away 10,000 cards for free telephony on its network for 90 days. Pictured on the right is a t-shirt stand in front of the Brandenburger Tor on Sunday, March 20, the day of the “Sound of Peace” concert which drew 50 different artists to perform on stage. Besides the 12 million Euros that the concert raised for the Ukraine, t-shirt vendors also raised aid money. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388989945-3SB3XLF5CSJOCNW0IHMQ/fig+6.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 6. Berlin Hauptbahnhof (Hbf), Berlin, Germany, March 2022. Photograph by Mireille van der Moga. View of the Welcome tent set up on Washington Plaza in front of the main rail station in Berlin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388994837-AGU91T4HSFGTBFZ0S7I2/fig+7.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 7. Soviet War Memorial, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. This Soviet War Memorial on the Straße des 17. Juni (17 June Street) is one of several memorials erected by the Soviets to honor soldiers killed during World War II; 80,000 of whom lost their lives during the Battle of Berlin in April-May 1945. Normally open for visiting, it is now cordoned off to protect it against vandalism. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388995440-4NOSXTYLCXLSLFO4B1OG/fig+8.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 8. Volunteers helping refugees, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. A network of volunteers quickly established itself once Berlin started receiving refugees. Volunteers in different colored vests are stationed on platforms, as seen here, and throughout the station to help refugees find where they need to go. Red vests are given to those who speak Ukrainian or Russian and volunteers can sign up either in advance or on the spot as there are often more needed than available. A daily list of arriving trains with refugee counts informs a graphic that is posted online with the number of volunteers signed up every hour within the next 24-hour period and the number needed. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648388999815-JKMNDRKCSP5OVCBXJMU4/fig+9.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 9. Wayfinding signs in Ukrainian, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. In addition to the official wayfinding, unofficial signs in Ukrainian are plastered all over Berlin's main rail station. In the background volunteers wearing fluorescent vests are waiting to help refugees. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389005670-RLGL11E4IZBHC6M0WSGU/fig+10.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 10. Rally at the Brandenburg Gate, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389001391-X9KZ9IK95N47HAKKYLOK/fig+11.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 11. Supermarket Signs in Moabit, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. The signs at the local Edeka supermarket reflect the development of the ongoing war. On the left customers are asked to consider making financial donations to help alleviate the plight of the civilian population in Ukraine. These were the first steps taken by the supermarket chain shortly after the war broke out. The second set of signs to appear were the ones in the middle asking customers for their understanding as products that originate in Russia are no longer being stocked. And finally, on the right, the consequences of the war as starting to be experienced in the German marketplace – shortages and purchase limits to prevent hoarding. The sign reads, that for this product, in this case cooking oil, customers are limited to one article per shopping trip. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389003537-GP2PIVRNTBYQ6I03LXAS/fig+12.jpg Home - Letter from Berlin: The War in Ukraine Pushes the City's Limits Figure 12. Digital advertising at a bus shelter, Berlin, Germany, March 2022. Photograph by Mireille van der Moga. The digital advertisement makes donating to UNHCR, the UN Refugee Agency, easy by including a QR code that takes one directly to the donation website. https://www.platformspace.net/home/french-mass-produced-housing-in-the-crucible-of-world-war-i monthly 0.5 2022-04-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647783103493-FURD8SZGQAU4DD3KPI9R/ES+Figure+1.png Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 1. Charles-Édouard Jeanneret, who later took on the name Le Corbusier, designed the Maison Dom-ino housing system in 1914 and 1915. He intended it as a solution for the rapid reconstruction of French and Belgian towns destroyed in the ongoing war. Reproduced with permission. Copyright F.L.C. / ADAGP, Paris / Artists Rights Society (ARS), New York 2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647744968227-OAHBZTUTHWUUSCGPS4BU/ES+Figure+2.jpg Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 2. Auguste and Gustave Perret came up with the Maison en série, a basic house that could be mass-produced, around 1917. Reproduced with permission. Fonds Perret, CNAM/SIAF/CAPA/Archives d’architecture du XXe siècle/Auguste Perret/UFSE/SAIF/2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647745002938-I0MW1AIXPM6QCEGQ0N9K/ES+Figure+3.jpg Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 3. Although no iterations of the Perrets’s Maison en série were ever built, Le Corbusier published some of its drawings in a 1921 L’Esprit nouveau article. Reproduced with permission. Fonds Perret, CNAM/SIAF/CAPA/Archives d’architecture du XXe siècle/Auguste Perret/UFSE/SAIF/2022. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647745040314-MSLPVEQONBGTWF8J90QV/ES+Figure+4.jpg Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 4. While trying to obtain work from reconstruction cooperatives in the former war zone, Henri Sauvage drew up plans for a so-called “cottage type” house (1922). It was meant to be built quickly and inexpensively. Reproduced with permission. Fonds Sauvage, SIAF/Cité de l’architecture et du patrimoine/Archives d’architecture contemporaine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647745076985-35UOTIADJ95DNJD4YTUM/ES+Figure+5.jpg Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 5. Sauvage invented this system for “small, serially-built houses” in 1922. There is no indication that any of these houses, like the “cottage type” design, were ever built. Reproduced with permission. Fonds Sauvage, SIAF/Cité de l’architecture et du patrimoine/Archives d’architecture contemporaine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647783183338-4E2RZNSU5DY7UJ5FE6QD/ES+Figure+6.png Home - French Mass-produced Housing in the Crucible of World War I - Make it stand out Figure 6. Jeanneret/Le Corbusier created perspectival drawings and paintings, such as this one, to illustrate a possible neighborhood of Maison Dom-ino houses. Reproduced with permission. Copyright F.L.C. / ADAGP, Paris / Artists Rights Society (ARS), New York 2022. https://www.platformspace.net/home/past-the-breaking-point-beirut-in-crisis monthly 0.5 2022-03-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647030987889-UEC6CCIUVWPDX1UQBST0/Figure+1+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 1. Commuters at the Wardieh gas station in Hamra, Beirut, as they wait for workers at the station to begin filling cars, August, 2021. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031028428-1ZDXERGPAK56JAQN00HE/Figure+2+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 2. This barricaded gas station in Badaro, Beirut, is one of many that have been forced to close due to unavailability of gas, November, 2021. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031071208-X3STIFX3VCNIO17W95AO/Figure+3+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 3. Commuters seeking to fill their cars swarm the Wardieh gas station in Hamra, August, 2021. Some have waited over four hours in the queue. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031129720-OWQLCWRYGKUCY5QHZMAG/Figure+4+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 4. The Wardieh gas station closed and barricaded on a day when gas is unavailable, Hamra, August, 2021. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031171420-T27KWGH0SPQ9WJYVQDO9/Figure+5+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 5. Damaged store front placed for rent, Gouraud Street, Gemmayze, Beirut, November, 2021. The store was heavily damaged during the Beirut Port Explosion on August 4th of 2020. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031232147-RJK3N0200EL6E5F87UKQ/Figure+6+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 6. Another “For Rent” sign at the entrance of a building in Mar Mkhayel, Beirut, a neighborhood also heavily damaged by last year’s blast, November, 2021. These signs now plaster many store fronts in the city. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031282726-IIB854JDR7YFIB6HHB32/Figure+7+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 7. Scaffolding placed to protect and repair a Neo-Ottoman heritage building in Gouraud Street, Beirut, November 2021. Damaged by last year’s blast, the building also houses the local Lebanese Red Cross unit. Courtesy of Zeead Yaghi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1647031329767-PUDVKTXV0M3KLY4YFLYO/Figure+8+.jpg Home - Past the Breaking Point: Beirut in Crisis - Make it stand out Figure 8. Boarded up front of a store destroyed by the Beirut blast and unoccupied since, November 2021. Courtesy of Zeead Yaghi. https://www.platformspace.net/home/unlearning-part-iii monthly 0.5 2022-03-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646576041466-KB6BXMSH6ZU7ODMEU2AR/Green%2C+BC_Lee+Monument_3+July+2020_IMG_1776+%283%29.jpg Home - Unlearning Part III - Make it stand out Figure 1. Layers of protest on the Robert E. Lee Monument in Richmond, Virginia, July 2020. Photo courtesy of Bryan Clark Green. https://www.platformspace.net/home/follow-the-money-geopolitical-crisis-and-the-impact-on-londongrad monthly 0.5 2022-03-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1645987822401-6YMQ6TZMQMGDV9CIXZWM/Fig+1.jpg Home - Follow the Money: Geopolitical Crisis and the Impact on “Londongrad” - Make it stand out Figure 1. Gated entrances to one of London’s exclusive new high-end developments. Photograph by Rowland Atkinson, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1645987880026-ATLEDTRVS4NZT3EWN3QY/Fig+2.jpg Home - Follow the Money: Geopolitical Crisis and the Impact on “Londongrad” - Make it stand out Figure 2. The influx of offshore homeowners has brought a great amount of wealth to London particularly in areas like Mayfair, home of Berkeley Square, where storefronts include this Bentley care dealership. Photograph by Rowland Atkinson, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1645987985194-M6PQEJWJ9BUR7C88R7RL/Fig+3.jpg Home - Follow the Money: Geopolitical Crisis and the Impact on “Londongrad” - Make it stand out Figure 3. Foreign investment has fueled a boom in property development throughout London, including around the new United States Embassy at Nine Elms. Photograph by Rowland Atkinson, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1645988032333-HEPNQPCXSVY1FD9KHNNW/Fig+4.jpg Home - Follow the Money: Geopolitical Crisis and the Impact on “Londongrad” - Make it stand out Figure 4. A tale of two cities: homelessness at the Ritz Hotel, Piccadilly, London. Photograph by Rowland Atkinson, 2020. https://www.platformspace.net/home/finding-shelter-from-russia-a-city-guide monthly 0.5 2023-03-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646009392087-NFIG48BS0TBWN71WW77Q/Figure+1.jpg Home - Finding Shelter from Russia: A City Guide - Make it stand out Figure 1. Vokzal’na subway station in Kyiv, Ukraine, 1960. Photograph by Jorge Láscar, 2012, via Flickr under Creative Commons license CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646009404148-12J1KZ5BVJCX1CQXFJ6I/Figure+2.jpg Home - Finding Shelter from Russia: A City Guide - Make it stand out Figure 2. Arsenal’na subway station in Kyiv, Ukraine, 1960. Photograph by user AMY 81-412, 2010, via Wikimedia Commons under Creative Commons CC BY-CA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646009440999-EPKQ9RK8B1EVPODDTA3T/Figure+3.jpg Home - Finding Shelter from Russia: A City Guide - Make it stand out Figure 3. Bomb shelter map of Kyiv, by Kyiv City administration using Google Maps. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646009469341-L1NV6VSLTB7KMWKX1TKD/Figure+4.JPG Home - Finding Shelter from Russia: A City Guide - Make it stand out Figure 4. Metal ownings over the windows of a basement in an apartment building. Photograph by Kateryna Malaia, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1646009486953-2706ZQ1NA00UDZ5THCOL/Figure+5.jpg Home - Finding Shelter from Russia: A City Guide - Make it stand out Figure 5. Stalin-era apartment building stairwell: the blue door on the right leads to the basement; the brown door on the left leads up to the apartments. Photograph by Kateryna Malaia, 2016. https://www.platformspace.net/home/against-nonprofit-housing-amp-towards-a-mass-politics-of-tenants monthly 0.5 2022-02-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644848570144-V881F7QKE5EHO77N4NV0/Fig+1+Peterson+CDCs+Book.jpg Home - Against Nonprofit Housing &amp; Towards a Mass Politics of Tenants - Make it stand out Figure 1. Community Development Corporations (CDCs) were promoted by a flurry of philanthropic groups in the late 1960s and 1970s, as in this 1971 book published by The Twentieth Century Fund (today The Century Foundation), at the very moment the federal government was searching for alternative housing finance models to public housing. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644848609954-8SFT4T3D4HKSHQW6I5ND/Fig+2+Peterson+TWO.jpg Home - Against Nonprofit Housing &amp; Towards a Mass Politics of Tenants - Make it stand out Figure 2. The Woodlawn Organization (TWO), under the influence of organizer Saul Alinsky (pictured here in 1962) and generous funding from the Ford Foundation, pivoted from protesting slumlords to developing its own housing. Photograph by H.A. Martin. Courtesy The Woodlawn Organization Papers, Chicago History Museum. https://www.platformspace.net/home/co-spatiality-and-dissent-the-migrant-workers-walk-in-retrospect monthly 0.5 2022-02-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644359361106-7L06ATTWWLOG9ON9V547/image+2.jpg Home - Co-spatiality and Dissent: The Migrant Workers’ Walk in Retrospect - Make it stand out Figure 1. Migrant workers on the move during the lockdown. https://www.platformspace.net/home/redesigning-the-rural-system-thinking-and-chinas-agrarian-modernization monthly 0.5 2022-02-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644104421944-2B4DG9GZPUCL99UZOOVW/thumbnail_Figure+1.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 1. Construction site of a corporate grape farm, Hunan, China, 2018. Photograph by Ettore Santi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643928714796-HOS7FYB3JJSK2MPBKPYM/Figure+2.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 2. Rendering of Tongmu Village Leisure Farm exhibited at the local museum, Hunan, China, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644104439032-RN0JA11FK7CK77KHFL83/thumbnail_Figure+3.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 3. Xiangfeng Tea-themed Tourist Park, similar to the site described in this essay. At the center, a village woman works as a tea picker. Xiangfeng, Hunan, China, 2018. Photograph by Ettore Santi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644104461846-D05HPVHGRX1G28JXLKAY/thumbnail_Figure+4.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 4. Advertising panel of Xinagfeng Tea-themed Tourist Park showing village women picking tea teaves. Xiangfeng, Hunan, China, 2018. Photograph by Ettore Santi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644104485857-V0DQFH9L8HK822IXV9BX/thumbnail_Figure+5.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 5. Farmer’s resettlement complex built in accordance to the township Land and Space Plan, Hunan, China, 2019. Photograph by Ettore Santi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644104510521-ZW8XCRN4YFL7RZSWTKQR/thumbnail_Figure+6.jpg Home - Redesigning the Rural: System Thinking and China’s Agrarian Modernization - Make it stand out Figure 6. Artificial pool (in the foreground) and artificial hill (in the background) built as part of a nature conservation zone established in the Land and Space Plan, Hunan, China, 2019. Photograph by Ettore Santi. https://www.platformspace.net/home/unlearning-part-ii monthly 0.5 2022-01-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643345922970-AWZERW2U8QAH1BICVEPA/Figure+1.jpg Home - Unlearning, Part II - Make it stand out Figure 1. The Lexington, 1927, Sears Home Catalog. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643345976135-3QT0DDBWF76TBIEKOJSJ/Figure+2_1-20-22.jpg Home - Unlearning, Part II - Make it stand out Figure 2. Nicholas Eichelberger and Shashi Vardun, Preliminary collage, Black Funerary Practices, Playing Against Type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643346003743-009H5TWDESJ0AC8LQ966/Figure+3_1-20-22.jpg Home - Unlearning, Part II - Make it stand out Figure 3. Nicholas Eichelberger and Shashi Vardun, Preliminary collage, Black Funerary Practices, Playing Against Type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643346078335-MJQ9RHWW4CNVV2GEA30D/figure+4.jpg Home - Unlearning, Part II - Make it stand out Figure 4. Madeleine Niepceron and William Sokol, Proposed Changes and New Housing Typology, Dissonance and Racial Trauma in Black Homeownership, Playing Against Type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643346123920-QEYAGFXV5XOUB8JAT3G7/figure+5.jpg Home - Unlearning, Part II - Make it stand out Figure 5. Jenna Herbert and Mira Shami, Proposed Changes and New Urban Infill Typology, Black Hair and Entrepreneurship, Playing Against Type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643346170988-0YQN6E3L3NGUECYFVZ2V/figure+6.jpg Home - Unlearning, Part II - Make it stand out Figure 6. Jenna Herbert and Mira Shami, Preliminary Collage and Diagram Studies, Black Hair and Entrepreneurship, Playing Against Type. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1643346224678-YK94HEYO6BJ7XMFHK4AG/figure+7.jpg Home - Unlearning, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/home/architecture-and-the-eighth-amendment-on-cruelty-comfort-and-legal-personhood monthly 0.5 2022-01-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642957660487-JKXZ7ACX11TM3QE12XW1/FIG+1+Auburn+State+Prison+postcard.jpg Home - Architecture and the Eighth Amendment: On Cruelty, Comfort, and Legal Personhood - Make it stand out Figure 1. Auburn State Prison postcard. N.D. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642957747905-869N5S1VX2OMQZRW4M65/FIG+2+NEW+HAMPSHIRE+Box03_003.jpg Home - Architecture and the Eighth Amendment: On Cruelty, Comfort, and Legal Personhood - Make it stand out Figure 2. New Hampshire State Prison, Concord, N.H. Interior view showing inmate housing tiers. Stereograph Howard A Kimball, c. 1900. Courtesy of the New Hampshire Historical Society. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642959179030-6EWLYI2Z94YZL4H6Y7P1/FIG+3+Angola_death+row+aerial+copy.jpg Home - Architecture and the Eighth Amendment: On Cruelty, Comfort, and Legal Personhood - Make it stand out Figure 3. Louisiana State Penitentiary, death row complex, aerial view. Courtesy Google Maps, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642959211887-A08KALKLSD9GAQ9TIFWM/FIG+4+Louisiana+State+Penitentiary+via+Flickr.jpg Home - Architecture and the Eighth Amendment: On Cruelty, Comfort, and Legal Personhood - Make it stand out Figure 4. Louisiana State Penitentiary, entrance, opened in 2006. Courtesy www.prisoninsightcom, via Flickr, CC BY 2.0, 2019. https://www.platformspace.net/home/curbside-castle-architecture-and-aspiration-at-an-oakland-homeless-encampment monthly 0.5 2022-02-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641481409010-6CAME58MPBLNIRUQEVUI/Figure+1.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 1. The Fifth Street Natives Encampment (left) framed by Fifth Street, a raised BART (Bay Area Rapid Transit) line, the Interstate 880, and an upscale apartment complex in the distance, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1644360809173-U64YQ4P6OZH8DZRGI9JP/Figure+2.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 2. An aerial view of the Fifth Street encampment, including Castle and its neighbors arranged in a strip stretching from West Mandela Parkway (upper left) to Kirkham Street (lower right). Screenshot from Google Maps. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641481553968-62AGORRBHZQRUF0GL2TB/Figure+3.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 3. The view passing by the encampment on Fifth Street. BART (Bay Area Rapid Transit) can be seen and heard hurdling by, routinely interrupting conversations and sleep, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482460670-91RDOLZHCALBXVU2HDD2/Figure+4.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 4. The highly personalized interior of the “She Shed,” with Nikki standing in the foreground and her dog Cooper sleeping on the floor. Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482533403-GOANHD04IGHNV2L0RLF6/Figure+5.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 5. Nikki reveals the barbed wire and fence appropriated as the rear wall of the She Shed, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482599694-AIGACJFGP1078E0HHXSO/Figure+6.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 6. Recent additions to the encampment’s façade include white fences, mailboxes and bollards flanking the red door, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482690114-UJQRZFNFLHJMRF533QXY/Figure+7.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 7. Signs painted by Nikki Cooper. The canvas on the right features lyrics by rapper Nick Cannon. The music video contains imagery of early twentieth century lynchings, including one of a man Nikki says is her ancestor, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482714561-6ODA0D6R03LESRD1V8FW/Figure+8.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 8. 14th Amendment of the U.S. Constitution, Oakland, California, 2020. Photograph by Nikki Cooper. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482803055-IB3V7VFZPW9XHMUQMHOG/Figure+9.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 9. Nikki begins construction on the “Iron Gate” to the East of the Castle using salvaged materials, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482835465-ZLR4ARGK37VD47IBXXO0/Figure+10.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 10. The recently completed “Iron Gate.” Its façade is dense with references to American suburbia, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482880915-3DR2TJESFW71KWNPS5M6/Figure+11.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 11. Painted wood panels against a white fence and bamboo screen, Oakland, California, 2020. Photograph by Nikki Cooper. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482910135-ZWSBPLOVUTJKKNHBM796/Figure+12.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 12. Fence painted with flowers, each inscribed with the names of Castle residents, neighbors and their loved ones, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482939627-BI1JCGIESN9R42MSUZ0S/Figure+13.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 13. Multimedia assemblage and memorial, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641482996403-PURM5OZ6S4TA3EADCE5U/Figure+14.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 14. Nikki on her throne in front of the Castle, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641483042788-5ZC7CJTY1BY70JV4V331/Figure+15.jpg Home - Curbside Castle: Architecture and Aspiration at an Oakland Homeless Encampment - Make it stand out Figure 15. Nikki in front of the Castle with oncoming cars, Oakland, California, 2021. Photograph by Ben Jameson-Ellsmore. https://www.platformspace.net/home/dense-family-oriented-urbanism monthly 0.5 2022-01-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642128416342-U06RPXJEC4IG6KBTPW6R/Figure+1.jpg Home - Dense Family-Oriented Urbanism - Make it stand out Figure 1. Housing Families at High-Densities, guidelines published by the City of Vancouver Planning Department, 1978. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642128447030-PW0BN1TD21EHQ45XCBND/Figure+2-Mau+Dan+Gardens.jpg Home - Dense Family-Oriented Urbanism - Make it stand out Figure 2. Mau Dan Gardens Housing Cooperative. Photographs by Louis L. Thomas 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642128810981-SMZLWB76WECPQ0HQ32P6/Figure+3-Athletes+Village+Coop.JPG Home - Dense Family-Oriented Urbanism - Make it stand out Figure 3. Athletes’ Village Housing Co-operative. Photograph by Louis L. Thomas 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642128850167-K0HATY2AQ9DLVDNT5Q2D/Figure+4-Social_Dyptict.png Home - Dense Family-Oriented Urbanism - Make it stand out Figure 4. The Social Condominium. Top: photograph, 2011, courtesy Patrick Weeks. Bottom: fifth-floor outdoor common space. Photograph by Louis L. Thomas 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642126723662-I2W7WP4QWD6GDU3EMCPU/Figure+5-kids+drawings.png Home - Dense Family-Oriented Urbanism - Make it stand out Figure 5. “Life at t-he Sochil (sic),” drawn by a six-year-old resident of the Social, 2016. Courtesy Tiffany Hilman. https://www.platformspace.net/home/a-conversation-with-paul-groth monthly 0.5 2022-01-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596452524-03E1V7G7HTLV8KH3WYUF/Fig.+1.+CornOnCorner.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 1. The force of nature. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596662552-SR58JCFWVJ8CPUBWD8MB/Fig.+2.+SJRedev.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 2. Urban cyclical investment of capital. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596659938-MZRTQ8EBWBFLC2VZ56V4/Fig.+3.+WiscFarmstead.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 3. Rural cyclical investment of capital. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596656905-YA1O9IL2J0BMEW7TBPH3/Fig.+4.+GridBillboard.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 4. The Land Ordinance of 1785. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596653560-2ERLJLEKUXKXJQT6VORZ/Fig.+5.+LunenbergStore.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 5. Reinforcing individual and social identities. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596650200-TET6DHM70QPFU4NR3VJB/Fig.+6.+Minneapolis+Skyline.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 6. Local versus distant investment of capital. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596647100-9I29CTC431TA7B7WQUSD/Fig.+7.+PieChart.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 7. “Residential Hotel Rooms by Type San Francisco 1930,” pie chart by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596644041-G72LZS7CNOQHTK7CTZTH/Fig.+8.+WhitakerExt.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 8. Basic rooming house for low-paid skilled workers like stenographers and clerks above a loan shop, San Francisco, Calif. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596639369-LJHPMJ1FD3D79JVNMGOF/Fig.+9.+Whitaker.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 9. Basic rooming house for low-paid skilled workers like stenographers and clerks above a loan shop, San Francisco, Calif. Plan by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596635506-JYLYURSTI0ILXD3LLEYU/Fig.+10.+NatlRmsExtSF.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 10. The Hotel National, cheap lodging house for hobos and casual laborers above an Army/Navy store, San Francisco, Calif. Photograph by Paul Groth, n.d. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641596630118-DUR150MNAK6IWZUN7RUF/Fig.+11.+NatlRmsPn.jpg Home - A Conversation with Paul Groth - Make it stand out Figure 11. The Hotel National, cheap lodging house for hobos and casual laborers above an Army/Navy store, San Francisco, Calif. Plan by Paul Groth, n.d. https://www.platformspace.net/home/paul-groth-a-festschrift monthly 0.5 2022-01-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528438795-LCWNI1O3PNBFJLLCP356/Fig+01+_DSC3940+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 1. Great Northern Railroad Depot (1897), Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528437083-B3HQTBU83RJEP94G5BSR/Fig+02+_DSC3955+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 2. West Main St., Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528458854-U70YQ4AL3Y7LO20LJXWG/Fig+03+_DSC3932+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 3. Mayport Farmers Co-op Grain Elevator, 3rd St. SE, Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528463140-FQIZ0L68QS4GQ29VPSFU/Fig+04+_DSC3946+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 4. First National Bank (1889, enlarged 1900, 1915), Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528481367-KRTGHAWELWNSKW6FCH3G/Fig+05+_DSC3934+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 5. Bank of Mayville (1898), Mayville, N.D. Most small towns in the Dakotas were served by two local banks in their heydays. With the towns’ declining populations and the corporate consolidation of banks, most are lucky still to have one. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528488601-BPU7ZR7IYNMPMQC0XDH3/Fig+06+_DSC3980+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 6. West Main St., Mayville, N.D. The grain elevator and the former bank mark the financial heart of Mayville. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528509440-WNT6LN2YD170M0II987F/Fig+07+_DSC3972+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 7. Mayville Public Library (William C. Albrant, 1900), Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528513149-V0VEKKHVADHJMC7IYTI6/Fig+08+_DSC3960+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 8. Paula’s Café, Mayville, N.D. A local gathering spot and the source of Groth’s insistence on mid-afternoon pie during field trips. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528629405-5ES9OJW339N73ZG4OR1P/Fig+09+_DSC3971+-+Upton.JPG Home - Paul Groth: A Festschrift Figure 9. Miller’s Fresh Foods mascot, Mayville, N.D. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528596659-HMJ3RF0T7VZOSZUCE4DX/Fig+10+John+Deere+dealership_3935+-+upton.jpg Home - Paul Groth: A Festschrift Figure 10. Former John Deere dealership, Mayville, N.D. When John Deere consolidated its dealerships, Mayville’s outlet was closed. Photograph by Dell Upton, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641528994495-VB5BGTRZQOUBYC0RU0SM/Fig+11+_Upton+bar_end+-+Upton.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 11. The Hotsy Totsy Club in Albany, Calif., established in 1939, is one of the many bars on San Pablo Ave. between Albany Village and the shipyards in Richmond. The allusion to the Confederate flag is probably intentional. Photograph by Dell Upton, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529236791-N9QO7LA973V0IK5IK76T/Fig+12+AC15+Cover.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 12. Cover “AC 15: Oakland as a Cross Section of America’s Urban Cultural Landscapes, A Visit by Bus, Foot & Armchair By Paul Groth,” 1980. Photograph by Elihu Rubin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529320945-8UINBF3J476ZNZASELPE/Fig+13+6-Sunflower3Part+-+Groth.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 13. Paul’s slide of a flat field of sunflowers next to a wooded hillside. Photograph by Paul Groth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529383492-VJFQN2GQLZV4P0BCZITN/Fig+14+Paul+Writing+-+Lopez.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 14. Paul working in his office in McCone Hall, 2008. Photograph by Sarah Lopez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529437163-QZH8ZKYAV7H96J9MNMB8/Fig+15+Paul+Last+Lecture+-+Upton.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 15. Paul delivering his last lecture at Berkeley, 2015. Photograph by Dell Upton. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529539799-BCJE9Z6V9TPDWARLVVMS/Fig+16+How+to+Read+street+Plan+Histories+in+Three+Easy+Steps+Handout.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 16. Paul’s course handout “How to Read Street Plan Histories in Three Easy Steps.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529574249-PVUF9AX7Q93ZQ1C17D8Y/Fig+17+Paul%2C+Hise.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 17. Paul and Greg Hise, Culver City, Calif., 2007. Photograph by Lisa Padilla. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529611562-280ARXK2B654YE8GHTVN/Fig+18+Paul%2C+Sarah%2C+Clare%2C+Pete%3F+-+Lopez.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 18. Paul and PhD students, left to right, Seth Lunine, Clare Robinson, and Sarah Lopez, 2008. Courtesy Sarah Lopez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529655699-0CAO5A73IXDSJCHWUYJ3/Fig+19+13-MomNTractor+-+Groth.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 19. Paul’s mother in front of a John Deere tractor in Paul’s home town, Mayville, N.D., n.d. Photograph by Paul Groth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529738131-X07KQXW1GUZ957DCA2AB/Fig+20+Course+Flyer+ED169B+Flyer+-+Lovell.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 20. Flyer for Paul’s course American Cultural Landscapes 1900 to Present (ED169B), n.d. Courtesy Margaretta Lovell. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529774122-BIY3GQ5Q69FZS4S644U2/Fig+21+Paul+Taking+Photos+-+Lopez.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 21. Paul in the field, photographing, Manti, Utah, 2009. Photograph by Sarah Lopez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529813944-NEMA6TWN7VPN68BY6047/Fig+22+Atchison%2C+Kansas+-+Littmann.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 22. Following two riders on a rural road west of Atchison, Kan., 2021. Photograph by William Littmann. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529862750-9SAIP5DT5WDJEDBWC759/Fig+23+Henrietta%2C+Missouri%2C+Littmann.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 23. Grain bins near Henrietta, Mo., 2021. Photograph by William Littmann. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529921523-72EYKAZ7YBUYYCXYUOO2/Fig+24+Paul%2C+Bill+-+Lopez.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 24. Paul and William Littmann at Spiral Jetty in the Great Salt Lake, Corinne, Utah, 2009. Photograph by Sarah Lopez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641529961051-ST3EBL3T6RS0W6X33PS2/Fig+25+9009+Sunset+2017+Google+StreetView.png Home - Paul Groth: A Festschrift - Make it stand out Figure 25. The Roxy, 9009 Sunset Blvd., West Hollywood, Calif. (1933, renovated since). Photograph courtesy Google StreetView, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530014792-BX2A0F2NVLJSUKJHMWAF/Fig+26+14-BigTractorParade+-+Groth.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 26. Big tractor parade in Paul’s home town, Mayville, N.D., n.d. Photograph by Paul Groth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530052299-0IX4Y46H4ZW4738WREV9/Fig+27+Paul+Last+Lecture+Slide+-+Gutman.jpeg Home - Paul Groth: A Festschrift - Make it stand out Figure 27. Paul’s slide of “The walls of the city speak!” graffiti, 1983, shown at Paul’s last lecture at Berkeley, 2015. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530096333-AXWM31G9SRY4O7W9CAAF/Fig+28+Gutman%2C+figure+1.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 28. U.S. Post Office Sorting Facility, Oakland, Calif. Photograph by Marta Gutman, 1997. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530148830-H8HVVGB05E0GQMA8W2PY/Fig+29+Gutman%2C+figure+2.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 29. James Davidson’s Saloon and Rooming House, southwest corner of Fifth and Peralta Streets, Oakland, Calif. In the late 1880s, a canopy would have shaded the corner entry into the saloon. Photograph by Marta Gutman, 1997. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530171087-EY261YCYNUWYSYVYPFCB/Fig+30+Rexall+Drugs+Google+StreetView.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 30. The old Rexall drugstore on Telegraph Avenue, Berkeley and its evolution. Clockwise from top left, 2007, 2009, 2011, 2021. Courtesy Google StreetView. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530223947-WX84PKWJ6NJ1W97AQE3R/Fig+31+Paul+at+Table+-+Lopez.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 31. Paul taking a break from touring, Butte, Mt., 2009. Photograph by Sarah Lopez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530286906-QFSR539MTVITV3ULA30U/Fig+32+Paul+Walking+Tour+Ryan%2C+Larry+Levine%2C+Embarcadero+-+Lovell.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 32. A walking tour led by Paul at a public restroom along the Embarcadero in San Francisco, n.d. Left to right: Larry Levine, Mary Ryan, and Paul. Courtesy Margaretta Lovell. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530333731-UBEJ8DZNHNUJE64YDN4O/Fig+33+10-MayvilleMainSt1976.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 33. Main Street in Paul’s home town, Mayville, N.D., 1976. Photograph by Paul Groth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530364253-PCHML2UWIOJWLZNOC6YS/Fig+34+Paul+Last+Lecture+Chowchilla.jpeg Home - Paul Groth: A Festschrift - Make it stand out Figure 34. Paul’s slide of Chowchilla, Calif., shown at his last lecture at Berkeley, 2015. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530403945-M5CX6J2Y8HQ3WE4KKRB5/Fig+35+AC15+pp+64-65.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 35. Interior pages of “AC 15: Oakland as a Cross Section of America’s Urban Cultural Landscapes, A Visit by Bus, Foot & Armchair By Paul Groth,” 1980. Photographs by Elihu Rubin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530440816-2OJYBZFPFLM2MLEPVX6J/Fig+36+Paul%2C+Bishir%2C+Cromley+-+Upton.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 36. Paul with Elizabeth Cromley (center) and Catherine Bishir on a road trip to Kansas, Missouri, and Oklahoma following the annual meeting of the Vernacular Architecture Forum in Lawrence, Kan., 1996. Photograph by Dell Upton. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530489431-D6PZ0DKFIWDRBR1GHGWE/Fig+37+Paul+Class+Field+Trip+Gustine+CA+97-10-04+Main+Canal+-+Upton.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 37. Paul with a class of graduate students in geography on a field trip to the Central Valley of California, at the main canal in Gustine, fall 1997. Photograph by Dell Upton.7 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530526621-19AG1XIS1SVNU9NRGYFD/Fig+38+Paul%2C+Paula+-+Lupkin.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 38. Paul and Paula Lupkin in southern New Jersey at the annual meeting of the Vernacular Architecture Forum, 2014. Courtesy Paula Lupkin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530552196-566CDMZE9KWAA44R1SE3/Fig+39+Sonoran+Streetscape%2C+El+Presidio%2C+Tucson+-+Van+Slyck.JPG Home - Paul Groth: A Festschrift - Make it stand out Figure 39. Sonoran Streetscape, El Presidio, Tucson, Ariz., 2005. Photograph by Abigail A. Van Slyck. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641531953932-X3XRUDMQHCGYUI925UHU/Fig+40+VAF+Fresno+Fruit+Processing+Facility+2008+-+Van+Slyck+crop.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 40. Paul speaking about a fruit-processing facility in Fresno at the annual meeting of the Vernacular Architecture Forum, 2008. Photograph by Abigail A. Van Slyck. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1641530620988-QB82S2RP7XDXPS0LWR4R/Fig+41+Hotel+Vicotria%2C+S.F.+-+Tobriner.jpg Home - Paul Groth: A Festschrift - Make it stand out Figure 41. Postcard of the Hotel Victoria, San Francisco, Calif., n.d. https://www.platformspace.net/home/boxed-in-christopher-columbus-entombed-in-philadelphia monthly 0.5 2022-01-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614305528-KB90AW0D7O2A7T362F62/Hankins_FIG1.jpeg Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 1. Christopher Columbus by Emanuele Caroni, Marconi Plaza, 1980. Library of Congress, Prints & Photographs Division, photograph by Carol M. Highsmith [LC-DIG-highsm-15405]. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614372661-Y6Q10VTQK1BNII3XQNFP/Hankins_FIG2.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 2. Constructing the Christopher Columbus Statue Box, Marconi Plaza, June 16, 2020. Police congregate in the foreground as workers build a plywood box around the Columbus statue. Protestors and statue defenders crowd the sidewalk beyond the barricades. All snapshots by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614414220-Q6R44W2TQ1WWQ4ZGCAGP/Hankins_FIG3.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 3. Christopher Columbus Statue Box, Marconi Plaza, April 24, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642974549403-55YRXU5Q6296VJBEVECV/kh+new+figure+four.jpg Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 4. Christopher Columbus Statue Box, Marconi Plaza, December 16, 2021. In this photograph, barricades are still visible behind a Christmas tree, protecting the box eighteen months after protests subsided. By separating the box from the surrounding park, the persistent barricades call attention to its significance as a precious, towering monument. At the same time, they direct visitors’ movements through Marconi Plaza, placing the guarded box at the center of a transformed landscape. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614490931-PCS00MH1ZY5LGJKH7GZD/Hankins_FIG5.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 5. Christopher Columbus Statue Box, with Posted Messages and Garbage, Marconi Plaza, June 13, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614516017-KVGKGCPXXZ03NEHU0LIR/Hankins_FIG6.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 6. Board with Messages Leaning Against the Fence Surrounding the Christopher Columbus Statue Box, Marconi Plaza, April 24, 2021. Messages critique Mayor Kenney, assert public ownership of the statue, and present a historical narrative marked by statements such as “FACT: Columbus Never Owned Slaves.” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1642974633384-RY1BYYGIK1GD0JVN1N49/kh+new+figure+seven.jpg Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 7. Posted Messages at Christopher Columbus Statue Box, Marconi Plaza, November 15, 2021. The large poster, on the right, features a printed image of Judge Patrick above the words “Brave,” “Honest,” “Wise,” and “Beautiful,” and adjacent to an excerpt from her ruling. The poster on the left announces "1492 2021 529 YRS. NO PROJECT REAL DEAL" and is surrounded by additional commentary on the ruling and its meaning. Dying flowers and an additional faded sign are also visible. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614593434-VIA0FZ2FY3Z3HT0KCN9J/Hankins_FIG8.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 8. Signs on the Barricades Surrounding the Christopher Columbus Statue Box, June 21, 2020. These signs may have been left behind after protests and violent confrontations, which ended close to the same date. The signs read, “Leave Columbus Alone” and “Stop Trying to Erase Western Civilization! Teach ALL of History!” https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614611777-G4IL9FHR06OSERSC85TV/Hankins_FIG9.png Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 9. New Haven’s Christopher Columbus Statue is Removed from Wooster Square, June 2020. Cloe Poisson / CTMirror.org, used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639614630889-S6IEO2RFGEO20WD9NIBM/Hankins_FIG10.JPG Home - Boxed In: Christopher Columbus Entombed in Philadelphia - Make it stand out Figure 10. Christopher Columbus Statue Box, Marconi Plaza, December 13, 2020. The barricades are adorned with American flags and laminated messages from the city, which hang upside down. https://www.platformspace.net/home/turf-urban-renewal-and-racism-in-the-new-west-side-story monthly 0.5 2022-01-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639687762891-3G9332O77PPCEJUAOADW/Fig+1.jpeg Home - Turf, Urban Renewal and Racism in the New West Side Story - Make it stand out Figure 1. Tony and Maria, Jets and Sharks: West Side Story, 2021. Courtesy 20th Century Studios and Amblin Partners. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639687780609-B9XV78UFLA7HZJURAL95/Fig+2.jpg Home - Turf, Urban Renewal and Racism in the New West Side Story - Make it stand out Figure 2. San Juan Hill before Lincoln Center, ca. 1956. From City of New York, Committee on Slum Clearance, Lincoln Square: Slum Clearance Plan Under Title I of the Housing Act of 1949 as Amended, May 28, 1956. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639687855741-M8SQJADTKP0H1WL1MPJU/Fig+3.jpg Home - Turf, Urban Renewal and Racism in the New West Side Story - Make it stand out Figure 3. At 453 West 166 Street, in Washington Heights, Mrs. Bernice Lythcott and her son Leonard stare through a window broken by racists trying to intimidate Black residents. Her husband, Alphonso, was the superintendent. The Lythcotts were newly arrived from the Carolinas. Photo by Weegee. Bequest of Wilma Wilcox. Originally published in PM Daily, Oct. 18, 1943. Courtesy International Center of Photography. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639687888636-1U1CDIK2DSSODQ14ZGP3/Fig+4.jpeg Home - Turf, Urban Renewal and Racism in the New West Side Story - Make it stand out Figure 4. Bernardo and Anita: West Side Story, 2021. Courtesy 20th Century Studios and Amblin Partners. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639687933839-SMO1O8Y58DEOJIT01SO5/Fig+5.jpeg Home - Turf, Urban Renewal and Racism in the New West Side Story - Make it stand out Figure 5. Lincoln Center, 2011. Photograph by Allison Meier, courtesy Flickr, under Creative Commons license CC-BY-SA 2.0. https://www.platformspace.net/home/lessons-from-the-participatory-clinic-architecture-and-abortion-at-the-feminist-womens-health-centers monthly 0.5 2021-12-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639189020800-VZ8D3OQUX5504434Q2W7/Overholt_FIG1.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 1. Los Angeles Feminist Women’s Health Center on South Crenshaw Boulevard, formerly the Crenshaw Women’s Center, c. 1972. Women’s Health Specialists of California records, SSC-MS-00790, Smith College Special Collections, Northampton, Massachusetts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639189093639-O8DUSNHAH2X3U5D23261/Overholt_FIG2.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 2. A woman sits inside the Los Angeles Feminist Women’s Health Centers on one of its multiple initial locations on South Crenshaw Boulevard, the precise location is unknown, c. early 1970s. Women’s Health Specialists of California records, SSC-MS-00790, Smith College Special Collections, Northampton, Massachusetts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639189141720-Z6V6KN8NFFQ3RB9V0VB2/Overholt_FIG3.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 3. A fence runs through the portico of the Redding Feminist Women’s Health center, date unknown. Women’s Health Specialists of California records, SSC-MS-00790, Smith College Special Collections, Northampton, Massachusetts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639190073390-NZMHHVEOX9IU8HBWX4SR/Overholt_FIG4.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 4. An exterior façade addition at the Chico Feminist Women’s Health center, date unknown. Women’s Health Specialists of California records, SSC-MS-00790, Smith College Special Collections, Northampton, Massachusetts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639190107904-RP3VAKCDEE14AFVVOHDZ/Overholt_FIG5.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 5. A woman demonstrates how to use a Del-Em, a device for menstrual extraction invented by Lorraine Rothman, date unknown. Women’s Health Specialists of California records, SSC-MS-00790, Smith College Special Collections, Northampton, Massachusetts. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639190159604-5UM79V8XMSA9MP7RHJVO/Overholt_FIG6.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 6. Pages from Lorraine Rothman’s patented “Method for Withdrawing Menstrual Fluid.” Patent 3,828,781, filed December 6, 1971, issued August 13, 1974. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1639190180779-HETT2WPWDXKR5PE0X2XK/Overholt_FIG7.jpg Home - Lessons from the Participatory Clinic: Architecture and Abortion at the Feminist Women’s Health Centers - Make it stand out Figure 7. Pages from Lorraine Rothman’s patented “Method for Withdrawing Menstrual Fluid.” Patent 3,828,781, filed December 6, 1971, issued August 13, 1974. https://www.platformspace.net/home/eve-arnold-in-the-trucial-states-the-united-arab-emirates-before-federation monthly 0.5 2021-12-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537183323-X4RILWZTP12SGPI5YGO2/1ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 1 Contact sheet from the Eve Arnold Collection (YCAL MSS 611, Box 121) at the Beinecke Rare Book and Manuscript Library, Yale University. According to the library catalog, the Eve Arnold Papers contain “her photographs, contact sheets, negatives, slides, transparencies, diaries, film production files, correspondence, writings by and about Arnold, printed materials, and ephemera that document her career as a member of the Magnum Photos cooperative. In addition, the collection contains audiovisual materials including motion picture film, videocassettes, sound recordings, and computer media.” (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537196109-M0Q9P1YWI7JTVKVOBZI2/2ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 2 “Grooms and camels await arrival of Sheikh Rashid, Ruler of Dubai, so race can begin, Dubai, 1971.” Eve Arnold attended the wedding celebrations as a guest of the Al Maktoum family and was granted unusual access to both male and female spaces at what would have been a highly segregated event. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537197059-DHA56S25WXU0PQ1KNHR0/3ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 3 “Camel and Jeep race,” c. 1971. Camel racing was a popular sport in the Trucial States, and continues even today in the UAE although much has changed in regard to safety and compliance. This photograph shows enthusiasts driving along in a four wheel-drive vehicle, cheering the riders and camels. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537210331-HUFL6MS9EJZKNX0Q9JON/4ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 4 “Bedouin wife and husband in their tent, Abu Dhabi, 1970.” Tribal life in the Trucial States defined the culture of the fishing ports along the Persian Gulf as well as the migratory communities of the Arabian Peninsula. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537209846-YGN2G9JN8CQVT84Y1LOI/5ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 5 “Baluchistan family before their tent in Dubai, 1970.” The Baluch are historically a semi-nomadic ethnic group, whose traditional homelands lie in Southwestern Asia, in what is now Pakistan, Iran, and Afghanistan. At the time that Arnold visited they could also be found along the coastal areas of the Persian Gulf. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537234602-5MN21GY25Q3OY75D9YEF/6ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 6 View of the coastline along the Persian Gulf, c. 1970. It is unclear how Arnold took this set of photographs, which today could be attributed to drone photography. The elevated view shows traditional dhows, the primary mode of transport along the Arabian Sea and the Persian Gulf. In the middle distance, cranes and trucks evince the building activity that was taking place at breakneck speed. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537231359-IKSTOA6T4836FV60I0XQ/7ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 7 Dhows and small boats at the port, c. 1970. Through much of the first half of the twentieth century, pearl diving and commercial fishing were the primary livelihoods of the coastal communities of the Persian Gulf. These soon gave way to the transport of oil and trade cargo. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537249987-WFH73M2EBMGZITWGTVQM/8ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 8 “Sailor in Dhow, Dubai harbor, 1970.” The photograph shows a young man, beaming towards the camera as he holds a transistor radio in his hand. It is a poignant reminder that traditional livelihoods were not incompatible with modernization. The first radio station in the region was the British-operated, Arabic language “Voice of the Coast (Eda’hat sawet al-sahel),” broadcast in Sharjah in 1965. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537250038-4HWOTMSVK2N6I7SDOUBU/9ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 9 Workers, c. 1970. Much of the workforce employed in developing the Trucial States came from Pakistan, Egypt, and India. The photograph shows not only a mix of ethnicities, but of professions, from laborers to office workers. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537285936-3O47W8QY75GL9M16N5QF/10ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 10 Grocery shopping in the bazaar, c. 1970. This scene of an Emirati family is powerful in capturing a moment that is now relegated to the past. Such a simple family outing, with women selling fresh vegetables on the street, would be difficult to find in the busy avenues and shopping plazas of the UAE today. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537263949-NY72NFZUAZ9U2939GR4Q/11ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 11 Man outside a barbershop, c. 1970. Another scene of quotidian life in the Trucial States before urban development would transform the neighborhoods of Dubai, Sharjah and Abu Dhabi. Arnold was an empathetic and observant documentary photographer, with a keen visual sensibility. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537288450-Q73LU8OIE5IAOKIO3TH0/12ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 12 “Bank teller in the purdah (women’s) section, Dubai, 1970.” Public institutions such as banks and schools were the backbones of development efforts undertaken in the Trucial States. The Imperial Bank was the first bank that opened in Dubai in 1946, with branches across the Persian Gulf. The National Bank of Dubai (now Emirates NBD) was established in 1963, a harbinger of Dubai’s ambitions as a financial power in the region. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537302488-7NV5QCNI14BVG17N3C9X/13ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 13 “Children of nomadic tribesman in school, Abu Dhabi, 1970.” The first school with a comprehensive and modern curriculum was established in Sharjah in 1953, first for boys and then for girls. Education continues to be a priority in the UAE, with technical colleges, public and private universities. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537299489-0HZQGL1C78AJK65G1754/14ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 14 “Women in adult literacy evening classes, Abu Dhabi, 1970.” Public education was well-established by the time that Arnold took this striking image of young women in Abu Dhabi. In Dubai, Ras Al Khaimah and Sharjah girls’ schools were already there in the 1950s and in Umm Al Quwain, Ajman and Fujairah by the mid-1960s. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537316652-8ZQFMD6N46XCAFDJXBAK/15ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 15 “Hotel construction on shores of Persian Gulf, April 1970.” Arnold was witness to the massive development projects that would entirely transform the Trucial States. The master plans for Dubai and Abu Dhabi had already broken ground some years before her arrival, and the scale of building activity was remarkable. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537319870-UW5A1BH6A0EEZZJEA9YC/16s+.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 16 Dubai under construction, c. 1970. The photograph shows new construction interspersed between older structures, such as the wind towers (barjīl or bādgīr) that were an integral part of residential architecture of the Persian Gulf and the Arabian Sea Coast. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537329641-5KXCAYOP1PTR4ZNZ5PU4/17ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 17 “Dubai Villa, 1970.” At once kitschy and flamboyant, the exuberant façade of this “villa” –as an upper middle class, free-standing house was called – exemplifies the changing demographics of Dubai. With expatriates flocking to the city to help run hospitals, factories, schools, and hotels, among many other institutions, housing was an urgent need. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537349085-NTWCIDNWT217LQGPPTQF/18ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 18 Al-Jahili Fort, Al Ain, Abu Dhabi, 1970. The desert oasis of Al-Ain is a historical city on the eastern edge of Abu Dhabi, and home to the Al Jahili Fort. Built in 1891, the fort would retain significance as a functional military base through the early years of the UAE. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537371148-M1TH8641HB33WRG790QJ/19ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 19 “Soldiers drilling outside al-Ain Fort, Abu Dhabi,” 1970. Each emirate had its own “ruler-controlled” military until the armed forced were unified in 1971, the same time as the official foundation of the UAE. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638537368434-DID3Y3SBIHPTM874NVX8/20ss.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Fig. 20 “Man at Prayer at harbor, Ras al Khaimah, April 1970.” Eve Arnold captures this quiet moment of prayer, cropping out the bustling activity taking place around the man. The wind gently lifts the fabric draped around his head and his slippers lay scattered behind him. His open palm and downcast eyes focus the attention of the viewer, an image of private devotion in a rapidly changing world. (c) Eve Arnold/Magnum Photos, courtesy of Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366195401-2WD3RZ0076Z4JIB5SXLT/Fig+1.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 1 “Ferry in Dubai Harbor, 1970” shows men commuting to work in an abra (water taxi), in the Dubai Creek. Eve Arnold for Magnum Photos, courtesy of Magnum Photos/Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366230095-AEYZ93F7QWIE5CEKEIC2/Fig+2.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 2 “Colton's Persia, Arabia, Et cetera.” New York City: Johnson and Browning, 1865. Image courtesy of the Library of Congress, World Digital Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366351429-MR9L8Y8BB3VFOT4FCX9L/Fig+3.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 3 New construction on the harbor front, c. 1970. Eve Arnold for Magnum Photos, courtesy of Magnum Photos/Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366295824-E3HWD3BXV6KAF8G68P3H/Fig+4.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 4 “Guests at a feast in the bride’s home, Abu Dhabi, 1971.” Eve Arnold for Magnum Photos, courtesy of Magnum Photos/Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366391341-C3B2W4S7AHSBXZMMSB1H/Fig+5.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 5 Posters showing popular dancers and acrobats, c. 1970. Eve Arnold for Magnum Photos, courtesy of Magnum Photos/Beinecke Rare Books and Manuscript Library, Yale University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638366429250-AZP050RK01CJD7N2XGXA/Fig+6.jpg Home - Eve Arnold in the Trucial States: The United Arab Emirates before Federation - Make it stand out Fig. 6 Children at the harbor, c. 1970. Eve Arnold for Magnum Photos, courtesy of Magnum Photos/Beinecke Rare Books and Manuscript Library, Yale University. https://www.platformspace.net/home/unlearning-part-i monthly 0.5 2021-12-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638026772090-4BDQDYJ2C52FL1QUEVFL/Figure+1_Swati_unlearningJW+copy.jpg Home - Unlearning, Part I - Make it stand out Figure 1. Whitewashed political wall writing; conjectural view. Copyright Jeremy White. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638026829547-YKTA48CRE3JRRLEFQY9Z/Figure+2_Swati_unlearning+copy.jpg Home - Unlearning, Part I - Make it stand out Figure 2. “Guernica”: Critique of Congress (I) by the Communist Party of India (M), Wall-writing, Kolkata, 1982. Photographer: Salim Paul. Courtesy of Chitrabani, Kolkata. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1638026867356-6JO4QMM0V8FP25BYT7M6/Figure+3_Mabel_Unlearning1.JPG Home - Unlearning, Part I - Make it stand out Figure 3. Höweler + Yoon Architecture, detail of the Memorial to Enslaved Laborers, Charlottesville, VA, completed 2020. Courtesy of Höweler + Yoon Architecture. https://www.platformspace.net/home/the-ss-munger-lifts-anchor-for-santa-barbara monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636777333953-BBL91JLWJZAU2B4HSZ8U/Munger1+copy.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 1. Render and ground floor plan of the proposed dormitory building, Munger Hall, for the University of California, Santa Barbara. Images were produced by Van Tilburg, Banvard & Soderbergh, AIA. Critics pointed out that exterior views of the building neglect to show neighboring buildings, which are sure to be dwarfed by Munger Hall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636777576145-PMOVN10CK4BRNSRER37H/Munger2.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 2. View of one of three Reading Rooms on the eleventh floor accessed from the roof garden. Images produced by Van Tilburg, Banvard & Soderbergh, AIA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636777663233-O4XC7PF6PI9MU4Y2GFS1/Munger3.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 3. Floor plan of a typical residential floor, one of nine such floors in the proposed building. A double-loaded corridor occupies the center of the building giving access to eight “Houses” each organized by its own double-loaded corridor. On the right is a rendering of a single-occupancy dorm room. Of the 512 dorm rooms on a typical floor like this, only 32 will have windows allowing natural light. Images produced by Van Tilburg, Banvard & Soderbergh, AIA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636777700133-TZXOQXVAQK7J5VG0MTO3/Munger4.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 4. Floor plan of a typical House, one of eight such subdivisions on each dormitory floor. The double-loaded corridor allows access to eight “Suites,” each with its eight single-occupancy dorm rooms. Each Suite is equipped with two toilets and two showers. The House’s corridor terminates by giving access to a “Great Room” that includes a laundry room, a “Convivial Kitchen,” emergency access to stairwells on either side, and a game room. Unlike the Suites and the main corridor (labeled “Gallery” in the plan), the Great Room enjoys natural light. Images produced by Van Tilburg, Banvard & Soderbergh, AIA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636777772412-BRBOZB9YZS4YUIFW7PAM/Munger5.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 5. Author’s elevation diagram of Munger Hall situated on its proposed site next to Harder Stadium and the Fire and Police Department Buildings across the street. Image by the author, superimposed under the project team’s site plan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778142975-PHN3MLG1K7DQ32GFBMLJ/Munger6.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 6. Floor plans from the approved set of permit drawings for the two-story apartment building at 6597 Del Playa Ave. in Isla Vista, submitted in 1996. A “Dining Room,” “Living Room,” and “Garage” are labeled spaces. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778221606-SEXPCPT2KTH0R4X6Y9BU/Munger7.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 7. Permitted Plan Arrangement: Author’s color-coded plan diagram of the Del Playa apartment building showing bedrooms and walk-in closets on the second floor, and common spaces on the ground floor. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778296327-FP791SQU7I8OJGK1D6VI/Munger8.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 8. As-Built Arrangement: Author’s color-coded plan diagram of the Del Playa apartment building showing bedrooms instead of common spaces and the garage on the ground floor, and noting that bedrooms were constructed above the walk-in closets on the second floor (accessed by ladders from inside the bedrooms). On the ground floor, the large kitchen doubles as a living/dining space. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778503078-5O7WIKS3VEQ6VAODF5O0/Munger9.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 9. Street view of 6597 Del Playa in Isla Vista. The building depicted in the plans (6597 Del Playa Ave.) is on the right, and the building on the left is identical but mirrored. The number of cars parked in the driveway exceeds SR-M-18 zoning (and expresses the density of residents within). Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778530331-OAGZBH8QF2NGZEHLV3W2/Munger10.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 10. Floor plans from the approved set of permit drawings for the two-story townhouse building at 6598 Del Playa Ave. in Isla Vista, submitted in 1996. Both the dwelling unit on the ground floor and the upper floor are entered through the kitchen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778552613-CVE4VVO8630AEISMHQWZ/Munger11.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 11. Permitted Plan Arrangement: Author’s color-coded plan diagram of the Del Playa townhouse showing a dining room and living room on each floor and a garage on the ground floor. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778912176-JI6QO7WH8VREPAI672P7/Munger12.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 12. As-Built Plan Arrangement: Author’s color-coded plan diagram of the Del Playa townhouse showing bedrooms replacing the dining and living rooms of the permitted plans. Additional bathrooms were also added. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778940354-DH0TJO9NEMDXXT2C0PVY/Munger13.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 13. Street view of the Del Playa townhouse in Isla Vista (6598 Del Playa Ave.). The garage is used as a bedroom and the cars parked in front of the garage door belong to residents. Two cars are on the sidewalk and one’s rear bumper is in the street. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636778965354-S7BFXB79OWOBMLF8A3LS/Munger14.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 14. Street view of the Del Playa townhouse in Isla Vista. The stairs grant access to the kitchen in the upstairs unit. The cars in the driveway in front of the stairs belong to residents, and here too they occupy the sidewalk and push into the street. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636779013130-WPUHQPLZ5XBGLR0T8KYV/Munger15.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 15. Interior view of the Del Playa townhouse in Isla Vista. The photograph was captured from the door at the top of the stairs looking into the kitchen and its two refrigerators. The space doubles as the living room, and the wall and door behind the television are not shown on the permit drawings. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636779059960-FGPT80NFPJWK4B1QFYNS/Munger16.jpg Home - The S.S. Munger Lifts Anchor for Santa Barbara - Make it stand out Figure 16. Interior views of the second floor bedroom of the Del Playa townhouse in Isla Vista. The ladder grants access to the platform under the gable roof which serves as an additional bedroom. Photographs by the author. https://www.platformspace.net/home/the-age-of-rope-part-2-building-ropewalks monthly 0.5 2021-11-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692318412-K7JZX52NHMAYY7E6LG21/Anderson_FIG1.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 1. La Corderie Royale, Rochefort, France. Photograph by Yoyolicia. Creative-Commons Attribution-Share Alike 4.0 International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692433601-EGS9K50FKWSTIHAJJHPP/Anderson_FIG2.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 2. La Corderie Royale, Rochefort, France. Creative-Commons Attribution-Share Alike 4.0 International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692576248-0564SXEL4AF3WE8ZD0XU/Anderson_FIG3.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 3. Plan, section and elevation of the ropewalk in Venice, 1669. Collection des cinq-cents de Colbert, Folio 66. Bibliothèque National de France. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692619064-2M71RPUT0X6L9N9NO8X1/Anderson_FIG4.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 4. Corderie della Tana, Arsenal, Venice. Photo Federicofoto. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636999488629-JNC2JO2W8KXKUWN9KLD9/61070A40-468D-41FF-A145-4D8CC11D6DC1.jpeg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 5. Ropewalk, Chatham. Photo Gaius Cornelius. Creative-Commons Attribution-Share Alike 4.0 International. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692671441-XUU9S855UDS10SX5Y93A/Anderson_FIG6.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 6. Chatham dockyards buildings. ADM 140/21. 1735. National Archives, Kew. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692796039-AR2D3Q6LOLLR51Y1UKG6/Anderson_FIG7.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 7. Chatham dockyards buildings; proposed alterations in machinery at yarn houses. ADM 140/110. 1735. National Archives, Kew. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692943158-61TZZIK79EO9EOC5MGF1/Anderson_FIG8.jpeg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 8. Supply ratings handling coil of 16-inch towing hawser (rope) at the Naval Stores Department, Nore, Harwich, c. 1940. Photo by Lt. J. E. Russell. A 16341, Admiralty Official Collection. Imperial War Museum. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636692979573-HDVOGICMEM5EQFQQA03K/Anderson_FIG9.jpg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 9. Ropewalk, Castine Maine. Photograph by William G. Sargeant (1848-1923), c. 1900. Castine Historical Society Collections. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636693826779-XVLUCJOZA4U5UB95I82Q/Anderson_FIG10.jpeg Home - The Age of Rope, Part 2: Building Ropewalks - Make it stand out Figure 10. Ropewalk, Montrose Park, Washington DC. Laid out in 1804 by ropemaker Richard Parrot. Photo courtesy of the U.S. National Park Service. https://www.platformspace.net/home/the-age-of-rope-part-1-making-rope monthly 0.5 2021-11-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050271766-A5I49CBE0C0UCXF8DU4O/Anderson_FIG1.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 1. Karlskrona naval base ropewalk, Lindholmen, Sweden, from 1692. Photograph by Boatbuilder. CC BY-SA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050304446-UFE6IFUJYSA7H0IHGRP6/Anderson_FIG2.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 2. Interior of Karlskrona naval base ropewalk, Lindholmen, Sweden, from 1692. Photograph by Boatbuilder. CC BY-SA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050472848-7ARTZT9UWND9KKBLM1IR/Anderson_FIG3.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 3. Rigging on mainmast and halyard. CCO. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050555325-90BIHR0UR2SVIE1I3T53/Anderson_FIG4.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 4. Advertisement for ropemaking in Bewdley, Birmingham, established 1770. Image courtesy of Bewdley Museum, Wyre Forest District Council. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050635011-USAYGKESVDKZ4M1W3UT2/Anderson_FIG5.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 5. Lowe’s ropeworks, Bewdley, Birmingham. Reprinted courtesy of the Bewdley Museum, Wyre Forest District Council. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050734151-PYVXOWS1QNHEZMXC47DR/Anderson_FIG6.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 6. “Lorenz Sayler, Ropemaker.” Nuremberg Twelve Brothers Housebook, about 1425. Photo courtesy of Stadtbibliothek im Bildungscampus Nürnberg, Amb.317.2°,f.16r. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050818638-FB20XRJNL8O1XLKWCX1G/Anderson_FIG7.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 7. Hackles and hemp fibers. Reprinted courtesy of the Bewdley Museum, Wyre Forest District Council. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050864724-QF8669Z7JCGMWH7GVCIN/Anderson_FIG8.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 8. Tar kiln in Luomala village, Lappajärvi, Finland, 1948. CC BY-SA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050903531-UDBZ56TKMMQOGYYYA4IV/Anderson_FIG9.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 9. Laying the rope. Strands are tied to a rotating hook on the jack. Clockwise tension is kept on the other ends by rotating hooks and the strands are twisted counterclockwise to make rope. CCO. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1636050937108-XOZ2TM3R9IOKIP8BAJAX/Anderson_FIG10.jpg Home - The Age of Rope, Part 1: Manufacture - Make it stand out Figure 10. Laying the rope using the ‘jack.’ The wooden top used to separate the strands is on the ground. Lowe’s ropeworks, c. 1900, Bewdley Birmingham. Reprinted courtesy of the Bewdley Museum, Wyre Forest District Council. https://www.platformspace.net/home/how-academia-laid-the-groundwork-for-redlining monthly 0.5 2021-11-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635446204718-77FKYW9LSYBQW9F8ORR3/1-Richard+Ely+1903.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 1. Richard Ely in 1903. Published in The Comrade vol. 2, no. 7 (Apr. 1903). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635772133176-7HD3RC6YQALUXMN85EWH/2-JLPUE+first+issue+1925.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 2. Title page of the first issue of The Journal of Land & Public Utility Economics, published by Richard Ely’s Institute. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635771912073-6XPNV9LT7ODADPWSLC6N/Screenshot+2021-11-01+080419.png Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 3. Racist advertisement published in the Sunday Star [Washington, DC], May 30, 1926, following the U.S. Supreme Court’s Corrigan v. Buckley decision certifying the legality of racial restrictive covenants. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635446720746-NBBA0OKFCTMESY5SNICJ/4-FDR+signing+HOLC+Act+1933.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 4. President Franklin Delano Roosevelt signing the Home Owners’ Loan Act that established the Home Owners’ Loan Corporation (HOLC), 1933. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635446784680-T81M8E37VYCA7XLADTVM/5-Morton+Bodfish+1939.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 5. H. Morton Bodfish in 1939. Bodfish was a professor at Ely’s Institute, a Federal Home Loan Bank Board Member, Executive Vice President of the U.S. Building and Loan League, and a co-founder of the Society of Residential Appraisers. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635446823895-W5S7RWIBDPGV64K4O42L/6-Chicago+Security+map.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 6. HOLC residential Security map of central Chicago. Courtesy Robert K. Nelson, LaDale Winling, Richard Marciano, Nathan Connolly, et al., “Mapping Inequality,” American Panorama, ed. Robert K. Nelson and Edward L. Ayers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635470266517-J3J6LU61RBPSFVA0I5TM/7-FHA+Econ+and+Statistics+mapping+1937-38.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 7. Workers in the mapping/drafting section at the FHA’s Division of Economics and Statistics, ca. 1937-1938. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1635470456630-PXNKN5F0Q4X8AMJ3N7P6/8-Hypothetical+Security+Map.jpg Home - How Academia Laid the Groundwork for Redlining - Make it stand out Figure 8. A “hypothetical security map” published with a feature on the HOLC’s City Survey in Architectural Forum, vol. 68, no. 2 (Feb. 1938). The real map on which this illustration was based can be viewed here. https://www.platformspace.net/home/islamic-pasts-and-futures-in-palestine monthly 0.5 2021-10-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634787797605-71DQQ4JUWII6P11ZJD64/Roy_Figure+1.jpg Home - Islamic Pasts and Futures in Palestine - Make it stand out Figure 1. The 16th -century Dome of the Prophet, on the al-Aqsa Mosque complex, believed to be where the Prophet Mohammed led the previous prophets and the angels in prayer before ascending to heaven. Photograph by Arpan Roy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634788040754-I5130XJVUR43S38TD6G1/Roy_figure+2.jpg Home - Islamic Pasts and Futures in Palestine - Make it stand out Figure 2. Tomb of Sultan Badr, camouflaged in a JNF forest in the ruins of Dayr al-Shaykh village. Photograph by Arpan Roy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634788084587-ARQY2TJAXUKTESWG5C1E/Roy_figure+3.jpg Home - Islamic Pasts and Futures in Palestine - Make it stand out Figure 3. An ancient tree honoring Ibrahim al-Adham, in Beit Hanina village in the West Bank. Photograph by Arpan Roy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634788186026-JJWDTU5Z8ED6M8BQ5TVT/Roy_figure+4.jpg Home - Islamic Pasts and Futures in Palestine - Make it stand out Figure 4. A Dome of the Rock replica at the entrance to the underground shrine of Ahmad al-Huweiss in Biddu village in the West Bank, today a kindergarten. Photograph by Arpan Roy. https://www.platformspace.net/home/promenading-in-isfahans-chaharbaghs monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633573267252-UTWN32KRMX16UEGR0JFO/Figure+1.JPG Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 1. The Safavid Chaharbagh, 2012. Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633573344851-9XMT5G6GKYCBXYWOSZUS/Figure+2.jpg Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 2. Cornelius De Bruyn, the Safavid Chaharbagh promenade (Chaharbagh-i Abbasi), ca. 1704. Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633573390205-MEF4BI4Q67OVIV8AS12L/Figure+3.jpg Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 3. Bolshov Bakunov Proskuriakov Ogranovich, “Plan of the town of Esfahan with a description.” Review by topographers: captain Proskuriakov and ensign Ogranovich. Draught by ensign Bolshov and Bakunov, ca. 1851. Published in Asnaad-i Tasviri-ye Shahrha-ye Irani dar Dore-ye Qajar, Tehran 2000. White circles demonstrate the spread of Sadr-i Isfahani’s architectural projects along his three chaharbaghs and in relation to the existing Safavid monuments (labels and lines provided by the author) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633573445923-AAYBAP4SF95CUE6XIO9F/Figure+4.JPG Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 4. Portal of the Madrasa-ye Sadr-i Khaju, along the Fathabad chaharbagh (currently Khaju), commissioned by Muhammad Husayn Khan-i Sadr-i Isfahani, ca. the 1800s. Photo: Samira Fathi, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633574029672-AZOB6Y0GWDFWXFNZRFRB/Figure+5.jpg Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 5. Photograph of the Fathabad chaharbagh, late 19th century, Isfahan, Courtesy of the Gulistan Palace, Tehran. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633574066493-HWQZOERPHHJ9HJ2MEGE1/Figure+6.JPG Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 6. The Fathabad chaharbagh, Commissioned by Muhammad Husayn Khan-i Sadr-i Isfahani, ca. the 1800s. Photo: Samira Fathi, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633574125650-21IQAELB5K755TYNR8D7/Figure+7.JPG Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 7. The Fathabad chaharbagh. Photo: Samira Fathi, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633574185896-9FORQ307FI0F6Y7O1H4V/Figure+8.JPG Home - Promenading in Isfahan’s Chaharbaghs - Make it stand out Figure 8. Photograph of the Khaju bridge (Hasanabad bridge) over the Zayande river connecting the Fathabad chaharbagh to the Aminabad chaharrbagh. This bridge was originally constructed under Shah Abbas II in the 17th century and Sadr-i Isfahani restored and repaired it while establishing his new chaharbagh avenues in the early 19th century. Photo: Samira Fathi, 2015. https://www.platformspace.net/home/discussing-futurity-in-architecture monthly 0.5 2021-10-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944557079-F50EW0OS43OXU9WVIJWZ/FIG_1.JPG Home - Discussing Futurity in Architecture - Make it stand out Figure 1. View of Olalekan Jeyifous’s Frozen Neighborhoods, 2020, in the Reconstructions: Architecture and Blackness in America exhibition, MoMA 2021. Photograph by Jilly Traganou. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944592958-9969SZ13DDJDX9H8T8BV/FIG_2_BK+Vault_+Plant+Seeds+Grow+Blessings_small.jpg Home - Discussing Futurity in Architecture - Make it stand out Figure 2. Frozen Neighborhoods, photomontage 4, “Plant Seeds, Grow Blessings: BKLYN Interfaith Seed Vault,” 2020. Mounted renderings printed on Luster 260 GSM 40 × 30". Courtesy of Olalekan Jeyifous. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944650441-KGPX0VNRIRWLMVUPXP9R/FIG_3_TFN_Grand+and+Flushing_Farm+and+Freshwater+Corridor_small.jpg Home - Discussing Futurity in Architecture - Make it stand out Figure 3. Frozen Neighborhoods, photomontage 1, “Grand and Flushing: Farm + Freshwater Corridor,” 2020. Mounted renderings printed on Luster 260 GSM 72 x 48''. Courtesy of Olalekan Jeyifous. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944701598-8TOSK7NGRZMEEZZT4397/FIG_4_ENY+NYC+Gateway_01_small.jpg Home - Discussing Futurity in Architecture - Make it stand out Figure 4. Frozen Neighborhoods, photomontage 3, “The East New York Greater Gateway,” 2020. Mounted renderings printed on Luster 260 GSM 40 x 30. Courtesy of Olalekan Jeyifous. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944757799-7NO0FY2BU0AY7TF9Z3WS/FIG_5_MTA+ACE+Interior_03_small.jpg Home - Discussing Futurity in Architecture - Make it stand out Figure 5. Frozen Neighborhoods, photomontage 7, “TFN - MTA: A/C/E DOCK 4, Gateway Line,” 2020. Mounted renderings printed on Luster 260 GSM 30 x 40''. Courtesy of Olalekan Jeyifous. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632944794308-IUM03M5AB4PJDJ0JIASM/FIG_6_Lagos+03_Falomo+Roundabout.jpg Home - Discussing Futurity in Architecture - Make it stand out Figure 6. Lagos Falomo Roundabout, 2015. Courtesy of Olalekan Jeyifous. https://www.platformspace.net/home/the-house-that-anti-fascism-built-the-hofs-of-red-vienna monthly 0.5 2025-11-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415297313-X3UHXI0UGAZSO2C5UA63/Slide1.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 1. Maria-Franc-Hof, located on Zeligasse in Josefstadt. The austerity of this postwar Hof, completed in 1958, contrasts sharply with the bourgeois architecture of the surrounding district. Photograph by Joseph Heathcott, 6 July 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415302031-YQOAO7PNFB0UC8CI3IQ3/Slide2.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 2. Street scene along Metzleinstaler Hof, designed by Hubert Gessner. Completed in 1924, it was the first of a series of Hofs constructed in the Margareten district. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415304923-NW85BKS2OQT7EGW0CPF3/Slide3.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 3. This sharply angular oriel window array is unique to Metzleinstaler Hof. The majolica tiles depicting fruit, leaves, and cornucopia adorn panels and window trim, while the jagged rhythm of the edges induces visual tension. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415308178-28N1Y3XT8U3ENKZ4MNEV/Slide4.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 4. Detail of the oriel windows at Metzleinstaler Hof. The upward flaring skirts below the windows provide a projecting ledge, convenient for the display of potted plants, a tradition brought to Vienna from the countryside. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415311420-2DB2NWHHVMJMDP858C22/Slide5.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 5. Named for mayor of Red Vienna, Reumann Hof was designed by Hubert Gessner and completed in 1926. Critics and residents noted that the grand façade with its central massing, undulating bays, and upper colonnade, contrasted sharply with the small, cramped apartments. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415315654-FEI3D8ZV5TFMIPGPM51A/Slide6.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 6. Café at Metzleinstaler Hof in Margareten. Most of the Hofs featured ground level commercial spaces to serve the growing community. Today the spaces are still used for a variety of businesses. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415318944-Z2PQTOA1WBAIG2C0BOBO/Slide7.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 7. Interior garden court of the Franz Domes Hof, with the stairwell expressed externally as a glass box stack. The Hof was named for Franz Domes, co-founder of the Metalworkers Union and president of the Chamber of Labor. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415323115-G55ZC5YNQI0X9AQDAEYN/Slide8.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 8. Matteotti Hof, completed in 1927, was nearly as large as Reumann Hof. The complex was named for Giacomo Matteotti, an Italian socialist and leading critic of Mussolini, murdered by fascists in 1924. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415327216-W3GLF579D6G6VCYHZHA6/Slide9.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 9. Turkish restaurant at Matteotti Hof. This small boxy protrusion once accommodated a guardhouse and offices for the Hof, but since the 1970s has been given over to commercial uses. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415330342-YILEIBGDTBOJDZVSD262/Slide10.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 10. Matteotti Hof employs unique treatments to differentiate the many entrances. Here, a triangular stairwell punctuated by portal windows rises from a jewel box vestibule. The affixed lantern is an original feature. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415333482-DT40VXD5EVGADM6FM2GF/Slide11.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 11. Architects Heinrich Schmid and Hermann Aichinger designed Matteotti Hof with interconnected buildings grouped around five courtyards. Most of the façades feature horizontal banding to break up the vertical aspect. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415337458-M5HD782VRLC3M8HVCPE1/Slide12.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 12. Another entrance to Matteotti Hof. Three risers lead to a portico featuring a semi-cylindrical glass block sidelight that dominates the small wooden door, beneath a flat roof supported by a column brace. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415342433-6H65QPBHND0Z00WBBVU5/Slide13.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 13. Ernst Hinterberger Hof, completed in 1929. The Hof was not named until 2013, when the municipal council dedicated it to the well-known proletarian author who lived at the Hof and worked in a factory most of his life. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415344724-O3JQT41OW30ZXTTOS7CP/Slide14.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 14. Architect Adolf Jelletz designed Ernst Hinterberger Hof as a U-shaped building with dramatic horizontal bands, exaggerated upper lintels, and recessed balconies along the street façades. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415347565-1XF5I0YKOUN2DKVYUXEY/Slide15.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 15. Interior court of Ernst Hinterberger Hof. In contrast to the rectilinear street façade, the interior court features curved projecting bays and rounded corners. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415349983-15DNQANQFU5184FSWTG5/Slide16.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 16. Decorative details around the entrance to Theresa Schlesinger Hof, looking through to a small interior court. The Hof was designed by Cesar Poppovits, a Bohemian-born architect who studied at the Technical University of Vienna. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415355800-6DFHOPSWGW7LDBC7W2LO/Slide17.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 17. Residents of the Hofs take evident care in their environment. Here, potted plants and lace curtains adorn this deeply recessed aperture, with the original wooden casement windows still intact. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415360503-KHAW6SXA32XPG51F61Z4/Slide18.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 18. Completed in 1930, Karl-Marx-Hof was one of the largest, with 1,300 apartments stretching for over a kilometer along the U-Bahn line. It featured many restrained decorative details, such as this entrance surround. Photograph by Joseph Heathcott, 6 July 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415365662-CXXJAC5BFIBNYYU98JOD/Slide19.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 19. Unlike most of the social housing complexes, Karl-Marx-Hof included attached decorative elements, such as this bronze statue of a mother and infant situated atop a concrete plinth. Photograph by Joseph Heathcott, 6 July 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415369393-WOFV24ICIDWJDNQPQN38/Slide20.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna Slide 20. In the spirit of post-World War II austerity, the Hofs became more restrained. Here, Eduard Leisching Hof, completed in 1955 in Margareten, presents a highly uniform façade above a utilitarian street passage. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415797495-0N3S3QJLU03Q9JJNDQA7/FIG1.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 1. Metzleinstaler Hof, completed in 1924. Architect Hubert Gessner incorporated a wide range of amenities for working-class families, including public baths, clubrooms, an apprentice shop, library, and kindergarten. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415837017-ZEVAKHERUCZX54HX56QT/FIG2.jpg Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 2. Children's swimming pool in Margareten, Vienna, 1923. This is one among scores of new facilities constructed by the Viennese municipality under the socialist government. Photograph courtesy of the Weblexikon der Wiener Sozialdemokratie. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632415884731-14DWJUNP8OM4C8IIVOV1/FIG3.jpg Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 3. Aerial view of several large Hofs in Margareten, with their perimeter block buildings enclosing green courts. Courtesy of Google Maps, captured 15 March 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416363675-49871J5DIPPZXFKD58R9/FIG4.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 4. Named for the mayor of Red Vienna, Reumann Hof was designed by Hubert Gessner and completed in 1926. With 478 apartments, it was the largest of the Margareten complexes. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416404602-YXYKRD3UUI0XK4ERYIZZ/FIG5.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 5. Therese Schlesinger Hof, completed in 1930. Unlike the Margareten Hofs, this one in Josefstadt is an example of a slum clearance project. Schlesinger was a Jewish labor and suffrage activist who served in the leadership of the Social Democrats. Photograph by Joseph Heathcott, 2 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416441466-29UQ52FUHVU22A45V6T0/FIG6.jpg Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 6. Karl Ehn, a student of Otto Wagner, designed Karl-Marx-Hof with a long linear façade interrupted with projecting bays flanked by balconies. The bold contrasting color scheme provides high visual drama. Photograph by Thomas Ledl, courtesy of Wikimedia Commons, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416522855-NZHY4QT8EN916OVAFPON/FIG7.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 7. Franz Domes Hof, completed in 1929. Architect Peter Behrens used horizontal courses to break up the irregular massing, and disrupted the façade with externally expressed stairwells. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416563736-7U4XOR9Q3XE9BZ2TKTB0/FIG8.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 8. Designed by architects Heinrich Schmid and Hermann Aichinger, Matteotti Hof contains 452 apartments in interconnected buildings grouped around five courtyards. Most of the façades feature varied window shapes, stylized entrance ports, and irregular projected massing to create visual interest. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632416613463-73CEEF4QF6Q3HLX1LBXR/FIG9.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 9. Entrance to a one-story community room off the interior garden at Herwegh Hof. Officials named the complex after German revolutionary poet Georg Herwegh, friend of Marx and a leader of the 1848 uprising. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632670567750-45BQ4UEQPQVO87Z5GHFO/FIG10.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 10. Heinrich Schmid and Hermann Aichinger designed Herwegh Hof. It was completed in 1929, across the street from their massive Matteotti complex. Here a wide bank of windows in a projecting bay brings ample light into the apartments. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632670600767-FDH5EWPTIE4LP2W10TGM/FIG11.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 11. Architects Josef Baudys, Rudolf Münch, and Hans Paar designed Eduard Leisching Hof with very little decorative detail, save for this brilliant mosaic mural above the façade on Josef-Schwarz-Gasse. Photograph by Joseph Heathcott, 5 July 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1632670638115-JXJ8RBLLNE1L5AAGDULQ/FIG12.JPG Home - The House that Anti-Fascism Built: The Hofs of Red Vienna - Make it stand out Figure 12. A woman looks out from her balcony over the front of Karl-Marx-Hof. The façade and balconies are composed of a brick curtain wall covered in a rough plaster render. Horizontal elements are largely composed of concrete rather than stone. Photograph by Joseph Heathcott, 6 July 2014. https://www.platformspace.net/home/law-and-urban-warfare monthly 0.5 2021-09-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631890661860-7441AH6J8PEQIJFQERR9/Joint+Targeting+Cycle_ACLU.png Home - Law and Urban Warfare - Make it stand out Figure. 1 The targeting cycle, known colloquially as the “kill chain”. Source: US Department of Defense/American Civil Liberties Union (ACLU), 2009. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631890793939-9Y32I9LXF9VB0DOXFHGN/The_Israeli_Air_Force_bombed_the_press_offices_in_Gaza_2021.jpg Home - Law and Urban Warfare - Make it stand out Figure 2. Israel destroys the al-Jalaa Building, 15 May 2021, By Osama Eid, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=105343649 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631890984239-IFI9TN0Y8BJ4F1UJ44SA/U.S._Army_Soldiers%2C_deployed_in_support_of_CJTF-OIR%2C_assigned_to_2nd_BN%2C_325th_AIR%2C_2nd_BCT%2C_82nd_Airborne_Division%2C_use_a_rooftop_as_an_OP_in_M.jpg Home - Law and Urban Warfare - Make it stand out Figure 3. U.S. Army infantry during the Battle of Mosul, 7 March 2017. Source: Alex Manne, U.S. Army. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631891133670-117G7S24VGC0DA76DN3C/Destroyed_neighborhood_in_Raqqa.png Home - Law and Urban Warfare - Make it stand out Figure 4. Mahmoud Bali (VOA) - US-backed Forces in Southern Raqqa City, 2017. https://www.platformspace.net/home/modern-kabul-legacies-of-polish-architects-in-afghanistan monthly 0.5 2021-09-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631891744320-ZK5ZVIM87ZOG2GIQKNMW/Esmat_FIG1.jpeg Home - Modern Kabul: Legacies of Polish Architects in Afghanistan - Make it stand out Figure 1. A view of the Park Hotel in central Kabul, 1971. Courtesy of Arg Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631891779813-4RAQFXR1RP92KQCTLHKM/Esmat_FIG2.jpg Home - Modern Kabul: Legacies of Polish Architects in Afghanistan - Make it stand out Figure 2. Ministry of Communication and Information Technology, Kabul, designed by Polish Architect Andrej Riabow,1980s. Photograph by Masoud Akbari. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631891804644-8T98BOZ5ZIGOBCVIVJ1I/Esmat_FIG3.jpg Home - Modern Kabul: Legacies of Polish Architects in Afghanistan - Make it stand out Figure 3. Ministry of Education, Kabul, c.1975. Courtesy of Arg Archive. https://www.platformspace.net/home/teaching-in-tumultuous-times monthly 0.5 2021-09-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631129961900-M727B9Y3V0WQIVD10UJ3/Fig+1+SewellJohnston.jpg Home - Teaching in Tumultuous Times - Make it stand out Figure 1. Architecture students wearing hats they made out of paper as a foundation studio assignment at Xi’an Jiaotong-Liverpool University, Suzhou, China. Photograph by Jessica Sewell, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631130012506-ZLCICF579URDSYED8T2N/FIG+2+SEN.jpg Home - Teaching in Tumultuous Times - Make it stand out Figure 2. BLC Field School students interview community residents in the basement of the Greater Mount Zion Missionary Baptist Church, Fall 2019. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631130068182-67IHECR0PFT61W1OIVLJ/FIG+3+Siddiqi%2C+Fig+4_Chen_IMG_0146.jpg Home - Teaching in Tumultuous Times - Make it stand out Figure 3. Eno Chen, “NYC Kitchen Models: Evolving Spaces of Domestic Resistance” exhibit, December 2018. Photograph by Anooradha Iyer Siddiqi. https://www.platformspace.net/home/under-cover-clandestine-removals-of-confederate-statues monthly 0.5 2021-09-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631161619238-KX9U2FTFA2DLPQ92UJJ5/Goff%2C+Figure+1+-+Scene+at+the+unveiling+of+the+monument+to+General+Robert+E.+Lee+at+Richmond%2C+Virginia.jpg Home - Under Cover: Clandestine Removals of Confederate Statues - Make it stand out Figure 1. Scene at the unveiling of the monument to General Robert E. Lee at Richmond, Virginia, drawn by Thure De Thulstrup from a photograph, published in Harper’s Weekly on June 14, 1890. Source: Richmond Nineteenth-Century Print Collection, Virginia Commonwealth Library, Richmond, Virginia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631161756211-9E421USI67ZS8K7BBWA8/Goff%2C+figure+2Removal+Lee+statue-1.jpg Home - Under Cover: Clandestine Removals of Confederate Statues - Make it stand out Figure 2. Lee statue rolling out of Charlottesville on a flatbed truck, July 10, 2021. Natalie Krovetz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631409215503-79GDMIX23F2UJKGLP21S/Goff%2C+Figure+3+-+Robert_E_Lee_statue_removed_from_column_New_Orleans_19_May_2017_12.jpeg Home - Under Cover: Clandestine Removals of Confederate Statues - Make it stand out Figure 3. Robert E Lee statue at Lee Circle in New Orleans being removed from atop its column, May 19, 2017. Infrogmation of New Orleans, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631162469586-MGG4OS3T7H54U34I94W5/Goff%2C+figure+4.jpg Home - Under Cover: Clandestine Removals of Confederate Statues - Make it stand out Figure 4. Stonewall Jackson statue removed from Monument Avenue in Richmond, Virginia, on July 1, 2020. Zach Clarke. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1631409106801-0A8NWUA6OIK92BGBF96O/Goff%2C+Figure+5+-+Bust_of_York%2C_Mount_Tabor%2C_2021_8.jpeg Home - Under Cover: Clandestine Removals of Confederate Statues - Make it stand out Figure 5. Bust of York, Mount Tabor, February 2021. Another Believer, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons. https://www.platformspace.net/home/intensities-part-2-erased-histories monthly 0.5 2021-08-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454433522-6GQY60XJ29TW5QN3RXGI/Al-Naimi_PART2_FIG1.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 1. A specialist bookshop in Al-Mutanabbi Street is the only source for many university students seeking academic references, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454499291-ATBFFYXZBR8C26JBZVRS/Al-Naimi_PART2_FIG2.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 2. The historical Souq al-Sarrajeen retains its charm despite nearby bombings, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454727642-K8J2KCVMU40FXQUBTESF/Al-Naimi_PART2_FIG3.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 3. Souvenirs in support of the 2019 youth uprising. They are found in most shopping areas including the trendiest of malls as is seen in this photo, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454788285-4MXRY9LMQHFEGWF5B3K1/Al-Naimi_PART2_FIG4.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 4. Image of Baghdad’s historic center. Key: (1) Al-Rasheed Street (historic names: Jadat Khalil Pasha and New Street); (2) Al-Haydar Khana Mosque; (3) Al-Madrasa al-Mustansiriyya; (4) Souq al-Sarai and Souq al-Sarrajeen; (5) Al-Mutanabbi Street; (6) Al-Qishla (the old Ottoman army barracks with its clock tower); (7) Al-Sarai; (8) Al-Sarai Mosque (also known as King Ghazi Mosque and Jadid Hassan Pasha Mosque); (9) Bait al-Wali (the House of the Governor); (10) The Abbasid Palace; (11) The River Tigris. Google, ©2021, Maxar Technologies. Annotations by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454872825-Q96SWQJYTXDBN94VW0PN/Al-Naimi_PART2_FIG5.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 5. Bank of the river Tigris (Dijlah) and the clock tower of al-Qishla, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454912797-BCI845V9KJU1NM7STDFH/Al-Naimi_PART2_FIG6.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 6. Extract from: City of Baghdad Ed No 1(06.06.17). (1) Footprint of the al-Sarai before the flood; (2) The current footprint of the al-Sarai in red; (3) The al-Qishla building and clock tower; (4) Al-Rasheed Street, originally called Jadat Khalil Pasha and renamed New Street by the British; (5) The al-Haidar Khana Mosque. Source: The National Archives- WO 302/547. Annotations by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629454960416-6YNX5NPCNBJS0KF632QI/Al-Naimi_PART2_FIG7.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 7. Extract from City of Baghdad Mosaic of Air Photographs showing the center of Baghdad in 1917, shortly after its capture by the British. (1) Footprint of the al-Sarai before the flood; (2) The current footprint of the al-Sarai in red; (3) The al-Qishla building and clock tower; (4) Al-Rasheed Street, originally called Jadat Khalil Pasha and renamed New Street by the British; (5) The al-Haidar Khana Mosque. Source: The National Archives- WO 302/550. Annotations by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629455022702-HA74JG07FPMZOJPV6XUY/Al-Naimi_PART2_FIG8.png Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 8. Peace Proclamation celebration held at the al-Sarai governmental building. Bell marked the photo to identify key personnel, November 11th, 1918, Baghdad, PERS_B_016, The Gertrude Bell Archive, Newcastle University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629455096082-Q9R3I9QFPNNV8G1E1UB9/Al-Naimi_PART2_FIG9.jpg Home - Intensities, Part 2: Erased Histories - Make it stand out Figure 9. The al-Sarai governmental building suffers neglect with its spaces exposed to the elements, Baghdad, 2021. Photograph by Sana Al-Naimi. https://www.platformspace.net/home/intensities-part-1-in-search-of-baghdad-1 monthly 0.5 2021-08-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629279609793-W2D93VNTPINMADOPZAB4/Al-Naimi_PART1_FIG1.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 1. Crumbling “Bremer Wall” concrete barriers block most side street, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629279874811-ZZN8BO57UUC0L8RY68UU/Al-Naimi_PART1_FIG2.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 2. Appropriated “Bremer Wall” blocks advertising privately-run primary and secondary schools, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629279953404-TNWWGUZO1CZU6F1L2XRO/Al-Naimi_PART1_FIG3.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 3. A state-of-the-art digital billboard above the entrance of the Baghdad Mall advertises the American University of Iraq- Baghdad (AUIB.) A private security guard stops a young man to check his ID, something young men are often subjected to, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280008511-PT4DXW9FOGPC92PLPGKG/Al-Naimi_PART1_FIG4.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 4. A privately-owned electricity generator selling electricity via a crisscrossing web of exposed power cables. The devastating environmental impact is visible; notice the black soot on the neighboring high school’s elevation and the smoke pumping into the sky, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280060337-56OVO5MZ4LZ6HVJV0UXB/Al-Naimi_PART1_FIG5.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 5. Disregarding existing planning law, a four-story self-built tower block under construction occupies the space allocated as a front garden, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280120296-N4PFSYF9HTNFKAM37ZV9/Al-Naimi_PART1_FIG6.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 6. A contemporary seven-story commercial building under construction in an area designated for two-story buildings, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280162537-BOUP723EC8I7BN6FHG5G/Al-Naimi_PART1_FIG7.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 7. A 1950s family home engulfed by two large commercial buildings with windows dotting their boundary walls, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280211348-U455DNEWJXA5OMBW1IRP/Al-Naimi_PART1_FIG8.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 8. Total absence of planning law enforcement where neighboring properties infringe on each other’s rights, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629295509622-K8MIO6C1AP2BQV6C2WFU/Al-Naimi_PART1_FIG9.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 9. Image of Baghdad’s historic center. Key: (1) Al-Rasheed Street (historic names: Jadat Khalil Pasha and New Street); (2) Al-Haydar Khana Mosque; (3) Al-Madrasa al-Mustansiriyya; (4) Souq al-Sarai and Souq al-Sarrajeen; (5) Al-Mutanabbi Street; (6) Al-Qishla (the old Ottoman army barracks with its clock tower); (7) Al-Sarai; (8) Al-Sarai Mosque (also known as King Ghazi Mosque and Jadid Hassan Pasha Mosque); (9) Bait al-Wali (the House of the Governor); (10) The Abbasid Palace; (11) The River Tigris. Google, ©2021, Maxar Technologies. Annotations by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280308084-A63R5QBHWLFCFXWG1E8X/Al-Naimi_PART1_FIG10.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 10. Al-Rasheed Street’s century-old buildings, once the pride of Baghdad, suffer neglect that often results in their demolition, Baghdad, 2021. Photograph by Sana Al-Naimi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629280349838-2CUFL3P1UD7CQTSMVUEV/Al-Naimi_PART1_FIG11.jpg Home - Intensities, Part 1: In Search of Baghdad - Make it stand out Figure 11. The Al-Haydar Khana Mosque played an important role in post-WWI events that led to the formation of the kingdom of Iraq, Baghdad, 2021. Photograph by Sana Al-Naimi. https://www.platformspace.net/home/towards-barefoot-social-architecture-a-conversation-with-yasmeen-lari-part-2 monthly 0.5 2021-08-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628697254543-8EWCQ2YSAPWFGTBSEVCR/Figure+1.+Darya+Khan+Womens+Center_7+-+July.JPG Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 1. Women’s Shelter, Sindh (2011). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628697303788-H6N91BVGD7H28DIP78E6/Figure+2.+Eco+Toilet.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 2. Low-income toilet, Makli (2021). Photograph courtesy of Heritage Foundation https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628697348559-OIVOLLJPXYXIKHAX1L67/Figure+3.+Pakistan+Chullah+2018.JPG Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 3. Pakistan Chulah, Makli (2015). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628697390228-QWCU03ODTLB2F3IHVBTK/Figure+4.+ZCS+-+Community++-+ZC3+Aerial+View.JPG Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 4. Zero Carbon Campus , Makli, Sindh (2018). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629038478173-FGIM0Y3ER4F1PDMDQLKL/Figure+5.+OneRoomShelter.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 5. Zero-Carbon Housing, Sindh (2013). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628798694180-SRZXO7T6C69AGGST6INI/20170324_175229.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 2 - Make it stand out Figure 6. Zero Carbon Campus, Makli, Sindh (2017). Photograph courtesy of Heritage Foundation. https://www.platformspace.net/home/towards-barefoot-social-architecture-a-conversation-with-yasmeen-lari-part-1 monthly 0.5 2021-08-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627935224265-G0RO0XQR11I9WPVZC7BM/Figure+1.+Flatroof+Shelter+2011.JPG Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 1. Flat Roof Structure, Sindh (2011). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627935355173-HLE4NHQJ052M9IM6OXG5/Figure+2.+Flatroof+Shelter+2011.JPG Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 2. Women plastering their home, Sindh (2011). Photograph courtesy of Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627935429723-QO6XFJ9LLXELOCN75YJ9/Figure+3.+Anguri+Bagh+Elevation.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 3. Elevation drawing of Anguri Bagh, Lahore (1965). Photograph courtesy of Lari and Associates. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627935496013-GOVB5BDX0MOQINUFMELK/Figure+4.+Anguri+Bagh.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 4. Exterior view of Anguri Bagh, Lahore (1965). Photograph courtesy of Lari and Associates. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627935592358-F7G7K3P2VCJI7RE7PFY9/Figure+5.+WindCatcher.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 5. Windcatchers over residential buildings in Thatta, c. 1995. Photograph courtesy of the Heritage Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628112767156-TW1GYD8RV7FMXK85KEG5/Figure+7.+Lahore+Fort.jpg Home - Towards Barefoot Social Architecture: A Conversation with Yasmeen Lari, Part 1 - Make it stand out Figure 6. Red Fort, Lahore (2019). Photograph courtesy of Kishwar Rizvi. https://www.platformspace.net/home/changing-the-state-of-affairs-making-architectural-education-more-engaged monthly 0.5 2021-08-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627566291783-6AES81L5V0ZG0749XW86/Fig+1+Kat.jpg Home - Changing the State of Affairs: Making Architectural Education More Engaged - Make it stand out Figure 1. Program diagrams from a student project, 2021, looking at a systematic approach to regenerate the town of Jarrow, England through re-skilling the unemployed population, catalyzing re-industrialization and social change, and channeling local waste and by-products of renewable energy extraction. Courtesy of Katherine Bluff. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627566396241-ZD7WZ1EDBKF51BYHI2ZC/Fig+2+Reshma.jpg Home - Changing the State of Affairs: Making Architectural Education More Engaged - Make it stand out Figure 2. Phasing drawings from a student project, 2018, that aims to break down barriers between different communities in Vienna by developing a large scale communal landscape and culture park in place of a hereditary enclosed allotment system. Courtesy of Reshma Upadhyaya. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627566642876-SKA0NHBIFE41PTFJZWZW/fig+3Xueqing.jpg Home - Changing the State of Affairs: Making Architectural Education More Engaged - Make it stand out Figure 3: Master plan from a student project, 2021, creating a network of renewable energy, green industries, large-scale planted areas for farming and urban forests, transportation links, and cultural / community infrastructure. Courtesy of Xueqing Zhang. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627566712931-OZHBOI8RWU74NO0FRUGC/Figure+4+Technion+construction.jpg Home - Changing the State of Affairs: Making Architectural Education More Engaged - Make it stand out Figure 4: Construction photo of students assembling a micro-apartment to test viability of reuse of existing structures through, open-source, digitally fabricated methods to assist with the housing crisis in Israel, 2020. Courtesy of Studio 1:1, the Technion University, Haifa. https://www.platformspace.net/home/the-social-origins-of-the-miami-condo monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627276423885-2MCXD5RQOGR94T3T0HG9/01+Surfside+Towers+1969+02-23+MH.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 1. Display advertisement for Surfside Towers, “Surfside's first and only oceanfront condominium,” Sam Kaufman (developer), Morris Lapidus (architect), Surfside, Fla., Miami Herald, Feb. 23, 1969. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627272861481-3QFKEG92B6QGECYDC2DG/02+DDM+at+Crestview+Towers+-+corrected.JPG Home - The Social Origins of the Miami Condo - Make it stand out Figure 2. Deborah Dash Moore’s grandmother’s apartment at Crestview Towers, North Miami Beach, Fla., 1970. Photograph by MacDonald Moore, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273111746-0G1OC5SIXGOUNAU8M3IO/03+Pompano+Surf+Club+Ad+W+Vaughn+1956.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 3. Display advertisement for Pompano Surf Club cooperative, Milton N. Weir (developer), William T. Vaughn (architect), Pompano Beach, Fla., 1956. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627274567003-TI67XZZILZZPM0AVJ0T6/04%2BSea%2BTower%252C%2B1958-06.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 4. Sea Tower, Terrell J. Murrell (developer), Igor B. Polevitzky of Polevitzky, Johnson & Associates (architect), Ft. Lauderdale, Fla., 1958. Photograph by Matthew Gordon Lasner, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273184592-Y0BJ2M0DV3YWUFE4OWHP/05+Coral+Sea+Towers-15.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 5. Coral Sea Towers, Frank J. Walker (developer), Carlos B. Schoeppl (architect), Bay Harbor Islands, Fla., 1957. Photograph by Matthew Gordon Lasner, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273210588-6GKHY8C6X5J7WGTYR395/06+Aventura+Common+Areas.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 6. Common areas at Ensenada condominium, Aventura, Fla., DonArl (developer), Morris Lapidus (architect), 1971. Photographs by Kelly Kagan, 2003. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627276450441-Q8NVD5DABB60TOBZN8SH/07+Caribbean+Towers+1960+12-18+NYT.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 7. “Live year round in Florida” display advertisement for Caribbean Towers, “Miami Beach's first FHA waterfront Co-op,” “Chick” Braunstein and Robert and Samuel Lipman (developer), North Bay Village, Fla., New York Times, Dec. 18, 1960. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273334552-P31PLB9OW3DXRQU6DLWR/08+Aventura%2C+Ensenda-Corrected.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 8. Aventura's Ensenada with community building foreground and other area high-rises in the distance. Photograph by Matthew Gordon Lasner, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273393144-J5024P7WJUWAXE973RLC/09+Aventura+Brochure+A+%28Site+Plan%29.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 9. Map of Aventura emphasizing recreational amenities from sales brochure, ca. 1971. Courtesy of Robert M. Swedroe. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627274306458-XC1K0TCI0ZNARJ7BK4UF/10+Landmark+1962+07+FT.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 10. “Condominium…at last a way to really own your apartment home in Florida.” Detail of display advertisement for the Landmark, Halifax Enterprises, Daytona Beach, Fla., Florida Trend July 1962. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627273453744-865FXPVP5H054BXF64RB/11+Hidden+Bay+and+Acqualina.jpg Home - The Social Origins of the Miami Condo - Make it stand out Figure 11. Hidden Bay 40-story condominium, Sieger Suarez (architect), Aventura, Fla., 2000, left; Acqualina 52-story condominium, BSG Development, Robert M. Swedroe (architect), Sunny Isles Beach, Fla., 2006. Photographs by Kelly Kagan (left), 2003; Matthew Gordon Lasner (right), 2005. https://www.platformspace.net/home/kabri-aqueduct-a-neutralized-monument monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962337247-NL2MOZFCANSK15PL799D/Fig+1+new.jpg Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 1. Old aqueduct which brings water to Akka, north of Akka, unmounted stereograph, c. 1911. Unknown photographer, Underwood & Underwood collection, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962389432-6Y7SG0MJ0KIIXW4WTUTE/Fig+2+MEYEROVITCH_FIG2.JPG Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 2. Geometric pebble mosaic around the pool in Sulaymān Pasha’s Estate, Akka, 2016. Photograph by Adi Meyerovitch. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962529082-9Y4NGNYGXF3DZ65KOUQ7/Fig+3MEYEROVITCH_FIG3.JPG Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 3. A drinking fountain on the exterior of the pool’s wall in Sulaymān Pasha’s Estate, Akka, 2016. Photograph by Adi Meyerovitch. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962892812-97DSKYA9HTE1QE0B9J0R/Fig+4+MEYEROVITCH_FIG4.png Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 4. Approximated route of Kabri Aqueduct superimposed on a contemporary map of Akka with annotated water towers, 2016. Diagram by Adi Meyerovitch based on an IAA map. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962921170-X2U6A7FPBILB1PWUJWDA/Fig+5+MEYEROVITCH_FIG5.jpg Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 5. The ruins of the village of Al-Sumayriyya, al-Sumayriyya, 1948. Photograph by Joseph Hass, the Joseph Hass Collection, Haifa University Library, Israel. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962951654-EXRXTZAPXMWYR4ZQJA5V/Fig+6+MEYEROVITCH_FIG6.JPG Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 6. Sulaymān Pasha’s palace behind the property fence of Atidot, Akka, 2016. Photograph by Adi Meyerovitch. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626962992424-RC2QSQ19XI7ETS5VQVSY/Fig+7+MEYEROVITCH_FIG7.png Home - Kabri Aqueduct: A Neutralized Monument - Make it stand out Figure 7. Kabri Aqueduct intersecting the road between the institutional walls of Atidot (on the left) and Manof (on the right). Akka, 2016. Photograph by Adi Meyerovitch. https://www.platformspace.net/home/on-rasquachismo monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354370987-3ZRGOYTCS5XX3IZY86Q7/Figure+1.jpg Home - On Rasquachismo - Make it stand out Figure 1. House at 1619 Hidalgo Walk, San Antonio, Texas, 2021. Photograph by Kathryn E. O’Rourke. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354528152-ACYVILAD5D1G3PNW67TS/Figure+2.jpg Home - On Rasquachismo - Make it stand out Figure 2. Irving Timlin, Southwestern Bell Telephone Company Building, San Antonio, Texas, 1931. Photograph by Kathryn E. O’Rourke, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354595677-BJ8JEWSO9GWG2I48MU7R/Figure+3.jpg Home - On Rasquachismo - Make it stand out Figure 3. Artists of the WPA Arts and Crafts Section, San Antonio, San José tile mural, Twin Cypress Tree, San Antonio River Walk, between Houston and Commerce Streets, 1942-44. Photograph by Kathryn E. O’Rourke, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354663476-NL4X1GWMGXANJTHX3WOJ/Figure+4.jpg Home - On Rasquachismo - Make it stand out Figure 4. Juan O’Gorman, Confluence of Civilizations in the Americas, mosaic, west wall of the Lila Cockrell Theatre, San Antonio, Texas, 1968. Photograph by Kathryn E. O’Rourke, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354702364-RJLNYQSS8WEMT52NBQXX/Figure+5.jpg Home - On Rasquachismo - Make it stand out Figure 5. Pop’s Barbacoa, 1100 Ruiz Street, San Antonio, Texas, 2021. Photograph by Kathryn E. O’Rourke. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354736860-7J74UNRD9BDEUCDA0TNT/Figure+6.jpg Home - On Rasquachismo - Make it stand out Figure 6. Garden installation, Hidalgo Walk, San Antonio, Texas, 2021. Photograph by Kathryn E. O’Rourke. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354816423-JFYI2ALAEFVNFLVAF28S/Figure+7.jpg Home - On Rasquachismo - Make it stand out Figure 7. Edward Everett, Ruins of the Church of the Alamo, San Antonio De Bexar / Interior View of the Church of the Alamo / Plan of the Ruins of the Alamo, c. 1849. From George Washington Hughes, et al., Report of the Secretary of War, Communicating, in Compliance with a Resolution of the Senate, a Map showing the Operations of the Army of the United States in Texas and the Adjacent Mexican State on the Rio Grande; accompanied by Astronomical Observations (Washington D.C., 1850). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354844471-I8HBQP5AN4EIHXI8CPTG/Figure+8+O%27Rourke.jpg Home - On Rasquachismo - Make it stand out Figure 8. Henry Arthur McArdle, Dawn at the Alamo, 1905 (repainted by McArdle based on his 1875 original, which was destroyed by fire). Photograph by Carol M. Highsmith. Library of Congress, Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354867380-84L5OB0H83CF7PJWRO7C/Figure+9+O%27Rourke.jpg Home - On Rasquachismo - Make it stand out Figure 9. The Alamo, west façade, 1744; 1850; current restoration begun 1979. Photograph by Carol M. Highsmith. The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1626354892140-IS0J73IZHLX58Q5X210Z/Figure+10.jpg Home - On Rasquachismo - Make it stand out Figure 10. Sherry’s Texan Seafood Restaurant, 1113 Pleasanton Road, San Antonio, Texas, 2021. Photograph by Kathryn E. O’Rourke. https://www.platformspace.net/home/the-future-of-platform monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625746284833-JM1UNEDZP7XF06DKGPXM/Typewriter+by+xew%2C+2012%2C+Courtsey+Flickr+under+CC+BY2.0.jpg Home - The Future of PLATFORM - Make it stand out Photography by Xew, courtesy Flickr, under Creative Commons License. https://www.platformspace.net/home/the-costs-of-leisure-in-south-florida monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319174178-YCLVG86ZPF6ZQBGHKG9C/Fig+1+-+ad+for+champlain+towers.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 1. Advertisement for Champlain Towers South, Miami Herald, July 20, 1980, 24H. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319210212-KVKNI16DTMVMP5995S1Q/Fig+2+-+life+%28need+new+version%29.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 2. Advertisement for Mackle lots, Life, January 20, 1958. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319382742-SRJ9817SRSF4E3QEU6H4/Fig+3+-+OLV+POSTCARD.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 3. Undated postcard of pool flanked by houses in Rosati & Sons’ Orange Lake Village, Largo, Florida. Courtesy collection of Anna Andrzejewski. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319420052-4BREF7BJYPGU5G3JXRBY/Fig+4.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 4. Finger canals built at Marco Island, looking west from the eastern shore of the island, March 15, 1968. Courtesy of the Marco Island Historical Society. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319619276-0CY0EDFEVZIGWCRXXMEY/Fig+5+-+beach.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 5. Marco Island beach, looking south from Tigertail Beach toward high-rises on Collier Boulevard. Photograph by Anna Andrzejewski, June 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319648496-CYYP37Q3ZXNL7CXNTFQY/Fig+6+-+bonita+bay+ad.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 6. Advertisement for Bonita Bay, Fort Myers News-Press, August 21, 1988, 18A. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319715566-07KD2D2B4HV7L4ADQ0K2/Fig+7+-+tricolored+heron.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 7. Tricolored heron in mangrove swamp in Estero Bay Park, Bonita Bay, Bonita Springs, Florida. Photograph by Anna Andrzejewski, June 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625319739802-7XAF30XL79NI6H0DN59M/Fig+8+-+house+in+everglades+city.jpg Home - The Costs of Leisure in South Florida - Make it stand out Figure 8. Recently constructed house in Everglades City, Florida. Photograph by Anna Andrzejewski, December 2020. https://www.platformspace.net/home/the-fourth-of-july-2021 monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1625063479176-DXSGO9VA5H5UVWVJTZ5X/Figure+1.jpg Home - The Fourth of July, 2021 - Make it stand out Figure 1. Fourth of July fireworks on the National Mall with the Lincoln Memorial, Washington Monument, and U.S. Capitol. Photograph by Carol M. Highsmith, July 4, 2008. Courtesy U.S. Library of Congress. https://www.platformspace.net/home/containers-for-memory monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624563891170-H9ZE9FTJGY0CPAN79M6C/Fig+1_Market-hall-habs2.jpg Home - Containers for Memory - Make it stand out Figure 1. Market Hall, 188 Meeting Street, Charleston, Charleston County, S.C. Photograph by the Historic American Buildings Survey, date unknown. Courtesy of the Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624563922849-8VZ7HUUFHRYC82FGNQJW/Fig+2_sweetgrass+basket+stand.jpg Home - Containers for Memory - Make it stand out Figure 2. Sweetgrass basket stand, Charleston City Market. Photography by Molly Robinson, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564075255-J4Z74KICB4LO1UQHU4O6/Fig+3_Mrs.+Green_dc.lib.unc.jpg Home - Containers for Memory - Make it stand out Figure 3. “Mrs. Green winnowing her rice.” Photograph by Leigh Richmond Miner, 1907-1909. Courtesy of the Penn Center, St. Helena, South Carolina, and the Southern Historical Collection at the Louis Round Wilson Special Collections Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564090406-2KC5RQJ86GGAX0ZQB0UE/Fig+4_Viola+Jefferson+1938.jpg Home - Containers for Memory - Make it stand out Figure 4. Viola Jefferson holding baskets at Mount Pleasant basket stand along Highway 17. Photograph by John Muir, September 1938. Courtesy of Francis Marion National Forest and the U.S. Forest Service. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564147235-EQV6135XS6Y92JU6FO0C/Fig+5_braided+sweetgrass+basket.jpg Home - Containers for Memory - Make it stand out Figure 5. Braided Sweetgrass Basket. Photograph by Molly Robinson, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564172110-AUNKM7ES5RU4BL74EU1I/Fig+6_Celia+Moultrie+Anderson.jpg Home - Containers for Memory - Make it stand out Figure 6. Celia Moultrie Anderson sewing a basket at a roadside stand in Mount Pleasant, S.C. Photograph by John Muir, September 1938. Courtesy of Francis Marion National Forest and the U.S. Forest Service. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564235598-ZYIYSE06W6HAXTD4FRAN/Fig+7_hearst+basket_2-58327.jpg Home - Containers for Memory - Make it stand out Figure 7. Fanner basket collected by William Bascom during 1939 field work. Photograph courtesy of the Hearst Museum of Anthropology Online Web Portal. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624564308160-13HWPBF9MWF8DKBCJ1AM/Fig+8_Nakia+Wigfall.jpg Home - Containers for Memory - Make it stand out Figure 8. Nakia Wigfall making a basket, Mount Pleasant, S.C. Courtesy of Nakia Wigfall and her website, Sweetgrass Gullah Connection. https://www.platformspace.net/home/sugar-story-island-people-the-caribbean-and-the-world monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624242899063-HRIWMNXPMQG8XE2AIDRM/Gutman%2C+fig+1%2C+Island+People%2C+cover.jpg Home - Sugar Story: Island People, the Caribbean, and the World - Make it stand out Figure 1. Joshua-Jelly-Schapiro, Island People: The Caribbean and the World, cover to the paperback edition, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624242983009-INRNHR9OEHY1U2IZG11B/Gutman%2C+fig+2+Moll+map.jpg Home - Sugar Story: Island People, the Caribbean, and the World - Make it stand out Figure 2. Herman Moll, A Map of the West Indies, or the Islands of America in the North Sea, 1720. Courtesy of Wikimedia and Geographicus. https://www.platformspace.net/home/in-the-heights-celebrates-the-resilience-washington-heights-has-used-to-fight-the-covid-19-pandemic monthly 0.5 2021-06-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624220239000-CX2NJQKTR47VCNAJSR0Y/Fig+1+Snyder%2C+southern+WaHts.jpeg Home - “In the Heights” Celebrates the Resilience Washington Heights Has Used to Fight the COVID-19 Pandemic - Make it stand out Figure 1. A typical block in southern Washington Heights. Photograph by Robert W. Snyder 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624220293764-I79VJZ8RO1E2J1G9M1UU/Fig+2+Snyder%2C+A+Memorial+in+the+Time+of+Covid.jpeg Home - “In the Heights” Celebrates the Resilience Washington Heights Has Used to Fight the COVID-19 Pandemic - Make it stand out Figure 2. Memorial to the victims of COVID-19 at the Morris Jumel Mansion in Washington Heights. Photograph by Robert W. Snyder 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624220324333-2L1WIL7MWDA8N6QJQHA3/Fig+3+Led+Black+W+Hts+in+Covid+1.jpeg Home - “In the Heights” Celebrates the Resilience Washington Heights Has Used to Fight the COVID-19 Pandemic - Make it stand out Figure 3. Storefront in Washington Heights. Photograph by Led Black 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624220360696-1XXN9W8DKY1R58LC6JYF/Fig+4+%28low-res%29+Parks%2C+Highbridge+Pool+9517.jpg Home - “In the Heights” Celebrates the Resilience Washington Heights Has Used to Fight the COVID-19 Pandemic - Make it stand out Figure 4. Swimming at Highbridge Pool, Washington Heights. Photograph by Malcolm Pinckney 2002. Courtesy NYC Parks. https://www.platformspace.net/home/atlanta-citizenship-and-housing-success-and-setback monthly 0.5 2021-06-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900348609-SKV7NFA74W3LI5A23PXE/Crawford_FIG1.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 1. Political lawn signs in Democratic-leaning DeKalb County, Georgia, January 2021. Photographs by Christina E. Crawford. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900385439-VIJNNUYDDD2JZO7RF1NU/Crawford_FIG2.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 2. Map of Atlanta Housing Authority housing projects. Red hatches indicate “slum” areas; pink areas indicate the two PWA projects—University Homes (U) and Techwood Homes (T); and dark red areas are later Atlanta Housing Authority projects. Atlanta Housing Authority, Rebuilding Atlanta. First Annual Report, 1939. Reproduced with permission of the Atlanta Housing Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900473657-1U76JXX72TXOUZ4ZITCV/Crawford_FIG3.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 3. Beaver Slide neighborhood, future site of University Homes, with Spelman College in the background, c. 1935. Courtesy of U.S. National Archives and Records Administration. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900492263-TX057LWYBM2F82ZC3HDZ/Crawford_FIG4.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 4. Construction of University Homes, c. 1936. The Spelman College campus is at the bottom righthand corner of the photo; Atlanta University is at the top left. Charles F. Palmer papers, Box 167, Folder 10. Courtesy of the Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900642826-HCLCKITUPX93GKFZL9JF/Crawford_FIG5.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 5. University Homes and John Hope Homes children on the Roosevelt Hall stage, c. 1940s. Reproduced with permission of the Atlanta Housing Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900658820-YTKTY2L1KBHJO7DVETIK/Crawford_FIG6.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 6. Tentative Zone Plan, Atlanta, City Planning Commission, 1922. Atlanta University Center and Beaver Slide areas in the proposed R2 (“Colored”) Race District, indicated by black circle added by author. Courtesy of Kenan Research Center, Atlanta History Center map collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622900720830-976CA4TBTBJX8QDARYCN/Crawford_FIG7.jpg Home - Atlanta Citizenship and Housing, Success and Setback - Make it stand out Figure 7. Home Owners’ Loan Corporation Map of Atlanta, 1937. Atlanta University Center and Beaver Slide areas indicated by black circle added by author. Courtesy of Mapping Inequality. https://www.platformspace.net/home/abstraction-is-a-privilege monthly 0.5 2025-11-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622727401850-MTQB9GN4CR68SX3F9YO0/Lara_Fig1.jpg Home - Abstraction is a Privilege - Make it stand out Figure 1. Map of Tenochtitlan and Gulf of Mexico, attributed to Fredrich Peypus, 1524. Courtesy of Newberry Library via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1622727440414-LPBZV0QTUMGI5A75B3VY/Lara_Figure+2.jpg Home - Abstraction is a Privilege - Make it stand out Figure 2. Albert Durer, Der Zeichner des liegenden Weibes, Underweysung der messung, ca. 1525, published in 1538 by Hieronymus Formschneider. Courtesy of Berlin Staatliche Musee via Wikimedia Commons. https://www.platformspace.net/home/traces-of-protest-and-curb-scale-infrastructures-in-hong-kong monthly 0.5 2021-06-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621855684367-IWBHZHW4CLO0APF4KIAH/Figure_2.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 1. Water-filled barricades outside of the old Bank of China building on Queen’s Road Central. Photograph by Sony Devabhaktuni, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621855732501-V78VXRJJ95EPK826FXOK/Figure_1.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 2. The new green wall on University Street. Photograph by Sony Devabhaktuni, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621640753303-9D82185PVDTAXHYGUNKY/Figure_3.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Figure 3 HKU MTR Station Exit C2 with steel sheet cladding. Photograph by Sony Devabhaktuni, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621640753176-FTQ5B4D9IAYKP13VTR73/Figure_4.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Figure 4 HKU MTR Station Exit C2, January 2017. Courtesy Street View by Google. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621640754848-KFXXIV17HGIO7UGYF22T/Figure_5.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Figure 5 HKU MTR Station Exit C2, November 2020. Courtesy Street View by Google. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621640928924-YOVVFUQDRVEIW6DPGQBP/Figure_6.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 6. Dismantled brick pavement in November 2019. Photograph by Sony Devabhaktuni. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621640974408-5KG0IS49EZ8WXKCCN2CT/Figure_7.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 7. Quickly restored sidewalks, with vertical pedestrian fence elements linked with construction tape. Photograph by Sony Devabhaktuni, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621641008199-SEUDYRO4QYZ2QFQFCUWB/Figure_8.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 8. Dismantled pedestrian fences; in the background is MTR entrance whose glass canopy has been shattered. Photograph by Sony Devabhaktuni, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621641031179-M93K2LNEVPQOCVTWOR5P/Figure_9.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 9. Plastic chain linked vertical fence posts for several months in parts of the city. Photograph by Sony Devabhaktuni, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621641347883-2S8NFQ2CKH9PFNTT19TK/Figure_10.jpeg Home - Traces of Protest and Curb-Scale Infrastructures in Hong Kong - Make it stand out Figure 10. New fencing fixed with anti-theft bolts. Photograph by Sony Devabhaktuni, 2020. https://www.platformspace.net/home/dealing-with-the-socialist-past-the-case-of-the-kulturpalast-in-dresden-germany monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621637814480-UH3HMWT803PZIW9KDW59/Schreiber_FIG01.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 1. The Kulturpalast designed by Leopold Wiel and Wolfgang Hänsch, 1967–1969, reopened in 2017, renovated by gmp Architekten von Gerkan, Marg und Partner, Dresden, Germany. Photograph by Maxi Schreiber, December 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621637872145-9IJPAJMPSYMJA27Z7WMK/Schreiber_FIG02.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 2. Neumarkt in Dresden with Frauenkirche (center), reconstructed houses and Transport Museum (Johanneum) (left). Photograph by Maxi Schreiber, December 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621637921217-9TMG1TOFA3UJDSLYDHZD/Schreiber_FIG03.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 3. Dresden 2021, OpenStreetMap of Neumarkt area with Kulturpalast. Base map and data from OpenStreetMap and OpenStreetMap Foundation, © OpenStreetMap-contributors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621637945721-ZVS723E0SA3PAE5W810A/Schreiber_FIG04.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 4. Dresden 1987, figure-ground diagram of Neumarkt area with Kulturpalast. Drawing by Benjamin Häger, courtesy ARCH+. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638051797-BET41WH1PUGWC546KWHH/Schreiber_FIG05.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 5. Construction site of Kulturpalast, Dresden, 1967, with Transport Museum (Johanneum) and remains of Frauenkirche (back right). © SLUB Dresden / Deutsche Fotothek / Gerhard Hofert. CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638114916-YSM08GPLDHSJKWN8GQLJ/Schreiber_FIG06.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 6. Kulturpalast, Dresden, 1969. © SLUB Dresden / Deutsche Fotothek / Matthias Adam. CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638151901-TTRAI3TJIA9PZPXK7EEO/Schreiber_FIG07.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 7. Northern side of the Kulturpalast with parking lots and Transport Museum (Johanneum), Dresden, 1973. © SLUB Dresden / Deutsche Fotothek / Hans-Jürgen May. CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638208270-9LI1ZTYERN880IOZOJ8E/Schreiber_FIG08.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 8. Mural “Path of the Red Flag” on the Kulturpalast’s west side. Photograph by Maxi Schreiber, December 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638251058-C6C20W7FYZD8BXV17MOF/Schreiber_FIG09.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 9. Musicians performing at the Chanson Festival at the Kulturpalast, Dresden, 1971. © SLUB Dresden / Deutsche Fotothek / Richard jun. Peter. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638348971-NYQC0L3YWGDHKA56IHUF/Schreiber_FIG10.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 10. View of the northern side of the Kulturpalast with reconstructed houses and reconstructed facades. Photograph by Maxi Schreiber, December 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638375942-RHLME4B9RRTZ603MESMA/Schreiber_FIG11.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 11. Staircase and book shelves in the Central Library in the Kulturpalast. Courtesy Städtische Bibliotheken Dresden / Marcus Rahm. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638402467-O3XRLOKJVA4UOXOH5408/Schreiber_FIG12.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 12. Reading room in the Central Library in the Kulturpalast. The view of the Frauenkirche is now blocked by the historicized luxury apartment complex with stores and office space of the Neumarkt Palais CITY ONE. Courtesy Städtische Bibliotheken Dresden / Roman Rabe. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638858756-QBCH41ROKCRNPE7CE1D6/Schreiber_FIG13.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 13. Foyer with the mural “Our Socialist Life” on the second floor of the Kulturpalast, Dresden, 1970. © SLUB Dresden / Deutsche Fotothek / Friedrich Weimer. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621638892066-7UR8VMZ1JJL2E7PIV45U/Schreiber_FIG14.jpg Home - Dealing with the Socialist Past: The Case of the Kulturpalast in Dresden, Germany - Make it stand out Figure 14. Renovated foyer with the mural “Our Socialist Life” in the reading lounge of the Central Library in the Kulturpalast. Courtesy Städtische Bibliotheken Dresden / Roman Rabe. https://www.platformspace.net/home/trumpism-neoclassicism-and-architecture-as-propaganda monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621019359142-67AE895MKG6IGUFZNH54/Figure+1_.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 1. Rioters climb the walls on the west side of the U.S. Capitol, January 6, 2021. Photograph by Blink O’fanaye, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621019388294-4POFDF8C7U6XV62QIHLT/Figure+2_San+Francisco+Federal+Building.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 2. The San Francisco Federal Building designed by Morphosis, 2020. Courtesy Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621019551519-WHXY61N8S7AMDKOD09DQ/Figure+3_Capitol.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 3. The U.S. Capitol’s main entrance on the eastern elevation. Photograph by Michael R. Allen, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621019613085-PSCPVF1K1O7EVS8IE0AS/Figure+4_Thornton+1792.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 4. William Thornton’s “Tortola” scheme for the U.S. Capitol, winner of the 1792 design competition. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621020114324-UNHKVVZL0N7FXN6AQF0F/Figure+5_US_Capitol_1794_2.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 5. William Thornton’s revised design for the eastern elevation of the Capitol, 1794. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621020128550-LG8U5QLHEB9K4UGYPLCY/Figure+6_USCapitol_1794_1.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 6. William Thornton’s revised design for the western elevation of the Capitol, 1794. Courtesy U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1621020171313-JW2W25UT4ZNHP5U6FW7J/Figure+7_Capitol+Riot.jpg Home - Trumpism, Neoclassicism, and Architecture as Propaganda - Make it stand out Figure 7. The pro-Trump mob at the Capitol on January 6, 2021. Source: Photograph by Brett Davis, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://www.platformspace.net/home/cultural-landscapes-of-struggle-and-power-in-the-san-francisco-bay-area monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620398704244-KXH1LOQH0FL13IG67ZK1/Fig1_1500_Block_of_Adeline_Street_A.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 1 The 1500 block of Adeline Street in West Oakland represents one epicenter for organizing, where some residents used mass community pressure to save homes in the wake of the 2000s foreclosure crisis. On December 6, 2011, Adeline Street resident Gayla Newsome decided to put the rallying cry of a nationwide “Occupy Our Homes Day” into action. Together with a group of about a hundred activists from Occupy Oakland and ACCE (Alliance of Californians for Community Empowerment), Newsome and her three daughters successfully reclaimed their home of fifteen years, which was under active foreclosure. We use this site to think about neighborhood legacies of activism; this was, after all, a founding neighborhood for the Pullman Porters union and the Black Panther Party for Self-Defense. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620398705371-I57H6ADTUQSSC64RA9A7/Fig2_Jingletown.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 2 Jingletown’s Union Point Park features this statue titled Sígame/Follow Me by Scott Donahue (2001), depicting a woman whose traits and dress represent a fusion of female historical figures from Oakland—beginning with Huichin and Jalquin tribal members and ending with writer Amy Tan. Now a burgeoning “arts district,” the Jingletown area has historically been a center of Chicano and Black organizing, foundational for Southern-European and Azorean working class communities (whose pockets would jingle walking home from their factory paydays), and a sacred site of Huichin-speaking peoples who built shellmounds here. Photograph by Bruce Rinehart 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620398708866-0IR99ISYIX00EKQK4TB6/Fig3_Latham_Square_A.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 3 In the early hours of December 1, 1946, retail workers—the majority of whom were women—gathered here at Latham Square to block a shipment to two major department stores. The picket grew with support from members of other unions until the police broke through the picket. Two days later, unions across the city initiated mass action, calling for a “workers holiday,” joining a wave of general strikes sweeping postwar America. The legacy of this strike is mixed: police were banned from interfering in labor struggles but the majority-female work force was largely abandoned by allies. Even so, an energized community-labor organization grew out of the moment to launch broad-based campaigns for social change across the city. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620398710192-HIT7NYZDZGU8INY76OM7/Fig4_Piedmont_OaklandBorder_A.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 4 Surrounded on all sides by the economically and racially diverse city of Oakland, the border of the elite municipality of Piedmont is marked by an invisible fence made of license-plate readers, installed to automatically identify motorists with criminal records. In 2013, a campaign by two Oakland teenagers to “Liberate Piedmont” by annexing it to Oakland earned some media coverage. But instead of a merger, Piedmont shored up its borders with more than thirty automated license-plate readers, quietly reinforcing the isolation of this elite community. While the technology doesn’t stop motorists from entering the city, it tracks each entry and exit, collected in a massive regional law enforcement database and stored for at least a year. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620600970348-0AC770TEKVQEBI9LPGXE/Fig5_SJ_Heinlenville.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 5 This empty lot was once the site of San Jose’s remarkably fortified Chinatown. Its predecessor was burnt to the ground by arsonists in 1887. In the aftermath of the fire, The Quen Hing Tong (a Chinese immigrant organization) collaborated with local German immigrant John Heinlen—who unlike Chinese immigrants was legally able to own land in California—to build a bricked off, fire-proof, third Chinatown. Known as “Heinlenville'' to English speakers, it survived until the Great Depression, when Heinlen’s heirs declared bankruptcy and San Jose eventually cleared it for use as a corporate yard. Private developers began construction on a luxury-apartment mixed-use development on the site in 2019 which is currently slated to include a “Heinlenville” park. Photograph by Alex Tarr 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620600972349-TYK2WX5BZU3M9K87E5O0/Fig6_Gold_Street_Bridge_A.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 6 Once a symbol of community power, the Gold Street Bridge has long linked Silicon Valley’s world of gleaming glass offices and hotels with an underinvested community of shuttered boat builders, canneries, and junkyards in Alviso. On March 24, 1973, activists from Alviso blocked the Gold Street Bridge and set up their own tollbooth to disrupt the flow of cars to draw attention to the underdevelopment of the predominantly Chicano neighborhood, most visibly evident in the unpaved streets. Photograph by Bruce Rinehart 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620600975328-HD60YXNMQT6A3H34ZIF2/Fig7_Alviso.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 7 As a former port town that once connected the bountiful agricultural and industrial output of San Jose to San Francisco, Alviso still suffers from the legacies of those uses: the overdrawing of groundwater has sunk the town below sea level. You can get a sense of the bowl-like neighborhood in this photograph. It still faces severe flooding, symbolically and materially reinforcing pressures for low-income communities to abandon it and, ultimately, make way for redevelopment in the image of Silicon Valley, which city officials and developers have been dreaming of for fifty years. Photograph by Alex Tarr 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620600979820-RJX1RG3NYXE5RFU2AJIE/Fig8_YourNameHere.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 8 The proliferation of marquee tech campuses like the Googleplex and Apple Park has so defined media coverage of Silicon Valley that it can be hard to remember that low slung, nondescript suburban office buildings like this one have long been much more typical for start-ups in the valley. The churn of companies leaves most in the dustbin, but some truly thrive in the Military-Industrial Complex milieu of the Valley. As one example, the geospatial software company Keyhole, which was housed in a similar space to this, received a huge boost from In-Q-Tel, the CIA’s investment company, before being acquired by Google in 2005 (flush with their own IPO cash). The company’s software was central to the development of the now ubiquitous Google Maps and Google Earth. Photograph by Alex Tarr 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620601085842-ZN0JQIOK51VDXZBLUUKT/Fig9_Bank_of_America_Building.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 9 The Masayuki Nagare sculpture at the base of this building, officially titled “Transcendence,” is more commonly known as the “Banker’s Heart.” The building is a fifty-two-story monument that the Bank of America built for itself in 1969, at the height of its status as one of the most powerful banks in the world. After ninety years of growing big off of California—from the spoils of mining and agriculture to urban development, from the film industry to public bonds, from the introduction of credit cards for the “everyman” and meddling in Pacific-Rim finance—the bank was acquired by NationsBank and relocated to North Carolina in 1996; the Banker’s Heart remains. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620601090517-062IJ41BQ6RB4RUVD2GE/Fig10_The_Farm_B.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 10 This photo of the contemporary Potrero del Sol community garden only captures a fraction of what once took place at “The Farm,” the counterculture hearth tucked inside the arc of a highway 101 exit ramp at the south end of San Francisco. Too often, the story of radical movements in the Bay Area are told as discrete moments, but there are places where they intersect in surprising ways. Here, we have the legacy of the Diggers, radical food movements, an art performance space, and an alternative school that, in the 1970s, simultaneously became a central spot for Bay Area punks. Like so many of the Bay’s radical cultural centers, these communities were scattered apart when landlords sold the land out from under them. Photograph by Bruce Rinehart 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620601094681-V9K39WFI9F7ERL5X59SZ/Fig11_Westbrook_Court_Hunter%E2%80%99s_Point_Hill_Street_Names.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 11 These Hunter’s Point streets were named in the early 1970s as this hill was transformed through a massive redevelopment effort that installed hundreds of affordable housing units on curvilinear cul-de-sacs. The housing resulted from a multiyear campaign led by Elouise Westbrook and a group of women activists known as the “The Big Five.” They advocated for community-driven change, lobbying a Nixon-era Congress to fully fund neighborhood development plans. The housing was successful, but the development funds left out the other institutions needed for jobs and community development. Hunter’s Point thus followed a path of economic decline, even with the new hilltop housing. This became particularly poignant as the nearby naval shipyard shuttered. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620601097233-SXEJ52KKTFU9E81XEPJA/Fig12_Hunters_Point_Shipyard_A.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 12 The expansion of the Hunter’s Point Naval Shipyard during World War II brought a mass migration of African American migrants to San Francisco, who became rooted in the community and fought for things like affordable housing on Hunter’s Point Hill (see Figure 11). But after the yard closed, it became clear that military uses on the site had poisoned hundreds of acres, necessitating its designation as a federal Superfund site, in 1989. By 2018, $1 billion had already been invested to clean up the soils but decades-old concerns were revived by a scandal involving faked soil samples that called into question the safety of new housing developments—just to the west of this massive crane—that had already been sold to and occupied by new residents. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620602109321-1N27I2VC25JWE6TUUEI1/Fig13_San_Quentin_Prison.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 13 Like its neighboring island in the bay, Alcatraz, San Quentin State Prison maintains an unsettling mystique in popular culture. But unlike Alcatraz, San Quentin remains open and crowded after 166 years. And inmates continue to describe it as a dehumanizing nightmare, decades after Johnny Cash sang, “San Quentin, may you rot and burn in hell. May your walls fall and may I live to tell. May all the world forget you ever stood. And may all the world regret you did no good.” Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620602109804-CC5J35RO68F0THXV5FBT/Fig14_China_Camp.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 14 By the early twentieth century China Camp in San Rafael was one of at least twenty-six such camps circling the San Francisco Bay, where Chinese communities created some refuge from Anglo-California’s virulent anti-Chinese laws and violence. The villages were part of a complex system of shrimping that produced hundreds of tons of shrimp for local and global networks. Anti-Chinese efforts in the form of economic sanctions and the destruction of bay ecosystems ruined the industry, but descendants of this camp’s last remaining family maintained it as a popular recreation spot until it was incorporated into the state park that bears its name. Photograph by Bruce Rinehart 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620602110626-OFV1MYKZ86UH17NM70HZ/Fig15_Golden_Gate_Village.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 15 It is increasingly difficult to imagine the inner North Bay as home to working-class communities. Indeed, the median house price in Marin County was $1.14 million the year that the Marin City public housing project, now known as Golden Gate Village, was added to the National Register of Historic Places. Since the FHA-funded buildings opened back in 1959 to rehouse predominantly Black families living in a temporary complex built for workers at a nearby shipyard during World War II, the 292 units of federally subsidized low-income housing have stood as a monument to a vision for a more equitable community. Designed by Frank Lloyd Wright affiliate Aaron Green and famed landscape architect Lawrence Halprin, the buildings are protected from demolition but in desperate need of repairs and updating. Photograph by Bruce Rinehart 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620602111067-SXJQMG1Z1G211J3Y7P0B/Fig16_Vallejo_Mural.jpg Home - Cultural Landscapes of Struggle and Power in the San Francisco Bay Area - Figure 16 Local youth and a high school teacher painted the Vallejo Rising mural on the side of a restaurant in 2012. It celebrated Vallejo’s multicultural history and its return from municipal bankruptcy in the early 2000s. At the same time, it commemorated the lives of young people who have died here. The details of the mural bring together the students’ understanding of art to reclaim, heal, and build their own community in the beleaguered city. In 2017, the building owner allowed Paramount Pictures to paint over the mural while shooting a Transformers movie, erasing it forever. The studio has since agreed to help fund a new mural but the destruction suggests how fragile community claims to urban space can be. Photograph by Alex Tarr 2017. https://www.platformspace.net/home/charltons-new-york monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620418892814-5DQ2NKF54LBQC26FTJ6J/Figure+1.+Penn+Station.jpg Home - Charlton’s New York Figure 1: Waiting Room, Pennsylvania Station, New York, N.Y., 1911. Library of Congress, Prints and Photographs Division, LC-DIG-ds-04712. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620419036229-9TKPZ67RP7MLIMPT8A4P/Figure+2.+Low+Memorial+Library.jpg Home - Charlton’s New York Figure 2: Low Memorial Library, Columbia University, New York, N.Y., ca. 1905. Library of Congress, Prints and Photographs Division, LC-D4-18537. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620419068691-JID4X4FRK5N60LBZ7MMT/Figure+3.+Portrait+of+A+Woman.png Home - Charlton’s New York Figure 3. Rufus Irving Charlton, Portrait of a Woman, 1896. Image courtesy of liveauctioneers.com and Helmuth Stone Gallery. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1620419101085-AYEPICPI3LPRVD3AL26S/Figure+4.+MMW+Office+Portrait.jpg Home - Charlton’s New York Figure 4. Rufus Irving Charlton, identified as no. 47, shown in “The Organization of McKim, Mead & White, Architects, New York,” 1924. Pencil Points 5 (June, 1924): 72. https://www.platformspace.net/home/urban-forms-in-the-occupied-west-bank monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797031877-K7BOMH9N8NE2ABS5OG9G/fig+1.jpg Home - Urban Forms in the Occupied West Bank - Figure 1 Many West Bank settlements, such as this neighborhood in Eli, begin with the installation of portable buildings known, following British usage, as caravans; they are made typically of uninsulated aluminum siding with a corrugated metal roof. Early settlers lived weeks, sometimes months, without running water or electricity. Nowadays, infrastructure is usually installed before residents move in, but a pioneer mentality persists. Organized in rows, the caravan neighborhoods have no fences, sidewalks, street names, or numbers, and the line between public and private space is ambiguous. On my initial visits, I remained in my car, rather than walking around with a camera, as I couldn’t tell whether I would be transgressing on private territory. Photograph by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797034525-MUCLG6SC3RZKGTESTMO9/fig+2.jpg Home - Urban Forms in the Occupied West Bank - Figure 2 Most caravans share a similar, rudimentary floor plan. Two bedrooms, one on each end of the house, flank a small, multi-purpose living room. Opposite to the front door, a kitchen sink is mounted on the wall beside a dining table. If the residents are religious Zionists, the holy scriptures would be displayed in a bookcase next to the entrance. In most religious Zionist homes, these texts—believed to provide the rationale for settling in the West Bank—are the heart of the house. However, some younger, more modern settlers find themselves conflicted. As one young resident of a middle-class settlement explained, the books are very dear to her, but they seem old and unfashionable, so she keeps them boxed in storage. Drawing by Noam Shoked. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797034950-BR8LLI1TPUEOYMP7JLQH/fig+3.JPG Home - Urban Forms in the Occupied West Bank - Figure 3 In the past, religious Zionist setters decorated their caravans with pictures of leading rabbis. Some pinned a copy of the Israeli Declaration of Independence to one of the caravan’s walls. Today, however, images of religious figures and political events are not so popular. Out of the twenty-seven families residing in one caravan neighborhood I visited, only two have such drawings dominating their living rooms. The rest, like the family residing in this caravan, prefer mandalas and Eastern rugs. Photograph by Noam Shoked, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797037480-FZY7J1P66EATW1RU8LMS/fig+4.jpg Home - Urban Forms in the Occupied West Bank - Figure 4 Lacking a rear entrance, the caravans, such as these in Eli (left) and Havat Yair (right) are oriented toward an inviting, semi-public front yard, which may be enhanced by artificial turf, patio furniture or an inflatable swimming pool. The door is frequently left open, and one finds the owner outside conversing with neighbors. In fact, most activities I recorded in these front yards extended outward into the adjacent streets and open spaces. Children’s toys and bicycles are strewn about, marking the open space of the settlement as a homogenous field shared by the residents. In this way, the public ground between the caravans is experienced as a private (and thus, safe) space. Photographs by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797037938-N0UMDUZ6PQC2WBK999JX/fig+5.jpg Home - Urban Forms in the Occupied West Bank - Figure 5 The utilitarian austerity of the caravan is softened by decorations of wood or light metal. Mobile homes may be covered with stones brought from a nearby quarry, as in Neve Daniel (left), which reinforces a sense of permanence and belongingness. In some cases, as shown here in Beit El (right), when caravans are used as synagogues, Jewish symbols may be attached to their façades or ceilings. Photographs by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797040944-9Z5G2HP3IE67WMU7OG7K/fig+7.JPG Home - Urban Forms in the Occupied West Bank - Figure 7 The caravan neighborhoods are usually succeeded by permanent structures. New homes may be built on the site of the caravans or adjacent to them, and, thus, the spatial patterns of the initial settlement sometimes survive. Here, two houses in the Neve Shir neighborhood of Eli share a “private” yard. Many settlers, especially those associated with religious Zionism take pride in a sense of communality, which some trace back to the kibbutzim, the utopian collective communities that flourished in Israel in the early twentieth century. A large number of religious Zionist settlers reside in what has come to be known as “community settlements,” a settlement type, that like the kibbutzim, have admissions committees that screen potential residents for their political ideology and religious views. However, residents of community settlements are not expected to join an economic collective, donate their income to the community, or change their working place. Photograph by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797042269-US31KHAIR95N42L4ZVQF/fig+8.jpg Home - Urban Forms in the Occupied West Bank - Figure 8 In some of the more permanent settlements, I observed a discrepancy between outward and inward appearances. The homes in this neighborhood in Ramat Elkana were built by a single contractor, and they share similar materials, layouts and façade details, yet they have highly individualized interiors. Inside the homes, I found extravagant bathroom fixtures, fine furniture, large-screen televisions, and fast internet connections. While hiring an interior designer is a common practice among suburban Israelis, it seemed unusual in settlements that are inhabited by religious Zionist settlers, where residents sometimes insist on the ascetic nature of their lives. When I asked religious Zionist settlers to describe their homes, some even used the term “settlers’ taste,” meaning simple and unadorned, reflecting a lifestyle that emphasizes modesty and detachment from the material world. Photographs by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797043312-5FNC8ITTCHENZBCGNGW9/fig+9.jpg Home - Urban Forms in the Occupied West Bank - Figure 9 Given the hostile environment that surrounds some of these communities, the insulated interiors provide a retreat for settlers who cannot safely enjoy outside space. Inside the homes of some religious Zionist settlers, I found images of the Jewish temple and the Cave of the Patriarchs, where Abraham, Isaac, Jacob, Sarah, Rebecca, and Leah are buried, according to both Jewish and Muslim believers. After violent confrontations at the pilgrimage site—the most notorious one being the murder of twenty-nine praying Muslims by a resident of the settlement of Kiryat Arba—some Jewish settlers have resorted to decorating their homes with small models, drawings, and paintings of the cave. On the left is a painting of the Jewish temple in a settler living room, on the right a model of the Cave of the Patriarchs for sale in a gift shop, both in the Jewish settlement of Hebron. Photographs by Noam Shoked, 2013 and 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797046955-FUP2CPKBJ944KI2W73GB/fig+10.jpg Home - Urban Forms in the Occupied West Bank - Figure 10 The design of houses in settlements is sometimes influenced by the neighboring Palestinian villages. The architect of the first neighborhood of Alfei Menashe—a large suburban settlement, located near the border with Israel—told me that he designed all houses so they would look like Palestinian houses, at least from a distance. He capped the units with flat roofs and broke up monolithic building masses into smaller units, layering them one on top of the other in a staggered pattern. Shortly after the residents moved in, however, many replaced the flat roofs with pitched roofs, undoing the association with Palestinian houses. One of the residents told me that settlers began adding pitched roofs only after the outbreak of the first intifada, a grassroots Palestinian uprising against the Israeli occupation, in 1987. “All of a sudden,” the resident recalled, “flat roofs didn’t look sophisticated to us.” Today, Alfei Menashe is home to some 8,000 Israelis, almost all of whom identify as secular Jews. Few of the residents I talked with expressed strong political views. Nor did they identify the West Bank with the biblical lands of Judea and Samaria. Photograph on the left by Harnik Nati, 1984, courtesy of National Photos Collection, Government Press Office. Photograph on the right by Noam Shoked, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797040183-96VLJORMKL851VUAB9PV/fig+6.jpg Home - Urban Forms in the Occupied West Bank - Figure 6 Many caravan neighborhoods occupy a space both inside and outside Israeli law, and this extralegal status has produced distinctive construction practices. For instance, caravans are often moved in order to occupy a new territory or to fill the immediate need of an existing community but the practice is illegal under Israeli law so the buildings must be disassembled and reassembled at the new site or moved at night, when police patrols are rare. A landscape architect told me that in order to keep the interior stabilized, a large balloon is blown inside the house, squeezing the furniture, kitchen equipment and electricity appliances against the walls. Drawing by Noam Shoked. Photograph by Yaron Kaminski, 1995, courtesy of National Photos Collection, Government Press Office. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797047372-90NIVXGPPDPV2KI3JMSG/fig+11.jpg Home - Urban Forms in the Occupied West Bank - Figure 11 With a population of nearly 80,000 residents, all ultra-Orthodox Jews, Modi’in Illit is one of several West Bank settlements to be granted city status by Israel. These larger, more visibly “urban” settlements run their own municipal government, finances, and cultural affairs. In the 1990s, the Israeli government offered generous grants for ultra-Orthodox Jews willing to settle in the West Bank. Many did not want to move to the occupied territories, as religious orders prohibit the harassment of non-Jewish residents and the artificial salvation of the land of Israel, but economic opportunity persuaded them to set aside religious concerns. After all, a three-bedroom apartment in Modi’in Illit can cost less than the equivalent of US$350,000, compared to US$600,000 in Bnei Brak (an ultra-Orthodox town near Tel Aviv). Now, ultra-Orthodox Jews are more than 30 percent of the Israeli civilians residing in the West Bank. The Modi’in Illit buildings shown here have balconies designed to function as sukkahs—temporary outdoor ritual huts—during the weeklong holiday of Sukkot. Photograph by Noam Shoked, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797050092-42SVPBS4DYXSXGBC5857/fig+12.jpg Home - Urban Forms in the Occupied West Bank - Figure 12 Beitar Illit is another ultra-Orthodox city-settlement. The architects of the settlement’s first neighborhood failed to account for the exceptionally large ultra-Orthodox family size—nine members, on average. They designed relatively small apartments with two or three bedrooms, and didn’t allow enough space for outdoor playgrounds that could accommodate the large number of children in the settlement. To adjust the design of the settlement, a number of ultra-Orthodox wives with a limited training in drafting techniques had overseen the expansion of almost all units. In the buildings shown here such additions are highlighted in white. In new neighborhoods, community representatives oversaw the design of clusters of buildings that enclose small public courtyards, allowing vehicle-free playgrounds. Photographs and annotations by Noam Shoked, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797050468-LA5B5234YH1ACR77GCT7/fig+13.jpg Home - Urban Forms in the Occupied West Bank - Figure 13 Over the past two decades, a new settlement type—the “unauthorized outpost”—emerged in the West Bank. Contrary to most previous settlements, these outposts are considered illegal not only according to international law but also according to Israeli law. Housing no more than sixty families, they are usually small. Each house sits on a rather large land plot, twice, sometimes even three times the size of land plots in community or suburban (see Figure 11) settlements. Many of those moving to outposts are second-generation settlers. Some of them have been experimenting with new architectural forms that break with the design of kibbutzim, suburbs of Israeli cities or community settlements. In lieu of conventional forms, they draw on 1960s counterculture motifs and Jewish symbols, such as the Star of David or Jewish Menorah. The builders of this geodesic dome, for example, told me that they felt uncomfortable with the settlements their parents built in the 1970s and ‘80s, because they showed no consideration for the “spiritual qualities” of the land. Photograph by Noam Shoked, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797053269-C1SGP0NRL90UCBOIFJVR/fig+14.jpg Home - Urban Forms in the Occupied West Bank - Figure 14 Since they were built illegally, in some cases on privately-owned Palestinian lands, unauthorized outposts are subject to demolition. Although demolitions are rare, they seem to impact outpost residents. One settler I met in an outpost went so far as to paint his house in blue and white. State inspectors, he told me, might fail to see a house that blurs into the sky. I didn’t meet other settlers in that outpost who resorted to such a tactic, but I did hear many talking about potential demolitions. Photograph, no date, courtesy of Noam Shoked. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797053559-VIAUJN1ACSJ7O5XYBQX3/fig+15.jpg Home - Urban Forms in the Occupied West Bank - Figure 15 Another tactic used to achieve permanence is the construction of leisure facilities. Tamari’s Bungalows, shown here, is a luxurious retreat complex encompassing a swimming pool, an artificial waterfall, a goldfish pond, lodging and a restaurant—all erected without building permits in Havat Yair, an unauthorized outpost on a hill in the northern West Bank. Throughout the West Bank, settlers have opened function halls, wineries, hotels and hiking trails. The owner of Tamari’s told me that most of the tourist destinations are not economically viable, but they are useful for public relations. Leisure architecture becomes a political tool through which the settlements can be culturally annexed to Israel. Photographs by Noam Shoked, 2013. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619797055759-6VUWGW17AVWVYUE1LB8N/fig+16.jpg Home - Urban Forms in the Occupied West Bank - Figure 16 At the privately funded Gush Katif Museum in Jerusalem, an exhibit commemorates the Israeli disengagement from the Gaza Strip in 2005, when military and police forces evacuated some 8,000 settlers and destroyed their homes. The event, according to some settlers I talked with, marks a point of rupture between the settlers and the Israeli state. They frequently invoked the trauma of evacuation and demolition. Installed inside a small apartment, Gush Katif Museum opened to the public in 2008. Among the exhibits are building parts, the remains of a settler’s demolished house, and videos documenting the settlers’ fight against eviction. Here the memory of evacuation is experienced intimately: the museum’s exhibition spaces are so small that visitors are almost forced to touch the displays. As I walked through the narrow spaces of the Gush Katif Museum, I couldn’t help but wonder about the future of the settlements that I’ve documented in this photo-essay. Will they continue to grow? Will they be handed over to the Palestinians, who, as a national collective and the local population of the region, aspire to self-rule? Or will they be demolished by the state and join the museum’s exhibits? At the moment, it is hard to tell. For the time being, however, these very conditions of uncertainty and risk seem to accelerate the production of urban forms in settlements. Photograph by Noam Shoked, 2013. https://www.platformspace.net/home/living-in-a-limen-moving-recipes-travelling-scentscapes monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619798932751-ITC6B7QTKSXNVINHWADL/Figure+1.jpg Home - Living in a Limen: Moving Recipes, Traveling Scentscapes Figure 1. The author’s grandmother Panagiota Papazoglou Kourbasssi after her arrival in Mytilene, Greece, from Balya, Turkey. Courtesy of Christos Antonios Kakalis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619798971331-RZ1N82PJSD0WICPUAR5P/Figure+2.jpg Home - Living in a Limen: Moving Recipes, Traveling Scentscapes Figure 2. A hand-written recipe for tsoureki, no date, by Mrs. Kalliopi from Kordelio of Smyrna. Courtesy of Dimitra Massalis, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619799031120-ZL6MRWJRALLB5Q510L2O/Figure+3.jpg Home - Living in a Limen: Moving Recipes, Traveling Scentscapes Figure 3. Sevan’s bakery, Watertown, Mass. Photograph courtesy Street View by Google Maps, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619799066748-3S827OQ418LATEQMKEAT/Figure+4.jpg Home - Living in a Limen: Moving Recipes, Traveling Scentscapes Figure 4. Making tsoureki at Üstün Palmie Pastanesi in Istanbul. Photographs by Üstün Palmie Pastanesi, 2021. https://www.platformspace.net/home/race-and-place-in-united-states-toward-repair monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619185418435-6GSS987U65L6GYAUWYAC/Nelson+Bates+Figure+1.jpg Home - Race and Place in United States: Toward Repair Figure 1. University of Virginia students documenting historic house, Falmouth, Jamaica, 2007. Photograph by Louis P. Nelson. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619185450144-AO7GAEQ0CEO5MN4YS6NK/Nelson+Bates+Figure+2.jpg Home - Race and Place in United States: Toward Repair Figure 2. University of Virginia students learning mortar techniques from a Jamaican mason, Falmouth, Jamaica, 2007. Photograph by Louis P. Nelson. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619185473791-5VLDNNLRXF63EHFUAAJM/Nelson+Bates+Figure+3.jpg Home - Race and Place in United States: Toward Repair Figure 3. Jobie Hill and Niya Bates investigating an outbuilding at Pharsalia, Nelson County, Virginia, 2019. Photograph by Peter Hedlund. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619185515566-6WEL61D6YOXK0A55835U/Nelson+Bates+Figure+4.jpg Home - Race and Place in United States: Toward Repair Figure 4. Descendants of Monticello’s enslaved families washing artifacts and learning archaeology, Monticello, Virginia, 2018. Photograph by Niya Bates. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619185647774-LX4M2JUYNT85J6JRVZB5/Nelson+Bates+FIgure+5.png Home - Race and Place in United States: Toward Repair Figure 5. Alumni of Buckingham Training School speaking with University of Virginia Students, Buckingham, Virginia, 2019. Photograph by Niya Bates. https://www.platformspace.net/home/this-is-the-hour-when-architects-protest monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619184878859-18UOF5U6LK435JSTLQK0/Figure+1_Maale+Adumim.jpeg Home - “This is the hour”: When Architects Protest Figure 1. Residential quarter in the settlement of Ma’ale Adumim, 1983. Photograph by Harnik Nati, courtesy of National Photos Collection, Government Press Office. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1619184948059-D1MU4XYTFMW507NGFA5R/Figure+2_petition.jpeg Home - “This is the hour”: When Architects Protest Figure 2. Copy of the petition, entitled “Against Construction in the Territories,” in Kol Ha’ir newspaper, August 12, 1988, 59. https://www.platformspace.net/home/on-moats-and-reservoirs monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618521358223-939HZ0V5WE2UZ1ID0V2L/Rich_Fig1.jpg Home - On Moats and Reservoirs Figure 1. Plate 67, Chiroptera, from Ernst Haeckel’s Kunstformen der Natur (1904). 1) Plecotus auritus (Linnaeus, 1758), brown long-eared bat; 2) P. auritus, brown long-eared bat, head from front; 3) Nyctophilus geoffroyi geoffroyi (Leach, 1821), lesser long-eared bat, head from front; 4) Megaderma spasma trifolium (Geoffroy, 1810), lesser false vampire bat, head from front; 5) Chrotopterus auritus (Peters, 1856), big-eared wooly bat, head from the side; 6) Lonchorhina aurita (Tomes, 1863), head from front; 7) L. aurita, Tomes’s sword-nosed bat, head from backside; 8) Natalus stramineus (Gray, 1838), Mexican funnel-eared bat, head from front; 9) Mormoops blainvillii (Leach, 1821), Antillean ghost-faced bat, head from front; 10) Anthops ornatus (Thomas, 1888), flower-faced bat, face from front; 11) Phyllostomus hastatus (Pallas, 1767), greater spear-nosed bat, head from front; 12) Furipterus horrens (F.Cuvier, 1828), thumbless bat, head from front; 13) Rhinolophus ferrumequinum (Schreber, 1774), greater horseshoe bat, head from front; 14) Centurio senex (Gray, 1842), wrinkle-faced bat, head from front; 15) Vampyrum spectrum (Linnaeus, 1758), spectral bat, head from front. Image is in the public domain, obtained from Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618521396506-VE0NZ6C2DGBSVAWU1GGR/Rich_Fig2_hi-res.jpg Home - On Moats and Reservoirs Figure 2. Aerial view of the Costa Concordia after running aground Isola del Giglio, off the coast of Tuscany, in 2012. Image adapted by the author from Wikimedia Commons: Ice Boy Tellderivative work: Ingo1968, CC BY-SA 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618521427005-OXQC1OZAGDYKNJR50AC6/Rich_Fig3.jpg Home - On Moats and Reservoirs Figure 3. Even for children, plastic enables the fantasy of princess for a day. Broken and discarded plastic tiara found near the author’s home in the wetlands of Conway, South Carolina, USA. Photograph by Sara Rich, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618521464814-CDXUKR4P5GNMYZ972R9H/Rich_Fig4_hi+res.jpg Home - On Moats and Reservoirs Figure 4. The spectral, bat-filled castle of our pale blue dot. Castle design based on Kasteel Van Horst, Holsbeek, Belgium. Drawing by Sara Rich, 2021. https://www.platformspace.net/home/fenced-off monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618523364814-FF8KCRDFMZN6MWBP7P6N/Figure+2.jpg Home - Fenced Off Figure 2. Groner Landstrasse 9, Göttingen, with fence erected on 18 June 2020. Photograph: Michael Trammer. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618524077849-KQGPQW6NZ9CBTQ1PREX8/Figure+3.jpg Home - Fenced Off Figure 3. Groner Landstrasse 9, Göttingen, view of whole complex. Google Earth. Image Landsat/Copernicus. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618524099690-VHOVIX9O7A9ASHXNPDBJ/Figure+4.jpg Home - Fenced Off Figure 4. Aerial View of Student Dormitories, Fallowfield campus, University of Manchester. Google Earth. Image Landsat/Copernicus. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618524131879-ND9DACYN0ESS88MCO0AA/Figure+5.jpg Home - Fenced Off Figure 5. Students knocking down fence panels during protest on 5 November 2020, Fallowfield Campus, University of Manchester. Photograph: Joel Goodman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618524156677-IA9T40U8H8T3NZYBXINA/Figure+6.jpg Home - Fenced Off Figure 6. Student protest, Fallowfield Campus, University of Manchester, 5 November 2020. Antonio Ross (@reflectionless.ross)/The Mancunion. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1618524191446-GSI3LO293OQBH3LN12BL/Figure+7.jpg Home - Fenced Off Figure 7. Residents behind quarantine fence cheer on demonstration and are watched over by police outside of 9 Groner Landstrasse, Göttingen, 23 June 2020. Photograph: Michael Trammer. https://www.platformspace.net/home/unpacking-the-composition-of-a-multiethnic-streetscape-in-queens-new-york monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990070491-MKEBNLMLZP8CLE1A8IB3/Allison_FIG2.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 1 No. 7 train infrastructure canopying Roosevelt Avenue at 73rd Street, 2018. Photograph by Melissa De la Cruz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990072272-BVCHNO10OGUYE7JUIVQK/Allison_FIG3.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 2 No. 7 train infrastructure canopying Roosevelt Avenue at 82nd Street, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990075591-WMYP841QLANQ8KUWYIGA/Allison_FIG4+.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 3 Filipino market on Roosevelt Avenue and 70th Street, 2018. Photograph by Melissa De la Cruz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990076316-ANRLGPKWGEGIPUGBG6IN/Allison_FIG5+.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 4 Mexican restaurant on Roosevelt Avenue and 76th Street, 2018. Photograph by Noah Allison https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990078154-5P3CSQC0ABJNH3ER84KQ/Allison_FIG6.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 5 Fixed signage mounted on Roosevelt Avenue’s storefronts, 2017. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990079521-06W5C1KCFORTMYXQAIDX/Allison_FIG7.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 6 Restaurants and street vendors are tightly carved out along Roosevelt Avenue, 2017. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990090154-J4U3I0A6EQ8GWFACGCK8/Allison_FIG8.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 7 Xeroxed and handwritten flyers advertising housing, 2018. Photograph by Melissa De la Cruz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990092482-BK6AUUA6SJCI9S20UE9Y/Allison_FIG9.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 8 Xeroxed and handwritten flyers advertising jobs, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990094070-L702Z91LGXPY9QCABBYX/Allison_FIG10.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 9 Dry-erase whiteboard signage propped in a storefront window, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990102346-J2509NVIVBYBOID5BVI3/Allison_FIG11.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 10 Propped-up canopy to protect sidewalk diners from weather and debris, 2018. Photograph by Melissa De la Cruz https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990103955-3OF5UIWTB443AT66N20I/Allison_FIG12.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 11 Women selling ice cream and water on a hot summer afternoon, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990108731-GS1POQNJ1TEZJLHXXZ8Z/Allison_FIG13.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 12 Brick-and-mortar businesses use sidewalks to operate, 2018. Photograph by Melissa De la Cruz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990111982-U9PUWRVAJSVCD7XIP1IO/Allison_FIG14++.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 13 Smoke steaming from an unlicensed vendor’s cart on the corner of Roosevelt Avenue and 82nd Street, 2018. Photograph by Melissa De la Cruz https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990113904-BO0860YCC8E4EQOC72RM/Allison_FIG15.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 14 Roosevelt Avenue’s licensed vendor hawking halal fare, 2017. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990117722-7KLL3KQENHCZYTJQUC8O/Allison_FIG16.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 15 Roosevelt Avenue’s licensed vendor hawking fruit salads and smoothies, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990120809-74NONFZSDVVCBK7DI2FO/Allison_FIG17.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 16 Vendors selling fruit on the corner of Roosevelt Avenue and 75th Street, 2018. Photograph by Melissa De la Cruz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990122714-UM0PM6H09JQ2EYPD0D1L/Allison_FIG18.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 17 Merchandise and food vendors on Roosevelt Avenue and 82nd Street, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990125605-038RCIZWBKD32422O3DT/Allison_FIG19.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 18 Sidewalk vending infrastructure locked to a bike rack. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990128980-NNVWAOTKSEGNQYBSKO2E/Allison_FIG20.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 19 Man using car as a workstation. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617990130208-OQ2M8JX32B3M8CLU1U2N/Allison_FIG21.JPG Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York - Figure 20 Pedestrians traversing the northside of Roosevelt Avenue at 82nd Street, 2018. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617999344223-YVMOY8WFVF3D2NXYY870/Allison_FIG1+%28MAP%29.jpg Home - Unpacking the Composition of a Multiethnic Streetscape in Queens, New York https://www.platformspace.net/home/housing-beyond-and-within-the-market-part-3-cooperatives-in-boston monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617988684785-44MZ556COSEW3V22J5M3/Fig+1-PublicLand.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 1. In this map, MIT workshop participant Julian Geltman reveals the distribution of publicly owned properties in Boston in 2020 as a possible basis for the promotion of nonprofit cooperative housing. The land and its disposition are managed either by the Department of Neighborhood Development (DND) or the Boston Planning and Development Agency (BPDA). Data courtesy DND and BDPA. Courtesy of Julian Geltman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617988801444-SEGA8CJ5ZXV5LV0N6Y79/Fig+2-StJosephs.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 2. St. Joseph’s Cooperative Homes in Boston’s Roxbury neighborhood, completed in 1969, is an example of one of Boston’s many older nonprofit cooperatives. The project was made possible by land cleared through urban renewal programs, and the sponsorship of two neighborhood organizations. It remains affordable to low-income households thanks to a project-based Section 8 contract. Photograph by Ana Arenas, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617988942850-4H7JLGZS7BU9G91Q4HJZ/Fig+3-Laconia.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 3. Laconia Lofts in South Boston is a condominium development completed in 1999, designed by David Hacin for developer Jack McLaughlin. It was built on city-owned land made available through an RFP. The project includes one-third resale-restricted live-work studios reserved for low-income artists. As MIT workshop participant Amy Fang and research assistant Ana Arenas and found in their research, bridging the differing priorities of market-rate and resale-restricted residents in such developments can be difficult. Photograph by Ana Arenas, 2020. Plan courtesy of David Hacin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617988983131-UK6C0D0U9F40SEQ43S0M/Fig+4-1010MemDr.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 4. 1010 Memorial Drive is a market-rate cooperative in Cambridge, completed 1964. Two-bedroom apartments with Charles River views today sell for upwards of one million dollars. Photograph by Ana Arenas, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617989012700-GCEUIAEX06JACADFZQTN/Fig+5-CommonPlace.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 5. Common Place, Cambridge, is a 1905 apartment building converted to a nonprofit cooperative in 1972 by ten professional and academic households committed to the ideals of an “intentional community.” As conversations with a co-founder led by MIT workshop research assistant Hugh Ebdy made clear, four decades later, the nonprofit aspects of this ideal were hard to maintain in light of the growing financial needs of its ageing members. Photograph by Ana Arenas, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617989074415-BH4RKXZV7ON5OVNZAOUI/Fig+6-157Washington.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 6. 157 Washington Street, in Boston’s Dorchester neighborhood, is a mixed-income cooperative financed in part by federal Low-Income Housing Tax Credits. It was completed in 2012, designed by Elton + Hampton Architects and developed by Codman Square Neighborhood Development Corporation (CSNDC). As MIT workshop participant Christopher Moyer argues in his analysis, residents are given such limited control over their homes, that in some ways the cooperative is no more than a “glorified rental.” Photo by Ana Arenas, 2020. Plan courtesy of Elton + Hampton Architects. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617989110046-GJKZOHN7EBMKBDZGWIST/Fig+7_Marcella+Highland+RFP.png Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 7. The 2016 Request for Proposals for sites at Marcella and Highland Avenues in Boston’s Roxbury neighborhood, whose page on the City of Boston DND’s website is shown here, explicitly asked for cooperative housing and design innovation for low-income households. As workshop participant Jayson Kim found, achieving these goals using Low-Income Housing Tax Credits has proven difficult. Screenshot captured February 9, 2021. Courtesy City of Boston DND. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617989148412-SG42P8RJG4CKR3W1S48Y/Fig+8-HarwellHomes.jpg Home - Housing Beyond and Within the Market, Part 3: Cooperatives in Boston Figure 8. In these renderings, MIT workshop participant Benjamin Hoyle explores options for the renovation, redevelopment, and/or expansion of Harwell Homes, a nonprofit cooperative in Cambridge completed in 1974. Taking cues from practices in Zurich, all options maintain nonprofit status and cost rent throughout. Courtesy of Benjamin Hoyle. https://www.platformspace.net/home/housing-beyond-and-within-the-market-part-2-cooperative-conditions-in-zurich monthly 0.5 2021-06-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142182525-GLWB9Q91Z2DFC69THLM7/Fig+1+ABZ_Entlisberg2_8p0a5684-1920x960-c-default.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 1. Entlisberg 2 is a 2017 redevelopment of a 1920s housing estate operated by one of Zurich’s oldest cooperatives, Allgemeine Baugenossenschaft Zürich (ABZ). The higher density buildings were designed by Meier Hug Architekten and Schmid Landschaftsarchitekten to privilege large, contiguous shared open spaces. Photograph by Andrea Helbling. Courtesy of ABZ. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142268690-TK4U4MW7129L8YR2CGRZ/Fig+2+ABZ_18_1412_ottostrasse_img_0479-2560x0-c-default.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 2. Ottostrasse, designed by Otto Streicher and located in central Zurich, is one of ABZ’s first developments. It has undergone three major renovations since opening in 1927. Thanks to the cost rent model rents remain at around a third of market levels. Photograph by Reto Schlatter, 2018. Courtesy of ABZ. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142578467-U27MOJ6TJ095ODP9IYWC/Fig+3+KALKBREITE_AnnualReport_GK-2019-Final-Web.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 3. Kalkbreite is a young cooperative, founded only in 2007. This graphic, taken from its 2019 Annual Report, shows that despite cooperatives’ non-speculative orientation, they are nonetheless attractive to creditors. The three main creditors of Kalkbreite are ZKB (Zürcher Kantonalbank), a bank backed by the canton of Zurich (CHF37 million); municipal, cantonal, and federal entities (CHF18.7 million); and institutional and individual private lenders (CHF29.1 million). Graphic design by Weicher Umbruch. Courtesy of Genossenschaft Kalkbreite. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142353019-L1H1JA1PB81T18OZG2QY/FIg+4+KALKBREITE_1R_ESPERANTO_Modell_Querschnitt1.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 4. The Zollhaus, located in central Zurich, was designed by Enzmann Fischer Partner AG, the second project developed by Kalkbreite. As this cross section indicates, it will provide a mix of commercial and residential spaces, with apartments serving households from one to eight people. It will also boast two “hall apartments” in which people will build out their living environment within an open floor plan. The project is scheduled for completion in mid-2021. Courtesy of Enzmann Fischer Partner AG. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142396856-24A8BA8QBTCQCQGI64FE/Fig+5+ZWICKY_Plenum_Zwicky_Garon.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 5. Zurich’s cooperatives are governed by their resident-members, while operations are generally managed by professional staff. This image shows the founding meeting of the resident association of Zwicky Süd, the third development realized by the cooperative Kraftwerk1. These resident-members will also be the ones to brainstorm ideas for and approve any further development projects undertaken by the cooperative organization. Photograph by Myrtha und Bernard Garon, 2016. Courtesy of Bau- und Wohngenossenschaft Kraftwerk1. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142629301-RDXTTHZZYKOM6UMEVZO3/Fig+6_ZWICKY_PLAN_03_KRAFTWERK_ZWICKYS%C3%9CD_FLOORPLAN_13_5_9_604-W1.jpg Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 6. Zwicky Süd was completed in 2015, designed by Schneider Studer Primas, selected through an invited competition process. The project includes a single extra-large apartment. Its multiple entries, kitchens, bathrooms, and central patio allow like-minded individuals to share generous amenities while ensuring their privacy, as this floor plan shows. Courtesy of Bau- und Wohngenossenschaft Kraftwerk1. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617142468539-WI2BVOR9B35T71VDJ6J2/Fig+7+ZWICKY_Exterior_2019_KW1_Zwicky_ari+%283%29.JPEG Home - Housing Beyond and Within the Market, Part 2: Cooperative Conditions in Zurich Figure 7: Zwicky Süd, view of courtyard and galleries. Courtesy of Bau- und Wohngenossenschaft Kraftwerk1. https://www.platformspace.net/home/practicing-utopia-the-mensch-meier-collective-in-the-time-of-covid-19 monthly 0.5 2021-04-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617143131435-7QOGVCE8RWWZW9II04R7/Thamm_Figure1.jpeg Home - Practicing Utopia: The Mensch Meier Collective in the Time of COVID-19 Figure 1. Side exterior, Mensch Meier, Berlin, 2021. Photograph by Kiersten Thamm. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1617143308137-7X19BTN8XY0IJM4A5S6P/Thamm_Figure2.jpeg Home - Practicing Utopia: The Mensch Meier Collective in the Time of COVID-19 Figure 2. Entry front, Mensch Meier, Berlin, 2021. Photograph by Kiersten Thamm. https://www.platformspace.net/home/housing-beyond-and-within-the-market-part-1-cooperative-housing-and-the-racial-wealth-gap monthly 0.5 2021-04-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616765664653-C55COLXNU4N10UAC0YXD/Fig+1+Dunbar+Apartments+Prospectus.jpg Home - Housing Beyond and Within the Market, Part 1: Cooperative Housing and the Racial Wealth Gap Figure 1. The Dunbar Apartments were constructed between 1926 and 1928 on a full city block in Harlem, New York City. As this marketing brochure reveals, the complex was originally conceived as a nonprofit cooperative for African Americans. It was sponsored by John D. Rockefeller Jr. and designed by Andrew J. Thomas. Courtesy of Frances Loeb Design Library, Harvard University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616765739166-0887RF9PMS97C08I1DY9/Fig+2_STJOSEPH_neu_124283.jpg Home - Housing Beyond and Within the Market, Part 1: Cooperative Housing and the Racial Wealth Gap Figure 2. St. Joseph Cooperative Homes under construction in 1967 at Circuit and Washington Streets in Roxbury, Boston. The project was part of the work of Freedom House, an organization founded in 1949 by African American social workers Otto P. and Muriel S. Snowden. The development was co-sponsored by the Catholic Archdiocese and designed by Paul G. Feloney. Photograph by Pierce Permain. Courtesy of Freedom House, Inc. collection, at Northeastern University Archives and Special Collections. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616765779758-LU0MTJOLOHXR7VOJL47C/Fig+3_FRIESENBERG_Fassade_1Etappe.JPG Home - Housing Beyond and Within the Market, Part 1: Cooperative Housing and the Racial Wealth Gap Figure 3. The Familienheim Genossenschaft Zürich is one of the first cooperative organizations to emerge in the 1920s to provide housing for working-class families on the outskirts of Switzerland’s largest and rapidly industrializing city. The elevation drawing of a five-unit building by architect F. Reiber shows the traditional Heimatstil-architecture favored at the time. Courtesy of FGZ Archiv. https://www.platformspace.net/home/love-note-to-and-mourning-for-asian-american-atlanta monthly 0.5 2021-03-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616962470229-AWHI77MHEJH9KV592BZ4/Fig+1+Vietnamese+%26+Spanish+Billboard%2C+Doraville%2C+GA.jpg Home - Love Note to and Mourning for Asian American Atlanta Figure 1. Dual-language billboard in Vietnamese and Spanish, Doraville, Ga. Photograph by Matthew Gordon Lasner, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616962612134-1EZ7XHU0RRPZGJX8KE1H/Fig+2+Ranch+99%2C+Asian+Square%2C+Doraville%2C+GA.jpg Home - Love Note to and Mourning for Asian American Atlanta Figure 2. Ranch 99 Market, part of a Taiwanese-owned chain based in Southern California, Doraville, Ga. Photograph by Matthew Gordon Lasner, 2010. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616962667239-WNS3EOUV85VH7E0WDNPT/Fig+3+Le+Salon%2C+Asian+Square%2C+Doraville%2C+GA.jpg Home - Love Note to and Mourning for Asian American Atlanta Figure 3. Le Salon spa at the multiethnic Asian Square shopping center, Doraville, Ga. Photograph by Matthew Gordon Lasner, 2010. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616962702731-C1X7CNLZ8LBQKSTJPE0M/Fig+4+Patel+Plaza%2C+Decatur%2C+GA.jpg Home - Love Note to and Mourning for Asian American Atlanta Figure 4. Patel Plaza, Decatur, Ga. Photograph by Matthew Gordon Lasner, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616962787973-MBGYI7CWN6CKDIYCHMWQ/Fig+5+Asian+Square+Shopping+Center%2C+Doraville%2C+GA.jpg Home - Love Note to and Mourning for Asian American Atlanta Figure 5. The Asian American retail and service landscape in Atlanta: Asian Square shopping center. Photograph by Matthew Gordon Lasner, 2010. https://www.platformspace.net/home/what-crowds-might-have-passed-through-here-encounters-with-antiquity-in-nineteenth-century-rural-ionia monthly 0.5 2021-03-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616270702542-BTEYREADIRPYU6BUHEGZ/Amygdalou_Figure+1.jpg Home - “What Crowds Might Have Passed through Here?” Encounters with Antiquity in Nineteenth-Century Rural Ionia Figure 1. The village of Gülbahçe, Turkey. Photograph by Süleyman Pişken, 2020. This photograph is one of several made by students for a course taught by Professor Ela Çil at IYTE University, Gülbahçe, Turkey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616270811686-G2QEQJVVUAM1VJXUST8W/Amygdalou_Figure+2%2C+edited.jpg Home - “What Crowds Might Have Passed through Here?” Encounters with Antiquity in Nineteenth-Century Rural Ionia Figure 2. Plan of the Gülbahçe basilica as published by George Weber in “Basilika und Baptisterium in Gül-bagtsché (bei Vurla),” Byzantinische Zeitschrift 10, no. 2 (1901): 568-73. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616270891273-S7DGMS4Y3O5DKQ8LBLH4/Amygdalou_Figure+3.jpg Home - “What Crowds Might Have Passed through Here?” Encounters with Antiquity in Nineteenth-Century Rural Ionia Figure 3. Map of Gülbahçe area, prepared by the author. https://www.platformspace.net/home/from-rubble-to-ruins-post-earthquake-response-and-the-reconstruction-process-in monthly 0.5 2021-03-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500279765-VKFZ054ESJKQGON1HPAL/Figure+1.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 1. Affected buildings, La Condesa, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500306080-FN32HJQEEU1464NH2ZLK/Figure+2.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 2. Collection center in Parque Mexico, La Condesa, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500328478-VT0Y742C2N16F6J5DAAI/Figure+3.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 3. Message soliciting help created by Verificado19S with verified information to be distributed in social media (WhatsApp, Facebook, etc.), Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500354181-WALWY4CRWLRDSBUU0A9T/Figure+4.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 4. Sign offering, #endurance for free, #Strength Mexico, Food, Restrooms, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500374348-B8KFZRPKYCJ2IWAEMIXM/Figure+5.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 5. Do you want to shower? Call me or WhatsApp me we have towels, shampoo, and 16 hot water showers, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500410005-D7TDPZLEANSAV7OZCGPQ/Figure+6.JPG Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 6. If you help we have food for you, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500434852-HIY80ONLK0915RX8TU3R/Figure+7.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 7. Kids writing messages for the victims, Parque Mexico, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500460880-2ONG824WDL14VOUHNAL4/Figure+8.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 8. Altar honoring the victims, Parque Mexico, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500487286-U1T7URAUQT5RK229LY0I/Figure+9.JPG Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 9. Votive candles for the victims, La Roma, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500514337-QPGPXNM4P6ER25G64P5M/Figure+10.jpeg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 10. Cans labeled with encouraging messages, Mexico City, 2017. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500547000-ZXX9Q611000LECXMCRNH/Figure+11.JPG Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 11. Rubble collected from the affected buildings, La Condesa, Mexico City, 2018. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500723044-Z5H0EHZ7C6ZBEKCMV27T/Figure+12.JPG Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 12. Building being demolished three years after the earthquake, La Condesa, Mexico City, 2020. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500766198-DK7ZBDBBA0I37Z71BN5E/Figure+13.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 13. Empty plot of land three years after the earthquake, La Condesa Mexico City, 2020. Photograph by María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615500787714-KGWYBO10L1WZKWFI82JT/Figure+14.jpg Home - From Rubble to Ruins: Post-Earthquake Response and the Reconstruction Process in Mexico City Figure 14. Damaged building still waiting to be retrofitted three years after the earthquake, La Condesa, Mexico City, 2020. Photograph by María Moreno. https://www.platformspace.net/home/tthe-urban-designer-in-society-populism-and-mass-cultur monthly 0.5 2021-03-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615046393900-06TZNLHV1KW5K6TMWMFG/Firley%2C+Fig+1.jpg Home - The Urban Designer in Society: Populism and Mass Culture Figure 1. New York’s Meatpacking District as a place in which industrial heritage stimulates the realization of contemporary identities. Photograph by Luca Vanzella 2008, courtesy Flickr under, Creative Commons license CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615046428230-B4YQ7K2XHAAUM4E2XUYV/Firley%2C+Fig+2.jpg Home - The Urban Designer in Society: Populism and Mass Culture Figure 2. Selfie appeal in a conceptually sophisticated robe: MVRDV’s Market Hall in Rotterdam. Photograph by Eric Firley, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615046484799-0UJ42QHG68GHBKORH34T/Firley%2C+Fig+3.jpg Home - The Urban Designer in Society: Populism and Mass Culture Figure 3. Seaside, a built utopia of beauty and order, at which the spirits divide in regards to its relevance as a planning paradigm. Photograph by Eric Firley, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615046525040-NGNDGYRF85YWOZWRR44E/Firley%2C+Fig+4.jpg Home - The Urban Designer in Society: Populism and Mass Culture Figure 4. Website of Berlin’s “Haus der Statistik,” a highly complex renovation project that is fully based on process and participation, Jan. 22, 2021. https://www.platformspace.net/home/lost-city-public-housing-urban-renewal-and-community-in-new-london-connecticut-part-2-coalitions-and-constellations monthly 0.5 2021-03-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613581487436-D9WWISCFIXKMYOG5QAB6/2-1.jpg Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 2, Coalitions and Constellations Figure 1. Thames River Apartments, 2020. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613581514346-3PGRZ91LVK6582TTNPET/2-2.jpg Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 2, Coalitions and Constellations Figure 2. Beverly Epps, left, and Barbara Daniels, right, of the Winthrop Apartments (today, Thames River Apartments) Tenant Association, 6 January 1983. The Day (New London, Conn.). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613581541695-YOKY2M6QS2SXSPHV5BXW/2-3.png Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 2, Coalitions and Constellations Figure 3. Tenants in their Thames River apartment, 11 October 1990. The Day (New London, Conn.). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613581566849-X1E21JJGSMAU1MZ9KI9U/2-4.jpg Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 2, Coalitions and Constellations Figure 4. Jeanne Ward standing outside her new home in New London, 13 June 2018. Photograph by Dana Jensen, The Day (New London, Conn.). https://www.platformspace.net/home/lost-city-public-housing-urban-renewal-and-community-in-new-london-connecticut-part-1-mapping-urban-renewal monthly 0.5 2021-03-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613576271922-2E6HIKJJIRF9QJDBOPPP/Vallye%2C+1-1.jpg Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 1, Mapping Urban Renewal Figure 1. 100 Winthrop Street was the first building to be demolished in the Winthrop Urban Renewal Project, 6 September 1963. The Day (New London, Conn.) and the Public Library of New London, Conn. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613576309608-3A6B4PJRQ5R3KBRHULZT/Vallye%2C+1-2.png Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 1, Mapping Urban Renewal Figure 2. Thames River Apartments (originally called Winthrop Apartments), 25 July 1982. The Day (New London, Conn.). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613576510092-PR8975MK3WX49FT9MFUQ/Vallye%2C+1-3.JPG Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 1, Mapping Urban Renewal Figure 3. Maurice E. H. Rotival & Associates, Perspective of the Proposed Winthrop Urban Renewal Plan, ca. 1962. Private Collection. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614523336657-W2VJUR8FPRQDL835GAWJ/Vallye%2C+1-4.jpg Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 1, Mapping Urban Renewal Figure 4. [The New London Redevelopment Agency], “The New London of Tomorrow—Challenge of Today,” promotional flyer, ca. February 1962. Manuscripts and Archives, Yale University Library, New Haven, Conn. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613581222098-XSK78N9ZANU3OZIKB349/Vallye%2C+1-5.png Home - “Lost City”: Public Housing, Urban Renewal, and Community in New London, Connecticut - Part 1, Mapping Urban Renewal Figure 5. Segregation by race in New London, Conn., before and after renewal. Map graphics by Beverly Chomiak, 2020. https://www.platformspace.net/home/how-i-found-the-courage-to-decolonize-my-syllabus monthly 0.5 2021-03-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379366062-D1PNIPUFVBWQY444I3BN/Littmann_FIG1.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 1. Image from student presentation by Scarlett Zhang on the Red Rose Beauty Salon in Shanghai, photograph by Scarlett Zhang, for the fall 2019 History of Interiors course at the California College of the Arts. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379394897-R006N37GGGZD4LUAW5Z5/Littmann_FIG2.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 2. Image from student presentation by Scarlett Zhang showing the interior of the Red Rose Beauty Salon in Shanghai, photograph by Scarlett Zhang. This presentation was made for the fall 2019 History of Interiors course at the California College of the Arts. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379420268-PSXW4ZKSCFT5WKOEK44L/Littmann_FIG3.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 3. Image from student presentation by Scarlett Zhang showing the floor plan of part of the Red Rose Beauty Salon in Shanghai, drawing by Scarlett Zhang. This presentation was made for the fall 2019 History of Interiors course at the California College of the Arts. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379466537-JAZRT858MZP5AOOVY5DW/Littmann_FIG4.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 4. Diagram of campus of the Zhejiang Normal University Affiliated Middle School, Jinhua, China, from a presentation by Violet Fu for the fall 2020 History of Interiors course at the California College of the Arts. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379488439-3O5BA6VGKBMOOIVIYHSI/Littmann_FIG5.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 5. Diagram of a typical classroom at the Zhejiang Normal University Affiliated Middle School, Jinhua, China, from presentation by Violet Fu for the fall 2020 History of Interiors course at the California College of the Arts. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1614379511593-939GC9JGZF0DA1YX2BWJ/Littmann_FIG6.jpg Home - How I Found the Courage to Decolonize my Syllabus Figure 6. Computer rendering of an example of one type of classroom arrangement at the Bishop Montgomery High School in Torrance, California, from presentation by Zhiyu Li for the fall 2020 History of Interiors course at the California College of the Arts. Used with permission. https://www.platformspace.net/home/re-thinking-roberto-burle-marx monthly 0.5 2021-03-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613849087765-835MERGLDBJF05PM0IIJ/Sullivan%2C+fig+1+04-Burle-folhas-retouched-clip-NYBG_BRIGHT.jpg Home - Re-Thinking Roberto Burle Marx Figure 1. Roberto Burle Marx during a botanical expedition in Ecuador (detail), 1974. Photograph by Luiz Knud Correia de Araújo. Archive of Luiz Correia de Araújo. Photograph courtesy of the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771741767-51YVWR4G1DQ43U950MLV/Sullivan%2C+fig+2+4464180.JPG Home - Re-Thinking Roberto Burle Marx Figure 2. Roberto Burle Marx, Copacabana beach/sidewalk, Rio de Janeiro/Brazil, 1971. Photograph copyright Viard M./HorizonFeatures/Bridgman Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771797623-9FXKUQDD5RGNZGFTEM3O/Sullivan%2C+fig+3+Burle+Marx.+Casa+Roberto+Marinho.+gardens.JPG Home - Re-Thinking Roberto Burle Marx Figure 3. Roberto Burle Marx, Tropical garden for Casa Roberto Marinho, Rio de Janeiro. 1940s. Photograph by Edward J. Sullivan, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771829846-ZR4YWYUC58WVZVRTXT8C/Sullivan%2C+fig+4+Burle+Marx.+Moreira+Salles.JPG Home - Re-Thinking Roberto Burle Marx Figure 4. Roberto Burle Marx, Garden for Walther Moreira Salles residence (now Instituto Moreira Salles), Rio de Janeiro, 1951. Photograph by Edward J. Sullivan, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771868589-IIA1J36UUCEN62YQFZNW/Sullivan%2C+fig+5+Burle+Marx.+Sitio.+gardens.JPG Home - Re-Thinking Roberto Burle Marx Figure 5. Roberto Burle Marx, Garden for Sítio Roberto Burle Marx, Barra de Guaratiba, Rio de Janeiro, begun 1940s. Photograph by Edward J. Sullivan, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771897791-CP0HEFOY0K7OO2LPB452/Sullivan%2C+fig+6+Burle+Marx.+Sitio.+New+Studio.+Sitio.JPG Home - Re-Thinking Roberto Burle Marx Figure. 6. Roberto Burle Marx, Loggia Studio at Sítio Roberto Burle Marx, Barra de Guaratiba, Rio de Janeiro. Studio building designed by the artist, incorporating portions of a demolished nineteenth-century building in downtown Rio de Janeiro. Photograph by Edward J. Sullivan, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613771948339-MZP3MVN5R4YFBBPSC0OL/Sullivan%2C+fig+7+Burle+Marx.+Sitio.+Greenhouse-plant+laboratory.JPG Home - Re-Thinking Roberto Burle Marx Figure 7. Roberto Burle Marx, Greenhouse and plant laboratory, Sítio Roberto Burle Marx, Barra de Guaratiba, Rio de Janeiro. Photograph by Edward J. Sullivan, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613772011648-9VCCZ172FWDCQV18SCSB/Sullivan%2C+fig+8+MCO_2054.jpg Home - Re-Thinking Roberto Burle Marx Figure 8. Installation view, Brazilian Modern. The Living Art of Roberto Burle Marx New York Botanical Garden, 2019. “Untitled Tapestry,” 1971, Art Institute of Chicago, is featured in the background. Photograph courtesy of the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613772111372-XYBEFNFA60WJ7XAYR2HR/Sullivan%2C+fig+9+MCO_2705.jpg Home - Re-Thinking Roberto Burle Marx Figure 9. Raymond Jungles, Modernist garden designed in 2018 for the 2019 exhibition Brazilian Modern. The Living Art of Roberto Burle Marx. Photograph courtesy of the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613772179412-2NGHJ2L3MGPSL8B1FUR9/Sullivan%2C+fig+10+MCO_DJI_0923-AerialModernistGardenPath.jpg Home - Re-Thinking Roberto Burle Marx Figure 10. Raymond Jungles, Aerial view of modernist garden designed in 2018 for the 2019 exhibition, Brazilian Modern. The Living Art of Roberto Burle Marx. Photograph courtesy of the New York Botanical Garden. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613772284470-Y74Y0F8PKGCKSSVCTSFW/Sullivan%2C+fig+11+4464161.JPG Home - Re-Thinking Roberto Burle Marx Figure 11. Roberto Burle Marx, Garden Design for Emily Hall and Burton G. Tremaine residence, Santa Barbara, California (unbuilt), 1948. New York, The Museum of Modern Art. Photograph copyright Viard M./HorizonFeatures/Bridgeman Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613772334086-AKEFFDXDNLDYKNMXEKT2/Sullivan%2C+fig+12+RBM-blue-room_TYBA.jpg Home - Re-Thinking Roberto Burle Marx Figure 12. Roberto Burle Marx painting in his loggia studio with blue tile walls designed by the artist, Sítio Roberto Burle Marx. c.1980s. Photo Claus Meyer/Tyba. Courtesy of the New York Botanical Garden. https://www.platformspace.net/home/public-libraries-public-input-how-citizens-comments-can-inform-public-library-architecture monthly 0.5 2021-02-22 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613679216164-FRVQ6IBAH4DVE20Y8W6M/Schreiber_FIG1.JPG Home - Public Libraries, Public Input: How Citizens’ Comments Can Inform Public Library Architecture Figure 1. Harold Washington Library Center, Chicago, Hammond, Beeby & Babka Inc., 1988–91. Photograph by Maxi Schreiber, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613679244694-XUDISQ2Y6LK43UOST127/Schreiber_FIG2.jpg Home - Public Libraries, Public Input: How Citizens’ Comments Can Inform Public Library Architecture Figure 2. Public Comment Card for the Design Build Competition for the new Central Library in Chicago, recto. Chicago Public Library Archives, Harold Washington Library Center, Design Build Competition Records, [Box 17], Special Collections, Chicago Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613679290872-62XU3BI9F1CJIMS4KTZH/Schreiber_FIG3.jpg Home - Public Libraries, Public Input: How Citizens’ Comments Can Inform Public Library Architecture Figure 3. Public Comment Card for the Design Build Competition for the new Central Library in Chicago, verso. Chicago Public Library Archives, Harold Washington Library Center, Design Build Competition Records, [Box 17], Special Collections, Chicago Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613679321854-PQAKALK9IRAMDLYVECMZ/Schreiber_FIG4.jpg Home - Public Libraries, Public Input: How Citizens’ Comments Can Inform Public Library Architecture Figure 4. OpenStreetMap of South Loop: (1) Harold Washington Library Center; (2) Metropolitan Detention Center; (3) DePaul University; (4) Columbia College; (5) John Marshall Law School. Map adapted by author from OpenStreetMap map tiles, © OpenStreetMap contributors. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1613679382332-6HJFLVF5N1W8RLZ5C1J7/Schreiber_FIG5.jpg Home - Public Libraries, Public Input: How Citizens’ Comments Can Inform Public Library Architecture Figure 5. Competition Model for the Harold Washington Library Center, John Buck Company with Arthur Erickson Architects Ltd., 1988. Photo taken in the Harold Washington Library Center where the models are still exhibited on the eighth floor. Photograph by Maxi Schreiber, 2016. https://www.platformspace.net/home/visible-but-unseen-the-material-cultures-of-los-angeless-indoor-swap-meets monthly 0.5 2021-02-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611849887541-9JWEJINK5ZKMV5YZ7VUQ/image-asset.jpeg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 1. El Faro Plaza, viewed from Alameda Street, Los Angeles. Photo courtesy Google, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611849906073-3RIUFEN2GFDPBIZKOT2R/image-asset.jpeg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 2. Shrine to the Virgen de Guadalupe with mechanical bull in foreground at El Faro Plaza, Los Angeles. Photo by Alec R. Stewart, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850000600-HNKBOMCD3SWHFFDOXGCG/Figure+3.jpg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 3. Interior corridor at El Faro Plaza. Photo by Alec R. Stewart, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850446685-C8QITUOZ43Z2Y5SUKSJI/Figure+4.jpg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 4. Outdoor plaza at the Alameda Swap Meet, Los Angeles. Photo by Alec R. Stewart, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850513861-ZY8S0I21SBO74RTNQGA1/FIgure+5_sm.jpg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 5. Indoor swap meets in at their peak in 1991, juxtaposed against population by U.S. Census data for “Race” in 1990. Most indoor swap meets were situated within lower-income neighborhoods with predominantly Latinx (or “Hispanic,” according to the U.S. Census) and African American residents. Cartography by Alec R. Stewart. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850537778-ENU4KPXUUUSY5CQGR3BJ/Figure+6.jpg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 6. Bonito Swap Meet façade in MacArthur Park, Los Angeles. Photo by Alec R. Stewart, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850565201-96ZKKZSEFFFW53MVP9BY/Figure+7.JPG Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 7: The Valley Indoor Swap Meet is housed within the one-time Sears department store at Indian Hill Mall, Pomona, California. Photo by Alec R. Stewart, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850606920-Y94HE2883PKINAIS16V8/Figure+8.jpeg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 8. Korean massage therapists at an Alameda Swap Meet booth offer momentary relief from shopping. In the background, a check cashing business provides vital financial services to swap meet patrons seeking to cash paychecks, prepare income taxes, and send remittances to families residing outside of the United States. Photo by Alec R. Stewart, 2014. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850661306-BQAAWH0QI9R3VVDY43EP/Figure+10.jpeg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 10. At Del Amo Plaza, an indoor swap meet in Rancho Dominguez, California, on the Compton border, t-shirts riff on NWA’s 1987 debut album, Straight Outta Compton, and express a place attachment to neighboring Long Beach. Photo by Alec R. Stewart, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611850687253-LDYQKEFK0NGRQKLPL8SP/Figure+11.jpg Home - Visible But Unseen: The Material Cultures of Los Angeles’s Indoor Swap Meets Figure 11: A Korean American man makes custom “grillz” at Mr. Bling's “Grillz Talk” Location at Del Amo Plaza in Rancho Dominguez. Photo by Alec R. Stewart, 2016. https://www.platformspace.net/home/the-lost-legacy-of-the-forgotten-hbcu monthly 0.5 2021-02-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612991227137-2OB5A7RK12Y6YF9Z9D9Z/Fig+1.jpg Home - The Lost Legacy of the Forgotten HBCU Figure 1. Rev. L.W. Thomas, date unknown. Courtesy of the Thomas family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612991323901-5HEWHCNLWYYAHLW0D10V/Fig+2.jpg Home - The Lost Legacy of the Forgotten HBCU Figure 2. Rev. L.W. Thomas preaching with the choir of St. Thomas Primitive Baptist Church (Summit, Okla.) looking on, circa 1940s, location unknown. Courtesy of the Thomas family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612991482328-SCRPQDW2BRS7D5A1UNAY/FIg+3.jpg Home - The Lost Legacy of the Forgotten HBCU Figure 3. Rev. L.W. Thomas with his young family in Mexia, Texas, c. 1920. Courtesy of the Thomas family. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612991506463-6WSLGDMRO8CZQEZSFJYD/Fig+4.jpg Home - The Lost Legacy of the Forgotten HBCU Figure 4. Not only do few physical traces of Saint Paul remain, but few visual traces, too. Here are thumbnails of three anonymous photographs of it that I have collected: during construction, construction completed, and as it fell into disrepair. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612991536480-VUPR8ET5JMJWYIAPQNZI/Fig+5.jpg Home - The Lost Legacy of the Forgotten HBCU Figure 5. Rev. L.W. Thomas, school administrators, and members of the Primitive Baptist community burning loan notes, after repayment, in front of Saint Paul, circa 1943. Courtesy of Carolyn Anderson. https://www.platformspace.net/home/the-right-to-the-creative-city-in-the-era-of-blacklivesmatter monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611849067107-Q1LQFZFM8JXCLEZRQDIL/image-asset.jpeg Home - The Right to the Creative City in the Era of #blacklivesmatter George Floyd Square, Minneapolis, Minnesota, 5 June 2020. Photograph by Vasanth Rajkumar, Creative Commons. https://www.platformspace.net/home/the-fortification-of-washington-or-two-weeks-in-the-red-zone monthly 0.5 2021-02-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383352700-USVDYE1Q0VZ1L7C8TUC0/Upton+Fig+1_0333.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 1. Against the backdrop of fortified White House, demonstrators in Black Lives Matter Plaza demand the second impeachment of Donald Trump. In the foreground city workers refresh the words “Black Lives Matter” in preparation for the presidential inauguration. Photograph by Dell Upton, Jan. 15, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383362815-EAE60SLBPWH6OCAJCBRZ/Upton+Fig+2_1822.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 2. Celebrating the Biden victory at Black Lives Matter Plaza, November 7. Three flag-bearing men speak to a reporter. Photograph by Dell Upton, Nov. 7, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383371904-1C9NKFLLP7SYIIQOQU5A/Upton+Fig+3_1857.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 3. The Trump Unity Bridge on E Street NW during pro-Trump demonstrations on November 14. The streets were clogged with caravans of vehicles, many fitted with loudspeakers that broadcast messages including “Stop the Steal” and “Biden is a pedophile.” Photograph by Dell Upton, Nov. 14, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383377230-4RB5HSCGQ157N76QCWHQ/Upton+Fig+4_0352.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 4. Boarding-up windows near Black Lives Matter Plaza. Photograph by Dell Upton, Jan. 15, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383386545-FXISOOLAD9QFMBM938TX/Upton+Fig+5_5708.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 5. Sixth Street NW checkpoint. Photograph by Dell Upton, Jan. 19, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383395415-139B1ZU7A0XD9CE3NL56/Upton+Fig+6_5573.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 6. National Guard and armored vehicle, Sixth Street NW at Massachusetts Avenue. Photograph by Dell Upton, Jan. 16, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383404000-JKTQ2FVATV0CQCYJNSYH/Upton+Fig+7_5711.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 7. Dump trucks close G Street NW. Photograph by Dell Upton, Jan. 19, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383441405-M0FXKG78D427K7OQ3KTG/Upton+Fig+8_5661.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 8. Military vehicles restrict access to Capitol Hill at New Jersey Avenue NW. Photograph by Dell Upton, Jan. 19, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383473929-FNWFVEY1AW415EK4S8D1/Upton+Fig+9.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 9. Inauguration Day. Capitol perimeter. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383455210-T0RYX7JUC8WUM8QQFU0U/Upton+Fig+10_5724.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 10. Inauguration Day. Capitol police. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383466972-JXGMXOGHPQLS4BQV6KU8/Upton+Fig+11_5734.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 11. Inauguration Day. Anti-Trump Band-Wagon, “happily going out of business,” Capitol Hill. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383480712-0VP5WJBKP1TPB1NUM4Z5/Upton+Fig+12_5698.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 12. Spectators at Fourth Street NW and Massachusetts Avenue. Photograph by Dell Upton, Jan. 19, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383490401-IG9IL907JAQL4DT1G0FP/Upton+Fig+13_5652.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 13. National Guard on Constitution Avenue. Photograph by Dell Upton, Jan. 19, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383501104-BIM3OKG1R5JPFILQD07J/Upton+Fig+14_5583.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 14. Federal Bureau of Prisons Mass Casualty Response Unit. Photograph by Dell Upton, Jan. 16, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383505838-E9PN1FXO23WEGJDHMDNE/Upton+Fig+15_0365.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 15. Macy’s sign. Photograph by Dell Upton, Jan. 18, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383519520-9U58GOOSSJ503SGHV7XW/Upton+Fig+16_5738.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 16. Inauguration Day. Reporters waiting for developments near Capitol. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383529024-HJ8B2RAQ3V2BVNBCL8CL/Upton+Fig+17_5720.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 17. Inauguration Day. When this woman saw me across the street she stopped. I now realize that she was posing for my camera. She appeared in several published press photographs and had been among the attention seekers in the media scrum. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383539603-WVK3D458J50SWS3IBSKB/Upton+Fig+18_5722.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 18. Inauguration Day. Westboro Baptist Church on Capitol Hill. Photograph by Dell Upton, Jan. 20, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383550617-W1RUUZ439WT25GI4A60Y/Upton+Fig+19_5556.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 19. Video screens in bus shelters around the city broadcast a rotating series of messages seeking information about Capitol insurrectionists. Photograph by Dell Upton, Jan. 16, 2021. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1612383560263-IBHXG6CO65P90G4QEEZ6/Upton+Fig+20.jpg Home - The Fortification of Washington, or, Two Weeks in the Red Zone Figure 20. Poster on Capitol Hill advertising degrees in Intelligence and Security Studies offered by the Citadel, a military college in Charleston, South Carolina. Photograph by Dell Upton, Jan. 18, 2021. https://www.platformspace.net/home/looking-for-cree-country-finding-mushkegowuk monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611201760010-5PGDVR1MYP2A6XD6TYLD/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 1. Moose River, Crossing, Ontario, 2019. Photograph by Robert W. Snyder. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611201811238-QMA446KVO3170Y4BH5DG/image-asset.png Home - Looking for Cree Country, Finding Mushkegowuk Figure 2. Geopolitical Map of Canada. E Pluribus Anthony. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611201834466-7AYZZ84OYTGT8UQJJHEY/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 3. Moose River Basin and James Bay, 2019. Reprinted with the permission of Yukari Hori from an essay available here. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611201880361-2XJ6EEN6CE76MY5RTZ2Y/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 4. Campsite on Moose River, 2019. Photograph by Paul Sternberger. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611201919115-1LT3GR0K55UTC3RC3906/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 5. Campsite on Moose River, 2019. Photograph by Paul Sternberger. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611202000615-7C1TI454P28R9482CR7C/Snyder%2C+Fig+6+Moose+Factory+1905.jpg Home - Looking for Cree Country, Finding Mushkegowuk Figure 6. 1905: Moose Factory on the edge of great changes. Collections of the Archives of Ontario. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611202014564-ASABELF9LNYW1MZ6S312/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 7. Cree Village Ecolodge, Moose Factory, Ontario, 2019. Photograph by Paul Sternberger. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611202045850-EZGUC0IGBVT3FEV9LDWD/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 8. Freighter Canoes, Moose Factory, Ontario, 2019. Photograph by Robert W. Snyder. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611202060879-VOSXAVUOF5N00LOIPOU9/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 9. Saint Thomas Anglican Church, Moose Factory, Ontario, 2019. Photograph by Robert W. Snyder. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611202129292-EPKF8SMXR4W0PS65IWB9/image-asset.jpeg Home - Looking for Cree Country, Finding Mushkegowuk Figure 10. Tipi and a house bearing the emblem of an NHL hockey team, the Ottawa Senators, 2019. Moose Factory, Ontario. Photograph by Robert W. Snyder. https://www.platformspace.net/home/preserve-some-of-the-wreckage monthly 0.5 2021-01-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460598916-QYXW9IS33XDLTBO317ZA/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 1. U.S. Capitol, West Front, September 5, 2013. Photograph by Martin Falbisoner, , under Creative Commons license CC BY-SA 3.0, via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460639273-7FX7RACC1RXXB1SJ5BBG/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 2. Scaling the walls of the Capitol, January 6, 2021. Photograph by Blink O’fanaye, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460702552-Y49NAZJEOP2EWAP7ZZLC/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 3. Robert E. Lee Memorial, Charlottesville, Virginia, November 28, 2017. Photograph by Sanjay Suchak used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460736115-5DTV7PIRCUEYAUEUMVFU/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 4. U.S. Holocaust Memorial Museum – Boxcar, March 31, 2009. Photograph by Zenobia Joy, under Creative Commons license CC BY 2.0, via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460748331-21AAHF55XO17J9Z2PKRN/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 5. Photograph of the Wall of Soil, the Legacy Museum, Equal Justice Initiative, August 15, 2018. Photograph by Eze Amos, Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1611460841666-FGO3FQN0WRUXSSULQ7PH/image-asset.jpeg Home - Preserve (Some of) the Wreckage Figure 6. U.S. Capitol evening of 2021 storming. Photograph by Tina Smith, Public domain, via Wikimedia Commons. https://www.platformspace.net/home/the-architectural-legacy-of-kuldip-singh-1934-2020 monthly 0.5 2021-01-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1609856541987-YUTU6TJRVC7I3UQB8Q77/Figure+1+Singh+and+Raj.jpeg Home - The Architectural Legacy of Kuldip Singh (1934-2020) Figure 1. Kuldip Singh (left) with Mahendra Raj (right). Photograph by Ram Rahman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1609856700737-R42W2DKBPWFWGOLS1ZND/Figure+2+NCDC+Building.jpg Home - The Architectural Legacy of Kuldip Singh (1934-2020) Figure 2. National Cooperative Development Corporation (NCDC) Building, New Delhi, 1978. Photograph by Michael S. Dodson, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1609856747532-9T5932109VTC8ESP0NYM/Figure+3+Singh+with+NDMC+model.jpeg Home - The Architectural Legacy of Kuldip Singh (1934-2020) Figure 3. Kuldip Singh (right) with a model of the NDMC development. Credit: Ram Rahman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1609856913469-J7PQHM16ZT1EHCDJ3LBO/Figure+4+NDMC+Buildings.jpeg Home - The Architectural Legacy of Kuldip Singh (1934-2020) Figure 4. New Delhi Municipal Council (NDMC) Buildings (Palika Kendra), New Delhi, 1983. Photograph by Michael S. Dodson, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1609856966740-FC36U6UX7O8SXWS3WZ6K/Figure+5+NDMC+tower.jpeg Home - The Architectural Legacy of Kuldip Singh (1934-2020) Figure 5. New Delhi Municipal Council (NDMC) tower (Palika Kendra). Photograph by Michael S. Dodson, 2019. https://www.platformspace.net/home/the-sixth-of-january monthly 0.5 2023-04-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610497990148-2XWA3EB3QU2P662T3AKL/Fig+1+-+Flickr+50810619298_bb1015be4c_6k.jpg Home - The Sixth of January Figure 1. The mob, with smartphones, on the steps of the Capitol, Jan. 6, 2021. Photograph by Brett Davis, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498054314-30PMZ2I2IOX6Q2BP2Z6L/Fig+2+-+Wiki+F1.jpg Home - The Sixth of January Figure 2. The crowd at the “Stop the Steal” rally, Jan. 6, 2021. Photograph courtesy Voz de America / Voice of America, via Facebook. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498137546-Q1NMXP32QJW6T55RKVX5/Fig+3+-+Flickr+50811723302_9125e41c00_o.jpg Home - The Sixth of January Figure 3. Scaling the walls of the Capitol. Photograph by Blink O’fanaye, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498185360-YQ7PV7LELVVS8R8NLDRS/Fig+4+-+Flickr+50814323932_7c0e0f8178_3k.jpg Home - The Sixth of January Figure 4. The Capitol, Jan. 7, 2021. Photograph by Joe Flood, courtesy Flickr, under Creative Commons license CC BY-NC-ND 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498218753-Z7BQJPZA8LAUJ159L37P/Fig+5+-+Flickr+50811474797_ceabe1d7ee_5k.jpg Home - The Sixth of January Figure 5. Occupying the Capitol, Jan. 6, 2021. Photograph by Brett Davis, courtesy Flickr, under Creative Commons license CC BY-NC 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498268140-QJI9L13NHQW0LZPW1GJA/Fig+6+-+Flickr+50810770196_6de20f2e7a_o.jpg Home - The Sixth of January Figure 6. Deputy Secretary of Homeland Security Ken Cuccinelli Tours the U.S. Capitol to survey damage from violent protests earlier in the day, Jan. 6, 2021. Courtesy U.S. Department of Homeland Security, via Flickr. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498345194-NT3RNK7MJLHTTG8B8RAU/Fig+7++-Wiki+F5.jpg Home - The Sixth of January Figure 7. Tear gas used to keep the mobs from the storming the Capitol, Jan. 6, 2021. Photograph by Tyler Merbler, courtesy Wikimedia Commons, under Creative Commons license CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498374126-RJYXJZ8HTQ335XPYBEFT/Fig+8+-+Flickr+50810027518_64bd21b465_o.jpg Home - The Sixth of January Figure 8. Damage to the Capitol, Jan. 6, 2021. Courtesy U.S. Department of Homeland Security, via Flickr. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1610498400206-8VD3VGFGL1TUTAA14VUO/Fig+9+-+Wiki+F2.jpg Home - The Sixth of January Figure 9. A gallows with a noose erected by protestors outside the Capitol, Jan. 6, 2021. Photograph by Tyler Merbler, courtesy Wikimedia Commons, under Creative Commons license CC BY 2.0. https://www.platformspace.net/home/found-footage-of-black-new-york-ten-questions-for-sola-olosunde monthly 0.5 2021-05-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1608335520163-X3KZUDACERB2E9ZSIE30/image-asset.jpeg Home - Found Footage of Black New York: Ten Questions for Sola Olosunde Figure 1. This still, taken from Children of Harlem (dir. unknown, 1967), shows young men discussing the conditions of their neighborhood. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1608335412231-3E0WXCYBE46H4LCSQMG3/image-asset.jpeg Home - Found Footage of Black New York: Ten Questions for Sola Olosunde Figure 2. This still, taken from Third Avenue: Only the Strong Survive (produced by Jon Alpert, 1980), shows child sex workers soliciting in Times Square. Courtesy of DCTV. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1608335458920-341F5ZW7GXHMYV3N699Y/Figure+3.jpg Home - Found Footage of Black New York: Ten Questions for Sola Olosunde Figure 3. This still, taken from Children of Harlem (dir. unknown, 1967), profiles a Harlem block party. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1608335482471-3I2VD3BVZN9LI3ICGBS5/image-asset.jpeg Home - Found Footage of Black New York: Ten Questions for Sola Olosunde Figure 4. This still, taken from an NBC Channel 4 News story, shows protesters in Washington Heights during the riots of 1992. Courtesy of YouTube. https://www.platformspace.net/home/ventopenings-conditioning-in-pandemic-times-part-3a-conversation-about-air-quality monthly 0.5 2021-05-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1607742200819-2GOI7E2ONYNWRZGZIPYS/Barber+et+al+figure+1.png Home - Ventopenings: Conditioning in Pandemic Times. Part 3—A Conversation about Air Quality Figure 1. The authors discussing this topic on a Zoom conversation, convened by Daniel A. Barber on October 1, 2020. Photo credit: Daniel A. Barber. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1607742244975-CCK3SDH6FJOI16WWAPUI/Barber+etal+Figure+2.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 3—A Conversation about Air Quality Figure 2. Modular filter of the plant-based system. Photo credit: Ina Dajci, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1607742315439-ROLVUFDQNGNHB4AO92CT/Barber+etal+Figure+3.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 3—A Conversation about Air Quality Figure 3. Infrared photograph and diagram of a radiant floor, showing hot water pipes embedded in the concrete slab. Credit: Dorit Aviv and Sean Rucewicz, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1607742345610-G8XFTT3D75PQHYCGIOKD/image-asset.png Home - Ventopenings: Conditioning in Pandemic Times. Part 3—A Conversation about Air Quality Figure 4. Diagram of radiant cooling panels with a special membrane that enables cooling without air-conditioning in hot-humid climates. Credit: Dorit Aviv and Jiewei Li, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1607742417520-HIJEBNPWDCO4EOAUMHNN/Barber+etal+Figure+5.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 3—A Conversation about Air Quality Figure 5. The plant-based air filtering system prototype. Photo credit: Gilbert Santana., 2019. https://www.platformspace.net/home/umrah-in-atlantic-city-the-representation-of-muslim-american-space-in-ramy monthly 0.5 2020-12-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323398234-NCLY56CVQL1URZVZ95GU/1.+ramy+season+2.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 1. Ramy (Ramy Youssef), promotional image for Ramy, Season 2; “Ramy” in Arabic written in neon heart. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323419956-RWMOUHW442GQHSYYU207/2.+Casino+Ahmed.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 2. Ahmed (Dave Merheje) in Atlantic City, NJ argues that supporting strippers is “sadaqah” [charitable], Ramy, Season 2, Episode 7, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323446541-65J41LKXAPGMHAZSURBV/3.+Serial+Ladies.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 3. Left to right: Lena Dunham in Girls (HBO 2012-2017), Issa Rae in Insecure (HBO 2016-present), Aidy Bryant in Shrill (Hulu 2019-present), and Maya Erskine in PEN15 (Hulu 2019-present). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323467062-AFU6IWU399QU8MMWZEC4/4.+George+Costanza.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 4. George Costanza (Jason Alexander) and his ill-fated fiancée, Susan (Heidi Swedberg) in Seinfeld, season 7, 1995. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323483850-BDQ814YAXLGXBFDBV31T/5.+Mo%27s+Diner.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 5. Ramy (Ramy Youssef), Mo (Mohamed Amer) and Ahmed (Dave Mehreje) in Mo’s classic New Jersey diner, Ramy, Season 1, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323508390-JR3DKOQ1V1A7BN1B72U3/6.+Father%27s+Number.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 6. Ramy (Youssef) and his mother, Maysa (Hiam Abbass) discuss how to find a girlfriend, Ramy, season 1, episode 1, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323534353-UIV30K07ZV5CC2WDWP79/7.+Ramy+Screen+Shot+heart.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 7. Ramy (Youssef) and Steve (Steve Way) share an intimate, yet medically necessary, moment in the Atlantic City hotel room, Ramy, Season 2, Episode 7, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323586426-DP3EEJ7Y50LCM3SOT60N/8.+Mo+weeping+on+wallpaper.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 8. Mo (Amer), embracing wallpaper in the Atlantic City hotel room while on a virtual reality ʿumrah to Mecca, Ramy, Season 2, Episode 7, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323620046-CKWLEGHIMQSG5U3RLDPU/9.+Kaaba+VR.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 9. A view of the Kaaba from inside Ahmed’s VR goggles, Ramy, Season 2, Episode 7, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323703086-4KJNZDZ4BW723RVS8NKY/10.+Kaaba+tile.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 10. Ka‘aba Tile, ca. 1720–30, Turkey. Courtesy of the Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323723202-N6VIKO7FFKWSHKBMI0HH/11.+Kaaba+photo+19th+c.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 11. al-Sayyid ʻAbd al-Ghaffār, albumen photograph of al-Masjidal-Ḥarām and the Kaaba, c. 1880s. Courtesy of Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606323737345-3I2QS4H16O6WQHSOGZ1M/12.+Malcolm+X.jpg Home - ʿUmrah in Atlantic City: The Representation of Muslim-American Space in Ramy Figure 12. Malcolm X (Denzel Washington) depicted on Hajj in Malcom X, directed by Spike Lee, 1992. https://www.platformspace.net/home/john-harris-comes-to-dubai monthly 0.5 2020-11-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606324319871-7GTNBNW06ACXX0A2OZ79/Reisz_FIG1.jpg Home - John Harris Comes to Dubai Figure 1. Houses and wind towers along Dubai Creek, as seen by John Harris during first trip to Dubai in November 1959. Courtesy John R. Harris Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606324348411-AAQF6GJ0FHLSXBUBFNL8/Reisz_FIG2.jpg Home - John Harris Comes to Dubai Figure 2. On May 19, 1960, John Harris presents Dubai’s first town plan to Sheikh Rashid, ruler of Dubai. Dubai’s first accurate map is also a blueprint of its future. Courtesy John R. Harris Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606324398557-F47A2CLTL17LJAUDJP8J/Reisz_FIG3.jpg Home - John Harris Comes to Dubai Figure 3. The Dubai 1960 town plan, drawn by John Harris after his November 1959 visit to the city. Courtesy John R. Harris Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606324419981-GCQHETDBMZOOO44H5Z7F/Reisz_FIG4.jpg Home - John Harris Comes to Dubai Figure 4. Travelers steered by abra boatmen across Dubai Creek, May 1960. Photograph taken by John R. Harris during his second visit to Dubai. Courtesy John R. Harris Library. https://www.platformspace.net/home/the-projections-of-a-roof-an-ottoman-armenian-family-residence-in-nineteenth-century-eastern-turkey monthly 0.5 2020-11-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605905719122-STRXNUYMOKB1YN5WQ7IF/Kezer%2C+Figure+1+Be%C5%9Fkarde%C5%9Fler.jpg Home - The Projections of a Roof: An Ottoman Armenian Family Residence in Nineteenth-Century Eastern Turkey Figure 1. Terraced houses, Beşkardeşler, ca 1930. Photograph by M Süruri, URI: https://archives.saltresearch.org/handle/123456789/195650, SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605905744918-FZPKPAR9GKAVP58FHGOD/Kezer%2C+Figure+2+Harput+general+view.jpg Home - The Projections of a Roof: An Ottoman Armenian Family Residence in Nineteenth-Century Eastern Turkey Figure 2. General view of the settlement patterns on the steep slopes in Harput, n.d. Photograph by M Süruri, URI: https://archives.saltresearch.org/handle/123456789/195660, SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605905791706-49IZJKX2EFJ3B24MGFWJ/Kezer%2C+figure+3+aerial.jpg Home - The Projections of a Roof: An Ottoman Armenian Family Residence in Nineteenth-Century Eastern Turkey Figure 3. Aerial photograph of Mezre (modern day Elazığ), ca. 1925. Key: (1) Beşkardeşler; (2) Beşkardeşler Silk Factory; (3) German Mission and Orphanage Compound; (4) Protestant Church. Photograph by M Süruri, URI: https://archives.saltresearch.org/handle/123456789/195653, SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605905811897-T40Y0RAVPN5WMP3J20OA/Kezer%2C+figure+4+Selden+Building.jpg Home - The Projections of a Roof: An Ottoman Armenian Family Residence in Nineteenth-Century Eastern Turkey Figure 4. View from the Director’s Office, Euphrates College showing orphaned boys returning from school, 1902-1903. Some of the college buildings were built using vernacular methods, newer sections were built using modern methods and materials. To the left of the photo is one of the newer structures erected after the 1896 pogroms. The steel panels are clearly visible. Photograph by Sursurian, URI: https://archives.saltresearch.org/handle/123456789/43966 - United Church of Christ (UCC), American Research Institute in Turkey (ARIT), SALT (Araştırma). https://www.platformspace.net/home/the-rules-of-disaster-relief-on-new-orleanss-main-streets monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124124083-ZMKOB3MUAGE2N0ZTCZC8/Fig+1.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 1. A prized block of OC Haley Blvd, which contained restored and vacant buildings before COVID-19, Sept. 2019. Google Street View. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124140603-DOHUFU06H86OFKYYOS7J/Fig+2.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 2. Martin Luther King (MLK) Boulevard commercial properties at Oretha Castle (OC) Haley Boulevard, Sept. 2019. Google Street View. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124162583-H67XNIENP9ST7ZAS5O76/Fig+3.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 3. “Little Africa on Fire, Tulsa, Okla. Race Riot, June 1st, 1921.” The African American Williams family, which owned and operated a theatre, a confectionary, a rooming house and a garage on Tulsa’s Black Wall Street, rebuilt all of the buildings it lost in the Race Massacre of 1921. American National Red Cross Photograph Collection, Prints and Photographs Division, Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124346430-ZIZ78E0E14OP3WJ8AJJK/Fig+4.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 4. Historic Greenwood after Urban Renewal. Creative Commons license. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124408225-XFUC36CC7FJ2ZPCASNVK/Fig+5.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 5. Sample of historical research conducted on a Façade Renew property for tax credit applications. Courtesy of Beth Jacob. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605124445026-QNZPEQC3E12K7C4KMUDN/Fig+6.jpg Home - The Rules of Disaster Relief on New Orleans’s Main Streets Figure 6. 1615 OC Haley Blvd. before and after alumni, faculty, and students of the historic preservation program and community design center at Tulane University shared their skills with owners and tenants of this building, among others, in 2014. Courtesy of Tulane City Center (now Tulane’s Small Center for Collaborative Design). https://www.platformspace.net/home/ventopenings-conditioning-in-pandemic-times-part-2air-change monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123170917-RVXBAWE0QBQZI8KZL1BC/Barber+1+Edificio+Mamae.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 1. M.M.M. Roberto, section of the façade of the Edifício Mamãe, Rio de Janeiro, Brazil, 1945. From Progressive Architecture, Nov. 1947. Use courtesy of the Núcleo de Pesquisa e Documentação, Faculdade de Arquitetura e Urbanismo, Univesidade Federal do Rio de Janeiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123265498-9D9XLCJGO5PR519N7NHF/Barber+2+NeutraTugwell.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 2. Richard Neutra, School outside San Juan, Puerto Rico, with Rexford Tugwell (left), 1944. Use courtesy of Dion Neutra, Architect © and Richard and Dion Neutra Papers, Department of Special Collections, Charles E. Young Research Library, UCLA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123290675-9EQ3VMES7BJ6QGKSBDCJ/Barber+3+schools.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 3. Richard Neutra, plate illustrating designs for rural schools, from An Architecture of Social Concern for Regions of Mild Climate (São Paulo: Gerth Todtmann, 1947). Use courtesy of Dion Neutra, Architect © and Richard and Dion Neutra Papers, Department of Special Collections, Charles E. Young Research Library, UCLA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123313432-HT2945T92ERU8745BLRX/Barber+4+CSSALS.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 4. Richard Neutra, “Continuous Subsoffit Airchange Over Lowered Spandrel,” from An Architecture of Social Concern for Regions of Mild Climate (São Paulo: Gerth Todtmann, 1947). Use courtesy of Dion Neutra, Architect © and Richard and Dion Neutra Papers, Department of Special Collections, Charles E. Young Research Library, UCLA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123336610-JEAY9KR31S1SXIM33TJB/Barber+5+CoronoSchool.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 5. Richard Neutra, Corona School, Bell, California, 1935. Use courtesy of Dion Neutra, Architect © and Richard and Dion Neutra Papers, Department of Special Collections, Charles E. Young Research Library, UCLA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123371835-7J37YMH1GZYB9F2NUFBU/Barber+6+Olgyay.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 6. Aladar Olgyay, “Thermal Economics of Curtain Walls,” Architectural Forum, Oct. 1957. Reproduced with permission of Victor Olgyay. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605123456755-08VFP3W1C25MKFDTOE7Y/Barber+7%2C+Kelbaugh.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 2—Air Change Figure 7. Diagram showing airflow circulation by thermosphere at the Douglas Kelbaugh House, Princeton, New Jersey, ca. 1975. Electrophotographic print on paper, 21.6 x 28.1 cm, ARCH254191. Courtesy of Douglas Kelbaugh Fonds, Canadian Center for Architecture. Gift of Douglas Kelbaugh, Copyright Douglas Kelbaugh. https://www.platformspace.net/home/ventopenings-conditioning-in-pandemic-times-part-1built-in monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603371352055-LHIRMMB7HLMUSB1KLOUG/Barber%2C+1+YangIllustration.png Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 1. Suo Yang, Classroom Scenarios, 2020. From Siyao Shao, Dezhi Zhou, et. al., “Risk Assessment of Airborne Transmissions of Covid-19 by Asymptomatic Individuals Under Different Practical Settings” (2020). Courtesy Suo Yang, Richard and Barbara Nelson Professor in the Department of Mechanical Engineering, University of Minnesota. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603371381885-ZOEKENBT9R9N6RVWBZOI/Barber%2C+2+Forum.png Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 2. Advertisement for the Anemostat Corporation’s “High Velocity Under-the-Window” ventilating unit. Published in Architectural Forum, December 1957. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603371410871-DG0ZUT19AEY32PIWLFZK/Barber%2C+3+Belluschi.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 3. Office in the Equitable Tower, designed by Pietro Belluschi, Portland, Oregon, 1947. This is the first fully sealed, conditioned building. ©Ezra Stoller/ESTO. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603371443261-61U4H8134XKLTBNZ1SNH/Barber%2C+4+Meyerson_AirHandling.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 4. Air handling unit, Meyerson Hall, University of Pennsylvania, photo, 2018. Photograph by William Braham, used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603371491482-73ZCBU2C2W94P8WK9WGI/Barber%2C+5%2C+DHKLee.png Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 5. D. H. K. Lee, “Diagrammatic Analysis of Heat Exchange in Different Climates,” 1953. This drawing suggests the gendered, racial, and colonial biases embedded in the construction of normative physiological parameters to determine air conditioning standards. In Douglas H. K. Lee, Physiological Objectives in Hot Weather Housing: An Introduction to the Principles of Hot Weather Housing Design (Washington, D.C.: U.S. Housing and Home Finance Agency, 1953). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1605025146218-JN76SD0RIXJWF6EZIY8T/Fig+6Correction.jpg Home - Ventopenings: Conditioning in Pandemic Times. Part 1—Built In Figure 6. OMA, Rem Koolhaas, et. al., Elements of Architecture, 2014. This drop ceiling was installed in the Central Pavilion/Padiglione Centrale of the 14th International Architecture Exhibition, Fundamentals, La Biennale di Venezia. Photography by Francesco Galli. Courtesy la Bienalle di Venezia and OMA. https://www.platformspace.net/home/reclaiming-the-red-hook-waterfront monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604529171760-PSPM3AQTPC0VVA2JJBHA/Fig+17.jpg Home - Reclaiming the Red Hook Waterfront The Red Hook peninsula, once at the center of New York’s shipping industry, is recognizable by its man-made coastline, with Erie Basin to the south and Atlantic Basin the west. Today, the area is still defined by transportation infrastructure, bounded by the Gowanus Expressway and Hugh L. Carey Tunnel approach (I-278/478), and the Gowanus Canal. Courtesy Google Maps. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604529203088-L1413O2YU75R2J8DOBGU/Fig+18.jpg Home - Reclaiming the Red Hook Waterfront This map of the northern half of Red Hook shows how the streetscape is oriented to the irregular coastline. Note the large stores and warehouses surrounding both Erie and Atlantic Basins. From George W. and Walter S. Bromley, Atlas of the Borough of Brooklyn City of New York, vol. 1 (Philadelphia: G. W. Bromley, 1908), plate 30. Courtesy Lionel Pincus and Princess Firyal Map Division, The New York Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528857619-7BRIGDEL45LHW5YZYAKG/Fig+1+Beard+and+Robinson+Stores.jpg Home - Reclaiming the Red Hook Waterfront Figure 1. Beard and Robinson Stores, 133 Beard St. / 421-499 Van Brunt St. Completed in 1872, this complex was the product of a surging demand for warehousing during the Civil War. This pier provided storage for grain and cotton, some of the most important goods for trans-Atlantic trade at the time. The Beard and Robinson Stores are unique, extending along the length of their pier rather than sitting merely at its end, and they buttress a taller section of warehouses about two blocks in length further inland. This arrangement allowed goods and people to directly flow into the street rather than forming a uniform “wall” façade, as was the typical, like at the neighboring Red Hook Stores (see Figure 8). It has also made the stores popular for adaptive reuse. Today, they are home to art galleries, design firms, furniture stores and a popular ice cream shop. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528857787-LMQABRGOVYXBS42NACAM/Fig+2+Ferris+Street+View+of+Manhattan+Skyline.jpg Home - Reclaiming the Red Hook Waterfront Figure 2. View of Manhattan from Ferris Street. From this elbow of Ferris Street, the closest roadway to the Buttermilk Channel, which separates Red Hook from Governors Island, Lower Manhattan’s skyscrapers glisten in the late-afternoon sun, reminding us that while Red Hook seems like a respite from Manhattan, it is just a short drive away via the Hugh L. Carrey (Brooklyn Battery) Tunnel. More recently, AECOM has proposed a new subway connection, which would make the neighborhood much more accessible but accelerate gentrification. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528861235-0XD58KP6SEKRWRECAL5H/Fig+3+Ferris+Street+Warehouse.JPG Home - Reclaiming the Red Hook Waterfront Figure 3. Ferris Street Warehouse. This warehouse is one of many on Ferris Street that has maintained its original facade and details, while adapting the structure for new uses. This steeple-like design is recessed from the street and dominated by a cobblestone courtyard/parking lot patrolled by Rottweilers. Photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528860803-L43LNIJ0I5EI4IB634PL/Fig+4+Hoek+Pizza.jpg Home - Reclaiming the Red Hook Waterfront Figure 4. Hoek Pizza, 117 Ferris Street. A reimagined warehouse facing directly onto Valentino Park, Hoek Pizza takes the turn-of-the-century (completed 1900) warehouse and creates an open and inviting space through non-invasive updates like painted bricks, while keeping the original windows and doors. The artistic intervention is a natural outgrowth of other well-loved graffiti works on and around the park, many dotting the adjacent Liberty Stores (see Figure 13). The grouping makes this public space feel like an art installation, the bricks a canvas for more direct messaging and beautification. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528863877-LAO891ID0AO7VOCYIZZE/Fig+5+King+Street+Warehouse.jpg Home - Reclaiming the Red Hook Waterfront Figure 5. King Street Warehouse. This warehouse exemplifies the South Brooklyn tradition of steep pediment and rose window. King Street is currently home to several auto body shops, foundries, and other light industries, its old stoops populated with workers taking a smoke break or sharing a boxed lunch. This warehouse has a striking layering of paint: the raw brick is still visible beneath reds, blues, and yellows that have been applied over the years, revealing their imperfect, layered timeline. Digital photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528864040-HC55C5KTXNUL6U4R7KFJ/Fig+6+New+Retail.jpg Home - Reclaiming the Red Hook Waterfront Figure 6. New retail on Conover Street. Conover Street is home to many new, trendy bars and restaurants, and dead ends at the highly visible Fairway Market in the Red Hook Stores (see Figure 8), making it a favorite for small interventions like this one. Stalled indefinitely, the locals have scrawled graffiti over the signs and warnings (see Figure 16) expressing their sentiments toward encroaching gentrification. The bold white planes and luxury glazing contrast with the surroundings, a technique that architects have seized on in recent years when dealing with projects like additions to landmarked structures. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528868244-6P49N3LOL3DMUC1IMUBT/Fig+7+Pioneer+Street.JPG Home - Reclaiming the Red Hook Waterfront Figure 7. Pioneer Street. Gated parking structures are ubiquitous near the waterfront: empty sockets where warehouses once stood side-by-side. Now, they open only with mechanized gates and hold a variety of vehicles from UPS trucks to city-owned school buses and private bus fleets. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528867106-LEM410355UEWDQ4EB6AL/Fig+8+Red+Hook+Stores.jpg Home - Reclaiming the Red Hook Waterfront Figure 8. Red Hook Stores, 480-500 Van Brunt Street. An important post-Civil War cotton warehouse, the Red Hook Stores was the largest bonded warehouse complex on the peninsula at its completion in 1869. Standing five stories tall, the Red Hook Stores could hold several million dollars’ worth of cotton and grain, high-value goods that were especially at risk to fire and rot. The Red Hook Stores were a popular and high-priced option for cotton and grain importers, as their wide, shuttered windows allowed seafront light and air to keep the goods clean and dry—though the striking steel shutters could be readily closed against the elements as needed. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528871082-LZZNOSAL4V1KI3JVR7KR/Fig+9+Sunny%27s+Bar.JPG Home - Reclaiming the Red Hook Waterfront Figure 9. Sunny’s Bar, 253 Conover Street. Sunny’s is a neighborhood icon, serving Red Hook since the 1860s when it was a mecca for the longshoreman’s infamous after-shift imbibing. Though the building’s façade has been decorated and otherwise altered over time, the second story retains its original brick, and the interior is criss-crossed with the original heavy timber beams holding up a low, cozy ceiling. There’s even a back courtyard, open in summer, providing a stage for local bands. Today it’s so popular, attracting clientele from all corners of the city, that it need only open on weekends to stay afloat, giving the owner and loyal bartenders, who have worked there for decades, weeknights off. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528871377-SHJARO9D0Z0X348I4CM4/Fig+10+Seized+Property.jpg Home - Reclaiming the Red Hook Waterfront Figure 10. Abandoned architecture on Conover Street. Remnants of the fallow decades of post-industrial decay are still visible on the western reaches of the peninsula, like this aging clapboard structure on Conover Street. Hollow, overgrown with trees and weeds visible from the sidewalk side of a chain link fence, the gas and water inspectors nevertheless still leave notices of “failure to inspect” tacked to the doorway, a sign that the property was never thought valuable enough to be sold or seized. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528873734-SZASEZ988KEN73HV7AGQ/Fig+11+Ferris+Street+Facade.jpg Home - Reclaiming the Red Hook Waterfront Figure 11. Lidgerwood Warehouse, 202 Coffey Street. The Ferris Street façade of Lidgerwood, completed 1882, shows the damage inflicted in May 2019 by an effort (now halted) to replace the building with an up-to-date structure for UPS. The warehouse originally extended from the newly exposed brickwork to the Ferris Street curb, forming a continuous connection from streetscape to coastline. Unsealed, the interior is exposed to the elements, possibly harming the historic interiors. Lidgerwood will remain in this state until UPS reaches an agreement with the city government regarding the new design and expansion. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528874070-KKKNLB64MBR1O2DY68YD/Fig+12+Lidgerwood+Addition.jpg Home - Reclaiming the Red Hook Waterfront Figure 12. Lidgerwood Warehouse, 202 Coffey Street. This street view of the partially demolished building shows the structure of the warehouse, stripped of the rich red brick and exterior decoration that are still visible on the preserved sections to the right. Now being retrofitted for UPS parcel storage, this section extends all the way to the waterfront. One more open to curiosity seekers, Lidgerwood is now completely off limits to the public. The position from which this image was taken is as close as pedestrians can get before being stopped by a high barbed wire fence. Analogue photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528876889-TZ21KWRI441HYEFFRO83/Fig+13+Liberty+Stores.JPG Home - Reclaiming the Red Hook Waterfront Figure 13. Liberty Stores, 260 Conover Street, viewed from the more recent Valentino Pier plaza. The curved benches that wrap around the central flagpole are excellent resting places to observe the waves rolling in on the shore as well as the Pre-Civil War (1850s) warehouse structures that still bear cast iron bolts in the shape of stars, delineating where the iron is joined with the heavy timber beams within. Today, the Liberty Stores are home to a variety of outlets, from artist studios to glassworks. Digital photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528877041-B73MG4Y7U9MFVLDTBPDT/Fig+14+South+side+of+natural+coastline.JPG Home - Reclaiming the Red Hook Waterfront Figure 14. Southern portion of natural coastline at Valentino Pier, which opened as a city park in 1999, with Liberty Stores beyond. This rocky beach is one of the only publicly accessible natural coastlines left in New York City, unmediated by infill or infrastructure, and offering a uniquely intimate experience with the waterfront. Digital photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528881194-NZO8SFLFCDYIPAR8WHN5/Fig+15+Steves+Key+Lime+Pie.JPG Home - Reclaiming the Red Hook Waterfront Figure 15. Steve’s Key Lime Pie, one of Red Hook’s popular small businesses, located in the Liberty Stores. You can purchase hot coffee and tea, and all sorts of key lime treats from individual tarts to pies on a stick (with or without a chocolate coating). Digital photograph by Emily Conklin, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604528879759-FS3FAROEQEETL3GZ6I3G/Fig+16+voice+of+new+retail.jpg Home - Reclaiming the Red Hook Waterfront Figure 16. “Fuck this. It’s the James Bond Bad Mans’ House!” Graffiti expressing opposition to the construction of the new retail space on Conover Street shown in Figure 6. Digital photograph by Emily Conklin, 2019. https://www.platformspace.net/home/voting-in-the-age-of-pandemic monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604250484741-4A0KM14C3RA7SSA6JZQW/Fig+1+Local+elections+in+Lowell%2C+Mass%2C+at+first+station%2C+John+Lueders-Booth%2C+November+3%2C+1987%2C+Lowell+Folklife+Project+collection%2C+Library+of+Congress.jpg Home - Voting in the Age of Pandemic Figure 1. Local Elections in Lowell, Massachusetts, November 3, 1987. Photograph by John Lueders-Booth. The polling place is the local firehouse. Courtesy of Prints and Photograph Division, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604250551094-04PWCZPW0C1FXNGM0DSM/Fig+2+1856.jpg Home - Voting in the Age of Pandemic Figure 2. “Scene at the polls, New York City--Boxes for the distribution of tickets--Everybody busy,” 1856. From Frank Leslie's Illustrated Newspaper 2, no. 49 (1856 Nov. 15). Courtesy of Prints and Photograph Division, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604250617304-OIFV6JMSBUHI10VDQH6Y/Fig+3%2C+Vachon%2C+voting+in+North+Dakota%2C+1940%2C+service-pnp-fsa-8c18000-8c18100-8c18178v.jpg Home - Voting in the Age of Pandemic Figure 3. Going into polling booth. Election day, McIntosh County, North Dakota, November 1940. Photograph by John Vachon. The polling place is a school. Courtesy of Farm Security Administration/Office of War Information Collection, Prints and Photograph Division, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604251270634-OPR2DL56JVW2B3E9LHD4/Fig+4+Notices+from+NYC+Board+of+Elections%2C+Gutman+10-24-2020.jpeg Home - Voting in the Age of Pandemic Figure 4. The 2020 Voter Guide, and other material sent to registered voters by the New York City Board of Elections, October 24, 2020. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604260387977-KA2HO0NIFFL2A2CKXB6P/Fig+5%2C+CROPPED+bag+of+letters%2C+Gutman%2C+10-17-2020.jpg Home - Voting in the Age of Pandemic Figure 5. Letters to prospective voters, urging them to vote, October 17, 2020. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604251728108-AT39A18OX69MNBGAVNX1/Fig+6%2C+Eleanor+Roosevelt+Votes+in+Hyde+Park%2C+NY%2C+Nov.+3%2C+1936%2C+Franklin+D.+Roosevelt+Library+Public+Domain+Photographs%2C+1882-1962%2C+U.S.+National+Archives.jpg Home - Voting in the Age of Pandemic Figure 6. Eleanor Roosevelt Votes in Hyde Park, New York, November 3, 1936. Photograph by Franklin Delano Roosevelt. Courtesy of Franklin D. Roosevelt Library (NLFDR), U.S. National Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604256899528-T3H2SETWYFKHQQ1Q8CNF/Fig%2B7%2BNov%2B7%252C%2B2017%252C%2B100%2Byears%2Bof%2Bwomen%2527s%2Bsuffrage%2BNYS.jpg Home - Voting in the Age of Pandemic Figure 7. Election Day, the centennial of women's suffrage in New York State, November 7, 2017. The author and her daughter, Nina Sparling, have just voted. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604260446621-31CYRA6M5F3YI6B2XMM0/Fig+8%2C+CROPPED+voting+in+the+high+school%2C+KR%2C+2016.jpg Home - Voting in the Age of Pandemic Figure 8. Voting at Wilbur Cross High School, New Haven, Conn., 2016. Photograph by Kishwar Rizvi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604252001788-9ILMNO2INX35V0LFWDY1/Fig+9+football+field%2C+KR.jpg Home - Voting in the Age of Pandemic Figure 9. The football field at Wilbur Cross High School, New Haven, Conn., 2020. Photograph by Kishwar Rizvi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604252170209-8GY75KLZ9L7JQYRZUTVN/Fig+10%2C+drop+boxes%2C+empty+lots.jpg Home - Voting in the Age of Pandemic Figure 10. Ballot drop off boxes behind the Hall of Records, City Hall, New Haven, Conn., with empty lots, 2020. Photograph by Kishwar Rizvi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604252214548-VS1TG5EX8EAOU57XNAJ3/Fig+11%2C+drop+off+KR.jpg Home - Voting in the Age of Pandemic Figure 11. A voter dropping off his absentee ballot, New Haven, Conn., 2020. Photograph by Kishwar Rizvi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604252273269-FJL857VX3X9W4QCM3BA0/Fig+12%2C+Trikosko%2C+SNCC%2C+crusade+for+voters%2C+1963+service-pnp-ppmsca-37200-37242v.jpg Home - Voting in the Age of Pandemic Figure 12. Marchers with SCLC sign for the Savannah Freedom Now Movement during the March on Washington, Washington D.C., 1963. Photograph by Marion S. Trikosko. Courtesy of Prints and Photograph Division, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604261604257-C5P29KH5XPCW5KVEXHHJ/Fig+13+lines+.jpeg Home - Voting in the Age of Pandemic Figure 13. Lining up to vote on the first day of early voting in New York City, October 24, 2020. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604257374392-AAMIWVIUK3IGQEA96AI9/Fig+14+CROPPED+vote+here.jpeg Home - Voting in the Age of Pandemic Figure 14. The entry to the polling place, a laboratory building at Columbia Presbyterian Hospital, New York City, October 24, 2020. Photograph by Marta Gutman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1604257673483-FUQ2CZ70EM0P5NALMLYY/Fig+15+CROPPED+cafe+2.jpeg Home - Voting in the Age of Pandemic Figures 15. Celebrating early voting in New York City, October 24, 2020. Photograph by Marta Gutman. https://www.platformspace.net/home/experiencing-the-sounds-and-silences-of-cairo monthly 0.5 2020-11-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603298887824-QELN1HSBVEU0BPPP6PZI/Khorshid+Figure+1.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 1. Al Galaa Square in the neighborhood of Dokki, as seen from Al Galaa Bridge, June 2011. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603298993025-Q5NKYI2N8BYL7TVVFLL7/Khorshid+Figure+2.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 2. Protesters gather at Tahrir Square, Cairo, Egypt, November 2011, after the security forces attacked a sit-in organized by the families of the victims of the Revolution. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299035040-GBCSMQZLIEYIEHSBANL0/Khorshid+Figure+3.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 3. Revolutionary graffiti on the wall surrounding the old AUC Tahrir campus in downtown Cairo, September 2012. The wall was torn down in 2015 when a campus building located near it was demolished. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299062506-3VGEIJ1U0GXDI4BWGPC0/Khorshid+Figure+4.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 4. A street scene in Cairo, December 2011. Protesters used motorcycles to carry injured and wounded protestors from Mohamed Mahmoud Street to civil field hospitals and ambulances. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299129711-6IXEML3C3CYLZHA6TH15/Khorshid+Figure+5.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 5. A protest in Tahrir Square, November 2011. The Mugamma Building, in the background, housed government administrators from the 1940s until 2015 when plans to empty it were announced as part of the renovation of Tahrir Square. The government was also preparing to relocate outside the city center, likely to a new capital city. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299162074-5RHZ905T3CT485YL7QYL/Khorshid+Figure+6.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 6. The pharaonic obelisk and four ram-headed sphinxes in the center of Tahrir Square after the renovation, August 2020. Photograph by Eman Abdallah. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299215153-YYI41ZFOA175LBPMLJ0M/Khorshid+Figure+7.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 7. A side street in Old Dokki, a residential neighborhood in Cairo, July 2011. Photograph by Randa Khorshid. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603299243183-GA1UDZ1S7DLSW1CBDHKC/Khorshid+Figure+8.jpg Home - Experiencing the Sounds and Silences of Cairo Figure 8. The Nile waterfront, Cairo, June 2020. Apartment blocks and private gardens known as “Mashtals” are two of the many elements situated along the river. Photograph by author. https://www.platformspace.net/home/lessons-from-hawaii monthly 0.5 2020-10-19 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602690556831-HGSRFVINU69RHRP0VU7T/Moses_+Fig.+1.jpg Home - Lessons from Hawai‘i Figure 1. Entrance to The HUB at Ward Village with the painting “Laukanaka” by Cory Kamehanaokala Holt Taum, 2019. Photograph, Tracy Chan, courtesy of HAWAI‘I Magazine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602690611118-WVKT15FEDASF4V3SC5VI/Moses_+Fig.+2.jpg Home - Lessons from Hawai‘i Figure 2. Map of Oceania by J.G. Barbie du Bocage, 1852. Photograph courtesy of Wikimedia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602690654391-KAB2EYA55FPBTHYIR5YV/Moses_+Fig.+3.jpg Home - Lessons from Hawai‘i Figure 3. Kamehameha V commissioned Ali‘iolani Hale (1871-1874), Honolulu, Hawai‘i, March 13, 2019. Photograph courtesy of Kelema Lee Moses. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602690883456-3AEUQYKCFFT4DGQ1VKNY/Moses_+Fig.+4.jpg Home - Lessons from Hawai‘i Figure 4. Bernice Akamine, Kalo at Ali'iolani Hale, March 13, 2019. Photograph courtesy of Kelema Lee Moses. https://www.platformspace.net/home/salesforce-parks-sleight-of-hand monthly 0.5 2020-10-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602688917653-5LUCIBC52G5ZAB8EQT5T/Figure+1.jpeg Home - Salesforce Park’s Sleight of Hand Figure 1. Salesforce Park, San Francisco, 2018. Courtesy of Tim Griffith, @timgriffithphoto. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602688943956-R6HO9NM0G502CYFNDSZ6/Figure+2.jpg Home - Salesforce Park’s Sleight of Hand Figure 2. Map of the proposed development in the “East Cut.” Courtesy of San Francisco Planning. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602688966115-OC795GO5TVQLY2ERXH98/Figure+3.jpg Home - Salesforce Park’s Sleight of Hand Figure 3. The original Transbay Terminal in 1978. Courtesy of SFMTA Photography Department & Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602688991426-J4701986P881MW3P189N/Figure+4.jpg Home - Salesforce Park’s Sleight of Hand Figure 4. Salesforce Tower, San Francisco, under construction, 2017. Photograph by “law_dang,” courtesy Flickr, under Creative Commons license CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602689015281-PUPZPBC62OWPTO1ATGZ2/Figure+5.jpg Home - Salesforce Park’s Sleight of Hand Figure 5. Rules of the park, 2020. Photograph by Isaac Engelberg. https://www.platformspace.net/home/the-house-the-prison-built monthly 0.5 2020-10-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601847988526-B8PXGAVJJCXW8ALYD27W/Waits_Fig1.jpeg Home - The House the Prison Built Figure 1. View of the west façade of the North Carolina Executive Mansion from North Blount Street, Raleigh, North Carolina, 2019. Photograph by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601848144295-31VIDKIG00OJH2JYQF4C/Waits_Fig2.jpeg Home - The House the Prison Built Figure 2. North Carolina historical marker for the North Carolina Executive Mansion on North Blount Street, Raleigh, North Carolina, 2019. Photograph by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601848206029-NGROSSSBJMAQHPQL6VI9/Waits_Fig3.jpeg Home - The House the Prison Built Figure 3. Bricks signed with the names “Ballard” and “Horton” on the North Carolina Executive Mansion sidewalk, Raleigh, North Carolina, 2019. Photograph by Mira Rai Waits. https://www.platformspace.net/home/why-france-is-restoring-notre-dame monthly 0.5 2020-10-12 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601757124977-HLKUO942JAZV1IB0Z9A7/Figure+1.jpg Home - Why France is Restoring Notre-Dame Figure 1. Notre-Dame after the fire, April 16, 2019. Photograph by Louis H. G. Courtesy Wikimedia Commons under CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601757051901-TPMPGE3F69PKP6PZH430/Figure+2.jpg Home - Why France is Restoring Notre-Dame Figure 2. Hubert Robert, The Old Temple, 1787-88. Courtesy The Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601757186209-395W52J0AS7KTBJP060I/Figure+3.jpg Home - Why France is Restoring Notre-Dame Figure 3. Greenhouse proposal for the reconstruction of Notre-Dame by Studio NAB, 2019. Courtesy Studio NAB. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601757337840-C8CILG0JBZKTURSFEL2O/Figure+4.jpg Home - Why France is Restoring Notre-Dame Figure 4. View from spire of roofs, statuary, and gable after renovation by Viollet-le-Duc. Photograph by Charles Marville, ca. 1860. Courtesy U.S. Library of Congress. https://www.platformspace.net/home/as-the-dust-unsettles-consuming-disaster-in-beiruts-reconstruction monthly 0.5 2020-10-05 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044546340-C8G67XN89GYFS940LHCN/Auji_FIG1.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 1. Port of Beirut’s damaged grain silo, August 2020, Beirut. Photograph by George Azar. Reproduced with permission of George Azar. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044583904-JRPWEA2TA6G16J0715A8/Auji_FIG2.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 2. ARIA Damage Map: Beirut Explosion Aftermath. Courtesy NASA/JPL-Caltech/Earth Observatory of Singapore/ESA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044619206-D28NPXGPRLDGIVDWFXTW/Auji_FIG3.png Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 3. Map of Beirut (not drawn to scale) showing the city’s districts impacted by the explosion, with the inclusion of neighborhoods discussed in this essay. The red star indicates the location of the blast, and the red circle is an approximation of the explosion’s epicenter. Map by the author, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044656888-U30TE2IJ8ZEQRJLIG55S/Auji_FIG4.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 4. Young masked volunteers with brooms, Beirut, August 2020. Photograph by George Azar. Reproduced with permission of George Azar. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044690136-G2WEE0KI1ICM7TCK670T/Auji_FIG5.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 5. Example of a damaged heritage structure in Gemmayzeh, Beirut, August 2020. Photograph by George Azar. Reproduced with permission of George Azar. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601044725673-MYKRNDKFXFJHIC6DM2G8/Auji_FIG6.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 6. Examples of architecture from different periods and styles (with a traditional triple-arch house on the right), damaged after the explosion, Gemmayzeh, Beirut, August 2020. Photograph by George Azar. Reproduced with permission of George Azar. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601045027410-NH86MV4EI5BO3QH9SYP1/Auji_FIG7.jpg Home - As the Dust (Un)Settles: Consuming Disaster in Beirut’s Reconstruction Figure 7. Example of a damaged triple-arch house in Gemmayzeh, Beirut, August 2020. Photograph by George Azar. Reproduced with permission of George Azar. https://www.platformspace.net/home/cities-in-resistance-psychogeography-and-mnemonic-practice-between-istanbul-and-vienna-1938-1941 monthly 0.5 2020-12-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601141463572-3V2V8PYRQURJVL45NO8G/Hochhausl%2C+figure+1%2C+cropped.jpg Home - Cities in Resistance: Psychogeography and Mnemonic Practice between Istanbul and Vienna, 1938-1941 Figure 1. Margarete Schütte-Lihotzky and Wilhelm Schütte in their home, Istanbul, 1939. Courtesy of the University of Applied Arts, Vienna, Collection and Archive, Margarete Schütte-Lihotzky Papers, F-151. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601141506630-GJY5GM3PEXLA1H98L8D5/Hochhausl%2C+figure+2+cropped.jpg Home - Cities in Resistance: Psychogeography and Mnemonic Practice between Istanbul and Vienna, 1938-1941 Figure 2. View towards Schönbrunn grounds, Vienna, 1935. Courtesy of the Austrian National Library, Image Archives, Sp 202. https://www.platformspace.net/home/the-garden-in-the-machine-architecture-and-landscape-in-the-tennessee-valley monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113137261-FJ4PGTCWGSY9655NHRNY/Sachs-Fig+1.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 1. Fishing access at Kentucky Dam, the final dam in the river system it is also the longest, May 2018. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113157357-0F0QGA9W8401HDQE1B1J/Sachs-Fig+2.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 2. Kentucky Dam Visitor Center at dusk, May 2018. With electricity a central feature of the TVA project, lighting played a role in the architects’ designs. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113180287-CDIP7LXSJREOCISYGMMN/Sachs-Fig+3.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 3. Kentucky Dam as seen from the lake it impounds, May 2018. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113211588-SFATBGDR6K0FN2T4IRS6/Sachs-Fig+4.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 4. Guntersville Dam spilling after a month of heavy rain, February 2019. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113241542-2TUXXI255JJ9BSGICZZ2/Sachs-Fig+5.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 5. Guntersville Lock hidden behind a public picnic area, April 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113276832-PIF7DVFED6WDHNHLKM67/Sachs-Fig+6.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 6. A public park on Chickamauga Lake, across from the dam by the same name, May 2018. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113277979-B9KO3VTCHOOTI2J4EGWY/Sachs-Fig+7.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 7. The Chickamauga powerhouse as seen from the visitor center, May 2018. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113345404-W2P7UBWIIQDCBN42RUAG/Sachs-Fig+8.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 8. Fort Loudon Dam after a month of heavy rain, which tested the river machine to its limit. The ramp leads to a fishing pier that is temporary submerged, February 2019. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113373271-55HNYWX57KCZDSLVQA3E/Sachs-Fig+9.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 9. Below Hiwassee Dam, one of the large storage dams on a tributary of the Tennessee River, May 2017. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113382491-D1MZVUFGOX5UVT50AL93/Sachs-Fig+10.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 10. Hiwassee Dam at mid-day during a total eclipse of the sun, August 2017. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113418151-K6Y6JLXX6EJWX0TRKE0C/Sachs-Fig+11.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 11. An evening walk on Chatuge Dam, a small storage dam high in the Appalachian mountains, October 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113439300-XU4DVIM03HGBKZODEM3S/Sachs-Fig+12.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 12. Boating on Chatuge Lake, October 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113440467-ZT2OZE8B7Q65IG1GYY4R/Sachs-Fig+13.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 13. Fontana Dam: the power house is below the dam and the visitor center is level with it, April 2016. The rail between them allowed the public to visit the power house until it was closed in the 1990s. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113496727-5CU3VXLYY30DGZO7RFK8/Sachs-Fig+14.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 14. The Appalachian Trail crosses the river on Fontana Dam—a view from the roof of the visitor center, April 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113511860-RZAPHM0RYUW35GGJWDOZ/Sachs-Fig+15.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 15. Cherokee Dam, built during World War II to provide energy for enriching uranium at Oakridge, Tenn., February 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113549342-3IL6U7L6ZGS06KV2BNWU/Sachs-Fig+16.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 16. Cherokee Dam, February 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113579749-XR2UF6HMMZZCAST4GCR9/Sachs-Fig+17.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 17. Norris Dam as seen from a fishing pier, the quintessential “machine in the garden,” September 2009. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113601499-VOF2D810LQOJ9J8HRH1N/Sachs-Fig+18.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 18. Fishing below Norris Dam, September 2009. The cold water released from the lake to produce electricity creates an unique habitat for fish. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113628879-WTNA11VX2HSTDTXC0LPZ/Sachs-Fig+19.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 19. The Western overlook at Norris Dam with the visitor center on the opposite bank, April 2016. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113645218-82COEW1RRRC601EQ3F2O/Sachs-Fig+20.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 20. Norris Dam spilling after heavy rains, a sight that attracted thousands of visitors, April 2017. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113675450-XTX73TU6HOKD24T7ENPR/Sachs-Fig+21.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 21. Visitors on Norris Dam enjoying water released over the spillway, April 2017. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113705189-ZHLZ62NSWGFTWM0P5YS7/Sachs-Fig+22.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 22. The lake side of Norris Dam with the lighting details designed by the TVA architects, June 2019. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113725011-DQ1ATQ7RD6IL8XN6OCBM/Sachs-Fig+23.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 23. Norris Dam through the window of the visitor center, March 2019. The dam was releasing water following a month of heavy rain. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601113739568-LDUU7ORPZDXS9TRC9JNY/Sachs-Fig+24.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Figure 24. Norris Dam from the visitor balcony in the power house, July 2016. Closed since the 1990s, the balcony was opened as part of an 80th birthday celebration for the dam. Photograph by Avigail Sachs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601112865862-Z7NU6ADXHDKAEG3IXLW4/MAP+1+Unified+plan+1936+Location.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Map 1. Map of the Tennessee Valley Project. Source: Report to the Congress on the Unified Development of the Tennessee River System, Submitted by the Board of Directors of the Tennessee Valley Authority, March 1936,” Knoxville, Tennessee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601112951218-J4QLO3XYKTG9W49GBNQ0/MAP+2+Unified+plan+1936.jpg Home - The Garden in the Machine: Architecture and Landscape in the Tennessee Valley Map 2. Location of Dams and Reservoirs, Map of the Tennessee Valley Project. Source: Report to the Congress on the Unified Development of the Tennessee River System, Submitted by the Board of Directors of the Tennessee Valley Authority, March 1936,” Knoxville, Tennessee. https://www.platformspace.net/home/stories-from-the-flatlands monthly 0.5 2020-09-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601078859086-QE5UO48WWJ3P4B7REVN9/Sen_Fig_1.jpg Home - Stories from the Flatlands Figure 1. Image of a vacant lot and boarded up building in Milwaukee’s Northside. © Buildings-Landscapes-Cultures Field School, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601078946429-NC3O1Q3IUB8HURD9IJOV/Sen_Fig_2.jpg Home - Stories from the Flatlands Figure 2. Foundation Park, W. McKinley Avenue and N. 37th Street. © Buildings-Landscapes-Cultures Field School, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079025395-9WC4OY01GQ7FP0O0LVYJ/Sen_Fig_3.jpg Home - Stories from the Flatlands Figure 3. Community engagement and conversations around place and history. Our collaborative research with this community included an engaged design studio. © Buildings-Landscapes-Cultures Field School, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079104158-TPBT9ZFCWU62H3TKBGK2/Sen_Fig_4.jpg Home - Stories from the Flatlands Figure 4. Record of sales of 1304 North 37th Place, adjacent to Foundation Park. Property Assessment Data, City of Milwaukee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079177070-WVGMUCU6LCGKGWVXL5LU/Sen_Fig_5.jpg Home - Stories from the Flatlands Figure 5. Nate and his friends and local residents converge in Foundation Park during a community engagement event held by the Buildings-Landscapes-Cultures Field School. © Buildings-Landscapes-Cultures Field School. 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079662373-F2QQ0W3YFAWEM4NSFNVB/Sen_Fig_6.jpg Home - Stories from the Flatlands Figure 6. 1910 Sanborn Map showing the area around Foundation Park. Sanborn Map Company. Milwaukee, Wisconsin, 1910. Courtesy of the University of Wisconsin-Milwaukee Libraries. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079658008-8356FGLQO176GM840WSK/Sen_Fig_7.jpg Home - Stories from the Flatlands Figure 7. 1916 Street car lines map. Wright Directory Co., Wright’s map of Milwaukee, scale not given, American Geographical Society Library Digital Map Collection, American Geographical Society Library, University of Wisconsin-Milwaukee Libraries. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079668386-E6FYW8IOW3MJIXGN6NIF/Sen_Fig_8.jpg Home - Stories from the Flatlands Figure 8. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 1937 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079684250-HLAH32P1GOH1QXWT25UY/Sen_Fig_9.jpg Home - Stories from the Flatlands Figure 9. 1951 Sanborn Map showing the area around Foundation Park, Sanborn Map Company. Milwaukee, Wisconsin, 1951. Milwaukee 1910-Dec. 1951 vol. 7, 1927-Oct. 1949, Sheet 777, Environmental Data Resources, Inc., ProQuest, LLC., 2001–2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079676109-YINLKP5GXH3RTBKHVX6Y/Sen_Fig_10.jpg Home - Stories from the Flatlands Figure 10. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 1951 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079745773-H943RHJCNWOAY62E895M/Sen_Fig_11.jpg Home - Stories from the Flatlands Figure 11. Land Information Map, 1967 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079710902-Y4OTLCXNVBVX2864D4BE/Sen_Fig_12.jpg Home - Stories from the Flatlands Figure 12. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 1976 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079734973-SJM399JQMNI004Y6285R/Sen_Fig_13.jpg Home - Stories from the Flatlands Figure 13. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 1995 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079768162-QU8OROF1GIC26FQKQHSY/Sen_Fig_14.jpg Home - Stories from the Flatlands Figure 14. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2007 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079763008-IZHTMN6U08ULA6LEZEEK/Sen_Fig_15.jpg Home - Stories from the Flatlands Figure 15. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2010 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. Accessed August 20, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079769209-2Q8RWPHPGJIUYOC020NF/Sen_Fig_16.jpg Home - Stories from the Flatlands Figure 16. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2013 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079779508-UWYHZ4GHLKA9TNEXLM4A/Sen_Fig_17.jpg Home - Stories from the Flatlands Figure 17. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2015 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079775778-TJXX73JCLLXDQVFNC8OW/Sen_Fig_18.jpg Home - Stories from the Flatlands Figure 18. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2018 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079783767-P05F4DV8PT2DFJPECMCH/Sen_Fig_19.jpg Home - Stories from the Flatlands Figure 19. Milwaukee County Land Information Office, Milwaukee County's Interactive GIS & Land Information Map, 2020 Aerial Survey, Generated by Arijit Sen using Milwaukee County Interactive Mapping Survey. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601079946398-P5W3L12EWP6V6WSBMJ5D/Sen_Fig_20.jpg Home - Stories from the Flatlands Figure 20. Two duplex homes. 1304 N. 37th Place (left) and 1300 N. 37th Place (right). © Buildings-Landscapes-Cultures Field School. 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1601082238294-PZD6Q9BWK3BON7VNG6F3/Sen_Fig_21.jpg Home - Stories from the Flatlands Figure 21. Today’s 1304 North 37th Place. © Buildings-Landscapes-Cultures Field School. 2020. https://www.platformspace.net/home/whiteness-and-the-architectural-profession-in-the-united-states monthly 0.5 2020-09-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600454241161-H5B77CBQYB4PGPR7MT5H/fig1_1899_Chester+Co+Bank.jpg Home - Whiteness and the Architectural Profession in the United States Figure 1. Bank of Chester County, West Chester, PA, 1899. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600454295231-P0J86H3KOJ6UOCICT0AQ/fig2_ca1860_Davis+Office.jpg Home - Whiteness and the Architectural Profession in the United States Figure 2. Plan and section of A. J. Davis’s Office Library, New York Exchange Building, ca. 1842-1862. Davis’s bed is on the far right. Alexander Jackson Davis papers. Manuscripts and Archives Division. The New York Public Library. Astor, Lenox, and Tilden Foundations. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600454342618-WJFBUROSWF45TO66R7Z8/fig3_Walter_Capitol+Dome+Section+Elevation_1859.jpg Home - Whiteness and the Architectural Profession in the United States Figure 3. Thomas Ustick Walter, U.S. Capitol Section/Elevation of New Dome, 1859. Athenaeum of Philadelphia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600454413005-W9PGYP1QUT9KMICMJHB2/fig4_1883_AIA+Convention.jpg Home - Whiteness and the Architectural Profession in the United States Figure 4. 1883 AIA Convention Members. From Proceedings of the Seventeenth Annual Convention of the American Institute of Architects, 1884. https://www.platformspace.net/home/pathogens-need-poverty-manufacturing-epidemics-in-india monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600451097785-44AYDIPWK97K50FYTJOV/Chhabria_Fig1.jpg Home - Pathogens Need Poverty: Manufacturing Epidemics in India Figure 1. Interior of Plague Hospital during the Bombay Plague Epidemic, 1896-1897. Photograph attributed to Clifton & Co., Wellcome Collection, under Creative Commons License, CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1600453595578-4RRQSBFFFEFQM8QBZPMR/Chhabria_Fig2.jpg Home - Pathogens Need Poverty: Manufacturing Epidemics in India Figure 2. Jobless migrant workers queuing up for food in Delhi, 14 April, 2020. Photograph by Sumita Roy Dutta, Wikimedia under Creative Commons License, CC BY-SA 4.0. https://www.platformspace.net/home/how-to-travel-the-world-during-the-pandemic monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599858105648-BHPO32OSSI7GLC94KYMB/Littmann%2C+FIgure+1+reshoot.jpg Home - How to Travel the World During the Pandemic Figure 1. Photo illustration by William Littmann, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599858178557-6N1NTNVOFGCMVPM5900X/Littmann%2C+FIgure+2+reshoot.jpg Home - How to Travel the World During the Pandemic Figure 2. Illustration from Xavier de Maistre, A Journey Round My Room, trans. Henry Attwell (London: Longmans, Green, Reader, and Dyer, 1871). https://www.platformspace.net/home/architecture-and-slavery monthly 0.5 2020-09-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599997406736-1WILCD9LNE76BLDLT81F/Fig.+1_Rowen_ArchitectureandSlavery.jpg Home - Architecture and Slavery Figure 1: Statue of Robert Milligan in front of the West India Docks, London, in 2017. Photograph by Jonah Rowen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599997493827-VFAZFDTFT5GSPSIAR5H8/Rowen_ArchitectureandSlavery_2_Mills_KershawCountyCourthouse_1825-1830_highres.jpg Home - Architecture and Slavery Figure 2: Robert Mills, Kershaw County Courthouse, Camden, South Carolina, 1825-1828. Courtesy of the South Carolina Historical Society. https://www.platformspace.net/home/un-hiding-history monthly 0.5 2020-09-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599240966848-POUF9TCYPAJ89KFIHXY5/Figure+1.png Home - Unhiding History Figure 1. Dignity landing at Magical Bridge Playground, Palo Alto, Calif., 2015, as seen in “A Playground for Everyone, No Matter Your Age or Ability,” PBS NewsHour Weekend, PBS television, October 6, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599241059302-ZW5LTJ8NDR9EGP7FOSPC/Figure+2%281%29.jpg Home - Unhiding History Figure 2. Mui Ho Fine Arts Library, Cornell University, 2019. Photograph by Athanasiou Geolas, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599240682133-AGRZ5L216F3NN5Z0OUD6/Figure+3%281%29.JPG Home - Unhiding History Figure 3. Publicity photograph promoting Koolhaas Houselife, dir. Ila Bêka and Louise Lemoîne, 2013, depicting Guadalupe Acedo, the person who cleans the house in Bordeaux, France, designed by Rem Koolhaas’s firm, OMA, which is the subject of the film. Photograph courtesy http://www.bekalemoine.com/. https://www.platformspace.net/home/how-past-epidemics-gave-new-public-spaces-to-cities monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251198869-PQ0J4H9Q4EJJ3ILU1PCD/IGNACCOLO_1.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 1. Bronze statue of San Gaetano (1747) with angels by Andrea Falcone (Naples 1630-Naples 1677) nearby San Paolo Maggiore Church in Naples. Photograph by Carlo Raso. Source: Flickr. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251299107-KS37T4CDM8UP531YO305/IGNACCOLO_2.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 2. Foreshortening of Piazza San Gaetano with the commemorative statue from the narrow alleys of Naples. Source: PhotoItaliaStudio – Shutterstock. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251357815-LWLCKH0XUFEUXLRLS7DR/IGNACCOLO_3.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 3. Piazza San Domenico Maggiore, with apse of the church and spire of San Domenico. Photograph by Seimeis6. Source: Wikimedia Commons. CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251422745-FQXV7CZRY0ZWKPB5XEB7/IGNACCOLO_4.JPG Home - How Past Epidemics Gave New Public Spaces to Cities Figure 4. Piazza San Gaetano (left) and Piazza San Domenico (right). Map data ©2019 Google. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251503397-ON0X7XWGLUWWFSDN7KKR/IGNACCOLO_5_large.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 5. View of Piazza San Babila, Milan during the plague of 1630. In the center of the piazza stand the column of S. Mona (1585) and the column of the Lion (1628). Archivio Storico Lombardo, 5th series 9 (1922). Source: Wikipedia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251556014-XDJI134O70LDJ5VNIIQB/IGNACCOLO_6.png Home - How Past Epidemics Gave New Public Spaces to Cities Figure 6. Map of Milan by Daniel Stoopendaal, 1726 (figure edited by the author to mark the plague columns). Archivio Storico Lombardo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251616800-9NRICTH88ZB1OPAGWVO4/IGNACCOLO_7_large.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 7. The plague-column of St. Helen in Corso Italia, Milan (1920). Archivio Storico Lombardo. Courtesy of Dodecaedro Urbano. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251682124-SN8EECT79TXVTC97PIHP/IGNACCOLO_8_large.JPG Home - How Past Epidemics Gave New Public Spaces to Cities Figure 8. The current location of St. Helen Column in Milan (2019). Street View ©2019 Google. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1599251728647-AMIAW5RAHOJG6K6226SP/IGNACCOLO_9.jpg Home - How Past Epidemics Gave New Public Spaces to Cities Figure 9. The Verziere plague column was moved by the city of Milan to safely proceed with the underground work of the city subway network. Source: www.metro4milano.it. https://www.platformspace.net/home/demolitions-and-the-urgency-of-architectural-history-in-egypt monthly 0.5 2020-09-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598822656061-TV48JBQD7TLVDM98MPYZ/Fig+1.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 1. A broken marble panel from one of the demolished twentieth-century tombs, it was inscribed with the Quranic verse, “O satisfied soul, return to your Lord wellpleased, wellpleasing. Join My worshipers and enter My Paradise.” Photograph by Alia Nassar, 2020. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598822821948-CHWPH8N329094F965FN6/Fig+2.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 2. Villa Badran in Mohandiseen, designed by the architect, Gamal Bakry, and built in 1971. The design with curvilinear forms and few straight lines rejected the rigid modernist geometry that had become orthodox by the 1960s. The transformation of the villa into a restaurant caused the demolition of sections of the building and the defacement of its exterior. It is now abandoned. Photograph by Hesham Mohamed Hassan, 2018. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598822906735-W4N2V1RDO9YLESRKEY0A/Fig+3.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 3. Villa Umm Kulthoum in the district of Zamalek. This new architecture perfectly represented Kulthoum’s rise from a peasant family to become a member of the bourgeoisie. The architecture allowed new classes to express modernity without referring to the trappings of the aristocracy and as an expression of national modernity. Photograph from Al Emara. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598823004389-4CY9BZE6M9UIJVJMCVHC/Fig+4.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 4. An example of 1930s architecture in the district of Qubbah Gardens in northern Cairo. The architect and patron of the building are unknown, like much of the architectural production of the era. It appears this is the last remaining structure of the kind in its environs, the rest has long been demolished and replaced with the common real-estate high-density construction. Photograph by Michel Hanna, 2019. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598823132836-8R7QT1XG25JUOORRE60S/Fig+5.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 5. Workers’ City Housing in Imbaba, designed by the architect, Ali al-Miligi Masoud, and built in 1950. The project consisted of over 1000 housing units following a garden city model. Two-story concrete buildings, with stone applied to the facades, housed small apartments, some with gardens. All of the buildings have disappeared or been defaced with added floors. An important and rare example of the state’s provision of workers housing is diminished. Photograph by Hesham Mohamed Hassan, 2018. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598823194392-DDK9KNO3GEVVDMGRI6CR/Fig+6.jpg Home - Demolitions and the Urgency of Architectural History in Egypt Figure 6. Cinema Al Sharq built in 1947 in the working-class district of Sayeda Zeynep, architect unknown. The Art Deco cinema, strategically located opposite the mosque of Sayeda Zeinab, includes a single hall with a cylindrical tower at the corner and apartments facing the street. It is abandoned. Photograph by Hesham Mohamed Hassan, 2018. Reproduced with permission. https://www.platformspace.net/home/building-the-city-of-god-in-tijuana-how-migrant-shelters-are-transforming-mexican-urban-landscapes monthly 0.5 2021-04-21 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598644790958-2X32ONN86WJY99I3E49L/Landa%2C+figure+1.jpg Home - Building the City of God in Tijuana: How Migrant Shelters are Transforming Mexican Urban Landscapes Figure 1. Aerial view of Tijuana and the wall dividing the United States and Mexico in June 2020. © Francisco Álvarez. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598644934280-6MALEQLP5M8DBOUBCE82/Landa%2C+figure+2.jpg Home - Building the City of God in Tijuana: How Migrant Shelters are Transforming Mexican Urban Landscapes Figure 2. Aerial view of the Tijuana River in June 2020. © Francisco Álvarez. https://www.platformspace.net/home/hacking-the-pandemic-hackerspaces-and-makerspaces-respond-to-the-covid-19-crisis monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598084764882-BO4GOP91JXFYO88IJJB1/Figure+1.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 1: Textile hackers collaborating at Noisebridge, San Francisco, California, 2018. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085096362-TMMLZPZPMMZOANNQ7IDY/Figure+2.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 2: Kevin demonstrating how to safely use a lathe at i3Detroit, Ferndale, Michigan, 2020. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085158414-QFAUSWWVOXR30CPLLZ0X/Figure+3.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 3: Sudo Room and Sudo Mesh hackers creating mobile dish mounts to test the connectivity of their wireless Mesh network’s “air fibers” which provide low-bandwidth WIFI to Oaklanders who cannot afford internet service, Oakland, California, 2018. Photograph by Benny. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085222352-TA9DJHRDTUX3C4FPIAWW/Figure+4.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 4: Noisebridge’s 3D printers and spools of PLA and PETG plastic being used to print face mask components, San Francisco, California, 2020. Photograph by Wheezy. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085288948-BRGPX7T2EWPISWSRDDCV/Figure+5.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 5: Open-source walls, tools and palimpsests of use at Noisebridge, San Francisco, California, 2018. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085350106-GYIGZE1EUF305E1FOXPF/Figure+6.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 6: Communal resources at Sudo Room hackerspace, Oakland, California, 2019. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085440697-PWQE2F4ZE28B137A3594/Figure+7.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 7: Tool-strewn workspaces at OmniCorpDetroit are mounted on casters and the ceiling lights are clip-on, facilitating the constant rearranging of space, Detroit, Michigan, 2020. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085541755-794H05I67F5004WYI7Q8/Figure+8.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 8: Sanding disks being reorganized in the common area at i3Detroit, Ferndale, Michigan, 2019. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085603781-KPYPI3IFLY4GCIX8LFOC/Figure+9.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 9: Neil relocates to the “room of impermanence” at OmniCorpDetroit with his masks and hand sanitizer. During non-pandemic times, this room is usually reserved for artists in residence, Detroit, Michigan, 2020. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085643853-6AO3LAERZSNSWNS7M4TJ/Figure+10.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 10: Preexisting “zones” at i3Detroit helped to socially distance essential members fabricating PPE. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085796732-Z6W8SQG3F0AQG215J1SH/Figure+11.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 11: At Sudo Room, Krystof wears PPE and WIFI hotspot antennae for the Gill Family Tract, a Native American-operated family farm addressing COVID-19-related food shortages, Oakland, California, 2020. Photograph by Marc. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085857915-LKYZRF72AB8CFDWO0RFA/Figure+12.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 12: Project Apollo at OmniCorpDetroit. This parts-strewn table was used for the rapid prototyping of PPE and ventilator parts, Detroit, Michigan, 2020. Photograph by Ben Jameson-Ellsmore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598085898726-JHYL6KH7CJFTDUZQM87S/Figure+13.jpg Home - Hacking the Pandemic: Hackerspaces and Makerspaces Respond to the COVID-19 Crisis Figure 13: Mobile 4G wireless hotspot fabricated for George Floyd protestors by Marc, Oakland, California, 2020. Photograph by Marc. https://www.platformspace.net/home/loneliness-disappearance-and-the-veneer-of-protection monthly 0.5 2020-08-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598045468713-V8RKU84XNJB5AZ129OS4/Davis_fig1.jpg Home - Loneliness, Disappearance and the Veneer of Protection Figure 1. Dorothy Pelzer palay pounding in Apayao, Luzon, May 1968. Courtesy of: National Anthropological Archives, Smithsonian Institution [item: 1806-38] and ISEAS-Yusof Ishak Institute, Singapore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598045566970-238IEVC9UGCB318D1NQN/Davis_fig+2.jpg Home - Loneliness, Disappearance and the Veneer of Protection Figure 2. Imelda Marcos visiting a T’boli village in Cotabato, ca. 1970. Source: Ileana Maramag (ed.), Imelda Marcos Action Programmes (1973). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598044356583-35ENNDG5ZYX97FQ8L1MR/Davis_fig3.jpg Home - Loneliness, Disappearance and the Veneer of Protection Figure 3. Dorothy Pelzer Isneg House, Apayao, Luzon, May 1968. Courtesy of: National Anthropological Archives, Smithsonian Institution [item: 1806 - 7] and ISEAS-Yusof Ishak Institute, Singapore. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598044413258-ZEMEBZDMXVHERWUKFI5J/Davis_fig4.jpg Home - Loneliness, Disappearance and the Veneer of Protection Figure 4. “From Malacañang terrace, President and Mrs. Marcos view PANAMIN floating clinic which serves ethnic groups in Mindanao,” ca. 1970. Source: Ileana Maramag (ed.), Imelda Marcos Action Programmes (1973). https://www.platformspace.net/home/embracing-ornamentation-street-art-in-barcelona monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566440340-ZEO73BXM7WP24HIZRW8D/Poulsen_FIG1.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 1. Ceramic art, Carrer del Pom d'Or, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566456287-E6N825D1DI7FRZL4L88S/Poulsen_FIG2.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 2. A diorama depicting an airplane crash, Barcelona’s Gothic Quarter, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566552956-SDFOVI4I4KXWZ6YU6SV2/Poulsen_FIG3.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 3. Graffiti illustrating Barcelona Style, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566568626-YUM7C55XSA88G3107P11/Poulsen_FIG4.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 4. Commissioned street art on a closed storefront, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566660486-K7GS0KAN8YBDBI0PH0SV/Poulsen_FIG5.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 5. Graffiti on the door of a private business adjacent to a beige facade of public property, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566658495-DGAAG56IV62JRRCHY8GE/Poulsen_FIG6.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 6. Legal graffiti on walls in Jardin de les Tres Xemeneies, Barcelona, 2019. Photograph by Alexis Valentine. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566771205-98ZBAGN3UIJYMVC1MQGH/Poulsen_FIG7.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 7. Mango Man advertisement with Andre Saraiva, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566786744-DJSOERBK3TH93MZIYX0E/Poulsen_FIG8.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 8. El Pez graffiti, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566914193-NQ6QKJ9J0FUVPAAE30EP/Poulsen_FIG9.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 9. Will Coles installation, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597566917918-VDAUZI22I5GZZGOHJE52/Poulsen_FIG10.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 10. An assortment of installations on a public wall, Carrer d'en Tantarantana, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597567035219-F4ME9SAYAPSYI288A34Z/Poulsen_FIG11.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 11. An assortment of installations on a public wall, Barcelona, 2019. Photograph by Hanna Poulsen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597567020835-AMEZCUF3JVII568MW3KF/Poulsen_FIG12.jpg Home - Embracing Ornamentation: Street Art in Barcelona Figure 12. An assortment of installations on a public wall, Carrer d'Avinyó, Barcelona, 2019. Photograph by Hanna Poulsen. https://www.platformspace.net/home/five-reasons-i-wont-share-washrooms-with-cisgender-people monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597468153862-W11MHNLA4VTE39U7HTNI/Crawford+Platform+photo+1.jpg Home - Five Reasons I Won’t Share Washrooms with Cisgender People Figure 1. Author flushes a urinal in the men's room of Diller Scofidio + Renfro's now-defunct Brasserie space in midtown Manhattan, 2009. Photograph by Carmen Ellison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597468209701-6SG7G42YI9K237H2EJ1H/Crawford+Platform%2C+image+2.jpg Home - Five Reasons I Won’t Share Washrooms with Cisgender People Figure 2. Curious graffiti in Edmonton, Alberta, 2008. Photograph by Theodore Kerr. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1597468554544-5M9YHJC9EDM0BGTFG1KF/2017.05.20_Capital_TransPride_Washington%2C_DC_USA_5235_%2834757687306%29.jpg Home - Five Reasons I Won’t Share Washrooms with Cisgender People Figure 3. All Gender Restroom Sign, Washington D.C., Capital TransPride Parade, May 20, 2017, hosted by The Studio Theatre. Photograph by Ted Eytan, courtesy Flickr, under Creative Commons license CC BY-SA 2.0. https://www.platformspace.net/home/mrs-america monthly 0.5 2020-08-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596838331158-KVVPDAGPOJ00RU4LDE2A/Hayden%2C+figure+1.jpg Home - Mrs. America Figure 1. Activist Phyllis Schlafly wearing a "Stop ERA" badge, demonstrating with other women against the Equal Rights Amendment in front of the White House, Washington, D.C., February 4, 1977. Photograph by Warren K. Leffler. Source: Library of Congress (Wikimedia Commons). https://www.platformspace.net/home/the-mughal-temple-in-banaras-and-beyond monthly 0.5 2020-08-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596831013022-WTR2ZRODT488NFBG2A30/Figure+1+%281%29.JPG Home - The Mughal Temple in Banaras and Beyond Figure 1. Kumbhalgarh temple, ca. 1450. Photograph by Madhuri Desai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596832267537-587LZZQWWIDDEYMNF5K7/Figure+2+%283%29.jpg Home - The Mughal Temple in Banaras and Beyond Figure 2. Temple of Vishveshvur, Benares, 1831-33, by James Prinsep. © British Library Board, Shelfmark X751/3(8). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596832533269-7OZ7VSGFE2AIHEY4GGNC/Figure+3a.JPG Home - The Mughal Temple in Banaras and Beyond Figure 3. Exterior of Govind Dev temple, Brindavan, ca. 1590. Photograph by Madhuri Desai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596831276275-08ECNL78F33CRBWDJHCG/Figure+3b.JPG Home - The Mughal Temple in Banaras and Beyond Figure 4. Interior vault of Govind Dev temple, Brindavan, ca. 1590. Photograph by Madhuri Desai. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596831325526-LGUY54KTRSEIJF4ASL7I/Figure+4.JPG Home - The Mughal Temple in Banaras and Beyond Figure 5. Jharokha (projecting window), Govind Dev temple, Brindavan, ca. 1590. Photograph by Madhuri Desai. https://www.platformspace.net/home/pzs0nkzwnfpp1yibr6f5hqyxtravn8 monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596358881529-89BJX6FTCLQB5SMEN1O1/Larson_Knox_Figure+1.jpg Home - A Building Worth Remembering Figure 1. 217 West 123rd Street, New York, N.Y., constructed c. 1865-70. This photograph was taken on November 18, 2019, the day after the fire. Photograph by Jessica Larson and Aubrey Knox. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359091352-KCHV1ZTPJBT4ERHF9N1N/Larson_Knox_Figure+2.jpg Home - A Building Worth Remembering Figure 2. 217 West 123rd Street, New York, N.Y., constructed c. 1865-70. This photograph was taken on November 18, 2019, the day after the fire. Photograph by Jessica Larson and Aubrey Knox. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359164900-V7VBMW669L4HIBWU9H5N/Larson_Knox_Figure+3.jpg Home - A Building Worth Remembering Figure 3. 217 West 123rd Street, New York City, N.Y. Tax photograph, dated 1939-1941. Courtesy of the New York City Municipal Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359284837-9K693G5DZUR9BAT7U9AS/Larson_Knox_Figure+4.jpg Home - A Building Worth Remembering Figure 4. 217 West 123rd Street, New York, N.Y., constructed c. 1865-70. The basement and foundation on January 12, 2020. Photograph by Jessica Larson and Aubrey Knox. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359370811-3MVUK0UBH26XIQB99LFB/Larson_Knox_Figure+5.jpg Home - A Building Worth Remembering Figure 5. This photograph, taken on January 12, 2020, shows the discoloration left by 217’s front section and lean-to on the party wall of the neighboring brownstone. Photograph by Jessica Larson and Aubrey Knox. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359436341-Z3OD66GOSYQEVOWK35AH/Larson_Knox_Figure+6.jpg Home - A Building Worth Remembering Figure 6. This detail, taken from a plate in the Bromley Atlas of Manhattan, features 217 West 123rd Street, in 1891. The yellow shading indicates the frame structure and the stable in the rear yard is marked by the “X.” Plate 35, Bromley Atlas of the City of New York Manhattan Island, 1891. Courtesy of the New York Public Library, Lionel Pincus and Princess Firyal Map Division. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359462453-2BR93K2R33APKZPSOW2I/Larson_Knox_Figure+7.jpg Home - A Building Worth Remembering Figure 7. Advertisement for “Dr. Brush’s Kumyss” that indicates the company’s depot is located at 217 West 123rd Street. From American Druggist and Pharmaceutical Record 61 (1913): 73. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359519764-OO5PQPC52ATWHGPNJZPE/Larson_Knox_Figure+8.jpg Home - A Building Worth Remembering Figure 8. Benjamin F. Thomas, as shown in Who’s Who in Colored America? 6 (1942): 503. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359597630-26BC703FSDK072E2FIAH/image-asset.jpeg Home - A Building Worth Remembering Figure 9. 28th Precinct Police Station, 229 West 123rd Street, New York City, N.Y. Tax photograph, dated 1939-1941. Courtesy of the New York City Municipal Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359641560-6BYFDM5N633266Q76ASP/Larson_Knox_Figure+10.jpg Home - A Building Worth Remembering Figure 10. Prisoners being taken from the 28th Precinct Police Station in 1935. The caption reads, “The Harlem Race Riots: March 1935.” Photo by NY Daily News Archive via Getty Images. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359681189-GNT7AQ1HNA53ZYFACJ57/Larson_Knox_Figure+11.png Home - A Building Worth Remembering Figure 11. Olivia Ward Bush-Banks, as shown in Olivia Bush, Original Poems by Mrs. Olivia Bush (1899). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359754295-6WENECDBMHRENJH34ZLY/Larson_Knox_Figure+12.jpg Home - A Building Worth Remembering Figure 12. “Poise is Power.” The Bush-Banks School of Expression placed this advertisement in The Crisis, October 1931, 3. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596359845673-37JE5BJ7E0EWSUL60495/Larson_Knox_Figure+13.jpg Home - A Building Worth Remembering Figure 13. 217 West 123rd Street, New York City, N.Y. Tax photograph, dated 1983-1988. Courtesy of the New York City Municipal Archives. https://www.platformspace.net/home/design-politics-and-infrastructures-of-immobility monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596139773253-M7M1LPN70D8XE1XT63XH/Figure+1.jpg Home - Design, Politics, and Infrastructures of Immobility Figure 1. Refugee family standing beside shelter at Azraq camp, northern Jordan. Photography by U.K. Department for International Development’s photostream, courtesy Flickr under Creative Commons license CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596139833520-LV5QXEXMTDB96UHZ7AD3/Table+1.jpg Home - Design, Politics, and Infrastructures of Immobility Table 1. Humanitarian Principles adapted from the UN office for the Coordination of Humanitarian Affairs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596139939505-OOHZGNZOXCTN5AWTXKNS/Figure+2.jpg Home - Design, Politics, and Infrastructures of Immobility Figure 2. Border patrol and prototypes for border wall construction, near Otay Mesa Port of Entry. Photograph by Mani Albrecht, 21 October 2017. U.S. Customs and Border Protection. Source: Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1596140029272-2BL1DF0NS0CZH6NU6BPS/Figure+3.png Home - Design, Politics, and Infrastructures of Immobility Figure 3. Detention facility at McAllen, Texas, 17 June 2018. Photograph provided by Custom and Border Protection. Source: Wikimedia Commons. https://www.platformspace.net/home/covid-19-architectural-journalism-a-conversation monthly 0.5 2021-05-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595615816488-07BVV6FWOIWFG9ZU2WT8/Deamer+and+Woods%2C+fig+1.jpg Home - Covid-19 Architectural Journalism: A Conversation Figure 1. Nipun Prabhakar, Untitled Collage, 2020. New York Times photographs sourced for collage by: George Etheredge; Zack DeZon; and Vincent Tullo. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595615920014-09B0ILLXKPUALAQM2UFC/Deamer+and+Woods+FIG+2.jpg Home - Covid-19 Architectural Journalism: A Conversation Figure 2. Peggy Deamer, 8 April 2020 Letter to the Editor, New York Times (unpublished). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595616015523-UHM7FCSXNGX1M82OFSIL/Deamer+and+Woods%2C+FIG+3.jpg Home - Covid-19 Architectural Journalism: A Conversation Figure 3. Mary N. Woods, 14 April 2020 Letter to the Editor, New York Times (unpublished). https://www.platformspace.net/home/aghia-sophia-and-a-reckoning-with-history monthly 0.5 2020-07-27 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595560960013-80HKH1MGJQMSH63TOTGA/figure+01.jpg Home - Aghia Sophia and a Reckoning with History Figure 1. Faith Mosque Complex, built over the Church of Holy Apostles. Photograph by Sébah and Joaillier. Source: Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595561048265-Z25PKVQAK8JXXMJW0H87/figure+02.jpg Home - Aghia Sophia and a Reckoning with History Figure 2. Aghia Sophia, 2017. Photograph by NSerrano. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595561242515-OQ404AVHCC51M19XE6PZ/figure+03.jpg Home - Aghia Sophia and a Reckoning with History Figure 3. Çamlica Mosque, 2018. Photograph by Håkan Henriksson. Creative Commons License CC-BY-SA-4.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595561140307-E0XIFF1KCAKU79W5KMFD/figure+04.jpg Home - Aghia Sophia and a Reckoning with History Figure 4. Aghia Sophia, interior. By Gaspare Fossati. Litography by Louis Haghe. Swiss-Italian architects Gaspare and brother Guiseppe Fossati were commissioned by Sultan Abdülmecid in 1847 for the restoration of Aghia Sophia. The Seraphim around the central dome are clearly visible. Source: Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595561313443-8ZOIICT57SE13N36R6K3/figure+05.jpg Home - Aghia Sophia and a Reckoning with History Figure 5. Yeni Camii commissioned by Hatice Turhan Sultan (mother of Sultan Mehmed IV), built over the burned down Jewish neighborhood in Eminönü. Photograph by Bjørn Christian Tørrissen. Creative Commons License CC-BY-SA-3.0. https://www.platformspace.net/home/sinking-monuments-notes-on-our-current-statuophobia monthly 0.5 2020-07-20 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595095032286-MI3OKNUYFH8PCM2CTMGO/Rozas_K_Fig+1+.jpg Home - Sinking Monuments: Notes on our Current Statuophobia Figure 1. Edward Colston’s statue being tossed into the Avon river, Bristol, U.K. Photograph by Keir Gravil, June 7, 2020. Courtesy Flickr under Creative Commons license CC-BY-NC-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595095127740-61UVOJ0P1ZT1C6LC904U/Rozas_K_Fig+2.JPG Home - Sinking Monuments: Notes on our Current Statuophobia Figure 2. Monument of General Manuel Baquedano vandalized during protests, Plaza de la Dignidad, Santiago de Chile. Photograph by Valentina Rozas-Krause, January, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595095247056-QNMBQO41NL0TC6VED2FP/Rozas_K_Fig+3.jpg Home - Sinking Monuments: Notes on our Current Statuophobia Figure 3. Aerial view of the temporary location of the Colston statue, Bristol harbor, U.K. Courtesy Google Earth, 2020. https://www.platformspace.net/home/viewing-watching-observing-aging-and-the-architecture-of-intermediate-space monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152314638-2Z6ZKRDH4IV57JTGR6LE/Figure+1.+Norwood+Crossing+Entry.jpg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 1. The front processional entrance to Norwood Crossing, formerly the Norwegian Old People’s Home, Chicago. Note the sitting area and pergola adjacent to the front door. Photograph courtesy of Google, August 2011 Street View image. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152412999-FJ7Y0HHXIP58R1HHTQBS/Figure+2.+Presbyterian+Home.jpg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 2. Postcard of the front porch of the Presbyterian Home for Widows and Single Women, Philadelphia, ca. 1943. Note the rocking chairs. © The Library Company of Philadelphia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152492565-8D388FSJ8YZVBL55S2Z3/Figure+3.+Presser+Home.+Presser+Foundation.jpeg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 3. Residents congregate on the front stoop of the Presser Home for Retired Music Teachers, Philadelphia, N.D. Photograph courtesy of the Presser Foundation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152545995-9E3MS9IBOAGGFUIW35YN/Figure+4.+Methodist+Episcopal+Home.jpg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 4. Postcard of the Methodist Episcopal Home for the Aged of Philadelphia, including one of its porches, ca. 1905. © The Library Company of Philadelphia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152617895-AGQDJAIEIZKAREJJMELG/Figure+5.+Screen+Shot+Victoria+Plaza.jpg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 5. Victoria Plaza, San Antonio, the first public housing facility in the United States designed to accommodate low-income older adults, 1960. Photograph courtesy of Google, April 2011 Street View image. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1595152726958-K0V90NTTYU0EQ1VTGSAC/Figure+6.+The+Best+is+Yet+to+Be_American+Jewish+Historical+Society.jpg Home - Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space Figure 6. Cover of the Home for Aged and Infirm Hebrews’, Ninetieth Annual Report, 1960-1961. © The American Jewish Historical Society. https://www.platformspace.net/home/walking-the-field-in-milwaukee monthly 0.5 2020-11-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398180552-CEGVCF0TAV0WNLX90JNV/Fig1.jpg Home - Walking the Field in Milwaukee Figure 1. A “Racial Dot Map” based on census data from 2010 shows a segregated city. © 2013, Weldon Cooper Center for Public Service, Rector and Visitors of the University of Virginia (Dustin A. Cable, creator). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398298811-KNZLQ6OW1K8RO7S59IVU/Fig2.jpg Home - Walking the Field in Milwaukee Figure 2. Image of a walk led by Tremerell Robinson. May 12, 2018. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398463992-PCAQY4OPS7OJTA2337P0/Fig3.jpg Home - Walking the Field in Milwaukee Figure 3. Annotated image of 38th Street between Wright Street and Clark Street. Image adapted from Google Maps. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398533714-YMDL0611SOTOTE6JE9J9/Fig4.jpg Home - Walking the Field in Milwaukee Figure 4. BLC Field School students interview community residents in the basement of the Greater Mount Zion Missionary Baptist Church, Fall 2019. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398617056-YXA58NP4PT5OO1ZCNY0P/Fig5.jpg Home - Walking the Field in Milwaukee Figure 5. BLC Field School students help community members erect a painting made by a local artist on a pocket park. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398807914-JABE736S4GGI7HNBE5PB/Fig6.jpg Home - Walking the Field in Milwaukee Figure 6. Community members play with a kit of parts designed by Taryn Singh to explain how residents can adapt a mixed-use duplex building to suit their needs. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594398924287-M4HIX8FNCBHP6IU3SGJ3/Fig7.jpg Home - Walking the Field in Milwaukee Figure 7. Buildings tell us stories too. BLC Field School students documenting homes in Sherman Park, Milwaukee. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594406906287-6UBOB8KRO0A043SSJC9W/Fig8.jpg Home - Walking the Field in Milwaukee Figure 8: Zine page 1 describes the Center Peace story project. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594406942540-9176VQLG9QDNXLDG7U5Q/Fig9.jpg Home - Walking the Field in Milwaukee Figure 9: Zine page 2; axonometric image of N 38th Street between W. Meinecke Avenue and W. Clarke Avenue showing human and material assets. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594406925928-RW8PV0BM7AHIQ95PVFOJ/Fig10.jpg Home - Walking the Field in Milwaukee Figure 10: Zine page 3 highlights leaders who live on this street. © BLC Field School. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594406942896-28MUIOU80OVKQ86KCKTZ/Fig11.jpg Home - Walking the Field in Milwaukee Figure 11: Zine page 4 shows community assets including buildings, commons spaces, and vacant homes located on this street. © BLC Field School. https://www.platformspace.net/home/architectural-humanities-in-the-time-of-pandemic-and-revolt monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594511816824-VW87JQ5O449WWC0EGF4C/Figure1_Allen_visit.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 1: Students in The Unruly City seminar debating the regulation of public space while visiting Lafayette Square in St. Louis, Missouri. March 2020. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594543993150-7ZH9QBPJHV8MQEXUX37I/Figure+2+Allen+-+Humanities+%281%29+%281%29.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 2. Student work by Sebastian Jin, produced for The Unruly City, spring 2020. Part of Jin’s work explored the perception of mask-wearing as a symbol of China in the United States. Courtesy of Sebastian Jin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594544081548-1AC7GG14E86XK1BNR1ZG/Figure+3+Allen+-+Humanities+%281%29.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 3. Student work by Zachary Hantak, produced for The Unruly City, spring 2020. Hantak’s project in part addressed the hoarding of consumer goods. Courtesy of Zachary Hantak. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594585423853-FP5BLOUPY9VY9F5NK5GY/COVID+Poster+3.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 4. Student work by Kia Saint-Louis, produced for The Unruly City, spring 2020. Saint-Louis produced a series of posters examining the Black experience of COVID-19, from wearing masks to ensuring the tolerated white protests of stay-at-home advisories and orders. Courtesy of Kia Saint-Louis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594545665230-AEC1QJLFIXJX80URAIF6/Figure+5+Allen+-+Humanities.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 5. Student work by Kristie Houghton, produced for The Unruly City, spring 2020. Houghton examined how disparate upbringings in the U.S. leads to divided responses to the totems of urban order, including police cars. Courtesy of Kristie Houghton. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1594545785912-ZFW8J5C3CTMGA98Z390W/Figure+6+Allen+-+Humanities+%281%29.jpg Home - Architectural Humanities in the Time of Pandemic and Revolt Figure 6. Student work by Congwei Cao, produced for The Unruly City, spring 2020. Students designed political posters that could be posted in urban public spaces (a form of COVID-19 “assembly”). Cao researched the post-2008 subprime mortgage crisis, and created work that also addressed the present political crisis. Courtesy of Congwei Cao. https://www.platformspace.net/home/on-boats-and-brokenness monthly 0.5 2020-07-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791382007-U83HXVYCLYX3H9UJLGFB/Rich_Fig1.jpg Home - On Boats and Brokenness Figure 1. Site of boatwreck, Conway, South Carolina, 2020. Photograph by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791672665-ZSDEH544BZBMWTV0O4MI/Rich_Fig2.jpg Home - On Boats and Brokenness Figure 2. Boatwreck site and salvage crew, Conway, South Carolina, 2020. Photograph by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791734639-OA226ZXU4UKAQ14JYY5J/Rich_Fig3.jpg Home - On Boats and Brokenness Figure 3. Salvaged artifacts, Conway, South Carolina, 2020. Photograph by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791792821-GBNIQ1UNFOVMR5AG1XDC/Rich_Fig4.jpg Home - On Boats and Brokenness Figure 4. Watercraft registration number and sheathing at the bow, Conway, South Carolina, 2020. Photograph by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791855716-ZPXLLHTAP9G72VTGUGZQ/Rich_Fig5.jpg Home - On Boats and Brokenness Figure 5. Timber and plate with construction information, Conway, South Carolina, 2020. Photograph by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791927729-KZ7IFZDB87VW14DRX4TS/Rich_Fig6.png Home - On Boats and Brokenness Figure 6. Screenshot of website with manufacturer information. Image by Sara Rich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593791992679-A3HOHXKF559KUE6033JY/Rich_Fig7.jpg Home - On Boats and Brokenness Figure 7. Galloway, sculpture composed of select timber and sheathing elements from the canoe, Conway, South Carolina, 2020. Sculpture and photograph by Sara Rich. https://www.platformspace.net/home/radburn-rackets-robert-d-kohn-and-marjorie-sewell-cautleys-sketches-against-the-speculative-suburb-ht5p8 monthly 0.5 2020-07-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620474873-46WSTFRIL4CV0I9BUEKK/Ekman_FIG1.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 1. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620473870-T0U4XA7DMJDNVGRT47S8/Ekman_FIG2.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 2. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620484300-NWUAGLFEK78ZN4PALEY6/Ekman_FIG3.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 3. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620484419-OTWLP68QXWQMQTJQL2JD/Ekman_FIG4.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 4. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620494113-SKX8TTTE7SHCWHTE0D4Y/Ekman_FIG5.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 5. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620494981-H39YVPD8EZJ588CBXZ2N/Ekman_FIG6.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 6. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620504282-GDTR8FA3AFKFLFTOFX5E/Ekman_FIG7.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 7. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620504114-3ENLN1WBD3LY414CV3DV/Ekman_FIG8.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 8. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620513612-CN8JZ8Q8ATTL4RXG1K0N/Ekman_FIG9.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 9. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620515195-NS2BC0PH2XY6XQY0LJBE/Ekman_FIG10.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 10. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620522473-A61OGXUQF5RN7WJZDIN8/Ekman_FIG11.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 11. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620524255-55YQX6NFWQHWIP8CA7K7/Ekman_FIG12.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 12. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620531299-CVIZH4PL7HS3UXULM7XB/Ekman_FIG13.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 13. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593620532456-XOEVCZG0K55VHSOXOTGF/Ekman_FIG14.jpeg Home - “Radburn Rackets”: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb Figure 14. Robert D. Kohn, “Radburn Rackets: The Perils of a Town Plan” (1929), Box 6, Folder 8, Marjorie Sewell Cautley papers, #4908, Division of Rare and Manuscript Collections, Cornell University Library. https://www.platformspace.net/home/unwanted-proximities-with-infrastructure-antenna-trees-overhead-tanks-and-slums monthly 0.5 2020-06-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593297553397-RHH0RHC06Y8OFKHOBUDE/Figure+2.jpg Home - (Un)wanted Proximities with Infrastructure: Antenna Trees, Overhead Tanks, and Slums Figure 1. Camouflaged cell antenna in New York City. Photograph by Rahul Mukherjee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593297597945-M23W509IW4BKO661SEMO/Figure+3_+Cell+antenna+cluster+atop+Hotel+Supreme+%28Cuffe+Parade%2C+Mumbai%29+%281%29.jpg Home - (Un)wanted Proximities with Infrastructure: Antenna Trees, Overhead Tanks, and Slums Figure 2. Cell antennas atop Hotel Supreme, Mumbai. Photograph by Rahul Mukherjee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1593297897302-8B4OKYJIMWZCVZW84SP3/Mukherjee_Fig+3.JPG Home - (Un)wanted Proximities with Infrastructure: Antenna Trees, Overhead Tanks, and Slums Figure 3. Cell antenna and mobile banking ad, Mumbai. Photograph by Rahul Mukherjee. https://www.platformspace.net/home/editorial-power-to-witness monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592706861345-925KDZJDWZPDFU9536W1/Fig+1_Uganda%2C+Kampala%2C+Social+distance+during+COVID-19%2C+Kalerwe+Market%2C+in+the+suburbs%2C+May+20+2020%2C+Yasin+Nsubuga+ILO+%3A+RUDMEC%2C+Flickr.jpg Home - Power to Witness Figure 1. Social Distancing during COVID-19, Kalerwe Market, Kampala, Uganda, May 20, 2020. Photograph by Yasin Nsubuga, ILO / RUDMEC, courtesy Flickr, under Creative Commons license CC BY-NC-ND 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592706922677-3NOMACNZZSYYNK873PRF/Fig+2_Protest+at+White+House%2C+June+14+2020%2C+Ted+Eytan%2C+Flickr.jpg Home - Power to Witness Figure 2. Protest at White House, Washington, D.C., June 14, 2020. Photograph by Ted Eytan, courtesy Flickr, under Creative Commons license CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592706971762-T7CIM4DW4Q4ZFFEOZSQV/Fig+3+Boarded+Shopfront+after+Looting%2C+Waukegan+Township%2C+Illinois%2C+June+3+2020%2C+*Hajee%2C+Flickr.jpg Home - Power to Witness Figure 3. “Looted stores.” Boarded shopfronts after looting, Waukegan Township, Illinois, June 3, 2020. Photograph by *Hajee, courtesy Flickr, under Creative Commons license CC BY-NC-ND 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592707075314-FQ0MZ9GSSCIHM9V9DLCC/Fig+4+Sign%2C+Can%27t+Have+Capitalism+Without+Racism%2C+London%2C+June+6+2020%2C+Socialist+Appeal%2C+Flickr.jpg Home - Power to Witness Figure 4. “You can’t have capitalism without racism,” London, UK, June 6, 2020. Photograph courtesy “Socialist Appeal,” via Flickr, under Creative Commons license CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592707173940-VT0ESZC58FBYTTBLQK6C/Fig+5+Boarded+Shopfronts%2C+Washington+DC%2C+June+6+2020%2C+Ted+Eytan%2C+Flickr.jpg Home - Power to Witness Figure 5. Boarded shopfronts, Washington, D.C., June 6 2020. Photograph by Ted Eytan, courtesy Flickr, under Creative Commons license CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592707238798-6UQ027SY73YD9FNOIU0K/Fig+6+BLM+Plaza%2C+Washington+DC%2C+June+12+2020%2C+Ted+Eytan%2C+Flickr.jpg Home - Power to Witness Figure 6. Black Lives Matter Plaza, Washington D.C., June 12, 2020. Photograph by Ted Eytan, courtesy Flickr, under Creative Commons license CC BY-SA 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592707281790-TSTCLJY3DAX4UI52EH1H/Fig+7+Edward_Colston_-_empty_pedestal.jpg Home - Power to Witness Figure 7. “The empty pedestal of the statue of Edward Colston in Bristol, the day after protesters felled the statue and rolled it into the harbour. The ground is covered with Black Lives Matter placards,” June 7, 2020. Photograph by Caitlin Hobbs. Source: Wikipedia Commons, under Creative Commons license CC BY 3.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592707336698-ZSULJFAIB8Z995K721DY/Fig+8_Minneapolis_Schalliol.jpg Home - Power to Witness Figure 8. Sign placed on storefront, Hennepin Ave S., Minneapolis. Photograph by David Schalliol, June 2020. Reproduced with permission. https://www.platformspace.net/home/institutional-model-a-modest-proposal monthly 0.5 2020-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592125426470-17QTTY6ADW062EQH6M8Z/Stabler_FIG1.jpg Home - Institutional Model: A Modest Proposal Figure 1. Karrie Higgins, Photograph from Parallel Stress: The Beginning is Also The End, 2016. Photo by photographer Alan Murdock, Reproduced with permission of Karrie Higgins. Image Description: The artist who is young, pale-skinned, and femme-presenting, with dyed-pink hair lies at the bottom of steep, concrete stairs as though she has fallen backward. Her feet are partially on the stairs, and her body is twisted. In her right hand, she grips a NASCAR racing flag; in her left hand, an empty prescription bottle. Her red walking cane appears to have fallen down the stairs with her. She is wearing a skirt printed with her brother's police booking photograph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592125514607-PO7SMIUAIL84QV399IZL/Stabler_FIG2.jpg Home - Institutional Model: A Modest Proposal Figure 2. Shannon Finnegan, Anti-Stairs Club Lounge at the Vessel, 2019. Photo by Maria Baranova, Reproduced with permission of Shannon Finnegan. Image Description: An outdoor gathering of fifty disabled and non-disabled people to protest Vessel at Hudson Yards in New York City. Vessel is a building-sized, basket-like structure made of 154 interconnected stairways created by designer Thomas Heatherwick. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592125596544-8ODXVW7UABDR26ZKHBSK/Stabler_FIG3.jpg Home - Institutional Model: A Modest Proposal Figure 3. Park McArthur, Ramps, 2010-2014, 20 access ramps from various art institutions, 5 aluminum signs, vinyl wall text, Dimensions variable. Courtesy the artist and Essex Street / Maxwell Graham, New York. Image Description: Inside of a room with bright fluorescent lighting and white walls a loose grid of seventeen portable ramps cover the majority of the room's black concrete floor. All of the ramps lie flat on the ground except for one which leans against a wall. On the wall opposite, two parking signs hang high on the wall's top edge. The signs are blue and carry no lettering or textual information. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592242602823-OJWU9HWM61SHQKVO3B7F/Christopher+Samuels++Art+B%26B+Images+Claire+Griffiths+%2817%29.jpg Home - Institutional Model: A Modest Proposal Figure 4. Christopher Samuel, Welcome Inn, 2019. Photo by Claire-Griffiths, Reproduced with permission of Christopher Samuel. Image Description: Inside of a hotel room, in which there is a bed with high raised sides, a very low-hanging lamp, narrow shelving, and other features that make it difficult for able-bodied people to navigate. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1592125701886-QOCXS8WMH56JNLMX1SL7/Stabler_FIG5.jpg Home - Institutional Model: A Modest Proposal Figure 5. Christopher Samuel, Housing Crisis 6, 2018. Reproduced with permission of Christopher Samuel. Image Description: An image of a heavily redacted email, with white text on black background. The topic of the email deals with an eviction of a person with chronic illness. https://www.platformspace.net/home/a-new-streetscape-for-george-floyd monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591489836281-DOUZ5BTYB9UE3ULYMEWD/Schalliol_01.jpg Home - A New Streetscape for George Floyd Figure 1. 2411 Hennepin Ave S. on May 28, May 29, and June 5, 2020. Artists Jose Dominguez, Andres Guzman, and Truely. Photographs by David Schalliol. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591489913271-TZ8WID8ZPIYYEA2NSG96/Schalliol_02.jpg Home - A New Streetscape for George Floyd Figure 2. 2411 Hennepin Ave S. Artists Jose Dominguez, Andres Guzman, and Truely. Photograph by David Schalliol, May 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591489969248-I8LGXAAI6S0BG2ZCEIE4/Schalliol_03.jpg Home - A New Streetscape for George Floyd Figure 3. 2741 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490016388-ZC00YTPQU536407U7GVF/Schalliol_04.jpg Home - A New Streetscape for George Floyd Figure 4. 2319 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490065442-QPYQOMPENBDP248OBK9X/Schalliol_05.jpg Home - A New Streetscape for George Floyd Figure 5. 2815 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490111241-5UO503BPQOR506AI3DSP/Schalliol_06.jpg Home - A New Streetscape for George Floyd Figure 6. 2819 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591627833334-81CC15OPJ3CFH8FDNLR7/Schalliol_07.jpg Home - A New Streetscape for George Floyd Figure 7. Hennepin Ave S, various addresses. Artists unknown. Photographs by David Schalliol, May and June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490201396-V3F0R6EXS5GZSEL2TV4C/Schalliol_08.jpg Home - A New Streetscape for George Floyd Figure 8. 2232 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490240848-NQWWDP647DX67R4NYQU7/Schalliol_09.jpg Home - A New Streetscape for George Floyd Figure 9. 2404 Hennepin Ave S. Artists Antz Creationz, Josh Browne, and Antione Jenkins. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490296070-JRAGK59JY89HAGTQQY46/Schalliol_10.jpg Home - A New Streetscape for George Floyd Figure 10. 2405 Hennepin Ave S. Artist BrieAnna Lindquist. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490398862-950R2B9NIT3SJM52FZ3X/Schalliol_11.jpg Home - A New Streetscape for George Floyd Figure 11. 2945 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490440414-3EMCDAV5DB2MDGW8K9LS/Schalliol_12.jpg Home - A New Streetscape for George Floyd Figure 12. 3001 Hennepin Ave S. Artists students of PiM Arts High School. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490476140-QTPFT6V2D5Y7WTUYZ691/Schalliol_13.jpg Home - A New Streetscape for George Floyd Figure 13. 2880 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490523310-ZJF3C8ZSJUWTWAZ8RUWS/Schalliol_14.jpg Home - A New Streetscape for George Floyd Figure 14. 2323 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1591490560123-Q7UR3I8XXK8Y72AGE0DF/Schalliol_15.jpg Home - A New Streetscape for George Floyd Figure 15. 2880 Hennepin Ave S. Artist(s) unknown. Photograph by David Schalliol, June 2020. https://www.platformspace.net/home/carrying-weight-rwandan-genocide-memorials-part-2 monthly 0.5 2020-06-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590797365529-40GWUV1C3IZKSMGL3NPU/Mason+figure+8.png Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 8. Site plan, Nyamata Genocide Memorial, Nyamata, Rwanda, 2018. Drawn by PennPraxis. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590797549603-8A5CK5J5X4BCNB48KP8Y/Mason+figure+9.png Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 9. Aerial photograph, Nyamata, Rwanda, 2020. Google Earth. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590799547194-SIL5DG1UHTEUF059WC4Z/Mason+figure+10.JPG Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 10. Road sign, Nyamata Genocide Memorial, Nyamata, Rwanda, 2016. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590799639605-5QUW9FGZ15P155I2EZVE/Mason+figure+11.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 11. Architecture journal spread showing a plan and section of Bernard Jobin’s Nyamata Church. From Architecture Suisse 54 (November 1982): 54.1-54.4. Reproduced with permission, copyright Ed. Anthony Krafft/Pully—Switzerland: www.architecturesuisse.ch. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590799099436-WJVMXHGHGA0L80COBB4C/Mason+figure+12.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 12. Damage to original metal gate; new gate (in white), Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590798203962-82AQ11BB7LDBI86QRVLN/Mason+figure+13.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 13. Altar, with cloth and object collection, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590802019783-YHSPP60T6RV7WP22H6PO/Mason+figure+14.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 14. Virgin Mary statue, ceiling with bullet-holes, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590799842284-48KYANR77MC2W7ZLJJLP/Mason+figure+15+copy.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 15. Textile collection displayed on pews, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590799952334-KJPU38T0JSGW4C5LCR6I/Mason+figure+16.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 16. Tabernacle, at the base of the tower, partly obscured by pile of textiles, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590800051676-XXKKIOKAYIQV5YYN5YX5/Mason+figure+17.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 17. Platform for textile collection display (newly excavated, unprocessed textiles in white sacks), daychapel, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590800132406-HPO2N0M8THUNBDFIGGGW/Mason+figure+18.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 18. Conservation storage for passive drying of textiles, sacristy, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Martin Muhoza. Reproduced with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590800694121-QP8AMK59PIY3KEKJ598I/Mason+figure+19.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 19. View across the Nyamata sanctuary (note the slot of light between wall top and roof assembly, the architect’s reference to Le Corbusier’s Ronchamp chapel), Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590800460643-NDDXPDOALXR0C1BFA5F3/Mason+figure+20.JPG Home - Carrying Weight: Rwandan Genocide Memorials (Part 2) Figure 20. View across the valley of the Akanyaru River, from the site of a local memorial, looking down into the marshes used as refuge during the 1994 genocide, near Ntarama, Rwanda, 2019. Photograph by Randall Mason. https://www.platformspace.net/home/carrying-weight-rwandan-genocide-memorials monthly 0.5 2020-06-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197175614-6EI0BERIR8RA9XMJIII4/Mason+figure+1.JPG Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 1. Façade of Nyamata Genocide Memorial, Nyamata, Rwanda, 2016. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197506007-P3VW0AP67G4WBTR3ZO3L/Mason+figure+2sm.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 2. Interior, looking from altar to daychapel, Nyamata Genocide Memorial, Nyamata, Rwanda, 2019. Photograph by Kaitlyn Levesque. Use courtesy of PennPraxis. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197780499-RWDJW0A8D5WEJXG2XX8W/Mason+figure+3.JPG Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 3. Murambi Genocide Memorial, Rwanda, 2019. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197851018-MM695DL525QHGHSJXGO1/Mason+figure+4.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 4. Bisesero Genocide Memorial, Rwanda, 2018. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197906329-H5RGET8V1QC87O5427I4/Mason+figure+5.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 5. Entry courtyard of Nyarubuye Genocide Memorial, Rwanda, 2018. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197956769-E8WW2WIX8GHI19STNU23/Mason+figure+6.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 6. Display of collections, Nyarubuye Genocide Memorial, Rwanda, 2018. Photograph by Randall Mason. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590197997550-OU6JJZP0WM54R539KBR7/Mason+figure+7.jpg Home - Carrying Weight: Rwandan Genocide Memorials (Part 1) Figure 7. Display of collections, Nyarubuye Genocide Memorial, Rwanda, 2018. Photograph by Randall Mason. https://www.platformspace.net/home/breathing-room-k3pdn monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661442221-LJZOP8KBAWVI49TNTM39/Figure+1.+Window+facing+south.Photograh+by+Maria+Rubert.jpg Home - Breathing Room Figure 1. Window facing south, Barcelona, 2020. Photograph by Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661443717-8NF32WIPELAK7OCJA3H0/Figure+2.+Skyline+from+Villarroel+roof.+Photograph+by+Maria+Rubert.jpg Home - Breathing Room Figure 2. Skyline from Villarroel roof. Barcelona, 2020. Photograph by Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661474315-UGWS17ESDHLAL5JUTLFD/Figure+3.+Street+crossing+Villarroel-Buenos+Aires.+Photograph+by+Maria+Rubert.jpg Home - Breathing Room Figure 3. Street crossing Villarroel-Buenos Aires, Barcelona, 2020. Photograph by Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661468503-2LXVG4LYCDSK2O0DIE8O/Figure+4.+Robadors+DAY.+Photograph+by+Alex+Gim%C3%A9nez.jpg Home - Breathing Room Figure 4. Robadors Day, Barcelona, 2020. Photograph by Alex Giménez. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661476181-FVHLOF3AAX8MVAV0TXMN/Figure+5.+Robadors+NOON.+Photograph+by+Alex+Giumenez.jpeg Home - Breathing Room Figure 5. Robadors Noon. Barcelona, 2020. Photograph by Alex Giménez. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661508810-GCY0WVDJIKGH1PYI8V1W/Figure+6.++Rambla+del+Raval+Day.+Photograph+by+Alex+Gimenez.jpg Home - Breathing Room Figure 6. Rambla del Raval, day, Barcelona, 2020. Photograph by Alex Giménez. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661496082-C95DFJCL8MRQUB4V8XAF/Figure+7.+Rambla+Raval+NOON.+P+hotograph+by+Alex+Gim%C3%A9nez.jpg Home - Breathing Room Figure 7. Rambla Raval, at noon. Barcelona, 2020. Photograph by Alex Giménez. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661498743-XEX97DJEKEIB01TGON12/Figure+8.+Tallers+Photograph+by+Magda+Suriol.jpg Home - Breathing Room Figure 8. Tallers, Barcelona, 2020. Photograph by Magda Suriol. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661513209-LHLFLF7IK3HZMWD2YN40/Figure+9.+Courtayard+with+Guim+and+Odile.Photograph+by+Maria+Rubert.jpg Home - Breathing Room Figure 9. Courtyard with Guim and Odile, Barcelona, 2020. Photograph by Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661527155-26TCA16BOB4W3B3FNS6X/Figure+10.+The+building+across.+Photograoh+by+Maria+Rubert+.jpg Home - Breathing Room Figure 10. The building across, Barcelona, 2020. Photograph by Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661551617-1GU37AYH41WKBHUZAP0H/Figure+11.+La+Rambla+Photograph+by+Magda+Suriol+.jpg Home - Breathing Room Figure 11. La Rambla, Barcelona, 2020. Photograph by Magda Suriol. Used with permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1589661566072-L1288X41VZO5N6S8I1NG/Figure+12.+A+window+to+Diagonal.+Photograph+by+Maria+Rubert.jpg Home - Breathing Room Figure 12. A window to Diagonal, Barcelona, 2020. Photograph by Maria Rubert. https://www.platformspace.net/home/circuit-breakers-migrant-workers-and-the-covid-19-crisis monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588919194316-CRRD86RKNJ5FCNDUA89F/Ferng-Figure+1.jpg Home - Circuit Breakers: Migrant Workers and the COVID-19 Crisis Workers’ uniforms hung on the external fence of Tuas View dormitory in Jurong Island, Singapore, August 2019. Photo by author. https://www.platformspace.net/home/what-pictures-of-people-reveal-about-historical-streetscapes-and-soundscapes monthly 0.5 2020-05-04 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588429452625-R4LLE13MM2ZEUIKTM8JM/Ladd-Fig+1.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 1. Jan and Caspar Luiken, The Brushmaker, 1694. New York Public Library, The Miriam and Ira D. Wallach Division of Art, Prints and Photographs. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588429830384-T1VA5TMWZ42VERBFUFX7/Ladd-Fig+2+%281%29.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 2. Street Cries. Printed by van der Haeghen, Ghent, c. 1860. Rijksmuseum/Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588429895041-VAXI0PPXZI9QEB0G70UP/Ladd-Fig+3.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 3. Marcellus Laroon, “Buy my fat chickens,” c. 1700. Yale Center for British Art, Paul Mellon Collection/Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588429975459-N3HDY3HZICBNU7SU1T4B/Ladd-Fig+4.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 4. William Hogarth, The Enraged Musician. Engraving, 1741. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588430032084-E9XDK3VFFM8C3QFYSG8D/Ladd-Fig+5.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 5. Thomas Hosmer Shepherd, Part of East Side, Regent Street, 1828. Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588430113902-9RGRR5X414BO21CTQOZR/Ladd-Fig+6.jpg Home - What Pictures of People Reveal About Historical Streetscapes and Soundscapes Figure 6. John Orlando Parry, A London Street Scene, 1835. Wikimedia Commons. https://www.platformspace.net/home/the-art-of-plague-and-panic-marseille-1720 monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880642099-68NO0S243FMAN9M0M0FB/Martin+and+Weiss+1.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 1. Michel Serre, View of the Hôtel de Ville of Marseille during the Plague of 1720, c. 1721. Oil on canvas, 3.06 x 2.77 meters. Marseille, Musée des Beaux-Arts, BA 52. Photograph: RMN/Art Resource, NY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880624366-DNEYEV9T98Z9FL4ETM9G/Martin+and+Weiss+2.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 2. Michel Serre, View of the Cours during the Plague of 1720, c. 1721. Oil on canvas, 3.17 x 4.4 meters. Marseille, Musée des Beaux-Arts, BA 53. Photograph: RMN/Art Resource, NY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880604926-MGTLT3SZUQRFCMO584DW/Martin+and+Weiss+3.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 3. Michel Serre, View of the Hôtel de Ville of Marseille during the Plague of 1720, detail of galley slave with dark skin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880581509-H0O9UXR5KSC5RBA4ME2D/Martin+and+Weiss+4.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 4. Michel Serre, View of the Cours during the Plague of 1720, detail of galley slave with distinctive hair tuft associated with Muslim rowers. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880558773-N3QLMW43S0FXC64FOEEC/Martin+and+Weiss+5.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 5. Anonymous, The Tower of Babel of the Confused Stockholders, from the Dutch series Het groote Tafereel der dwaasheid (“The Great Mirror of Folly”), 1720. In this satirical print, John Law sells “bad shares” in the form of poisonous hotcakes to investors, who fall sick after eating them and either collapse or defecate on the ground. To the left, a ruined share trader dives headfirst from a building, while in the background a darkened Tower of Babel underscores the sense of chaos. Etching and engraving, 35.4 x 40 cm. Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1586880534683-1P1CGPY0FZWFAHK1LHEB/Martin+and+Weiss+6.jpg Home - The Art of Plague and Panic: Marseille, 1720 Figure 6. Michel Serre, View of the Cours during the Plague of 1720, detail of Marseille’s bishop comforting the dead and dying. https://www.platformspace.net/home/whos-new-to-social-distancing monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587310491372-24GMU8XSRJD5YTP01ELS/LEGG_FIG1+SOC+DIST2+xz.jpg Home - Who’s New to Social Distancing? Figure 1. Social Distancing. World Health Organization, March 2020. https://www.thera.co.uk/content/uploads/2020/03/Social-Distancing.pdf https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587150963155-JD7MHP2RJKGWX1NO12QY/LEGG_FIG2.+NDODMAP+CORDON.jpg Home - Who’s New to Social Distancing? Figure 2. The glacis border between New and Old Delhi. Source: Stephen Legg, Spaces of Colonialism: Delhi's Urban Governmentalities (Oxford: Blackwell, 2007). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587243067635-WH6FV2U33ZVFUHHB7QCI/LEGG_FIG3.+RANG+cropped.jpg Home - Who’s New to Social Distancing? Figure 3 The Rangoon Police Act (1902) exclusion zone for brothels, with three zones where the law did not apply. Copyright: Stephen Legg. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587148635116-0WRTVN46IGQC8OVU31U3/LEGG_FIG4.+GBROAD.jpg Home - Who’s New to Social Distancing? Figure 4. The various sites which were suggested for the location of prostitutes in interwar Delhi. Copyright: Stephen Legg. https://www.platformspace.net/home/storefront-archives-looking-back-with-justo-mart monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059236383-6NLTIYQQ6JBFD1DSNMZB/Regalado%2C+fig+1.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 1. Justo A. Martí, “Anna’s Grocery,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059235064-1TF7WENZ8PEOCY1JLFPZ/Regalado%2C+fig+2.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 2. Justo A. Martí, “La Adjunteña,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059247645-CSW26IKKYLPBY3NWSOJK/Regalado%2C+fig+3.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 3. Justo A. Martí, “Exterior of La Flor Borinquen,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059253145-V042IYX4PESJNCM5EI3E/Regalado%2C+fig+4.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 4. Justo A. Martí, “Sandoval Food Center,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059265717-5PN5A7AV2HIYUWERPHBL/Regalado%2C+fig+5.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 5. Justo A. Martí, “Spanish American Food Market,” New York, N.Y., n.d . Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059263005-R0UN5YXSEFRLBBIZ2QJJ/Regalado%2C+fig+6.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 6. Justo A. Martí, “La Victoria,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059274039-4Q1MSEQGLSME5ZCHINDA/Regalado%2C+fig+7.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 7. Justo A. Martí, “The United Nations /Las Naciones Unidas,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059280690-YI5F7ICUVGALRHYFMH23/Regalado%2C+fig+8.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 8. Justo A. Martí, “La Milagrosa,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059287236-CKY46AZN3WEYVTYM3HEY/Regalado%2C+fig+9.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 9. Justo A. Martí, “Brooklyn PRMA members,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059290504-T1I3T6VH7T72LVRQPTOZ/Regalado%2C+fig+10.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 10. Justo A. Martí, “Inside Flor de Borinquen,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059301879-68F9Z5H6IEE6ETW8RUP6/Regalado%2C+fig+11.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 11. Justo A. Martí, “Family of bodegueros (bodega owners),” New York, N.Y., 1967. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059300703-E4H86QT1J4N1TBO4BXIG/Regalado%2C+fig+12.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 12. Justo A. Martí, “Inside bodega,” New York, N.Y., 1973. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059317485-II57TIY5UU4K5SAE97NV/Regalado%2C+fig+13.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 13. Justo A. Martí, “PRMA member at his shop,” Brooklyn, N.Y., 1959. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059312724-IWDBP9CJ8HE5F48G0DUW/Regalado%2C+fig+14.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 14. Justo A. Martí, “Bodega owners standing by bread and cold cuts,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059325000-EDUGZXS4W1GVW87NMLBX/Regalado%2C+fig+15.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 15. Justo A. Martí, “PRMA members showcasing product,” New York, N.Y., 1963. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059327724-IMQN4A1MRPN7OJJ2F901/Regalado%2C+fig+16.jpg Home - Storefront Archives: Looking Back with Justo Martí Figure 16. Justo A. Martí, “Bodega clerk at work,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://www.platformspace.net/home/dwelling-in-times-of-quarantine monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585928115148-BPN269U6WSDR3IYJ8MW4/Fig+1.jpeg Home - Dwelling in Times of Quarantine Figure 1. The route via the autostrada from Milan to Viareggio. The area just before the town of Piacenza was where the first outbreaks of COVID-19 were reported. Courtesy Google, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585928366210-PCHOLYB0HKH6CK5E8755/Fig+2.jpg Home - Dwelling in Times of Quarantine Figure 2. Min and L during the Carnival celebrations along the street parallel to the Passaggiata. The float in the background is titled “Home sweet home” dedicated to Greta Thunberg and designed and built by the Lebigre and Roger. We were all unaware of what would occur just a few days later. L’s face has been obscured from all the photos. Photograph by Andrea Borghini, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585928550356-YK20LOJTV2GLGFMOGH9B/Fig+3+Crop.jpeg Home - Dwelling in Times of Quarantine Figure 3. The Passaggiata during Carnival with the crowds of spectators and participants. The large float in the background is titled “Ole” by Carlo Lombardi. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585930240853-SDFDKMJJQ30YF7JD7R89/Fig+15.jpg Home - Dwelling in Times of Quarantine Figure 4. Map of Viareggio. Courtesy Orange Smile. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585928876271-W6XTHJ8I28JKJ7AH6JYA/Fig+4+Crop.jpeg Home - Dwelling in Times of Quarantine Figure 5. The same street along the Passaggiata after the national lockdown. This and all of following pictures were taken after the lockdown. They are rushed photographs taken on the way to buy groceries because it was illegal to go outside simply to take pictures. We might have been stopped by the police patrols and given a fine for leaving the house for any other reason. Photography by Andrea Borghini, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929006405-QVWB4D9MIOOMJUWD13RB/Fig+5+Crop.jpeg Home - Dwelling in Times of Quarantine Figure 6. Alone on the beach at Piazza Mazzini, the town’s main square. Taken just before the final lockdown. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929092009-7P9XVR8TM4X7O8FN08ZU/Fig+6.jpg Home - Dwelling in Times of Quarantine Figure 7. The closed Pineta, the town’s public park. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929139685-B8P8NIQKIQVZ55FALRB0/Fig+7.jpg Home - Dwelling in Times of Quarantine Figure 8. The empty soccer field and tennis courts in the Pineta. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929183301-K80G8IGCNNWKKNYDALT2/Fig+8+Crop.jpeg Home - Dwelling in Times of Quarantine Figure 9. An empty street and closed shops on the edge of the town’s central market. Photograph by Andrea Borghini, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929460172-D6I2Z24OXFD5SXXUQQZ4/Fig+9+Crop.jpeg Home - Dwelling in Times of Quarantine Figure 10. The balcony of our house. Andrea teaching online. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929270125-Z4T9HGVMIU9IH5533W7Q/Fig+10.jpg Home - Dwelling in Times of Quarantine Figure 11. The interior courtyard of our house, taken over by L’s toys. Luckily, we had an outdoor space where he could play. Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929522378-FP13N8900VCZ2ABJYNB9/Fig+11.jpg Home - Dwelling in Times of Quarantine Figure 12. Banners with rainbows drawn by children hung from balconies and windows with the words, “Andrà tutto bene.” (Everything will be okay.) Photograph by Min Kyung Lee, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929568522-RC71PUUNUUGSKN7B2RQL/Fig+12.jpg Home - Dwelling in Times of Quarantine Figure 13. A homemade sign strung across our residential street that reads, “Ce La Faremo Stiamo a Casa.” (We will get through this. Stay at home.) Photography by XXX, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585929606985-QLTXJEC2ENNA48XLWD8T/Fig+13.jpg Home - Dwelling in Times of Quarantine Figure 14. Giovanni Francesco Brunetti, “Vero dissegno con le misure giuste del grande lazaretto di S. Gregorio di Milano come si trovava nel tempo della gran peste l’anno 1630” (true plan of the correct measures of the large lazzaretto of S. Gregorio of Milan as it was found during the time of the great plague in 1630). Courtesy wikicommons. https://www.platformspace.net/home/michael-sorkin-a-tribute monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1585662446072-V8MR8T8CGLS7DUYLII8A/IMG_8170.JPG Home - Michael Sorkin: A Tribute Michael Sorkin with graduate students, 2019. Courtesy Olgu Çalışkan. https://www.platformspace.net/home/a-street-in-bratislava-searching-for-a-post-communist-urbanity-1 monthly 0.5 2021-06-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997329570-U0Y117H4ZKGV7YJH825S/FIG1.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 1. Maximilian's Fountain in Staré Mestro (Old Town), the medieval core and main tourist zone of Bratislava. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997332641-L5JTJHQSH7BCYZOXD2VH/FIG2.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 2. Shoppers on Obchodná at midday. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997338961-71HL018WXMAHMYTRW8IY/FIG3.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 3. Art Gallery on Obchodná. Given its proximity to Vienna, Budapest, and Prague, Bratislava has long been at pains to retain young artists and writers with international ambitions. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997343878-JBLXHRNEVAGJVQ61YQ09/FIG4.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 4. Three of the street's oldest commercial buildings, pictured above, run along the north side, holdovers from the early nineteenth century when Obchodná was still a market road on the outskirts of Pressburg. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997357391-CH0OAU7KZVNBITKXW5VF/FIG5.jpg Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 5. Obchodná street in context, from an altitude of 3,729 meters. At lower left is the Danube landing (A), leading up to the Old Town (B). Obchodná (C) stretches from Michael's Gate on the left to Kollárovo Square on the right. The massive Slobody square opens up at the top of the image. Courtesy of Google Earth: location 48º09'69"N, 17º07'19"E; date 21 October 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997358931-W8NJM1CZJPXLQS4SPCI8/FIG6.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 6. The Vinohradnícky Dům building has served as a vineyard house for a succession of winery operations since the late 19th century, currently owned by the popular pub U Sedliaka. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997367501-GRIQIALQ1RHPALQT0EFA/FIG7.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 7. Bratislavans line up for kebabs off of Obchodná street. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997371489-K150WCYYV87Q6ENHI804/FIG8.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 8. Tram cars on Obchodná. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997377507-F1IT6MQ8XKAA8CYHWFN5/FIG9.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 9. Entrance to Royko Passage, with its restored sign. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997382502-TNUXTC424AX3P1FF0RB8/FIG10.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 10. Covered arcade off of Obchodná. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997391482-8I37PK43RN2IQ3G9K5AF/FIG11.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 11. Old School Retro, a small boutique in an open-air passage off of Obchodná. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997405312-0SFWN4VC0694R0174FZV/FIG12.jpg Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 12. Oblique view of Jedlikova Passage, with entrance (A) located along Obchodná. Drawing by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997405484-T64IKPF8PHXB0ALWUBAD/FIG13.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 13. Jedlikova Passage. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997421286-OHM1Q6HSQZTBEPTXYSZE/FIG14.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 14. Kollárovo Square, with travel agency in background at left. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997420628-IX77F815A3D0Q3IO8JLH/FIG15.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 15. Slobody Square. Photograph by Joseph Heathcott, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584997428993-WM79Q7AI45F0LJNHLUZ0/FIG16.JPG Home - A Street in Bratislava: Searching for a Post-Communist Urbanity Figure 16. The image of lively crowds in late 1940s Paris, used as an advertisement for a local delicatessen, contrasts sharply with the empty tables in this shopping center off Obchodná. Photograph by Joseph Heathcott, 2016. https://www.platformspace.net/home/back-to-school-the-enduring-appeal-of-dorm-life-in-the-united-states monthly 0.5 2020-03-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583361464528-VGXXEA3MEIM78EA0AZDL/Lasner+01.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 1. Peabody Square, Blackfriars Road, London, developed by the Peabody Trust, designed by architect Henry Astley Darbishire, 1871. Source: Illustrated London News, 1872. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363668191-TP7IPIUMQJFONIUKIHOK/Lasner+02.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 2. Promotional brochure for Riverside Buildings, Brooklyn, developed by Alexander Tredway White's Improved Dwellings Company, designed by architect William Field, 1891. Courtesy Frances Loeb Design Library, Harvard University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363699854-MAZEROYEHLONEQPTA1AJ/Lasner+03.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 3. "Corner of Garden" at Paul Laurence Dunbar Apartments, New York, developed by John D. Rockefeller, Jr., designed by architect Andrew Jackson Thomas, 1927, from original sales prospectus. Courtesy Frances Loeb Design Library, Harvard University. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363730914-I4IODWGEG3UONNY4JD58/Lasner+04.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 4. The honor roll at Paul Laurence Dunbar Apartments. Photograph by Matthew Gordon Lasner, 2010. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583361958519-W5YEI04FKEA7K5W82EV5/Lasner+05.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 5. Interior garden at Cambridge Court, Jackson Heights, New York, a partial perimeter block (note open end in distance) developed by Queensboro Corporation, designed by architect George H. Wells (following a general site plan created by Andrew Jackson Thomas) with landscape design by Olmsted Brothers, 1923. Photograph by Brown Brothers n.d. Courtesy Photographic Views of New York City, 1870s-1970s, Irma and Paul Milstein Division of United States History, Local History and Genealogy, New York Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363752534-ZFOXWIEP4DTTO9GA3RI3/Lasner+06.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 6. Display advertisement for Jackson Heights, Queens Corporation, New York Times, Aug. 6, 1922. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363766874-JYV1IC34IZ0V342J32TX/Lasner+07.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 7. Display advertisement for Beekman House, New York, unbuilt, proposed by Walter Russell and the National Rent Mutual Corporation, designed by architects Warren & Clarke and Thomas Markoe Robertson, New York Times, November 4, 1923. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583362157649-NFT32GO2YHNUEVCHOVNL/Lasner+08.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 8. Resident manager with tenants at South Bay Club singles complex, Torrance, California, developed by R&B Development, designed by Robert H. Skinner, 1965. Photograph by Don Ornitz, 1967. Courtesy LOOK Magazine Photograph Collection, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583363094697-F92WQHCD0OX85U3N9A1G/Lasner+09.jpg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 9. The quad at South Bay Club Torrance, Torrance, California, developed by R&B Development, designed by Robert H. Skinner, 1965. Photograph by Don Ornitz, 1967. Courtesy LOOK Magazine Photograph Collection, U.S. Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583362241759-Y9A2MTMHRUF3ANOF9XSZ/image-asset.jpeg Home - Back to School: The Enduring Appeal of Dorm Life in the United States Figure 10. Oakwood Apartments, Crystal City, Virginia, 1987. Photograph by Matthew Gordon Lasner 2019. https://www.platformspace.net/home/covid-19-a-primer-how-to-think-about-the-coronavirus monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1584024076267-5Z3YHTRCN8CGUR48NC18/Figure+1%2C+LoC%2C+LC-DIG-ds-01290.jpg Home - COVID-19: A Primer: How to Think About the Coronavirus Figure 1. St. Louis Red Cross Motor Corps on duty, Oct. 1918, during the influenza epidemic. Courtesy Library of Congress Prints and Photographs Division. https://www.platformspace.net/home/why-history-for-designers-part-2 monthly 0.5 2021-07-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583788448788-3QBT67O05HUX0YEF6KGO/2.1.+SMALLER+Maerschalck_map_of_New_York_City+%281%29.jpg Home - Why History for Designers? (Part 2) Figure 1. The Maerschalck map of the City of New York is a historic map made in 1754 that clearly shows the African Burial Ground and its surrounding neighborhood, Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583788532936-C62DCPIFVHD5EWJIH389/2.2.Cais_do_Valongo_e_da_Imperatriz.jpg Home - Why History for Designers? (Part 2) Figure 2. Valongo Wharf (Cais do Valongo), built in 1811 for the trading of enslaved Africans and used until 1831. From 1850 to 1920 it was the place of many black enslaved and freed peoples often called Pequena Africa. licensed under CC BY 2.0. Photo by Halley Pacheco de Oliveira, Wikimedia. https://www.platformspace.net/home/geoeconomy-a-tribute-to-fernando-coronil monthly 0.5 2020-03-09 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583365370263-27W9IANUIYZ1W584A0YW/Image+1+%28Godrej+Reserve+Ad%29.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 1: Ad for Godrej Reserve property. Photo credit: https://www.godrejproperties.com/bangalore/residential/godrej-reserve/overview https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583365551772-0CJPQ0K5CB81IOZPGCXF/Image+2+%28Embassy+Edge+Ad%29.png Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 2: Ad for Embassy Edge properties. Photo credit: embassyedge.com https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583365706860-08XVTFC75HJQ2H0DPQFI/Image+3+%28greyskiesandnewconstruction%29_PH.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 3: Grey skies and new construction on Bengaluru’s peri-urban frontier. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583365781722-TXTQ51K32JX1YSQ1UOD6/Image+4+%28PeriurbanAreaFrom17thFloor%29_PH.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 4: A process of transculturation. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583365894722-LDZ1AQZHM9042U09EM0E/Image+5+%28ConstructionWorkersSeveralFloors%29_PH.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 5: Construction workers. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583366000299-NOB6KRAU66XLNXCQDR2K/Image+6+%28laborersandrealestatesign%29_PH.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 6: From land to real estate. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583366127743-6U3DCXOPB9SJ0OHZBR1D/image-asset.jpeg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 7: A lake chokes. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583366198623-HYGEHCE9H8SCNON7J49X/image-asset.jpeg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 8: An untimely death. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583366281559-VBHB7FKCD3754MXDM4DO/Image+9+%28WaterTankerWellWaterStation%29_PH.jpg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 9: Ancient water is mined. Photo credit: Pierre Hauser https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583366382566-2HDBB710ZVRVI68X7TWZ/image-asset.jpeg Home - Geo/Eco/Nomy: A tribute to Fernando Coronil Figure 10: Urban, de-natured. Photo credit: Pierre Hauser https://www.platformspace.net/home/why-history-for-designers-part-1 monthly 0.5 2021-07-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583166016019-88YTFZ8GYQANVCATF7B3/1.1+First_Africans_in_English_Colonies_Historical_Marker.jpg Home - Why History for Designers? (Part 1) Figure 1: This historical marker located at Point Comfort/Fort Monroe, marks the location where the first Africans arrived in the English colonies that would later become the United States. Photograph by DrStew82 licenced under CC BY 2.0. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1583166198113-KMC2DP63JJI4LHG5EFYV/1.2.Sacred_Stone_Camp_North_Dakota_%2829167637232%29.jpg Home - Why History for Designers? (Part 1) Figure 2: Sacred Stone Camp, Dakota Access Pipeline protest at the Sacred Stone Camp near Cannon Ball, North Dakota, licenced under CC BY 2.0. Photo by Tony Webster from Minneapolis, Minnesota. https://www.platformspace.net/home/o-aleijadinho-e-a-arquitetura-tradicional-the-little-cripple-and-everyday-architecture monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582832961457-XN1UXNOFR5KP7K14L3M3/Seavitt_Fig1_Aleijadinho_MuseuMineiro.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 1. Suposto retrato do século XIX de Antônio Francisco Lisboa, “O Aleijadinho,” por Euclásio Pena Ventura. Courtesy/cortesia Arquivo Público Mineiro/Museu Mineiro, Belo Horizonte. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833063794-3RIHLCYZH50NDYU3UYHH/Seavitt_Fig2_O+Jornal_OP_BW.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 2. Página de rosto de O Jornal, edição especial sobre Minas Gerais, 24 junho 1929, coordenado por Rodrigo Mello Franco de Andrade. Courtesy/cortesia Arquivo Público Municipal de Ouro Preto. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833146750-8MCL7XNFPF8SWUA47KHI/Seavitt_Fig3_Congonhas_ensemble.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 3. Santuário do Bom Jesus de Matosinhos, Congonhas do Campo, 1800-1805. Foto de João de Almeida Ferber, ca. 1930. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833193751-2X6680Q33HZDI87J0CF9/Seavitt_Fig4_Congonhas_prophet.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 4. Aleijadinho, a estátua do profeta Jonas ao Santuário do Bom Jesus de Matosinhos, Congonhas do Campo. Foto sem autoria, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833280076-36B9Z1L08NIC6IOW2GEZ/Seavitt_Fig5_Sao+Francisco_facade.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 5. Igreja de São Francisco de Assis, Ouro Preto, 1766-1794. Foto sem autoria, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833349496-D4IK34Y7S3RO43MVZ2JE/Seavitt_Fig6_Sao+Francisco_portal.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 6. Aleijadinho, vista parcial do pórtico e esculptura da Igreja de São Francisco de Assis, Ouro Preto. Foto sem autoria, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833387901-IT98SY576TUVVA8KQZNJ/Seavitt_Fig7_Sao+Francisco_baptistry.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figura 7. Aleijadinho, detalhe do lavabo da sacristia da Igreja de São Francisco de Assis, Ouro Preto. Foto sem autoria, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833455800-VV31Z1I5E5JC0DLWG5SC/Seavitt_Fig8_Ouro+Preto_view.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 8. Trecho de rua e Ponte da Barra, com a Igreja de São Francisco de Assis no fundo, Ouro Preto. Foto sem autoria, 1927. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833519211-W594KEJBVFIEZK25468R/Seavitt_Fig9_Ouro+Preto_houses.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 9. Arquitetura doméstica tipicamente colonial, Rua São José, Ouro Preto. Foto sem autoria, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582833627826-GO6BD65AKW0HJ5FX0L9Q/Seavitt_Fig10_SaoJoao_FBNB.jpg Home - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 10. Enterro de Raimundo Teixeira Mendes, filósofo, positivista, e criador da bandeira nacional do Brasil e o lema “Ordem e Progresso,” Cemitério São João Batista, Rio de Janeiro, 29 de junho 1927. Foto por Augusto Malta. Courtesy/cortesia Fundação Biblioteca Nacional/Brasiliana Fotográfica/Fiocruz. https://www.platformspace.net/home/the-dystopian-experience-of-skiing-in-new-jerseys-new-american-dream-mall monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582566703297-6WZQZCURRM9EZFEBXJDV/Snyder%2C+figure+1%2C+Big+Snow+interior.jpg Home - The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall Figure 1. Big Snow interior. Photograph by Robert W. Snyder, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582566807742-10OZS1Q1GVADIPU4Q2QQ/Snyder%2C+Figure+2.jpg Home - The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall Figure 2. Inside American Dream in the Hackensack Meadowlands. Photograph by Robert W. Snyder, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582566878095-O8HMPA6VRJC5C0PAXSYI/Snyder%2C+figure+3.jpeg Home - The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall Figure 3. Big Snow when it was part of the mall under construction called Xanadu. Photograph by Brad Miller, 2009. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582566953407-DR6U63X5J6AEH4QHE36U/Snyder%2C+Figure+4.jpg Home - The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall Figure 4. Berry’s Creek Canal in the Hackensack Meadowlands. Photograph by U.S. Fish and Wildlife Service, 2007. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582572680422-146B42N6GMNYF7KALUIA/Untitled-2.jpg Home - The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall https://www.platformspace.net/home/innovation-districts-in-new-york-contentious-geographies-of-growth monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582066962387-BBHFPLR9P8SAOU5FH4XO/Zukin%2C+fig+1.jpg Home - “Innovation Districts” in New York: Contentious Geographies of Growth Figure 1. Major tech locations in New York City, linked by new ferry lines and proposed BQX light rail; note Amazon’s failed HQ2 in Queens. Map drawn by Sebastian Villamizar-Santamaria. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582067045231-OM1SK8L9O6Z7O66GVZNW/Zukin%2C+fig+2.jpg Home - “Innovation Districts” in New York: Contentious Geographies of Growth Figure 2. Cornell Tech, a partnership of Cornell University and Israel Institute of Technology, initiated by the New York City Economic Development Corporation. Photo courtesy Iwan Baan and Cornell Tech. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582067178046-7EQHCIMKPSYIFV5IG5XA/Zukin%2C+fig+3+copy.jpg Home - “Innovation Districts” in New York: Contentious Geographies of Growth Figure 3. Brooklyn Navy Yard, 2030 Plan. Rendering courtesy Brooklyn Navy Yard Development Corporation and WXY Studio. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582067231113-MI4R8TYC8TOO8LR1HNCJ/Zukin%2C+fig+4.jpg Home - “Innovation Districts” in New York: Contentious Geographies of Growth Figure 4. Recent construction at the Brooklyn Navy Yard. Photo courtesy Brooklyn Navy Yard Development Corporation. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582067287404-1M48WOMBJMHNJWDNSEPF/Zukin%2C+fig+5.jpg Home - “Innovation Districts” in New York: Contentious Geographies of Growth Figure 5. Industry City, interior street. Photo by Sharon Zukin. https://www.platformspace.net/home/the-right-to-teach monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581976886695-I23IJVNO121JY2NC3J6M/Photo+by+Miguel+Henriques+on+Unsplash.jpg Home - The Right to Teach Photo by Miguel Henriques https://www.platformspace.net/home/italian-thermal-baths-1 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581612697417-Z57WXJWFOYTYQR2ZUQOH/Figure+1_vignoni.jpg Home - Italian Thermal Baths Figure 1: Bagno Vignoni (Photo by Laurie Conlon) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581613272548-PWK8Y9TFIZ83RS55B2PA/Figure+2_filippo.jpg Home - Italian Thermal Baths Figure 2: Bagni San Filippo (Photo by Laurie Conlon) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581613373918-VUJSCJ5842TKSD9N3CHI/Figure+3_casciano.jpg Home - Italian Thermal Baths Figure 3: San Casciano dei Bagni (Photo by Laurie Conlon) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581613483598-JFWDVI2AKNDH62QEOVE7/Figure+4_theia.jpg Home - Italian Thermal Baths Figure 4: Piscine Termali Theia, Chianciano Terme (Photo by Laurie Conlon) https://www.platformspace.net/home/teaching-architectural-design-in-xenophobic-times monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281383287-3K0Z8NXK41R3EPUHPB6N/Leet_figure+1+Directors+Letter+fall+2018%2C+Leet+%26+McCarter+option+studio.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 1. Stephen Leet and Robert McCarter, directors’ letter explaining the option studio in St. Louis, Missouri, and Florence, Italy, Sam Fox School of Design and Visual Arts, Washington University, St. Louis, Missouri, fall 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581631931285-P9P01V8CPRW1G0LJZK82/Leet_figure+2+Holocaust+Memorial_Museo+Novecento+Plaque.jpeg Home - Teaching Architectural Design in Xenophobic Times Figure 2. Plaque, Holocaust Memorial, Museo Novecento, Florence, Italy. Photograph by Stephen Leet, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281545665-MXGF3G5GMZO4W8KVTL66/Leet_figure+3+Initial+Florence+Holocaust+Memorial+project+sites.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 3. Project sites selected initially for the Holocaust Memorial in Florence, Italy, 2018. Credit: Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281548630-B77PUGX1VM405APZVIUL/Leet_figure+4+Yanliang+Li%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 4. Yanliang Li, proposed design for the Holocaust Memorial in Florence, Italy, 2018. This board shows the three sites used in the graduate studio. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281581200-BCWTYK9F9DFCZF3BORVB/Leet_figure+5+Museo+Novecento+Florence+exhibit+installation+January%2C+2019+photograph+Paolo+Parisi.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 5. Exhibition of Holocaust Memorial designs at the Museo Novecento, Florence, Italy, January, 2019. Photograph by Paolo Parisi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281609206-2LQQUWLBSLN8CW9X9TA5/Leet_figure+6+Holocaust+Memorial+exhibit+panel%2C+Mussolini+anti-Semitic+quotations.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 6. Exhibit panel, quotations of anti-Semitic statements made by Benito Mussolini in the 1920s and 1930s, Museo Novecento, Florence, Italy, 2019. Credit: Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281860193-P4TXRI6AOKD2RN2PU25V/Leet_figure+7+exhibit+panel+Historic+images+of+fascism+and+anti-+Semitism+1934+-+1944.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 7. Exhibit panel, Fascist and anti-Semitic propaganda, 1934-1944, Museo Novecento, Florence, Italy, 2019. Credit: Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281837820-6JLJNZVYRLDPWSL7F6U8/Leet_figure+8+interior+of+cattle+car%2C+Shoah+Memorial+Milan.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 8. Interior of cattle car, Fondazione Memoriale della Shoah. Photograph by Stephen Leet, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282117665-6RIJXZNGCRQBH4IAHF60/Leet_figure+9+Caroline+Amstutz%2C+Holocaust+Memorial+Project.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 9. Caroline Amstutz, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581281950270-B86BJU5Q7FOM6YOSWRD0/Leet_figure+10+Meredith+Bickett%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 10. Meredith Bickett, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282087794-U76GG2VLIM60TQSRRLZQ/Leet_figure+11+Jake+Deluca%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 11. Jake Deluca, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282397189-XHIWS7XID7FHUA56MG9B/Leet_figure+12+Katie+Engelmeyer%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 12. Katie Engelmeyer, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282522106-E0T0PHAZDV0IA0CR8A48/Leet_figure+13+Leah+Janover%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 13. Leah Janover, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282558368-6C173D1GH2SAHMHYHMXN/Leet_figure+14+Jillian+Katz%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 14. Jillian Katz, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282731895-1CW9AK70PDFNSI3OYMST/Leet_figure+15+Eleanor+Knowles%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 15. Eleanor Knowles, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282781938-337ACWLN86MXGVFVEE4P/Leet_figure+16+KJ+Kuang%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 16. K.J. Kuang, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282890483-3QCRYARWCPGDRQ5B7B9J/Leet_figure+17+Annabelle+Li%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 17. Annabelle Li, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581282892320-9WKOFEIQYOZUDKV05NQ5/Leet_figure+18+Aaron+Mermelstein_Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 18. Aaron Mermelstein, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581283068802-6DHDM9873XNFBPBJ528N/Leet_figure+19+Sophie+Olund%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 19. Sophie Olund, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1581283134023-FW68YP278LF9A5T9JX4J/Leet_figure+20+Rita+Wang%2C+Holocaust+Memorial.jpg Home - Teaching Architectural Design in Xenophobic Times Figure 20. Rita Wang, proposed design for the Holocaust Memorial in Florence, Italy, 2018. Photograph by Stephen Leet. https://www.platformspace.net/home/recovering-land-value-to-advance-equity-gowanus-brooklyn-as-a-case-in-point monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580942375000-X3QMJW1NKL0DL0B549VW/Wolf-Powers%2C+fig+1+view+north+from+bridge.JPG Home - Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point Figure 1: Gowanus, looking north towards downtown Brooklyn from the Carroll Street bridge across the Gowanus Canal. Photograph by Laura Wolf-Powers, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580942441647-JYD51BMHIPIZSBYHL6EE/Wolf-Powers%2C+fig+2+CSO+outfall.JPG Home - Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point Figure 2: The Carroll Street wet weather discharge point into the Gowanus Canal. 375 million gallons of combined stormwater and wastewater flow into the canal at this and other outfalls annually. Photograph by Laura Wolf-Powers, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580942501183-DFVYJYDSE4UYTH2VRUEC/Wolf-Powers%2C+fig+3%2C+Wyckoff+Gardens.jpg Home - Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point Figure 3: Wyckoff Gardens, Gowanus, Brooklyn, a NYCHA campus with 528 units in three 21-story towers. Photograph by Sydney Céspedes, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580942564468-FDRQCX2LQGAXC3J2LHJC/Wolf-Powers%2C+fig+4+Gowanus+Houses.jpg Home - Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point Figure 4: Gowanus Houses, another NYCHA campus in this neighborhood, has 1,134 units in 14 four- to thirteen-story buildings. Photograph by Sydney Céspedes, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580942629094-I8EQHOYLBHNG5FE00AG3/Wolf-Powers%2C+fig+5+rezoning+area+with+development+prototypes.jpg Home - Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point Figure 5: Prototype Locations in Gowanus, showing the rezoning area with NYCHA developments and value uplift prototypes. Reproduced from Pratt Center for Community Development, Public Action-Public Value: Investing in a Just and Equitable Gowanus Rezoning, 2019. https://www.platformspace.net/home/connoisseurship-and-genuflection-the-public-display-of-private-wealth-in-the-casinos-of-macau-part-2 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580735195970-ED8GQLODM6FRPAW1FSUX/Figure+7.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 2) Figure 1. Tableau of gems and busts, Grand Lisboa, 2010, photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580735342813-5XDLSVGG3K8SM3UP3E08/Figure+8.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 2) Figure 2. Oceanus Casino, Macau, 2010, photograph by author. https://www.platformspace.net/home/looking-at-the-urban-landscape-to-understand-its-makers-reflections-on-process-and-examination-of-the-decorated-tenement monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338594079-OT44W9ZLWKROY3O54MSM/Violette_FIG1.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 1. Harris Fine Tenement, 305 Broome Street, New York, 1899. Hornberger & Straub, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338594602-PF59J7P8O2KNG2NMHNUL/Violette_FIG2.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 2. Louis Segel Tenement, 18 Cooper Street, Boston, 1896. Charles A. Halstrom, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338607751-DNHXSLCO3FKA37UX4MJ9/Violette_FIG3.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 3. Joseph Rudnick et al Tenement, 20 Cooper Street, Boston, 1893. Charles A. Halstrom, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338608017-4VJYRG1MU5OIDH8UT9K4/Violette_FIG4.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 4. Rebecca Segel Tenement, 89 Prince Street, Boston.1894. Charles A. Halstrom, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338624342-4MI88TRF64MB1OSBB27J/Violette_FIG5.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 5. Left, Vito Sessa Tenement, 28 Prince Street, Boston, 1906. Frederick Norcross, architect. Right, Joseph Rudnick Tenement, 32 Prince Street, Boston, 1896. William E. Clarke, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338622917-6EYNGGIZQ9O7Y6YXLW4B/Violette_FIG6.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 6. Phillip and Israel Silverstein Tenement, 108 Myrtle Street, Boston, 1896. Charles A. Halstrom, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338635060-PRNGCAXMK2U96SR2OTSJ/Violette_FIG7.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 7. Boris Wise Tenement, 46 West Newton Street, Boston, 1912. Frederick Norcross, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338643136-EI0QVE9Q4B1JMW809P1O/Violette_FIG8.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 8. Center: Jacob Weeks Tenement, 65 Mott St, New York, c.1824. Right, Martin Ficken Tenement, 67 Mott Street, 1875. William Graul, architect. Left, Barney Isaacs tenements, 61 and 63 Mott Street, 1887. Schneider & Herter, architect. Far right: Rebecca Ficken Tenement, 69-71 Mott Street, 1907. Charles Straub, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338648183-8PXRQ4XUZTVMTT1SME9L/Violette_FIG9.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 9. James Fitzsymons Tenements, 123-125 Elizabeth Street, New York, 1867. Richard Shapter, architect. Photograph by Sean Litchfield. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338655929-O8GZ46RF731OY3U6GUMU/Violette_FIG10.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 10. F. Mahnken Tenement, 219 Grand Street, New York, 1876. William Jose, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338661754-PPXTGBOZF0P2VXVFAE1A/Violette_FIG11.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 11. Solomon Jacobs Tenement, 131 Eldridge St, New York, 1885. Blankenstein & Herter, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338671409-YXJI1X2ERM74PXCSENWI/Violette_FIG12.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 12. Solomon Jacobs Tenement, 94 East Broadway, New York, 1885. Henry Herter, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338673224-7XB3IN3QW591HQVTI2GZ/Violette_FIG13.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 13. Morris Rosendorf Tenement, 78 Forsyth Street, New York, 1886. Blankenstein & Herter, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338684954-ORAXYYP2QH7M6SXDW5S6/Violette_FIG14.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 14. Wolf Baum Tenement, 375 Broome Street, New York, 1886. Herter Brothers, architects. Photograph by Sean Litchfield. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338688853-2NCU1BBPJ90PTJREGPGY/Violette_FIG15.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 15. Rachel Kurzman Tenement, 60 Bayard Street/ 1-3 Elizabeth Street, New York, 1887. Herter Brothers, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338703370-0B8OV68Z4X4OYZZOIPI8/Violette_FIG16.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 16. Detail, Rachel Kurzman Tenement, 60 Bayard Street/ 1-3 Elizabeth Street, New York, 1887. Herter Brothers, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338703891-YKQXM6OXSXXGMX00WD18/Violette_FIG17.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 17. Detail, Chaim Harris Tenement, 162 Henry Street, New York, 1889. Herter Brothers, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338718360-GJIS2NBXOL0DFKP7M23C/Violette_FIG18.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 18. Peter Herter Tenement, 101 Rivington Street, New York, 1891. Herter Brothers, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338725584-HNGASB6OFZ2T46SM2JPK/Violette_FIG19.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 19. Detail, Peter Herter Tenement, 101 Rivington Street, New York, 1891. Herter Brothers, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338729926-9VP6J9GNNHAFBG1P3TYA/Violette_FIG20.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 20. Ernest Von Au Tenement, 13 Eldridge Street, New York, 1883. Jobst Hoffman, Architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338740051-17FRCOR1CDTRBD881EIW/Violette_FIG21.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 21. Jobst Hoffman Tenement, 228 East Sixth Street, New York, 1890. Jobst Hoffman, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338741487-VA2U4DESUDQHOLJUE6V0/Violette_FIG22.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 22. The four buildings at left, with nearly identical facades, were each designed by different architects. Rentz & Lang, who designed the 1889 building at 219 Madison Street, far left. Next door, the design was copied by G.A. Schellenger in 1890 and M.V.B. Ferndon in 1891. The corner building was built in 1893 by Jacob Fischel to designs of Max Muller. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338752730-Z9SMJT1QT3YN28E5FVEU/Violette_FIG23.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 23. Weil & Mayer Tenement, 106 Madison Street, New York, 1892. Schneider & Herter, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338754168-ZTHGBKSFNUPMP7PIFFJJ/Violette_FIG24.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 24. Kidansky & Fine Tenement, 108 Eldridge Street, New York, 1898. Hornberger & Straub, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338765639-FU5MJZ1IR74X187G5192/Violette_FIG25.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 25. Harris Fine Tenements, 252 Broome Street, New York, 1901. Hornberger & Straub, architect. The building at right was built by the same architect and developer in 1898. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338766811-AQ0PUQHV66I2UY9X9A1V/Violette_FIG26.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 26. Feinberg and Polstein Tenement, 91 Henry Street, New York, 1898. Michael Bernstein, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338777329-5E2M5LQ6M7M5XQKMP26K/Violette_FIG27.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 27. Harris Fine Tenement. 305 Broome Street, New York. 1899. Hornberger & Straub, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338780452-0HIRZWCF4SXB7HBVLETY/Violette_FIG28.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 28. Jacob Fischel Tenement, 88 Division Street, New York. 1900. Michael Bernstein, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338790385-XBCYQ5AT42G76ERRP0UR/Violette_FIG29.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 29. Louis Oshinksy Tenement, 114 Eldridge Street, New York, 1902. Hornberger & Straub, architects. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338795158-G1407Y1FSFWAB47SHXOC/Violette_FIG30.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 30. John Pallimeri Tenement, 382-386 Broome Street, New York, 1902. Sass & Smallheiser, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338800170-YU6OBSW1XH328XWMNFHS/Violette_FIG31.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 31. Samuel Barkin Tenement, 100 Rivington Street, New York, 1902. Alfred E. Badt, architect. Photograph by Sean Litchfield, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580338808014-VJ94Y1BS4PZMPZWNF64Z/Violette_FIG32.jpg Home - Looking at the Urban Landscape to Understand its Makers: Reflections on Process and Examination of the Decorated Tenement Figure 32. Louis Kresner Tenement, 19 Pike Street, New York. 1903. Hornberger & Straub, architects. Photo by Photograph Litchfield, 2017. https://www.platformspace.net/home/connoisseurship-and-genuflection-the-public-display-of-private-wealth-in-the-casinos-of-macau-part-1 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580068931311-R0PCYESRNRGY9WJKH48G/Figure+1.jpg Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 1. Hotel Lisboa and Grand Lisboa, 2010. Photograph by Kah-Wee Lee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580069031911-TUGUJ0D5NZ6J7V5AJ36U/Figure+2+Correct.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 2. “Bird-cage” tower, Hotel Lisboa, Macau, 2016. Photograph by Kah-Wee Lee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580069122814-9NK6G3EFACVK9YRFIQ4R/Figure+3.jpg Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 3. Grand Lisboa, Macau, 2016. Photograph by Kah-Wee Lee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580069168974-GNIM4SPG3V6BBR8PAY4Q/Figure+4.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 4. Grand Lisboa main lobby, Macau, 2010. Photograph by the author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580069243114-IIMZ39BG5HIX1F1JAO6M/Figure+5.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 5. Viewing gallery in the West lobby, Hotel Lisboa, Macau, 2016. Photograph by Kah-Wee Lee. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1580069302964-1MHM21FXIOS4P4GQ8XYR/Figure+6.JPG Home - Connoisseurship and Genuflection: The Public Display of Private Wealth in the Casinos of Macau (Part 1) Figure 6. Mammoth tusk sculpture, Grand Lisboa, 2016. Photograph by Kah-Wee Lee. https://www.platformspace.net/home/the-power-of-the-plan monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579775946150-FCN9RECL04XSWX6C6TJK/VanSlyck_FIG1.jpg Home - The Power of the Plan Figure 1. Detroit Public Library, Edwin F. Conely Branch, Detroit, Michigan, designed by H.B. Clement, 1911-1913. First-floor plan. Courtesy Burton Historical Collection, Detroit Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579776044766-V3HN8QMDNC2YJ20XT6PF/VanSlyck_FIG2.jpg Home - The Power of the Plan Figure 2. Detroit Public Library, Herbert Bowen Branch, Detroit, Michigan, designed by Stratton and Baldwin, 1910-1912. Children’s reading room during story hour, c. 1913. Courtesy of the Burton Historical Collection, Detroit Public Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579776160316-TLSM8GEOUC4DU9FVQMBL/VanSlyck_FIG3.jpg Home - The Power of the Plan Figure 3. Davenport Public Library, Davenport, Iowa, designed by Calvin Kiessling, opened 1904. Basement and first-floor plans. Architectural Review 9 (January 1902) 25. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579867075512-TLYZ9QNL2WKIYVGDC1FD/fig+4+amended.jpg Home - The Power of the Plan Figure 4. Carnegie Library of Pittsburgh, Mt. Washington Branch, Pittsburgh, Pennsylvania, designed by Alden and Harlow, 1899-1900. First-floor plan. Theodore W. Koch, A Book of Carnegie Libraries (White Plains, N.Y.: H. W. Wilson Co., 1917). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579776313418-8LM1YHHD90AKDMWHZC44/VanSlyck_FIG5.jpg Home - The Power of the Plan Figure 5. Craftsman cottage, 1907. Living room. “Three Craftsman Cottages, Series of 1907: Number II,” The Craftsman 11, no 5 (February 1907), 609. https://www.platformspace.net/home/open-space-in-new-yorks-public-housing-the-next-city-park-frontier monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579475030263-VAGC804HI35B0HSZQUA8/Fig+1+Bloom%2C+Johnson+Houses+2019.jpg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 1. The James Weldon Johnson Houses in Manhattan, like most NYCHA complexes, has open space and tree cover that reduces temperatures and encourages air circulation. But is this the best we can do for city or NYCHA residents? Photograph by Nicholas Dagen Bloom, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579475118491-WRV2TZ2WPNMVH8TSR1MF/Fig+2+Bloom%2C+Johnson+Houses+2019.jpg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 2. The playground at the Johnson Houses, like many those at many public housing complexes, is underused, 2019. Photograph by Nicholas Dagen Bloom. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579813889673-BWF53Y8H26CZBZ295765/image-asset.jpeg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 3. The Samuel N. Bennerson 2nd Playground is surrounded by NYCHA’s Amsterdam Houses on two sides, but the park also fronts an active street that helps draw in outsiders. Image courtesy Google, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579475392038-V2V2C6ERJ54BS4HWC5HL/Fig+4+NYC+Parks%2C+Bennerson+Renovation+2018.JPG Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 4. New playground equipment at Bennerson Playground, 2018. Photograph courtesy NYC Parks. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579813974587-6OZJYJL2OU2DOO4AAJVS/Fig%2B5%2BGoogle%252C%2BBushwick%2BPool%252C%2BPlayground%2Band%2BBall%2BField%2BAerial%2B2020.jpg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 5. The campus of NYCHA’s Bushwick Houses in Brooklyn includes a swimming pool, playground, and ball field, all operated by the city’s Department of Parks & Recreation. Image courtesy Google, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579814007136-Z99KMNTV1X1QMXFJJM24/Fig%2B6%2BGoogle%252C%2BBushwick%2BPlayground%2BStreet%2B2020.jpg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 6. The Bushwick Houses’ playground aligns with the street—and community. Image courtesy Google, 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579476433783-ZF9011G8K510ZYK81CLK/Fig+7+Bloom%2C+City+Park+2019.jpg Home - Open Space in New York’s Public Housing: The Next City Park Frontier Figure 7. The Carolina (center) is a new affordable housing project adjacent to NYCHA's Clinton Houses in East Harlem. Photograph by Nicholas Dagen Bloom, 2019. https://www.platformspace.net/home/connecting-the-dots-rethinking-cartographies-of-connectivity monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579177116212-56FHEQ1444K482Y88ODF/fig1.jpg Home - Connecting the Dots: Rethinking Cartographies of Connectivity Figure 1: Traditional use of shapes and colors to delineate political control. ©2014 The Institute for the Study of the Ancient World (ISAW); used by permission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579177191164-EH91DKHG9CE8E35TAXUF/fig2.jpg Home - Connecting the Dots: Rethinking Cartographies of Connectivity Figure 2: A networked view of the Ptolemaic, Attalid, and Seleucid kingdoms at their fullest extent during the Hellenistic Period. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579177238865-UYHV508KE6VUEH6NB5RA/fig3.jpg Home - Connecting the Dots: Rethinking Cartographies of Connectivity Figure 3. Minard’s map of Napoleon’s invasion of Russia. Minard, Charles-Joseph (1781-1870), “Tableaux graphiques et cartes figuratives,” Bibliothèque numérique patrimoniale des ponts et chaussées, accessed August 29, 2019, https://patrimoine.enpc.fr/document/ENPC01_Fol_10975. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579177292422-4QI7ZOBW9K35CE4Q6G64/fig4.jpg Home - Connecting the Dots: Rethinking Cartographies of Connectivity Figure 4. Travel time flow map generated by the ORBIS project. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1579177466193-NIAR1JC4S0XDOUH9JJF2/fig5.jpg Home - Connecting the Dots: Rethinking Cartographies of Connectivity Figure 5. Network map of the Attalid and Seleucid kingdoms with imperial and local garrisons indicated. https://www.platformspace.net/home/hidden-in-plain-sight-billions-in-potential-revenue-for-public-housing-in-new-york monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578821984462-FF9OOHMSEI75E5NGZLAV/Bloom%2C+Figure+1.jpg Home - Hidden in Plain Sight: Billions in Potential Revenue for Public Housing in New York Figure 1. East Harlem NYCHA superblocks possess massive amounts of unbuilt air and ground space, as illustrated in the Housing Density show currently on view at The Skyscraper Museum. Courtesy of Eduard Hueber/archphoto. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578822138064-3Q08S274VEXPEX2GAMAK/Bloom%2C+Figure+2.jpg Home - Hidden in Plain Sight: Billions in Potential Revenue for Public Housing in New York Figure 2. “NYCHA Unused Development Rights” diagram from Regional Plan Association, “Time to Act: Restoring the Promise of NYC’s Public Housing,” October 2019. Courtesy of Regional Plan Association. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578822188138-OIRPF344NW3GFE2IAB31/Bloom%2C+Figure+3.jpg Home - Hidden in Plain Sight: Billions in Potential Revenue for Public Housing in New York Figure 3. The James Weldon Johnson Houses in East Harlem is one of many NYCHA developments with extensive tree cover and lawns, 2019. Photograph by Nicholas Dagen Bloom. https://www.platformspace.net/home/syntopic-landscape-the-wholesale-supply-market-at-oaxaca monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046250067-IXNWPNZ29UDYE85IU05L/FIG1.jpg Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 1. Central de Abastos, viewed from 4,137 ft. Courtesy of Google Earth, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046234976-VGZSQP0H8JB81QOSOLTE/FIG2.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 2. Looking southwest over the Abastos roofscape, with a thicket of “informal” kiosks in the foreground. The kiosks on the left cater to taxi drivers, touts, and bus operators with cheap lunches. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046249713-76VTFNK6GV69XS68T217/FIG3.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 3. Barrio Aboleda, one of the communities adjacent to the Central de Abastos. Many residents of Aboleda provide services to the market, such as vehicle repair, welding, and storage. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046268100-UKN5XGZIPETQ9SLPZIIC/FIG4.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 4. Fruit vendors spill out into the covered passageway between two of the market buildings. Many vendors have claimed interstitial spaces throughout the market, creating a crowded and highly varied landscape. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046268905-9EDXNNZ75JMIYSSF5HZ2/FIG5.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 5. Itinerant musicians roam the halls of Abastos, adding to the richly textured soundscape. Most play traditional Spanish-language ballads and corridos on guitar, although occasionally a brass band passes through offering indigenous Zapotec folk songs. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046281802-97C9S2MJ7WEBJE4I3U7E/FIG6.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 6. Preparing meat for curing and frying at Carniceria Estelita. The cow and pork skins hanging on the line will be made into crispy chicharrón. Like many vendors, this carnicería sells both retail and wholesale quantities. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046284506-7SPJRPHZB3SM50OCE1HY/FIG7.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 7. Dry goods, produce, and prepared foods all on offer in this section of the market. The yellow tarpaulin casts the activity below in a warm glow. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046292544-ZJC3NGM7O0F2680XLYYU/FIG8.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 8. Customers lining up to purchase fabric, oilcloth, disposable cups, and other household goods. This business retails merchandise, but much of its trade is selling bulk quantities to bodegas and household goods stores across the city. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046293380-6GUD8N0D7VSO4J1Z9T5T/FIG9.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 9. Comedor Perla, a restaurant located on one of the small open squares of the double-cruciform building. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046313556-UCC9X4W9DHKV798EOO3D/FIG10.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 10. Workers at the Abastos take advantage of the late morning lull to grab a meal before the lunchtime crowds pour into the market. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046313647-CRXIOZYKIE1A0A5MFDWV/FIG11.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 11. Chocolatier, Central de Abastos. Many restaurants and hotels in Oaxaca purchase bulk quantities of chocolate and coffee at the wholesale market. Mountainous Oaxaca and Chiapas are the main regions for growing coffee and chocolate. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046335259-8X3BVF69OWMYRFOWVYUS/FIG12.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 12. Mounds of mole on offer in the main pavilion of the market. Mole is an Oaxacan specialty made by grinding chocolate, chilis, nuts, herbs and spices into a thick paste. It is used in stews as well as a sauce for turkey, chicken, and enchiladas. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046335808-46M0M8E4JRRZDDOO6MNC/FIG13.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 13. Vendors extend their floor space by piling up their wares in the halls, as seen here in the South section of Central de Abastos. Although contrary to market regulations, the practice enables vendors to display and sell their produce more effectively. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046350231-5RBQBVE73F86NITQCXO8/FIG14.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 14. Store selling bulk quantities of toys, novelties, and party supplies. This northeast section of the market features a series of large shed structures dedicated primarily to dry goods as well as pharmacies, clinics, and other services. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046376114-EEVZ53M00SPQD6B65NFM/FIG15.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 15. Tortilla presses and other metal goods for sale. Many fabricators like the one pictured here can be found among the twenty-two modulos located in the northeast section between the large pavilions and the Quonset huts. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046389905-XUGQ32ZN9953791FRYJ0/FIG16.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 16. The módulo section was designed for small artisan workshops; the stylized brick barrel gables are typical of arts and crafts markets throughout Mexico. Here vendors fabricate machinery, household goods, handcards, stoves, tortilla makers, and grinders. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046390739-70NLFD1K1TKKLGSUELMW/FIG17.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 17. Women selling fruit and vegetables in one of the many “informal” sections around the periphery of the Central de Abastos. These areas are more likely to feature farmers selling directly to customers, rather than to wholesale vendors. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046405959-ZJU0VRFLZ47X7NE176SM/FIG18.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 18. Produce stand at the southwestern edge of the market, along Calle Cosijopi. Across the street is the Barrio Cosijoeza, formerly a small village on the Rio Atoyac, now a dense urban neighborhood transformed over time through its proximity to the Central de Abastos. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046406436-47IZI4JGNUXANE5M5ZQV/FIG19.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 19. Another neighborhood transformed by the gravitational force of Central de Abastos. To the east of the market, Zona Lunes Feb 09 has seen its land uses shift from a low-rise community of houses and shops to a dense collection of hotels, parking garages, vehicle repair facilities, and other services geared to the market. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046419836-33JRX2JK2J93EM08D94H/FIG20.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 20. View between two of the hundreds of “informal” kiosks that surround the market. Vendors build the kiosks from an array of materials, including shipping container panels, chipboard, plywood, dimensional lumber, and corrugated metal. They tap into the electrical grid, creating a thicket of wires running through the area. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046421047-M4PM3E8QRBM810Z10RIE/FIG21.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 21. One of the many transit stages that ring the periphery of Central de Abastos. In this scene, buses and delivery vehicles muscle their way out of a side street in the Zona Lunes Feb 09 neighborhood onto the Periférico, a major roadway that runs alongside the market and encompasses the city. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046431166-WL0Q66G9XVAMBYGPC9H9/FIG22.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 22. Patrons enjoying a quick lunch at one of the hundreds of prepared food stalls surrounding the market. The stalls cater to a varied clientele, including shoppers, vendors, transportation workers, and people who live and/or work in the surrounding communities. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046430966-J8KQH1K0MCTOVK3K41IF/FIG23.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 23. Sign indicating the location of one of the few bathrooms in the market. Once operated by the municipality, the bathrooms have long since been taken over by private operators who charge a small fee for use. Photograph by Joseph Heathcott, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1578046436015-KDQRQJHL96I2FWH4LMID/FIG24.JPG Home - Syntopic Landscape: The Wholesale Supply Market at Oaxaca Figure 24. Family preparing to return home on one of the regional buses after a day of shopping at Central de Abastos. Photograph by Joseph Heathcott, 2019. https://www.platformspace.net/home/platform-the-state-of-the-built-environment-an-editorial monthly 0.5 2025-06-15 https://www.platformspace.net/home/the-death-and-life-of-public-space-in-great-american-cities monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576783468658-VUUTRVY0Z2DGV7CQBO2C/Figure+1.jpg Home - The Death and Life of Public Space in Great American Cities Figure 1. The Little Village Arch, 26th Street, Chicago, 2011. A project envisioned in 1983 and completed four years later by the Chamber of Commerce, the United Latin American Businessmen, and the City of Chicago, the Spanish Colonial-style structure exemplified the transplantation and adaptation of Latin American spatial culture into U.S. cities. Photograph by A. K. Sandoval-Strausz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576783566644-NBUWP73E2E2LS6TKA87C/Figure+2.jpg Home - The Death and Life of Public Space in Great American Cities Figure 2. Oak Cliff, Dallas, 2013. Latino entrepreneurs revitalized neighborhood economies by opening shops, offices, restaurants, and other businesses in small storefronts left vacant by English-speaking proprietors who had been driven out by big-box corporate retailers or moved to suburban malls. Photograph by A. K. Sandoval-Strausz. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576783651977-NRHZU8THDFX7HTIXQAZN/Figure+3.jpg Home - The Death and Life of Public Space in Great American Cities Figure 3. Three homescapes in Little Village, 2011. In an era when many middle-class Americans had retreated to the privacy of their backyards, many U.S. Latinos created enclosed front yards where children could safely play, supervised by adults who would chat with friends and neighbors and keep an eye on the block. Spaces like these even got their own Spanglish name: “la yarda.” Photograph by A. K. Sandoval-Strausz. https://www.platformspace.net/home/individually-generated-building-modifications-in-response-to-housing-precarity monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576361146324-19KU7HNHUFKEP8UAJLO7/Figure+1.jpg Home - Individually Generated Building Modifications in Response to Housing Precarity Figure 1. Apartment remodeling, Kyiv, Ukraine 2019. Photograph by Kateryna Malaia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1623536572764-RLTG19KJ3BBO5BN8NRPS/Figure+2.jpg Home - Individually Generated Building Modifications in Response to Housing Precarity Figure 2. (a) Before re-planning and (b, c) re-planning options for a two-room apartment from I-510 apartment building series (c. 1957-1969). Copyright Kateryna Malaia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1623692767241-S4TWAH1E1SF8LCFPEX0L/Figure+3.jpg Home - Individually Generated Building Modifications in Response to Housing Precarity - Make it stand out Figure 3. User-modified balconies in Ivano-Frankivsk, Ukraine, 2019. Photograph by Kateryna Malaia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1623692920653-7FT396R3YQ7MTI7V8HT2/Figure+4.jpg Home - Individually Generated Building Modifications in Response to Housing Precarity - Make it stand out Figure 4. User-modified balconies in Kyiv, Ukraine, 2019. Photograph by Kateryna Malaia. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1623693269748-CTIWB2AAS9ISBF10B7BG/Figure+5.jpg Home - Individually Generated Building Modifications in Response to Housing Precarity - Make it stand out Figure 5. User-modified balconies in Kyiv, Ukraine, 2019. Photograph by Kateryna Malaia. https://www.platformspace.net/home/the-state-of-a-nation-seen-through-an-urban-design-competition monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576110021778-S8GMT36HCCAQP23DRSZY/alternative+central+vista.jpg Home - The State of a Nation Seen Through an Urban Design Competition Figure 1 Central Vista of New Delhi, Google Maps https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1576110077695-COMIYO674M40KVTHS2TJ/Central+Vista_Source-INTACH+Dossier-Imperial+Capital+Cities+of+Delhi_Credit-ISondeep+Shankar+%281%29.jpg Home - The State of a Nation Seen Through an Urban Design Competition Central Vista of New Delhi, INTACH Dossier, Photograph by Sondeep Shankar https://www.platformspace.net/home/mending-fences-visual-cycles-of-municipal-remediation-in-the-archive monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738235219-YL3RT5A5Y39K3COZTKGM/Abramovich+01.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 1. Van Cortlandt and Mosholu Golf Links, chain link fences, March 20, 1934. ID 0215, Park X092, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738242589-QEAYP710HH1P09CQSSAE/Abramovich+02.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 2. Marcy Playground, August 1969. ID 40338_14, Park B217, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738279148-PS107D4R9FO9VYQSD6BB/Abramovich+03.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 3. Playground at Dean and Bergen Streets, Vandalism, April 30, 1966. ID 32445_2, Park B232, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738297885-0JH390BWESEA3NRMLDFL/Abramovich+04.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 4. Power Playground, March 26, 1969. ID 33353_10, Park B291, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738310182-G31N76H5HLUU1SHJ10BC/Abramovich+05.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 5. Central Park, Conservancy Lake, broken wire fencing at the pool, January 20, 1938. ID 13225, Park M010, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738341394-ET4W64T9H5BY2UQXSZ6Y/Abramovich+06.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 6. John Murray Playground, April 30, 1966. ID 32449, Park Q141, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738361270-P2TSVPA8S1L8LJBKY2ZT/Abramovich+07.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 7. Prospect Expressway, vandalism to playground, June 1960. ID 31068, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738379602-POITSQL9YCB5LT3WIP73/Abramovich+08.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 8. J. Hood Wright Park, chain link fence repair, December 2, 1943. ID 22964, M099, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738401108-QK5HSIB3WAY0BKX7ZNGM/Abramovich+09.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 9. 123 Bay 29th Street, Brooklyn, broken fence, January 25, 1966. ID 32319, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738420245-LBOAUMOACTQSLP23ULUC/Abramovich+10.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 10. Playground at Sebe and Gerritsen Avenues, Brooklyn, February 11, 1965. ID 32427_6, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738445308-7G47LJ5X50BS108CY7CU/Abramovich+11.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 11. East River Drive, Arterial Playground, broken fence, August 1, 1945. ID 24262, Park M108, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738465665-YGHOJP51ZIPTOL1RK4CE/Abramovich+12.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 12. Howard Playground, fences, August 1969. ID 40338_30, Park B260, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738491730-LRDZQD1E4PYY425HT6ZC/Abramovich+13.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 13. P.S. 142, Baychester Avenue, Bronx, April 30, 1966. ID 32453, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738513540-J3EUNF8ZNPD2OOE91KPE/Abramovich+14.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 14. Playground at Linwood and Atlantic Avenues, vandalism, April 30, 1966. ID 32443_4, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738549534-KKE89FNPRTN4C2Z9DLXC/Abramovich+15.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 15. Lillian D. Wald Playground at Cherry Street, April 27, 1966. ID 32441_3, Park M064, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738560860-2CHDGYIQJP786837987O/Abramovich+16.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 16. Mobile Task Force, repairing fence, location unknown, March 15, 1966. ID 32399_5, New York City Parks Photo Archive. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738601720-8UH25V4N7YSE85XNTO78/Abramovich+17.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 17. McCarren Park, Brooklyn, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738620763-ZVKA6LD3FOSTPSVWFMIL/Abramovich+18.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 18. McCarren Park, Brooklyn, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738657009-TTARP37T66DKUXRAP5NF/Abramovich+19.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 19. McCarren Park, Brooklyn, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738708281-QAWINEIWTPF7Z0B639MQ/Abramovich+20.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 20. N. 14th Street, Brooklyn, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738719699-G5TTNXQ71H0TAM1ND0US/Abramovich+21.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 21. Flushing Meadows-Corona Park, Queens, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738832081-D57XVP3423T1I4ZPKF1Z/Abramovich+22.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 22. Flushing Meadows-Corona Park, Queens, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738825246-YDTO7J1MEEOJ5K5516FU/Abramovich+23.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 23. Flushing Meadows-Corona Park, Queens, 2019. Photograph by Rebekah Burgess Abramovich. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575738875052-Q7NSB274VBH43GGXKQ1I/Abramovich+24.jpg Home - Mending Fences: Visual Cycles of Municipal Remediation in the Archives Figure 24. Flushing Meadows-Corona Park, Queens, 2019. Photograph by Rebekah Burgess Abramovich. https://www.platformspace.net/home/writing-humane-histories-of-architecture-in-south-florida monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541196901-59KHDPFG8NCP6KJLNJCG/Figure+1.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 1. A red tide along the Gulf Coast of Florida, n.d. Courtesy United States National Oceanic and Atmospheric Administration, National Centers for Coastal Ocean Science. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541290100-PD729ZCF885AKTHO2YVS/figure+2.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 2. Black and white aerial photograph of Marco Island in May of 1964, before Deltona developed it. Courtesy of the Marco Island Historical Society, 2014-03-007. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541339350-OWXCK4QPS630MDSLJZ30/figure+3.jpeg Home - Writing Human(e) Histories of Architecture in South Florida Figure 3. Promotional aerial photograph of first waterfront model homes on Marco Island, ca. 1965, showing their placement along human made, bulkheaded finger canals. Courtesy of the Marco Island Historical Society 2013-07-006. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541410183-LX7SMFM3TEAISK2OZEJJ/FIGURE+4.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 4. Two-page spread from twelve-page advertising brochure for Marco Island, which appeared in syndication throughout the country in January of 1965. Courtesy of the Marco Island Historical Society, 2015-01-010. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541452779-KAKSB26L7NT9K7214I1U/Figure+5.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 5. Black and white aerial photograph showing construction of finger canals on Marco Island, ca. 1968. Courtesy of the Marco Island Historical Society, 2015-14-125. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541517617-MDWYRFUTBHMCPKFX5SN6/FIGURE+6.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 6. “An Experiment in Nature,” Marco Islander (Summer 1972). Courtesy of the Marco Island Historical Society. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575541566898-LL23OZWUD1EZ222ZRMFA/Figure+7.jpg Home - Writing Human(e) Histories of Architecture in South Florida Figure 7. The bound nature of the human and nonhuman worlds appears throughout Deltona promotional photographs such as this one of a small girl with a pail on the beach. Courtesy of the Marco Island Historical Society, 2013-04-141. https://www.platformspace.net/home/die-frauen-der-revolution-strae monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575152895912-71B60C8M7BODY38PR98G/Schmitz%2C+figure+1%2C+V+Movahed+1.png Home - Die Frauen der Revolution Straße Bild 1. Vida Movahed, Revolution Straße, Teheran, 2017. Quelle Twitter. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575152988839-2GUSHQH5U345KK0ALO8P/Schmitz%2C+figure+2%2C+V+Movahed+2.png Home - Die Frauen der Revolution Straße Bild 2. Vida Movahed, Revolution Straße, Teheran, 2017. Quelle Twitter. https://www.platformspace.net/home/rethinking-history-in-design-education-through-the-history-of-materials-part-2 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615249975-6IJGY37PUCK2XIOMZRLH/SewellJohnston_FIG1_part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 1: William Henry Jackson (American, 1843 -1942), Quarrying Granite for Mormon Temple, 1870–1875, Albumen silver print 84.XC.979.4886. The J. Paul Getty Museum, Los Angeles, Calif. Gift of Weston J. and Mary M. Naef. Digital image courtesy of the Getty’s Open Content Program. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615332605-CGVW58A5KIZ73A2MNTFQ/SewellJohnston_FIG2_Part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 2: Objects made by Ben Johnston from clay that he mined from his back yard, Charlottesville, Virginia. Photograph by Jessica Sewell, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615420476-DT4V25BESCJV0KZJTHE4/SewellJohnston_FIG3_part2.JPG Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 3: Wood is varied in color and pattern and takes glue easily, making possible elaborate decorations using wood from multiple sources throughout the world. Joseph Baumhauer (French, died, 1772), Secrétaire, about 1765–1770, maple, mahogany, beech, and oak veneered with tulipwood, amaranth, ebony, and holly; gilt-bronze mounts; marble top137.2 × 104.1 × 38.1 cm (54 × 41 × 15 in.), 84.DA.969. The J. Paul Getty Museum, Los Angeles, Calif. Digital image courtesy of the Getty’s Open Content Program. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615506626-2YQE29H2VDHPVVWWSTTL/SewellJohnston_FIG4_part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 4: Microscopic images of 40/60 silver-copper alloy as cast (left) and after being worked (right) at 200x. The squishing of the grains of the metal from working can be clearly seen. Images from Heather Lechtman. 3.094 Materials in Human Experience, Spring 2004, Massachusetts Institute of Technology. Use courtesy MIT OpenCourseWare, Creative Commons BY-NC-SA. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615580770-0RRZR18NBF5XT6LJL7HK/SewellJohnston_FIG5_part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 5: Students repointing brick using lime mortar that they have mixed themselves, University of Virginia, Charlottesville, Virginia. Photograph by Andrew Johnston, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615639089-CQQZ3MDK5IT43Q16XAFG/SewellJohnston_FIG6_Part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 6: Student riving a shingle, University of Virginia, Charlottesville, Virginia. Photograph by Andrew Johnston, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574615702752-CX8I34MNG5BA2Y6SLAQ2/SewellJohnston_FIG7_part2.jpg Home - Rethinking History in Design Education through the History of Materials (Part 2) Figure 7: The buildings in Suzhou Industrial Park’s new central business district feature glass curtain walls to symbolize their modernity, Suzhou, China. Photograph by Jessica Sewell, 2019. https://www.platformspace.net/home/the-way-concrete-goes monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574270748162-H11E7X13IOP5FI4FHAXK/Fig+1+Hill+to+Hill+Bridge.JPG Home - The Way Concrete Goes Figure 1: Hill to Hill Bridge in Bethlehem, PA, 2018. Photograph by Vyta Baselice. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574270839282-IK7KUWS4UBKLW291QTE2/Fig+2+CementManufactureTheMorningCall.jpg Home - The Way Concrete Goes Figure 2. Basics of cement manufacturing. Clipping from The Morning Call, March 27, 1979: C7. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574270908564-M325O2RDS6Z8FW0UH640/Fig+3+HooverDamConstruction.jpg Home - The Way Concrete Goes Figure 3. Construction of the Hoover Dam, 1943. Courtesy of New York World-Telegram and the Sun Newspaper Photograph Collection, Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574271004684-UDF6R4PN1AXDQDV5WM7T/Fig+4+PAQuarryExplosionLehighStory.jpg Home - The Way Concrete Goes Figure 4. Quarry explosion circa 1955. Published in Joseph S. Young, The Lehigh Story, 1796-1955 (Allentown: Lehigh Portland Cement Co., 1955), 12. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574271086218-BDQF41ROZ2TUMKK6VMYU/Fig+5+EdisonLimestone.jpg Home - The Way Concrete Goes Figure 5. Workers transport quarried limestone to Thomas Edison's cement plant in the Lehigh Valley, undated. Courtesy of Thomas Edison National Historical Park. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574271157284-OT4T9MFO4TUASHJCGOC2/Fig+6+EdisonPlant.jpg Home - The Way Concrete Goes Figure 6. Thomas Edison's cement plant covered in cement dust, undated. Courtesy of Thomas Edison National Historical Park. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574271232057-ZEW2OP2RLFHO9L0ZWSTY/Fig+7+Edwin+Rosskam%2C+Demolition+for+slum+clearance%2C+New+York%2C+Dec+1941%2C+FSA-OWI+LoC+8b14686.jpg Home - The Way Concrete Goes Figure 7. Demolition preceding public housing construction in New York, 1941. Photograph by Edwin Rosskam. Courtesy Farm Security Administration/Office of War Information Photograph Collection, Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574271328821-TI5CMV74R9QXJZTYCQPZ/Fig+8+Firefighters+After+9-11+LoC+ppmsca02146.jpg Home - The Way Concrete Goes Figure 8. Firefighters amid smoking rubble following September 11 terrorist attack on World Trade Center in New York City. Pennsylvania businessmen were eager to receive the concrete debris and dispose of it in the repurposed quarries and landfills; due to the unexpected volume and ensuing moving costs, the rubble instead remained in the Fresh Kills landfill in Staten Island. Courtesy of the Prints and Photographs Division, Library of Congress. https://www.platformspace.net/home/rethinking-history-in-design-education-through-the-history-of-materials-part-1 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574106047622-KY3FQB7UH7PUZBRLVIIS/SewellJohnston_FIG2.jpg Home - Rethinking history in design education through the history of materials (Part 1) Figure 1. The Bauhaus curriculum began with a basic course focused on the elementary study of form and materials. English translation of Bauhaus curriculum chart. Drawn by Jessica Sewell. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574028683483-6KNTAOFQFPGWZS9H6T4S/SewellJohnston_FIG2_part1.jpg Home - Rethinking history in design education through the history of materials (Part 1) Figure 2. Architecture students wearing hats they made out of paper as a foundation studio assignment at Xi’an Jiaotong-Liverpool University, Suzhou, China. Photograph by Jessica Sewell, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574028750841-4IOI8ZKYJH6U2GDK6Y61/SewellJohnston_FIG3_part1.jpg Home - Rethinking history in design education through the history of materials (Part 1) Figure 3. Architecture students at the University of Virginia using an electron microscope to scan and examine historic metal samples. Photograph by Andrew Johnston, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1574028815981-BMWSRRRT7MFOWVFA2RJO/SewellJohnston_FIG4_part1.jpg Home - Rethinking history in design education through the history of materials (Part 1) Figure 4. Student using a draw knife to shape wood riven from a log, University of Virginia, Charlottesville, Virginia. Photograph by Andrew Johnston, 2017. https://www.platformspace.net/home/rutasroutes monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573669454733-8HJPYQU59E1FZVTPK66T/Garcia%2C+Figure+1.JPG Home - Rutas/Routes Figura 1. Maqueta de La Habana, Cuba (1:1000), mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573669962600-S8C5Q816XTOS8NZNUYEN/Garcia%2C+Figure+2.jpg Home - Rutas/Routes Figura 2. Plano de la ciudad y puerto de La Habana, 1838. Imagen cortesía del Archivo Nacional de Cuba, La Habana, Cuba. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670053365-J8K8A4QUFN36YNMEYTWE/Garcia%2C+Figure+3.JPG Home - Rutas/Routes Figura 3. Museo Nacional de Bellas Artes, La Habana, Cuba, mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670103008-OEZ7EGJCT01T2Z8B9M7I/Garcia%2C+Figure+4.jpg Home - Rutas/Routes Figura 4. Barrio Centro Habano, mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670155569-HX1UZ04PPUZ3IKCQAN5I/Garcia%2C+Figure+5.jpg Home - Rutas/Routes Figura 5. Restos de la antigua muralla de la ciudad, mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670210878-C25F708BFF5YPA59ULQI/Garcia%2C+Figure+6.JPG Home - Rutas/Routes Figura 6. Plaza de San Francisco, mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670434272-5IPSTXQNW9WF7ELCBEEL/image-asset.jpeg Home - Rutas/Routes Figura 7. Terminal de Cruceros Sierra Maestra, La Habana, Cuba, mayo de 2014. Fotografía de Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670476874-E0CHNXABB1ULNBLBMS7G/Garcia%2C+Figure+8-2.jpg Home - Rutas/Routes Figura 8. Crucero y botes en el puerto de La Habana, abril de 2018. Fotografía cortesía de Kuhnmi/Flickr/Creative Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573670531211-T5EHN6EFFFMS6O83K1UZ/Garcia%2C+Figure+9.JPG Home - Rutas/Routes Figura 9. Antigua Longa del Comercio, La Habana, Cuba, mayo de 2014. Construida entre 1907 y 1909, el edificio sirvió como la Longa del comercio hasta la Revolución Cubana de 1959. Fotografía de Guadalupe García. https://www.platformspace.net/home/bullets-over-the-borderlands-where-do-we-memorialize-the-dead-part-ii-assaulted-landscapes-porous-borders monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573407796976-I27CRKSPUFN84D18CCO8/Fig.+1++PART+II.+20180617_EP_MARCH_TO_TORNILLO_0059.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part II: Assaulted Landscapes, Porous Borders Figure 1: Protests in June 2018 against the separation of children at Tornillo, Texas. Photographer: Peter Svarzbein. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573407922863-3V3SR7WUQZWU7KHJL3ZK/Fig+2++PART+II+20180617_EP_MARCH_TO_TORNILLO_0458.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part II: Assaulted Landscapes, Porous Borders Figure 2: Protests in June 2018 against the separation of children at Tornillo, Texas. Photographer: Peter Svarzbein. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573408009427-PZN1N15J7OZM8HGU0WZM/Figure+3+Part+II.+GettyImages-50612373.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part II: Assaulted Landscapes, Porous Borders Figure 3. This photo is described in the Getty archives as “A motley group of illegal Mexican wetbacks sprawled on floor of border patrol jail cell…as they sadly await deportation back to their homeland.” Photo by Loomis Dean/The LIFE Picture Collection/Getty Images https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573408077482-0N5IWM7QN8QQD0ASI5OT/image-asset.jpeg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part II: Assaulted Landscapes, Porous Borders Figure 4: Eight wall prototypes built near San Diego in 2017 for Trump’s 2,000-mile continuous wall, seen here from Tijuana, Mexico. Credit: Guillermo Arias /AFP/Getty Images https://www.platformspace.net/home/the-art-biennial-as-a-public-health-problem monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573081369172-MRB9FX7VFCSMREQCJB0H/_AYO8232.jpg Home - The Art Biennial as a Public Health Problem Views from protests in 2014 against Eczacıbaşı's mining activities in southwest Marmara (1/4) (courtesy of Aykan Özener) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573081270247-OBS2S4SGVV9B5ALKHHSL/_AYO8259.jpg Home - The Art Biennial as a Public Health Problem Views from protests in 2014 against Eczacıbaşı's mining activities in southwest Marmara (2/4) (courtesy of Aykan Özener) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573081322211-YDO6GN85PX39O1CSOJ5G/_AYO8320.jpg Home - The Art Biennial as a Public Health Problem Views from protests in 2014 against Eczacıbaşı's mining activities in southwest Marmara (3/4) (courtesy of Aykan Özener) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573081372536-D5ASF9V3CX6DVE9SGEXX/_AYO8335.jpg Home - The Art Biennial as a Public Health Problem Views from protests in 2014 against Eczacıbaşı's mining activities in southwest Marmara (4/4) (courtesy of Aykan Özener) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573083002076-YOJTIKZSO5ZF0BFYM030/Figure+2.jpg Home - The Art Biennial as a Public Health Problem Figure 2. Haliç Shipyards as seen in March 2013. (Photograph: Arild Wågen, WikiZero) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573083241300-NWKVK6RBPUSRW335Y9P1/Figure+3.jpg Home - The Art Biennial as a Public Health Problem Figure 3. Anti-Kanders protest at the Whitney Museum in April 2019. (Photograph: Perimeander, WikiZero). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573083560750-KWBW95NQI3SEC8A65SQR/15049711910_36694bcca5_o.jpg Home - The Art Biennial as a Public Health Problem Figure 4. The 2014 Taipei Biennial is the precedent for this year's Istanbul Biennial, in that it was also curated by Bourriaud and was Anthropocene-themed. One of the works exhibited at Taipei, Surasi Kusolwong's installation Golden Ghost (Reality Called, So I Woke Up), was paradigmatic of the ways in which Bourriaud has repurposed his relational aesthetics theory for what has been termed the age of the Anthropocene. The work consists of 5 tons of waste fabric within which 12 gold necklaces are hidden. The Biennial's official website introduces the work thus: "Kusolwong invites visitors to hunt through a huge industrial waste landscape of threads for pieces of art designed and made by himself, real gold necklaces with golden ghost symbols. If visitors are lucky enough to find one, they can take the hidden treasure home. . . . Through his participatory and interactive work, Kusolwong integrates the traditional craft of goldsmithing with modern narrative, historical socio‐politics and current economics and ecology. He transforms the exhibition space into a place for experiencing, revoking and reconsidering such issues of human civilization." (Photograph: Forgemind ArchiMedia, Flickr) https://www.platformspace.net/home/bullets-over-the-borderlands-where-do-we-memorialize-the-dead-part-i-dreaming-of-free-landscapes monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572816876941-N5YC0K5EQDGNQ2W276I8/Figure+1+Part+I.+GettyImages-105220313.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part I: Dreaming of Free Landscapes Figure 1: Men assisting with “Operation Wetback,” a 1950s mass deportation program that Donald Trump has praised. Photo by Keystone-France/Gamma-Keystone/Getty Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572816987014-RQQQNHINQYOLK5WC38CP/Figure+2+PART+1.++20190809_EP_WALMART_NIGHT_2_0005.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part I: Dreaming of Free Landscapes Figure 2: Mourning after the El Paso mass shooting. Photo by Peter Svarzbein. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572817101448-X018HZ5WFBSZNKHN7XSK/Figure+3+Part+I.+39708v.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part I: Dreaming of Free Landscapes Figure 3: A World War I era poster recruiting men to patrol the border. Credit: Gordon Grant/Library of Congress. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572817177169-I51NSUDM9B3AV5W84KPL/Figure+4++PART+1.+TexasRangers1915border_murders-980x600.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part I: Dreaming of Free Landscapes Figure 4: Texas Rangers pose with Mexicans after a “bandit raid” in 1915. The Robert Runyon Photograph Collection, Courtesy of the Center for American History, The University of Texas at Austin. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572817235236-3RHTAXR3AKMUY9IDYCXC/figure+5+part+1.jpg Home - Bullets Over the Borderlands: Where Do We Memorialize the Dead? Part I: Dreaming of Free Landscapes Figure 5: “Aquarius,” (oil on canvas) by Ana Teresa Fernández. Documentation of the artist’s performance at the Tijuana/San Diego border. Fernández summons domestic workers, the plights of Mexican women in a male-dominated society, and women who bear the brunt of migration. She states: “I went to the border and mopped the beach with my hair in desperation to clean up the filth and violence…this was my way of combatting the term “wetback.” https://www.platformspace.net/home/towards-teaching-popular-culture monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572477991349-IQVTI6AOJPA7W2FY8W2H/Lasansky+Fig+1+%28Kardashians%29.jpg Home - Towards Teaching Popular Culture Figure 1. Kylie and Kendall Kardashian in John Lautner’s Sheats-Goldstein house. “Break Free,” Keeping Up With the Kardashians, season 15, episode 16, E! Entertainment Television, Dec. 9, 2018. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572478070360-Q4CYYNV8EAP3FNLDCVKK/Lasansky+Fig+2+%28Brady+Bunch%29.jpg Home - Towards Teaching Popular Culture Figure 2. The Brady family (Robert Reed, Maureen McCormick, Rory Stevens) in their kitchen. “Going Going Steady,” The Brady Bunch, season 2, episode 5, ABC Television, Oct. 23, 1970. Photograph by Walt Disney Television via Getty Images Photo Archives. https://www.platformspace.net/home/from-bunk-beds-to-lazy-rivers-the-rise-of-the-luxury-college-residence-hall monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572172718988-8MQ9S5FB1JRBISEDJJ1Y/13++yanni++lazy+river.JPG Home - From Bunk Beds to Lazy Rivers: The Rise of the Luxury College Residence Hall Figure 1. Lazy River, District on Apache, Tempe, Ariz., 2015. Photograph by Carla Yanni. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1572173032984-KAQDGTVF2GKQET1KCT1V/SoCam.jpg Home - From Bunk Beds to Lazy Rivers: The Rise of the Luxury College Residence Hall Figure 2. SoCam 290, New Brunswick, N.J., 2019. Photograph by Carla Yanni. https://www.platformspace.net/home/little-arabia-a-southern-california-ethnoanchor monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571829868759-T9N7RN333VP3INRPK2WS/Allison_FIG1.jpg Home - Little Arabia: A Southern California Ethnoanchor Figure 1. Looking south down Brookhurst Street at Cherrywood Lane in Little Arabia, 2019. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571829956880-P3V9FIISD8CWRF0PXJGF/Allison_FIG2.jpeg Home - Little Arabia: A Southern California Ethnoanchor Figure 2. Stand-alone signage symbolizing Little Arabia, 2019. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571830006995-W39NM5MA2JJXCR4O8RPC/Allison_FIG3.jpeg Home - Little Arabia: A Southern California Ethnoanchor Figure 3. Commerce along Brookhurst Street not affiliated with Little Arabia identity, 2019. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571830193787-DDX4TKYV4MCKQH062J6U/Allison_FIG4.jpg Home - Little Arabia: A Southern California Ethnoanchor Figure 4. Illustrates the stretch of Brookhurst Street associated with Little Arabia’s businesses and institutions, 2019. Photograph by Noah Allison. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571830242364-UMWQIXUGNY6B2RW4ET57/Allison_FIG5.jpeg Home - Little Arabia: A Southern California Ethnoanchor Figure 5. The ordinary buildings are the primary sites of Little Arabia’s commerce, 2019. Photograph by Noah Allison. https://www.platformspace.net/home/max-ewings-closet-and-queer-architectural-history-part-2 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571592671479-Q4OEDZUXOP2OFCF4IGTU/Friedman+pt+2+1.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 2) Figure 1. Unknown photographer, Max Ewing in his “Gallery,” 1932. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of Wallace Ewing. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571592725736-E20QYBV5DK43A0K2M040/Friedman+Pt+2+2.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 2) Figure 2. Carl Van Vechten, Portrait of Paul Meeres, 1932. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of the Carl Van Vechten Trust. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571592946548-BXMPBTALN7R6DPSX2G8P/Friedman+Pt+2+3.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 2) Figure 3. Carl Van Vechten, Contact sheet of portraits of Paul Meeres, April 1, 1932. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of the Carl Van Vechten Trust. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571593017271-S4832TSH4KPGMTZNH30X/Friedman+Pt+2+4.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 2) Figure 4. Max Ewing, Paul Meeres at 19 West 31st Street, c. 1932. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of Wallace Ewing. https://www.platformspace.net/home/a-better-united-states-c-1937 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571230336107-3TQTXLA5FATH6JDPNNFM/Gutman%2C+screenshot+1%2C+Hands.jpg Home - A Better United States, c. 1937 Screenshot 1. A builder and his hammer. Hands, 1934, Federal Works Agency, Works Progress Administration, National Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571230419760-Z8138SUSJWRO7WDTL5PU/Gutman%2C+screenshot+2%2C+Living+New+Deal.jpg Home - A Better United States, c. 1937 Screenshot 2. The Living New Deal home page, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571230933622-0S42SJ26PP6YOBRK7IOK/Gutman%2C+screenshot+3%2C+Colonial+Park+Pool.jpg Home - A Better United States, c. 1937 Screenshot 3. African American construction workers at Colonial Park Pool. A Better New York City, 1937, Federal Works Agency, Works Progress Administration, National Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571230984323-NZ4FW3XO2QOI4INW4F0K/Gutman%2C+screenshot+4%2C+industrial+kitchen.jpg Home - A Better United States, c. 1937 Screenshot 4. A woman making school lunches in an industrial kitchen. A Better New York City, 1937, Federal Works Agency, Works Progress Administration, National Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571231019956-3G3PWNGJ7KHA2NE7H7TT/Gutman%2C+screenshot+5%2C+AA+caretaker.jpg Home - A Better United States, c. 1937 Screenshot 5. An African American caretaker and her young charges. A Better New York City, 1937, Federal Works Agency, Works Progress Administration, National Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1571231073102-AO9S11X5JN23FH5IPUND/Gutman%2C+screenshot+6%2C+playstreet.jpg Home - A Better United States, c. 1937 Screenshot 6. Play street. A Better New York City, 1937, Federal Works Agency, Works Progress Administration, National Archives. https://www.platformspace.net/home/excavating-the-vishwanath-corridor-in-varanasi-india monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570970161250-VJ1V4I5XK4SCFF3FCQ78/Image+1.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 1. Varanasi is most often characterized as an ancient place and a paradigmatically Hindu city. It is, to be certain, an important center for Hindu religious worship, but it is also true that a sizable population of Muslims and Dalits (the depressed classes who formally sit outside the Hindu caste system) make their homes here. The Vishwanath Corridor is to be a wide, open walkway that links the Kashi Vishwanath temple to the main road (and a welcome center), on its one side, and to the river Ganges, and a series of bathing ghats (platforms), on its other. Non-Hindus are not permitted access to the temple. It is estimated that during the initial phase of construction three hundred homes have been demolished, some five hundred businesses destroyed, and 600 families displaced. Official sources state that the corridor is fifty-six meters wide and over three hundred meters long, which composes about four acres total in ground space. Demolition began in late 2018 and was still ongoing when I visited in early July of 2019, though it is mostly now being undertaken by perhaps a dozen individuals armed with hammers and chisels. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570968845773-R2AWP7LYC1ZC985P1Z32/Image+2.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 2. The corridor’s eastern end intersects with the Varanasi waterfront, its famous public face (used, for example, in “Incredible India” tourism advertisements). Here eighteenth-century palaces sit side-by-side with more modern hotels, linked by a series of ghats, that run the full length of the city’s waterfront. The ghats allow pilgrims and residents easy access to the river for bathing and ritual purposes. Nearby is the city’s main ghat for cremations, Manikarnika. In centuries past, this was also a commercial waterfront as goods moved up and down river, linking the Bengal coast with inland territories. The Umraogiri Pushta, pictured here, is an eighteenth-century fortress that once housed an army of Hindu mendicant trader-soldiers (gosains) who dominated the trade to central India. The apartments constructed atop the structure are in the process of being demolished. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570968888228-12CY6NMRZWVTS23TQFH6/Image+3.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 3. The Umraogiri fortress has little interior space to speak of as it was originally intended to serve as a protected space for an armed encampment. The building’s rooftop, once sheared of its twentieth-century brick and mortar accretions, is to be converted into an open-air “Sanskritik Kendra,” or a center for the study and promotion of the Sanskrit language and its religious culture. The gosains who once lived here were themselves Hindu partisans, and devotees of the god Shiva. They were, for example, deeply involved in communal conflict that took place in Varanasi in 1809, when they attacked the mosque adjacent the Vishwanath Temple, just a few hundred meters from their home. At issue then was the balance of power, and the physical possession of religious space in this city shared by both Hindus and Muslims. This is still a key worry for many in the city. They ask: how will the changed physicality of the Vishwanath Corridor alter the character of Hindu-Muslims relations here? Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570968908751-LRUG6B21A7VWSUV5MX53/Image+4.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 4. Until recently the fortress had been home to several dozen families, their apartments linked together through an ingenious network of passageways and staircases. Though rudimentary, these homes were well cared for by their inhabitants, with fresh coats of paint and plaster still visible in the rubble. In years past I used to walk past on the ghat and bemoan their presence atop this historical building. They are all illegal construction, I’d say, and ugly as well. Many had drain pipes that simply dumped waste water straight onto the ghat below, from where it would slowly make its way to the river across the paths of walkers. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570968961590-EAX6YZX2HDHQBC6YR7NL/Image+5.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 5. Many of the people I spoke to felt that the standard compensation provided to home- and shop-owners was generous. Yet those who rented (sometimes for generations) were left with very little, if anything, to restart their lives. The pattern of rapid displacement with little judicial recourse is one that happens routinely in urban slums in India, and it was repeated here, though this was no slum. Land-holding patterns in this neighborhood, like many around the city, map with a high degree of correspondence onto caste, religious, and ethnic divisions. Many of the land-owners in this neighborhood were high caste, their families affiliated with the temple and the business of pilgrimage. Most of the renters, however, were lower caste or Dalits, working in tourism and the cremation industry. Here an image of Bhimrao Ambedkar, a Dalit and principal author of India’s constitution, adorns a building adjacent to the Umraogiri Pushta. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570968973321-FF7QYOOUC96C4JOPDTHZ/Image+6.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 6. Demolition work did, however, bring some employment to the area. It is unclear, though, whether these young men were from the neighborhood—they didn’t want to talk to me about it. Here they take a midday break from dismantling the Umraogiri apartments by hand. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969010489-C7IT9Y17KPRG74IVC86X/Image+7.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 7. Discarded belongings amid the rubble atop Umraogiri Pushta. Walking through the debris field of the Vishwanath Corridor has profoundly changed the way I think about this city, and in ways that are hard to fully articulate. I’ve been visiting and studying Varanasi for twenty years now, and it is a place that is very close to my heart. But I’ve needed to confront that part of me that would prefer to see the city through a lens of exotica or antiquarianism. I often walk these old neighborhoods in search of the ruins of earlier centuries, or comparing buildings depicted two hundred years ago with what is there now. In many ways I had hoped that Varanasi wouldn’t change, that the blight of concrete flyovers would be left for other places, not here. I suppose I had fallen for the old orientalist trick. Varanasi is not timeless, it never was and never will be. It will always change. But now I am cured of my love of ruins forever. There is new kind of historian at work in this city now, making a new sort of future for it. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969027688-C9SP3PE5LI2II67XGYXU/Image+8.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 8. The city of Varanasi is distinguished not just by its “public face”—the riverfront ghats—but also by its “private face” - the narrow lanes and tall buildings of the old city’s interior. Along these lanes one can find markets for vegetables, religious trinkets, silk saris, brassware, and much besides. When the British first came to the city in the 1770s it was the “medieval” character of these back lanes that they often remarked on, as much as the city’s importance as a center of Hindu religion. Europeans imagined the city was like a step back into a pre-industrial past. Potential danger lurked around every corner, as well, for the medieval city didn’t allow India’s new rulers to effectively see the city in its entirety. Its density, in other words, obscured it from view and from a full measure of control. As such, Varanasi (then known as “Benares”) always escaped the colonial grasp. To the left of this photo demolition work is ongoing, rendering this lane a boundary between what was and what is still to be. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969076663-UNTUA22CDC2ZAU19DRI1/Image+9.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 9. By the early twentieth century, British officials in India promoted the clearance and rehabilitation of dense urban neighborhoods by reference to “light and air” requirements. That is, they sought to make urban space less dense, more open, in order to serve in the promotion of human healthfulness and hygiene, and to stem the spread of communicable disease. Older cities such as Varanasi, however, were rarely subjected to such requirements because of the enormous disruption such demolition work would entail. Instead, small changes were made—a lane widened here, encroachments removed there. This was the approach to urban regeneration championed by Patrick Geddes, for example; what he called “conservative surgery.” Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969091293-BL0BF479NCFWILYLA10G/Image+10.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 10. I see in the rhetoric that surrounds the Corridor project a repetition of the colonial obsession with the “hidden,” and the desire to render the city visible and “readable” as a particular kind of text—to eschew its notorious social and physical complexity in favor of an aesthetic of “world-class” Hindu modernity. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969130546-G9U7GFWJHI3Z04AIEBTP/Image+11.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 11. One of the principal claims made on behalf of the Corridor is that ongoing demolition work has “revealed” up to forty Hindu temples previously unknown; temples that were hidden by the density of the city’s urban fabric, or indeed temples that had been incorporated into people’s houses and made somehow “private” space. The language used is that of the “liberation” of Hindu temples, their “restoration” and “reclamation” as a part of a broader public engagement with the city. The process of destruction is thus characterized as a sort of archaeological dig, even a digging for buried treasure, in which the gems of the Hindu past are released from their urban entombment. Of course, most of the temples here were well known to local people, as opposed to tourists and pilgrims, for they composed an integral part of their neighborhood and local religious activity. This is an image of the Manokameshwar temple, devoted to the god Shiva. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969170554-4P58PFC7MX8IHXJ93JEB/Image+12.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 12. Shortly after demolition work began, signs began to appear in front of the larger temples along the Corridor pathway, evidently placed there by representatives of the Kashi Vishwanath Temple Trust. The signs inform passersby (those able to traverse the rubble) of the temple’s name and that “this Temple became visible and now available for your visit and Darshan [a seeing of, and by, the deity] after the removal of the Residential/Commercial structure of the Property No. . . . We seek your blessings.” Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969210773-QHWMUQH9U8ELK8N8OA6W/Image+13.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 13. The Chintamani temple is adjacent to a main lane, though the old house of the temple’s keeper has now been removed. Some observers have claimed an extreme antiquity for these structures—thousands of years even—though in reality most of these temples are no more than two hundred or, at the very most, three hundred years old. During the eighteenth and early nineteenth centuries Varanasi flourished as a center of commerce and banking, and temple construction was a common way of promoting one’s socio-cultural status in the community, as well as being a source of religious merit. These temples were usually constructed as a part of one’s own household, or adjacent to it, so as to serve one’s own family and one’s neighbors. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969204536-XEEAYRKKUTAMGQ27QH8A/Image+14.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 14. Most of the temples that have been “revealed” now lie untended, the families that served them displaced to another part of the city. Fresh flowers were placed in some that I visited, though not others. Debris was piled high outside the doorway of several others, making them completely inaccessible to potential visitors. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969274386-08IY1XQGMWXI59IARASV/Image+15.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 15. Interestingly, it was the temples’ incorporation into this dense urban fabric that has preserved their intricately carved sandstone features. Layers of whitewash and paint on the Chintamani temple mark the demarcation between what was outside, exposed to Varanasi’s unforgiving climate, and what was inside the domestic structure, protected from the elements. That line between the inside and the outside has now been erased, making the temple available to all, visible to all, most certainly, yet equally removed from the relationships that had supported, tended, and preserved it for generations. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969293435-H1XDTQRXDN57LW48ELMC/Image+16.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 16. Some historical structures not associated with Hindu worship are being preserved within the corridor. The Goenka Library, for example, is still standing, perhaps because it is often used by security personnel as a staging post. But outside it lay mounds of irregular brick dating to the eighteenth or early nineteenth century, as well as the decorated structural elements of doorways and columns carved from local sandstone. What these materials belonged to can now only be guessed. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570973181773-CQ0T27QOK4VV9LLJ53A5/Image+17.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 17. The excavation of the Vishwanath Corridor also reveals a different historical structure—the Gyanvapi Mosque, built by the Mughal emperor Alamgir (Aurangzeb) on the site of an earlier Hindu temple, ca 1669. The corridor, then, leads not just to the Kashi Vishwanath temple, but also to the mosque, which sit side-by-side, heavily guarded by Indian police and special forces. Many observers are concerned that the corridor is in fact just a pretense to facilitate the destruction of the mosque, as happened in Ayodhya in 1992. Indeed, the mosque’s domes and minarets are now visible from multiple vantage points in a way that they were not before. A wall shared by the mosque and temple was demolished recently, causing great concern for the city’s Muslim population. Some people have told me that they think this was a “test” to see what might happen if the mosque was threatened. Several men were also arrested attempting to bury a Hindu icon in the mosque precinct, in essence trying to claim for that space a Hindu historicity. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969337512-BR1J4F7GZ00WQ1QQBJCZ/Image+18.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 18. In a promotional video that highlights the project’s design, the camera moves slowly across a digital rendering of the corridor from the Ganges, and then turns its back to the mosque to focus on the Vishwanath temple. The camera’s last movement is to pull back into a wider view of the corridor project. Yet here as well the mosque remains a secondary consideration as it is not provided a descriptive label. The message seems to be that it is not an integral element of the design. As if it needs reiterating, the video tells us that the Kashi Vishwanath Corridor is a Hindu project, not one that reflects the diverse lived character of this city. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969414474-LKTUSVZYJWZVFGSARZ3W/Image+19.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 19. There is a word I keep hearing in Varanasi these days: basabat. It means something like the way of living in a city, where people and activities all come together in a sort of chaotic urban melody. This is the quality of the city that should be cultivated, or at least left to its own devices. The Vishwanath Corridor is an act of removal, not just of buildings, but also of basabat. Only disembodied structures now remain, isolated from the city that sustained them, and transformed into sterile monuments for the Hindu pilgrim’s imagination. Photograph by Michael S. Dodson, July 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570969411522-W117898B2P61WA9HOAXS/Image+20.jpeg Home - Excavating the Vishwanath Corridor in Varanasi, India Figure 20. In this neighborhood of Varanasi, walls were once shared. My inside wall was your outside wall. No more. Photograph by Michael S. Dodson, July 2019. https://www.platformspace.net/home/max-ewings-closet-and-queer-architectural-history-part-1-1 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570645270779-RU9TO7NCZU3JTV6DUEIZ/image-asset.jpeg Home - Max Ewing’s Closet and Queer Architectural History (Part 1) Figure 1. Max Ewing, Photograph of One Side of Max Ewing’s ‘Gallery of Extraordinary Portraits” in His Clothes Closet, 1928 or 1929. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of Wallace Ewing. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570645326862-F509V4VH88LKDDS2A2EW/Friedman+Pt+1+2.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 1) Figure 2. Carrère and Hastings, “The Life Building, 19 West 31st Street, New York City,” Architectural Record 27, no. 1 (January 1910): 32. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570645373283-6Y3PWKJEVQVI5JUB24YG/Friedman+Pt+1+3.jpg Home - Max Ewing’s Closet and Queer Architectural History (Part 1) Figure 3, Exhibition Catalogue, Max Ewing Collection of Extraordinary Portraits, 1928. Courtesy: Beinecke Rare Book and Manuscript Library, Yale University, by permission of Wallace Ewing. https://www.platformspace.net/home/the-house-that-mc-escher-and-the-marquis-de-sade-built monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570302996988-9EOAJOHRO097HT4AT42M/Figure+1+-+Demolition.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 1. Demolition of Kell Hall, 2019. Photograph by Alex Sayf Cummings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303163916-CEKD1L6AT4CLPWLM6E52/Figure+2+-+Demolition.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 2. Demolition of Kell Hall, 2019. Photograph by Alex Sayf Cummings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303243609-GLFT34VP8ZIUO7VNWKWW/Figure+3+-+Bolling+St+image.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 3. Bolling Jones Building (or “Ivy Street Garage”), 1946. AJCN048-014d, Atlanta Journal-Constitution Photographic Archives. Special Collections and Archives, Georgia State University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303299698-MG89YI5M7LXTO5DCZ8SS/Figure+4+-+Pawprints.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 4. Pawprints near the Georgia State quad, 2019. Photograph by Alex Sayf Cummings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303342245-0AZB7NA2DYJ0WH1EP1YF/Figure+5+-+Sparks.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 5. Sparks Hall endures, 2019. Photograph by Alex Sayf Cummings. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303384659-9FO93VPLMS2QTZJ61OIH/Figure+6+-+Rampways+1981.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 6. Rampway student yearbook, 1981. GSUYB1981. Georgia State University Yearbooks Collection. Special Collections and Archives, Georgia State University Library. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570303421807-C8JJYRX7CLVN8CKUZM7P/Figure+7+-+Peachtree+Center+Ave.jpg Home - The House that MC Escher and the Marquis de Sade Built Figure 7. The view from Peachtree Center Avenue, 2019. Photograph by Alex Sayf Cummings. https://www.platformspace.net/home/there-is-no-place-like-home-the-photographs-of-matthew-kaplan monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037556370-7O9UNVX5RRAR5BBYMTVO/01_IMG_3373.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 1. Whiting Refinery and Houses at Dusk, January 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037555575-K3SJ9HQFD7N6J8DKMLGO/02_IMG_9261.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 2. Whiting Houses with Refinery at Dusk, July 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037575533-FQ3W6QNX94ANO3OKMYFJ/03_IMG_9085.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 3. Marktown Neighborhood of East Chicago, Indiana, January 2017. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037590458-F81DCL99JO56A21LLJH3/04_IMG_9428a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 4. BP Coker Unit and Marktown Street at Dusk, March 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037596004-TRA6BL8F6W5QII9FL3NG/05_IMG_9363.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 5. Marktown Duplex with ArcelorMittal Steel Mill Building, March 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037605826-ISPUH5RGUWES5K8U7I7G/06_IMG_9089.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 6. Vacant Marktown Building with BP Coker, March 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037618118-R7WZKYLZHHVWFW5YSZ6P/07_IMG_5917.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 7. BP Coker Unit Through Marktown Backyards, January 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037625186-00UZP7Z7OF32OIKGM2ZY/08_IMG_1106a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 8. Dawn at Tank Farm in East Chicago, Indiana, Indiana, April 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037646506-8UNOKDSNMO2TCFQZZD9N/09_IMG_6162a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 9. Whiting Refinery with Houses in Hammond, January 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037646396-VYX0IVRB7YATALNUV7EP/10_IMG_5685a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 10. Dusk on BP Storage Tank Farm and Coker, June 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037663459-VDCPTIODVZYCQAOUTNJU/11_IMG_7143.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 11. Whiting Refinery and Nearby Liquor Store, May 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037670590-EINODA20HJ0AGJHAT8VY/12_IMG_0980.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 12. Dusk with House and Tank Farm in East Chicago, Indiana, April 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037690308-XTQGRSNH86N9OIJ8AWRC/13_IMG_9862a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 13. Sunrise at Whiting Refinery, March 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037701498-YZD4WEHOAWWA4F888B3K/14_IMG_7523a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 14. Unilever Soap Factory in Hammond, Indiana, March 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037706599-O9VICJQ88GP04ZNPT4ZG/15_IMG_5995_.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 15. Whiting Houses and Refinery Towers, June 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037728087-9ZKTLX1RNTWVSEF9NXQ3/16_IMG_8182c.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 16. Resident Across the Street from the Whiting Refinery, July 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037728654-VKK652YIDGDKWKQZNPTB/17_IMG_0458.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 17. Hammond Little League Game with Cargill Corn Processing plant, August 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037745437-VOX6ST2H2VF74QUFA80F/18_IMG_4676.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 18. Whiting Refinery at Dawn, April 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037764043-H43PUDBEN5XN7DO9BWAY/19_IMG_6872a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 19. Bathers at Whiting Beach and ArcelorMittal #7 Blast Furnace, July 2019. Photograph by Matthew Kaplan. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1570037762432-541WS0DWY35L0WGJBIC2/20_IMG_5599a.jpg Home - There is No Place Like Home: The Photographs of Matthew Kaplan Figure 20. Teens in Whiting, near the BP Refinery, February 2019. Photograph by Matthew Kaplan. https://www.platformspace.net/home/creativity-in-making-the-built-environment monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569784114493-X33XC5JT45UCDTSGAEJX/Harris%2C+R.+01%2C+Levittown+Lasner.jpg Home - Creativity in Making the Built Environment Figure 1. A creative, probably amateur, adaptation of a “little box” in Levittown, Long Island, New York, 2014. Photograph by Matthew Gordon Lasner. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569784162312-QT0KCWX5Y52PZF82ESE4/Harris%2C+R.+02%2C+Women+Buyers+Building+Supply+News.jpg Home - Creativity in Making the Built Environment Figure 2. Trade journals worked hard to educate building suppliers about how to handle the postwar influx of home handy-men and –women. Source: Building Supply News 71, no. 4 (April 1946). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569784200894-G53X9KID5ODWP5ALBGPM/3.jpg Home - Creativity in Making the Built Environment Figure 3. The Turtles’ owner-built garage in Fairfield, outside Sydney, Australia, 1952. Source: Laurie Turtle. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569784272170-4204P2ADF7IC9LL1X1XL/Harris%2C+R.+04%2C+Primus+Stove.jpg Home - Creativity in Making the Built Environment Figure 4. A Primus camping stove. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569784326476-PTV164WCX6ONOQQGD3F7/Harris%2C+R.+05%2C+Plan+of+Turtles%27+House.jpg Home - Creativity in Making the Built Environment Figure 5. How the Turtles’ house grew. Source: Laurie Turtle, 2016. https://www.platformspace.net/home/middling-urbanism-and-the-contradictory-space-of-the-kampung-in-indonesian-capitalism monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569000748277-JFKW6HUES0G1X3KKY2S3/Fig+1.jpg Home - Middling Urbanism and the Contradictory Space of the Kampung in Indonesian Capitalism Figure 1. A view from a bridge across River Ciliwung at Kampung Pulo, 2015. In the kampungs, infrastructure is inadequate and buildings are constructed incrementally, not subject to building codes. This kampung was demolished in August 2015 to expand the capacity of the river. Photograph by Abidin Kusno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569001362679-3VN6J82NH5WSTVE6Z1S9/Fig+2+-+map+of+kampung.jpeg Home - Middling Urbanism and the Contradictory Space of the Kampung in Indonesian Capitalism Figure 2. This map, which represents the location of every kampung in Jakarta, highlights the type’s ubiquity and proximity to the formalized city. Typically, kampungs, which accommodate much of the city’s workforce, including many shopkeepers and janitors, are “off the map.” Yet they cluster around important nodes, including high-rise office buildings and shopping malls. Map by Prakoso, Saputra and Dewangga, 2018, based on aerial image data from Google Earth 2017. Reprinted with permission from Rita Padawangi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569001438111-KB7D99BHNMZZZK3MWE07/Fig+3.JPG Home - Middling Urbanism and the Contradictory Space of the Kampung in Indonesian Capitalism Figure 3. Kampung Pulo, 2015. This kampung, demolished shortly after this photograph was taken, played an important economic role as an income-pooling domain for workers. Like other kampungs in Jakarta, many of its households included one or two members who worked in the formal sector (such as in shopping malls, office buildings, or factories), while others earned a living as street vendors (such as the man at center) and maids, or in petty commodity production and retail, selling wares such as furniture. Photograph by Abidin Kusno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1569001488314-XSXBT3S3W9914NA4YUMX/Fig+4.jpg Home - Middling Urbanism and the Contradictory Space of the Kampung in Indonesian Capitalism Figure 4. A wall divides Kampung Kuningan from its upper-middle class neighbor, while a cut reveals how interconnected the two settlements in fact are, 2015. The tower’s developer built the wall in order to increase the value of the apartments. Yet, many residents of Kampung Kuningan work in the high-rise, as drivers, maids, gardeners, handymen, security personnel, and vendors, while other employees, who live further afield, may take advantage of Kuningan’s food stalls from work. Jakarta is filled with similar wall and cuts. Photograph by Abidin Kusno. https://www.platformspace.net/home/city-smarts-an-app-for-civic-engagement monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568836196895-OHXIZSOIP3NC3WSZ2B4U/Fig1+High-res.jpg Home - City Smarts: An App for Civic Engagement Figure 1. UrImaginist schematics: (a) acquisition of image; (b) determination of available surface; (c) canvas generated from selected surface; (d) doodles by the user. Copyright: Sicheng Wang, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568836246560-BPAY1HBBR5XW18TP5HW2/Fig2+High-res.jpg Home - City Smarts: An App for Civic Engagement Figure 2. UrImaginist: the image viewed by the viewer with information and options for comments, viewing history, etc. Copyright: Sicheng Wang, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568836299198-ULTWYLHZWA8XS74XX3NJ/Fig3+High-res.jpg Home - City Smarts: An App for Civic Engagement Figure 3. UrImaginist: the main interface with embedded map. 1: System push-message notifying drawings nearby; 2: marks indicating drawings on map; 3: button to enter camera mode as shown in Figures 1 and 2; 4: settings menu; 5: search for drawings by location, author, title or date. Copyright: Sicheng Wang, 2019. https://www.platformspace.net/home/mass-housing-legacies-former-yugoslavia-teaches-the-enduring-united-states monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568484560076-FJMQ1T70YR4C6RNUKPS8/Allen+Fig+1%2C+Pruitt-Igoe+%28Low-res%29.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 1. A baseball game taking place in DeSoto Park at the Pruitt-Igoe housing project in St. Louis, Missouri, U.S.A. Date unknown. Photograph from the State Historical Society of Missouri. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568484730567-PIDBX89M91C8052NDI5T/Allen+Fig+2%2C+Fuzine_01.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 2. Fužine_01: A typical 13-story tower at Fužine, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568484827068-JQWYP16UPK5UH9BW9BBM/Allen+Fig+3%2C+Fuzine_02.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 3. Fužine_02: Entrance canopy on a Fužine tower, adjacent to stair tower, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568484939014-SPUWB9GD11BTMXSRQBEY/Allen+Fig+4%2C+Fuzine_03.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 4. Fužine_03: Private gardens at tower base, Fužine, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485193837-P2MBTV3S4ZVJ6G8973U3/Allen+Fig+5%2C+Fuzine_04.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 5. Fužine_04: Verdant landscaping surrounding low-rise Fužine buildings, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485343433-SWYZNBARSULE0QQ783NT/Allen+Fig+6%2C+Bezanijski_01.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 6. Bežanijski_01: View across lawn between towers in Bežanijski blokovi, Block 62, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485457979-WA0PNACIWC3VSUY2ULKE/Allen+Fig+7%2C+Bezanijski_02.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 7. Bežanijski_02: Row of towers along Evrpska ulica, Bežanijski blokovi, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485532914-O20TJ6OF8X6HD76SQL72/Allen+Fig+8%2C+Bezanijski_03.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 8. Bežanijski_03: Residents access their basement storage units in Block 63, Bežanijski blokovi, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485610718-UA641G49TGESAMGDJ0VN/Allen+Fig+9%2C+Bezanijski_04.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 9. Bežanijski_04: Steps with cast concrete side walls in Block 62, Bežanijski blokovi, 2019. Photograph by Michael R. Allen https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485740404-UBVAJ1DBZ1L4OEN7CJ2P/Allen+Fig+10%2C+Cigale_01.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 10. Cigale_01: Looking up at balconies on one of the blocks in Cigale, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485810993-PAKXA0VZAJ13IU6XSIUI/Allen+Fig+11%2C+Cigale_02.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 11. Cigale_02: One of the low-rise Cigale blocks, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568485928773-OUXG6PLFGKJ7BRTY08SD/Allen+Fig+12%2C+Cigale_03.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 12. Cigale_03: Pješačka Zona in Cigale is as pedestrian street lined with cafes and shops, 2019. Photograph by Michael R. Allen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568486046054-Y6YWJO8EPW2SR5R6F18P/Allen+Fig+13%2C+Cigale_04.jpg Home - Mass Housing Legacies: Former Yugoslavia Teaches the Enduring United States Figure 13. Cigale_04: Entrance to one of the blocks in Cigale, 2019. Photograph by Michael R. Allen. https://www.platformspace.net/home/accidental-architectural-history-the-artists-studio-in-the-brooklyn-army-terminal monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568229885969-2HSXFMTCME4XWAQQWTUU/Waits_Figure1.jpg Home - Accidental Architectural History: The Artist’s Studio in the Brooklyn Army Terminal Figure 1. View of the entrance to Building B, Brooklyn Army Terminal, February 2019. Photo by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568229925761-P5LUS5KCF34B7XOJFXC3/Waits_Figure2.jpg Home - Accidental Architectural History: The Artist’s Studio in the Brooklyn Army Terminal Figure 2. View of Building B from 2nd Avenue, Brooklyn Army Terminal, February 2019. Photo by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568229984719-TBF7YSZ0RITKP8UO6X91/Waits_Figure3.jpg Home - Accidental Architectural History: The Artist’s Studio in the Brooklyn Army Terminal Figure 3. View of the Building B atrium, Brooklyn Army Terminal, February 2019]. Photo by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568230046627-K09ICRVAAUVIX955VHC1/Waits_Figure4.jpg Home - Accidental Architectural History: The Artist’s Studio in the Brooklyn Army Terminal Figure 4. World War II - era paint in the Building B atrium specifying regional loading zones, Brooklyn Army Terminal, February 2019]. Photo by Mira Rai Waits. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1568230076162-FA3J6526SH0LZDEY987Q/Waits_Figure5.jpg Home - Accidental Architectural History: The Artist’s Studio in the Brooklyn Army Terminal Figure 5. View of the hallway leading to artists’ rented studio in Building B, Brooklyn Army Terminal, February 2019. Photo by Mira Rai Waits. https://www.platformspace.net/home/herbert-gans-displacement-and-the-real-estate-state monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567974898671-51TVJZOZTWJ3ZU45RQK0/Morton_FIG1.jpg Home - Herbert Gans, Displacement, and the Real Estate State Figure 1. L.A. Tenants Union Poster. Courtesy of the L.A. Tenants Union/Sindicato de los Inquilinos de L.A. https://www.platformspace.net/home/who-is-the-global-part-2-the-meaning-of-your-last-name monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567622904264-6RTYG5EQOAH9E8JVZ2KR/Gutman%2C+post+2%2C+figure+1%2C+Liu%2C+Old+House+Plan.jpg Home - Who Is the Global? Part 2: The Meaning of Your Last Name Figure 1. Plan of the old house. Drawn by JiaJun Liu, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567164013664-OEDLTLW4RU1GFR52D96A/Gutman%2C+post+2%2C+figure+4%2C+Liu%2C+New+House_Plan-1.jpg Home - Who Is the Global? Part 2: The Meaning of Your Last Name Figure 2. Plan of the new house. Drawn by JiaJun Liu, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567622977914-1MDCV23E6FKQFPM5Z5RP/Gutman%2C+post+2%2C+figure+3%2C+Liu%2C+Old+House+Living+Room.jpg Home - Who Is the Global? Part 2: The Meaning of Your Last Name Figure 3. Spirit tablet in the old house. Photograph by JiaJun Liu, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567164399929-78I6UC1YFEX9L19REMLJ/Gutman%2C+post+2%2C+figure+2%2C+Liu%2C+New+House_Living+Room.jpg Home - Who Is the Global? Part 2: The Meaning of Your Last Name Figure 4. Spirit tablet in the new house. Photograph by JiaJun Liu, 2019. https://www.platformspace.net/home/histories-of-architecture-and-feminism monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567001642169-RXBH5ZLT49OPCV6U81LU/Siddiqi%2C+Fig+1_IMG_0169.jpg Home - Histories of Architecture and Feminism Figure 1. Ntozake Shange memorial, Barnard Archives and Special Collections, December 2018. Photograph by Anooradha Iyer Siddiqi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567001744061-QZE51DFTQMS1F4WGMHN7/Siddiqi%2C+Fig+2_IMG_0188.jpg Home - Histories of Architecture and Feminism Figure 2. Histories of Architecture and Feminism windowsill exhibition, Barnard Archives and Special Collections reading room, December 2018. Photograph by Anooradha Iyer Siddiqi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567001917408-PQ0C7ZMNEQ1BIW3O9L7B/Siddiqi%2C+Fig+3_Abaza_IMG_0165.jpg Home - Histories of Architecture and Feminism Figure 3. Natasha Abaza, “Female Art Movement: Issue of Representation” exhibit, December 2018. Photograph by Anooradha Iyer Siddiqi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567002052584-HVP4T1DRSZH58ZOJFC4D/Siddiqi%2C+Fig+4_Chen_IMG_0146.jpg Home - Histories of Architecture and Feminism Figure 4. Eno Chen, “NYC Kitchen Models: Evolving Spaces of Domestic Resistance” exhibit, December 2018. Photograph by Anooradha Iyer Siddiqi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567002676517-GUYN6YU50MKEK9MEADOJ/Siddiqi%2C+Fig+5_Hill_IMG_0155.jpg Home - Histories of Architecture and Feminism Figure 5. Cecley Hill, “Race and Representation: The Selective Narratives of New York City’s Art Spaces” exhibit, December 2018. Photograph by Anooradha Iyer Siddiqi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1567002212752-APLDEZQ6H1RZNIBIFS0M/Siddiqi%2C+Fig+6_Sibley_IMG_0167.jpg Home - Histories of Architecture and Feminism Figure 6. Derrick Sibley, “Historicizing Queer Sex and Spatial Practice” exhibit, December 2018. Photograph by Anooradha Iyer Siddiqi. https://www.platformspace.net/home/who-is-the-global-part-1-the-global-is-my-classroom monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566729463668-XOBL2RDEJG8CT66UY1PD/Gutman%2C+post+1%2C+figure+1.jpg Home - Who Is the Global? Part 1: The Global Is My Classroom Figure 1. Shepard Hall, City College of New York, looking west from St. Nicholas Park to the entrance on St. Nicholas Terrace, 1907. Courtesy of the Frances Loeb Library, Harvard University Graduate School of Design Study Collection at the Library of Congress, American Memory, American Landscape and Architectural Design, 1850-1920. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566729589865-XZJ5QBGR0KG6YY75P3IP/Gutman%2C+post+1%2C+figure+2.jpg Home - Who Is the Global? Part 1: The Global Is My Classroom Figure 2. City College of New York, North Campus, looking west. Wingate Hall on the left, Townsend Harris Hall in the background, 2010. Courtesy of Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566730224687-71D3AM728AQX0IIE1ZY6/Gutman%2C+post+1%2C+figure+3.jpg Home - Who Is the Global? Part 1: The Global Is My Classroom Figure 3. Charles Frederick William Mielatz, Jumel Mansion, 1901, plate 9 in Picturesque New York: Twelve Photogravures from Monotypes by C. F. W. Mielatz. New York, Society of Iconophiles, 1908. Courtesy of Library of Congress, Prints and Photographs Division. https://www.platformspace.net/home/three-degrees-of-ethical-engagement-a-manifesto-for-architects monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566461944916-LKRFHRYEZUD0N526VRM2/Full.jpg Home - Three Degrees of Ethical Engagement: A Manifesto for Architects Figure 1. Detention facility in McAllen, Texas, June 17, 2019. Photograph by U.S. Customs and Border Protection via Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566462035034-YR7FU4SWZFFFDF9XEPZK/IMG_0403.jpg Home - Three Degrees of Ethical Engagement: A Manifesto for Architects Figure 2. “We Are Precarious Workers,” June 22, 2019. Courtesy of The Architecture Lobby. Photograph by author. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1566403639086-IZ4XBW0O82K07BJMUZYO/TAL%2C+figure+3%2C+Boycott-Detention-Header-910x1024.jpg Home - Three Degrees of Ethical Engagement: A Manifesto for Architects Figure 3. “Speak Up, Organize, Boycott,” July 31, 2019. Courtesy of the ADPSR and The Architecture Lobby. Graphic by Becca Book. https://www.platformspace.net/home/building-a-multivocal-spatial-history-scalar-and-the-bodies-and-structures-project-part-3-1 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795149796-TPKLMP9WDGQWGG19KBA0/Platform3.fig1.EntryPoints.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 1. The entry points to Bodies and Structures. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795250687-NXL7XZY5WR1GBB5YBQNT/Platform3.fig2.FedmanTopPage.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 2. The landing page for David Fedman’s module “Place Annihilation.” Credit: David Fedman. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795293179-LJ1K5RHJ9SHI14CM5UXC/Platform3.fig3.PathwayMarkers.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 3. Navigation options using pathway markers or the “Citations and context” tool. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795336068-5ZFU4D86387YH98QWVCW/Platform3.fig4.tagmap.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 4. The tag map, with “Built Environments” -- “Experimental Zones” highlighted. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795494169-SY75EOAWCJDUH1IR8VAB/Platform3.fig5.grid.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 5. “Engineering Urbicide” as part of a grid visualization. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565795584059-KUW3FUIAMW8G4T2D9N7M/Platform3.fig6.AdjacentPages.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 3) Figure 6. Adjacent pages on the grid. Credit: David R. Ambaras and Kate McDonald. https://www.platformspace.net/home/the-eyes-of-texas-are-upon-you monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565899448026-16FBWN89R9BSLZ0NP2UG/GRANGER+Figure+1_Authors+Photo.jpeg Home - "The Eyes of Texas are Upon You" Figure 1. The University of Texas at Austin Main Tower Building as seen from the South Mall lawn, 2019. The tower was designed by Paul Cret and completed in 1937. In 1966 it was the site of one of the first major campus shootings in the United States. Photograph Willa Granger. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565899574379-YREXTDWZ5BGS0E59K643/GRANGER+Figure+2_Authors+Photo.jpeg Home - "The Eyes of Texas are Upon You" Figure 2. The inscription “Ye shall know the truth and the truth shall set you free” sits above the entrance to the University’s Main Tower Building, 2019. The verse is taken from the Bible’s Book of John. Photograph Willa Granger. https://www.platformspace.net/home/architecture-without-aesthetics monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565347376812-SQGE0WJUC9XKE15IAQSI/Pieris%2C+figure+1.jpg Home - Architecture without Aesthetics Figure 1. An abandoned house on Kandy Road, Jaffna, Sri Lanka. This place testifies to the violence that affected northern Sri Lanka during three decades of bitter civil war between government forces and Tamil separatists, where buildings became hostages and victims. Photograph by Anoma Pieris, 2010. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565347502174-9GDYAATKM6RUW6UAIOFC/Pieris%2C+figure+2.JPG Home - Architecture without Aesthetics Figure 2. Anastasios Kolokotronis, model of his father’s home and café, Nea Magnisia, Thessaloniki. It demonstrates how refugees from the Greek-Turkish population exchange of 1923 adapted government-built refugee housing. The Greek-Australian immigrant -built this model from memory decades later. Photograph by Anoma Pieris, 2016. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565347631276-IAYDFIXEV1P5MSGME3RJ/Pieris%2C+figure+3.JPG Home - Architecture without Aesthetics Figure 3. The remains of Adaminaby in Australia. This town was inundated and partly relocated to make way for this country’s largest postwar, federal government-funded infrastructure project, the Snowy River Hydro Electric Scheme. The ruins appear as residual traces of massive environmental, industrial, and social change. Photograph by Anoma Pieris, 2015. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565347680336-B8CNGA9FX97B9NH86LLZ/Pieris%2C+figure+4.JPG Home - Architecture without Aesthetics Figure 4. The Cowra Prisoner of War Campsite in Australia. In this place, 231 Japanese POWs were shot dead when staging a mass breakout in August 1944. The campsite has been recovered and landscaped as a heritage site in an effort at conveying this traumatic history. The only physical evidence is the foundations of toilet blocks. Photograph by Anoma Pieris, 2012. https://www.platformspace.net/home/settler-colonial-urbanism-from-waawiyaataanong-to-detroit-at-little-caesars-arena monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1565093689943-KL43CP31SCP76G90TBX1/Rotated-2.jpg Home - Settler Colonial Urbanism: From Waawiyaataanong to Detroit at Little Caesars Arena Figure 1. Plaque, 1701 Pub at Little Caesars Arena, Detroit. Photograph by Andrew Herscher. https://www.platformspace.net/home/the-asynchronous-everyday monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564821555607-61LAWP1WR5XEKB2RSY09/Chopra%2C+Fig+1_bombay_map_EA+Scheme_from+Curtis_1921.jpg Home - The Asynchronous Everyday Figure 1. “Map of the Island of Bombay showing Schemes of Proposed Development,” c. 1921. The lines of double thickness show the Eastern Avenue. By 1921, the construction of this street was finished, running from a few yards from Crawford Market in the south to Mahim in the north. Source: George Curtis, “The Development of Bombay,” Journal of the Royal Society of the Arts 69, no. 3582 (July 15, 1921): 565. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564821190031-BP0LURBSTBG5CC7HHJO8/Chopra%2C+Fig+2_MemonJK.jpg Home - The Asynchronous Everyday Figure 2. View of Haji Karim Muhummad Suleiman Cutch Memon Jamatkhana, Kambekar Road, ca. 1930. This is the jamatkhana (the common room/space where the community assembled) of the Cutchi Memon community whose ancestors came to Bombay from the region of Cutch in the contemporary state of Gujarat in western India. Photograph by Preeti Chopra, 2012. https://www.platformspace.net/home/mapping-ephemerality monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435012859-D6POFI93OVE0RS8SLDM4/Chattopadhyay_Fig1_Badamtala_night+skyline.jpg Home - Mapping Ephemerality Figure 1. Pandal of Badamtala Ashar Sangha, Kolkata, Purnendu Dey and Snehasish Maity, designers, 2017. Copyright Swati Chattopadhyay. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435077716-YLG6GLZLTBL36L2GCXR4/Chattopadhyay_Fig2_Tridhara-ceiling+copy.jpg Home - Mapping Ephemerality Figure 2. Ceiling of the pandal of Tridhara Sammilani, Kolkata, Gauranga Kuila, designer, 2017. Copyright Swati Chattopadhyay. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435107465-1FE4PJ4BY7ELJP3TD1NN/Chattopadhyay_Fig3_Bakulbagan.jpg Home - Mapping Ephemerality Figure 3. Pandalof Bakulbagan Sarbojanin, Kolkata, Bimal Samanta, designer, 2018. Copyright Swati Chattopadhyay. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435135256-22HG9MHZU7OIDIFS7X50/Chattopadhyay_Fig4_Map1.png Home - Mapping Ephemerality Figure 4. The locations of pandals in Kolkata on an ArcGIS map, 2018. Copyright Calcutta/Kolkata Co-Lab. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435162467-SIHVA2Q247LWKJ63JW4L/Chattopadhyay_Fig5_Map2.png Home - Mapping Ephemerality Figure 5. Detail of ArcGIS map with locations of pandals in the northern part of Kolkata. Copyright Calcutta/Kolkata Co-Lab. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435218166-95A1DXD15MS7E3AQWS6C/Chattopadhyay_Fig6_pandal+construction.jpg Home - Mapping Ephemerality Figure 6. Pandal under construction, Kolkata, 2018. Copyright Swati Chattopadhyay. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560435260546-Y3DGXS1FZ9JCUMEAAWDP/Chattopadhyay_Fig7_Bakulbagan2jpg.jpg Home - Mapping Ephemerality Figure 7. Detail of Bakulbagan Sarbojanin pandal, 2017, Bimal Samanta, designer. Copyright Swati Chattopadhyay. https://www.platformspace.net/home/making-history-at-bear-mountain-family-memories-the-palisades-and-an-inheritance-worth-preserving monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564334594029-XEM7FOXWSG2CTE50PCLA/Fig+1%2C+Carpenter%27s+Beach%2C+c+1932%2C+NJ+PIPC.jpg Home - Making History at Bear Mountain: Family Memories, the Palisades, and an Inheritance Worth Preserving Figure 1. Paddlers on Carpenter’s Beach, circa 1932. Courtesy of the Palisades Interstate Park Commission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564334726366-WWPPP9CSVQ3XJW63CC7J/Fig+2%2C+Bloomer%27s+Beach%2C+c+1932_NJ+PIPC.jpg Home - Making History at Bear Mountain: Family Memories, the Palisades, and an Inheritance Worth Preserving Figure 2. Swimmers on Bloomer’s Beach, circa 1932. Courtesy of the Palisades Interstate Park Commission. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564335153950-0CNR6OUIOO7JGCYTW1HJ/Fig+3%2C+Max+Snyder+-+Corrected.jpg Home - Making History at Bear Mountain: Family Memories, the Palisades, and an Inheritance Worth Preserving Figure 3. The author’s father, Max Snyder, on the water, circa 1955. Collection of Ellen Snyder-Grenier. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564335215162-773734ZQCI5MY7Q35X1C/Fig+4%2C+Slivermine+Ski+Slope.jpeg Home - Making History at Bear Mountain: Family Memories, the Palisades, and an Inheritance Worth Preserving Figure 4. The Silvermine ski slope, 2017. Photograph by Robert W. Snyder. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564335266965-LPA2P5JXP9O2JI0YENRE/Fig+5%2C+WPA.jpeg Home - Making History at Bear Mountain: Family Memories, the Palisades, and an Inheritance Worth Preserving Figure 5. A wooded trail in Palisades Interstate Park, 2019. Photograph by Robert W. Snyder. https://www.platformspace.net/home/on-playhouses-parenting-and-publicity monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564047817227-P4XEU5DCOQNBZFFPGUBX/Van+Slyke%2C+figure+1%2C+Exterior+of+Knole+Cottage-c+1927.jpg Home - On Playhouses, Parenting and Publicity Figure 1. Knole Cottage (originally called Hilltop Lodge), on the grounds Meadow Brook Hall, Rochester, Michigan. Exterior, designed by William Kapp of Smith, Hinchman and Grylls, 1926. Photograph courtesy Meadow Brook Hall Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564048021576-0IJM8VPTNBZ2CHQV6I1H/Van+Slyke%2C+figure+2%2C+Knole+living+room+from+south+-1926.jpg Home - On Playhouses, Parenting and Publicity Figure 2. Knole Cottage. Living room, designed by William Kapp of Smith, Hinchman and Grylls, 1926. Photograph courtesy Meadow Brook Hall Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564048188555-RRPTY8PP82FEM0H3NGCT/Van+Slyke%2C+figure+3%2C+Knole+kitchen-1926.jpg Home - On Playhouses, Parenting and Publicity Figure 3. Knole Cottage. Kitchen, designed by William Kapp of Smith, Hinchman and Grylls, 1926. Photograph courtesy Meadow Brook Hall Archives. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1564048254327-NTCN3ASKWMYZ338OXB39/Van+Slyke%2C+figure+4%2C+State+Girl+has+Finest+Doll%27s+House+1926-1.jpg Home - On Playhouses, Parenting and Publicity Figure 4. “State Girl Has Finest Dolls’ House in World; Built So Dodge Heiress Can Learn First Hand Art of Home-Keeping,” Kalamazoo Gazette, December 21, 1926, p. 21. Clipping courtesy Meadow Brook Hall Archives. https://www.platformspace.net/home/who-needs-the-top-an-ungentle-manifesto monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560785458721-NMOACOPY00L9OCNLHL9K/Esperdy%2C+figure+1.jpg Home - Who Needs the Top? An Ungentle Manifesto A pinnacle of architecture: the top of the Chrysler Building in New York City. Photograph by Carol M. Highsmith, 2007. From Carol M. Highsmith’s America, U.S. Library of Congress, Prints and Photographs Division, LC-DIG-highsm-04444); used with permission. https://www.platformspace.net/home/raising-a-family-in-the-academy monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560911373882-QPJ8OGIGQH6E2L23W9QI/Lobby+Fig+1+Solidarity-Space-Jan-2019-01.jpg Home - Raising a Family in the Academy Figure 1. The Solidarity Bloc is an informal, non-institutional space to offer community support and discussion on the #metoo movement in architecture, n.d.. Credit: The Architecture Lobby. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561171102934-A995K7QB0GCKH99O9FDX/Lobby%2BFig%2B2%2Bskm-7553-sm18080615360%2B%25281%2529.jpg Home - Raising a Family in the Academy Figure 2. A manifesto poster from union organizing efforts, n.d. Alternatively, who can teach in the architectural academy? Credit: Workers' Inquiry: Architecture. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560911458318-HZGR9DBG359IGFBSZ8F7/Lobby+Fig+3+tumblr_inline_pj9wj9W3QD1qzh1l1_640.jpg Home - Raising a Family in the Academy Figure 3. #WhatAboutChildcare is a crowd-sourced project calling for childcare at architecture events, n.d.. Credit: Feminist Wall. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560911486592-3TTCS7U5PXPZGXM9CLHN/Lobby+Fig+4+150.2014.35%23%23S.jpg.467x605_q85.jpg Home - Raising a Family in the Academy Figure 4. We seek to organize in our places of work, doing so in solidarity with those less privileged. Credit: Guerrilla Girls, What I Want For Mother’s Day, 1991. Copyright © Guerrilla Girls, courtesy guerrillagirls.com. https://www.platformspace.net/home/the-us-government-once-promised-to-provide-homes-for-all-what-happened monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1563140562205-LDC894PUPD2CD9CJQPMA/Fig+1%2C+Cohen%2C+Roosevelt+Island+Construction+Church.jpg Home - The U.S. Government Once Promised to Provide Homes for All. What Happened? Figure 1. Roosevelt Island, UDC’s “New-Town-in-Town,” under construction. Courtesy New York State Urban Development Corporation, Roosevelt Island Housing Competition, 1974. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1563140678391-QTSB023X7Q1AR4NTF03J/Fig+2%2C+Cohen%2C+Marcus+Garvey+Planning+Meeting.jpeg Home - The U.S. Government Once Promised to Provide Homes for All. What Happened? Figure 2. Marcus Garvey Park Village planning meeting, 1972. Ed Logue (center) is discussing the ideal housing prototype with chief UDC architect Ted Liebman (left) and architects Tony Pangaro (next to Logue) and Peter Eisenman (farther right). Courtesy of Robert Perron Photography. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1563140770083-G62WST9YQZW6A7W2GI6S/Fig+3%2C+Cohen%2C+Bedford+Protest+Meeting+UDC+Annual+Report.jpg Home - The U.S. Government Once Promised to Provide Homes for All. What Happened? Figure 3. Public hearing in Bedford, New York, on the UDC’s Fair Share Housing proposal. The UDC wanted to build one hundred units of garden-apartment-style subsidized housing in each of nine towns in Westchester County. The angry response was typical of the plan’s reception. Courtesy New York State Urban Development Corporation, Annual Report of the New York State Urban Development Corporation, 1972. https://www.platformspace.net/home/ties-that-bind-migrant-placemaking-at-the-us-mexico-boundary-and-beyond monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560794374631-ZW4AD14810NLXQR85NM7/Lopez%2C+Fig+1.JPG Home - Ties That Bind: Migrant Placemaking at the U.S.-Mexico Boundary and Beyond Figure 1. Men working at a cantera quarry on break, Jalisco, Mexico. Photograph by Sarah Lopez, August, 2012. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560794408727-0TLGENS6ZYJ9YT3ZU72V/Lopez%2C+Fig.+2.JPG Home - Ties That Bind: Migrant Placemaking at the U.S.-Mexico Boundary and Beyond Figure 2. Inner courtyard showcasing cantera fountain in suburban house, Bell, California. Photograph by Sarah Lopez, November, 2011. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560794431293-SDPJVRPDY9JIWDMGH0FX/Lopez%2C+Fig.+3.JPG Home - Ties That Bind: Migrant Placemaking at the U.S.-Mexico Boundary and Beyond Figure 3. La Salle County Regional Detention Center, Encinal, Texas. Photograph by C.J. Alvarez, July, 2016. https://www.platformspace.net/home/building-a-multivocal-spatial-history-scalar-and-the-bodies-and-structures-project-part-2 monthly 0.5 2025-06-15 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561753827106-8W2CUXW6E4LIGIEANNNZ/Ambaras-Fletcher-Loyer-McDonald-part2-Fig1.png Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 2) Figure 1. A section of a page from the “Mitsukoshi: Consuming Places” module (by Noriko Aso) in Bodies and Structures, May 1, 2019. The page displays hyperlinked scholarly text, images with metadata, links to all tags applied to the page, and a box containing the page’s geospatial and other author-added metadata, which can be toggled open/closed using the “Additional metadata” button. Credit: Noriko Aso, David R. Ambaras and Kate McDonald. https://www.platformspace.net/home/in-path-of-pipeline-descendants-of-freedmen-fight-to-preserve-historic-virginia monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560972640324-2O2IVICGEDA9K4XICI25/Goff+Figure+1.jpg Home - In Path of Pipeline, Descendants of Freedmen Fight to Preserve Historic Virginia Figure 1. Stanton Family Cemetery, Buckingham County, Virginia, n.d.. Courtesy Virginia Department of Historic Resources. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560972688466-ZXAFWPL3YF1S5BZ4XK5G/Goff+Figure+2.jpg Home - In Path of Pipeline, Descendants of Freedmen Fight to Preserve Historic Virginia Figure 2. Alexander Hill Baptist Church, Buckingham County, Virginia, n.d.. Courtesy Virginia Department of Historic Resources. https://www.platformspace.net/home/the-other-side-of-paradise-or-islamic-architectures-of-containment-and-erasure monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560799678845-351HSMSBHUFYJAXO4VP5/Rizvi_Fig+1+Za%27atri+Refugee+Camp+Jordan.jpg Home - The Other Side of Paradise, or “Islamic” Architectures of Containment and Erasure Figure 1. Za'atri camp in Jordan for Syrian refugees as seen on July 18, 2013. The view is from a helicopter carrying U.S. Secretary of State John Kerry and Jordanian Foreign Minister Nasser Judeh. Courtesy U.S. State Department. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560799754486-0WFLTBDX5EP58KCRZ3T7/Rizvi_Fig+2+Ka%27ba+and+Abraj+al+Bait+Mecca.JPG Home - The Other Side of Paradise, or “Islamic” Architectures of Containment and Erasure Figure 2. The Ka‘ba with Abraj al Bait Towers in the background, May 5, 2012. Copyright Kishwar Rizvi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560799789335-2AP9YYTPUL1TQNA5YS3N/Rizvi_Fig+3+Al+Shati+Gaza.jpg Home - The Other Side of Paradise, or “Islamic” Architectures of Containment and Erasure Figure 3. Al-Shati refugee camp, Gaza, March 7, 2019. Courtesy Getty Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560799814304-NLE5ZRICZZVLDSSSORST/Rizvi_Fig+4+Idgah+Mosque+Kashghar.jpg Home - The Other Side of Paradise, or “Islamic” Architectures of Containment and Erasure Figure 4. Uighur security personnel patrol near the Id Kah Mosque in Kashgar in western China's Xinjiang region, November 4, 2017. Courtesy Ng Han Guan/AP Images. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560799837172-TPWTDY7CMWQFMT32FC84/Rizvi_Fig+5+Kunshan+Industrial+Park+internment+facility+Xinjiang.jpg Home - The Other Side of Paradise, or “Islamic” Architectures of Containment and Erasure Figure 5. A guard tower and barbed wire fences are seen around a facility in the Kunshan Industrial Park in Artux in western China's Xinjiang region, December 3, 2018. Courtesy Ng Han Guan/AP Images. https://www.platformspace.net/home/the-trouble-with-mass-homeownership monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560794019282-UM1VP39H5I8QN5FKXG5M/Kwak+Figure+1.jpg Home - The Trouble With Mass Homeownership The House the Senate Built, U.S. National Archives, General Records of the Department of Housing and Urban Development, 2001. Main Photographic Print File, 1965-2001. https://www.platformspace.net/home/building-a-multivocal-spatial-history-scalar-and-the-bodies-and-structures-project-part-1 monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561078356390-Z03MZDGOSQW0L2VY6YR6/McDonald_FIG1.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 1) Figure 1. Entry points on the Bodies and Structures landing page, May 1, 2019. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561080304154-QOFXPNLQB8A6XB9ZDTHX/McDonald_FIG2.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 1) Figure 2. An example of the tag map, May 1, 2019. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561078543971-AKO3J69Z0RIIPKDP2B5R/McDonald_FIG3.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 1) Figure 3. An example of the grid map, May 1, 2019. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561080434408-4NHZ09QXO4DEBO72NDDQ/McDonald_FIG4.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 1) Figure 4. The landing page of David Ambaras’s module “Border Controls, Migrant Networks, and People out of Place between Japan and China” (one of seven), May 1, 2019. Credit: David R. Ambaras and Kate McDonald. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1561078609999-3I16M53LROQSJ43I96W4/McDonald_FIG5.jpg Home - Building a Multivocal Spatial History: Scalar and the Bodies and Structures Project (Part 1) Figure 5. Using tag relationships to explore how events and actors construct and reconstruct places and their meanings within shifting imperial contexts. The tag “Modes of Ordering and Representing Space” in David Ambaras’s page on “abduction-captivity narratives centered on Fuqing” (center) connects users to other similarly tagged pages. From upper left to bottom right: Noriko Aso’s “Gateway to Western Wonders,” Shellen Wu’s “Surveying Empire,” Dustin Wright’s “The Limits of Geolocating the Photographer,” and Timothy Yang’s “The Drugstore on the Street.” May 1, 2019. Credit: David R. Ambaras and Kate McDonald. https://www.platformspace.net/home/urban-agenda-beneath-national-party-politics-lay-cities-in-grave-distress monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429574364-7UW0TDK63LWE779MM53G/Heathcott+FIG1.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 1. Lone cyclist on Page Boulevard, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429563830-ENBCAGVTGMSML3HBX6FI/Heathcott+FIG2.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 2. Abandoned warehouse, Wheeling,2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429580429-QEERPI83875KNUJ9AM1H/Heathcott+FIG3.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 3. Row of houses in varied states of decay, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429581743-48GXW8X28U11ITXCX1ES/Heathcott+FIG4.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 4. Porches on Wheeling Island, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429586994-S9EO1GK4BUMV1NQE0IO7/Heathcott+FIG5.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 5. Last house on the block, Delmar Boulevard, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429589825-WB2JNPL5GJAYGZHAB192/Heathcott+FIG6.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure. 6. Former metal shop at 33rd and McColloch, Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429595008-EUHV8Q7HA1QT5SBD6QLX/Heathcott+FIG7.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 7. Western Supplies, Inc., now abandoned at Glasgow and Cass Avenues, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429597879-2ZI72JLRV0WBGU653WBM/Heathcott+FIG8.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 8. Shell of the former Schmulbach Brewing Company, built in 1907 in Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429618653-YGF268WTHEUI918BAGMA/Heathcott+FIG9.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 9. Looking east across Jefferson Avenue to the former Pruitt-Igoe site, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429609820-55OIQ32JSQGWFWWC601V/Heathcott+FIG10.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 10. Abandoned facilities of Penn Construction Company, Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429629463-7LWHJN6PH0C351RXKC3U/Heathcott+FIG11.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 11. Shop and house, both vacant, Natural Bridge Road, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429627004-6Z1GYEZULTMLUAKWLR9P/Heathcott+FIG12.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 12. Stressed materials: plywood, chipboard, aluminum, concrete block, Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429636311-IMIDJBGDR7PCIA0L9IFC/Heathcott+FIG13.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 13. Vacant corner commercial building, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429636740-1LJTWRMWC66V01ZI5X3J/Heathcott+FIG14.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 14. Vacant corner commercial building, Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429644198-OJNC2J5H01A3H55JQJ8P/Heathcott+FIG15.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 15. House exposed to elements next to vacant lots in College Hill, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429645066-ZHVHVNFQQM4A9W2NVZVA/Heathcott+FIG16.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 16. Boarded up house on 28th Street in South Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429661600-TVN1N2TTC28CWP2L9N2H/Heathcott+FIG17.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 17. Golden Dragon Chop Suey, Carr Avenue, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429653022-TH74GPM2DZJL67JZSXXD/Heathcott+FIG18.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 18. Rowhouses near downtown Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429661860-YTT6XX9EZBGUIYLXJFO5/Heathcott+FIG19.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 19. Harrison Elementary School, built in 1895, now vacant in St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429669029-D4ZHY3MQ51NRH7A20NY8/Heathcott+FIG20.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Fig. 20. Vacant workshop near the old barge port on the Ohio River, Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429678168-JBYVYOGCYRLTY6WDMBN5/Heathcott+FIG21.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 21. Abandoned medical building on North Broadway, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429679133-X42CJ8X7TQGEDF7P9HKF/Heathcott+FIG22.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 22. Side entrance to a weather-beaten house in South Wheeling, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429686872-ZRTXESW2USZXBE5KJVBO/Heathcott+FIG23.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 23. Boarded up rowhouses at Hebert and Jefferson, St. Louis, 2016. Photograph by Joseph Heathcott. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560429687113-ITSB1IORRDUR5DYJEV5A/Heathcott+FIG24.JPG Home - Urban Agenda: Beneath National Party Politics Lay Cities in Grave Distress Figure 24. Wonky duplex along an alley near downtown Wheeling, 2016. Photograph by Joseph Heathcott. https://www.platformspace.net/home/what-now-thoughts-on-exhibiting-the-history-of-architectural-activism monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560797709189-0XHAYY68INU39DBM7W58/Adams_Fig+1+DSC02332.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 1. The bold graphics of the exhibit call attention to architectural activism since 1968. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560797787643-SPHQ98992DVEF2FXG0PP/Adams_Fig+2+DSC02344.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 2. Visitors can linger along the 110-foot timeline, at landmark events that might particularly interest them. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560797837278-JWURFF1HNDQNOU8EBFWK/Adams_Fig+3+DSC02331.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 3. Visitors to the exhibit add to the content on color-coded cards. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560797895129-SVRANFEQWD06OB6XY78Q/Adams_Fig+4+DSC02354.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 4. The timeline wraps the walls of the Exhibition Room at McGill University’s School of Architecture. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560797946718-BVO3B9FBPAQC0UYJX5WA/Adams_Fig+5+DSC02358.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 5. The host institution is invited to add content to the exhibition, such as McGill’s contribution Now What?!Canada, curated by Ipek Tureli. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560798010538-FWF2YRN9RXLC3E1G6NR9/Adams_Fig+6+DSC02359.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 6. The new Canadian content focuses on housing advocacy and heritage activism. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560798180008-ISS1358B30PD3XXQA5WH/Adams_Fig+7+DSC02325.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 7. Poster by Sheila Levrant de Bretteville from The Architecture League/Susana Torre exhibition Women in American Architecture. Architecture Itself and Other Postmodernist Myths, Canadian Centre for Architecture, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560798227716-SBVI3GP652EK3344GM1E/Adams_Fig+8+DSC02305.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 8. The gallery Bodies Return in the CCA exhibition. Architecture Itself and Other Postmodernist Myths, Canadian Centre for Architecture, Montreal. Photograph by Michael Kurt Mayer, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560798297853-2A5X1IDQGLIJZO5MMOFL/Adams_Fig+9+DSC02348.jpg Home - What Now? Thoughts on Exhibiting the History of Architectural Activism Figure 9. The exhibit may be the first to look at race and gender together. Now What?!, McGill University, Montreal. Photograph by Michael Kurt Mayer, 2019. https://www.platformspace.net/home/the-politics-of-airspace monthly 0.5 2025-03-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1560877989995-9BHFHYEBVAMS9B42DHCO/Waits+Figure+1.jpg Home - The Politics of Airspace Pakistani International Airways flight landing, Manchester, 2012. Photograph by Smabs Sputzer/Flickr/Creative Commons. https://www.platformspace.net/home/category/Specifying monthly 0.5 https://www.platformspace.net/home/category/Re-Issues monthly 0.5 https://www.platformspace.net/home/category/Opinion monthly 0.5 https://www.platformspace.net/home/category/Teaching%2FWorking monthly 0.5 https://www.platformspace.net/home/category/Giving monthly 0.5 https://www.platformspace.net/home/category/Conversations monthly 0.5 https://www.platformspace.net/home/category/Speculations monthly 0.5 https://www.platformspace.net/home/category/House+Histories monthly 0.5 https://www.platformspace.net/home/category/Photoessays monthly 0.5 https://www.platformspace.net/home/category/Finding monthly 0.5 https://www.platformspace.net/home/category/Editorials monthly 0.5 https://www.platformspace.net/home/category/Stories monthly 0.5 https://www.platformspace.net/home/category/Read%2FWatch%2FListen monthly 0.5 https://www.platformspace.net/home/tag/South+America monthly 0.5 https://www.platformspace.net/home/tag/HOPE+VI monthly 0.5 https://www.platformspace.net/home/tag/Belgrade monthly 0.5 https://www.platformspace.net/home/tag/African+American+culture monthly 0.5 https://www.platformspace.net/home/tag/authoritarianism monthly 0.5 https://www.platformspace.net/home/tag/Memory monthly 0.5 https://www.platformspace.net/home/tag/Materials monthly 0.5 https://www.platformspace.net/home/tag/England monthly 0.5 https://www.platformspace.net/home/tag/Austin monthly 0.5 https://www.platformspace.net/home/tag/set+design monthly 0.5 https://www.platformspace.net/home/tag/pollution monthly 0.5 https://www.platformspace.net/home/tag/San+Jose monthly 0.5 https://www.platformspace.net/home/tag/photographers monthly 0.5 https://www.platformspace.net/home/tag/American+Studies monthly 0.5 https://www.platformspace.net/home/tag/border+wall monthly 0.5 https://www.platformspace.net/home/tag/Mehmed+II monthly 0.5 https://www.platformspace.net/home/tag/self-built+housing monthly 0.5 https://www.platformspace.net/home/tag/congregant+housing monthly 0.5 https://www.platformspace.net/home/tag/San+Francisco+Bay+Area monthly 0.5 https://www.platformspace.net/home/tag/Belo+Horizonte monthly 0.5 https://www.platformspace.net/home/tag/housing+insecurity monthly 0.5 https://www.platformspace.net/home/tag/Northern+Metropolis monthly 0.5 https://www.platformspace.net/home/tag/Ramy monthly 0.5 https://www.platformspace.net/home/tag/prison monthly 0.5 https://www.platformspace.net/home/tag/Right+to+equality+and+respect monthly 0.5 https://www.platformspace.net/home/tag/energy monthly 0.5 https://www.platformspace.net/home/tag/Chinatowns monthly 0.5 https://www.platformspace.net/home/tag/University+of+Virginia monthly 0.5 https://www.platformspace.net/home/tag/journalism monthly 0.5 https://www.platformspace.net/home/tag/persian monthly 0.5 https://www.platformspace.net/home/tag/poems monthly 0.5 https://www.platformspace.net/home/tag/white+picket+fence monthly 0.5 https://www.platformspace.net/home/tag/apartment+buildings monthly 0.5 https://www.platformspace.net/home/tag/movie+sets monthly 0.5 https://www.platformspace.net/home/tag/South+Los+Angeles monthly 0.5 https://www.platformspace.net/home/tag/Nolli+Map monthly 0.5 https://www.platformspace.net/home/tag/collectives monthly 0.5 https://www.platformspace.net/home/tag/humanitarian+aid monthly 0.5 https://www.platformspace.net/home/tag/U-bahn monthly 0.5 https://www.platformspace.net/home/tag/Nii+Kwate+Owoo monthly 0.5 https://www.platformspace.net/home/tag/Scandinavia monthly 0.5 https://www.platformspace.net/home/tag/greenhouses monthly 0.5 https://www.platformspace.net/home/tag/golf monthly 0.5 https://www.platformspace.net/home/tag/Mitchell-Lama+projects monthly 0.5 https://www.platformspace.net/home/tag/humanities monthly 0.5 https://www.platformspace.net/home/tag/colonization monthly 0.5 https://www.platformspace.net/home/tag/sexism monthly 0.5 https://www.platformspace.net/home/tag/company+towns monthly 0.5 https://www.platformspace.net/home/tag/carceral+state monthly 0.5 https://www.platformspace.net/home/tag/newsreel monthly 0.5 https://www.platformspace.net/home/tag/city+walls monthly 0.5 https://www.platformspace.net/home/tag/the+Bronx monthly 0.5 https://www.platformspace.net/home/tag/policy monthly 0.5 https://www.platformspace.net/home/tag/brownfield+development monthly 0.5 https://www.platformspace.net/home/tag/racial+diversity monthly 0.5 https://www.platformspace.net/home/tag/playhouses monthly 0.5 https://www.platformspace.net/home/tag/housing+subsidies monthly 0.5 https://www.platformspace.net/home/tag/Greater+Bay+Area monthly 0.5 https://www.platformspace.net/home/tag/crosswalks monthly 0.5 https://www.platformspace.net/home/tag/eds+and+meds monthly 0.5 https://www.platformspace.net/home/tag/South+Asia monthly 0.5 https://www.platformspace.net/home/tag/Abolition monthly 0.5 https://www.platformspace.net/home/tag/Beverly+Hills monthly 0.5 https://www.platformspace.net/home/tag/fieldwork monthly 0.5 https://www.platformspace.net/home/tag/police monthly 0.5 https://www.platformspace.net/home/tag/ecocide monthly 0.5 https://www.platformspace.net/home/tag/i3Detroit monthly 0.5 https://www.platformspace.net/home/tag/quarantine monthly 0.5 https://www.platformspace.net/home/tag/unlearning monthly 0.5 https://www.platformspace.net/home/tag/Mexico+City monthly 0.5 https://www.platformspace.net/home/tag/apartment+houses monthly 0.5 https://www.platformspace.net/home/tag/Ferguson monthly 0.5 https://www.platformspace.net/home/tag/gothic+architecture monthly 0.5 https://www.platformspace.net/home/tag/keywords monthly 0.5 https://www.platformspace.net/home/tag/United+Nations monthly 0.5 https://www.platformspace.net/home/tag/uprising monthly 0.5 https://www.platformspace.net/home/tag/WPA monthly 0.5 https://www.platformspace.net/home/tag/Varamin monthly 0.5 https://www.platformspace.net/home/tag/wet+markets monthly 0.5 https://www.platformspace.net/home/tag/Wal-Mart monthly 0.5 https://www.platformspace.net/home/tag/sensory+landscapes monthly 0.5 https://www.platformspace.net/home/tag/Nusantara monthly 0.5 https://www.platformspace.net/home/tag/community+benefits monthly 0.5 https://www.platformspace.net/home/tag/belonging monthly 0.5 https://www.platformspace.net/home/tag/Stasi monthly 0.5 https://www.platformspace.net/home/tag/Mughal monthly 0.5 https://www.platformspace.net/home/tag/Trinidad monthly 0.5 https://www.platformspace.net/home/tag/energy+efficiency monthly 0.5 https://www.platformspace.net/home/tag/scholarship monthly 0.5 https://www.platformspace.net/home/tag/reparations monthly 0.5 https://www.platformspace.net/home/tag/everyday+urbanism monthly 0.5 https://www.platformspace.net/home/tag/Koreans monthly 0.5 https://www.platformspace.net/home/tag/City+Beautiful monthly 0.5 https://www.platformspace.net/home/tag/vendors monthly 0.5 https://www.platformspace.net/home/tag/Barbieland monthly 0.5 https://www.platformspace.net/home/tag/visibility monthly 0.5 https://www.platformspace.net/home/tag/Barcelona monthly 0.5 https://www.platformspace.net/home/tag/Boghos+Jafarian monthly 0.5 https://www.platformspace.net/home/tag/eigencapital monthly 0.5 https://www.platformspace.net/home/tag/Alameda+Central monthly 0.5 https://www.platformspace.net/home/tag/public+restroom monthly 0.5 https://www.platformspace.net/home/tag/Heritage monthly 0.5 https://www.platformspace.net/home/tag/office+buildings monthly 0.5 https://www.platformspace.net/home/tag/Indian+independence monthly 0.5 https://www.platformspace.net/home/tag/settler-colonialism monthly 0.5 https://www.platformspace.net/home/tag/peer+review monthly 0.5 https://www.platformspace.net/home/tag/Johnson+v.+Grants+Pass monthly 0.5 https://www.platformspace.net/home/tag/municipal+politics monthly 0.5 https://www.platformspace.net/home/tag/reinforced+brickwork monthly 0.5 https://www.platformspace.net/home/tag/design+pedagogy monthly 0.5 https://www.platformspace.net/home/tag/Wall-painting monthly 0.5 https://www.platformspace.net/home/tag/Afghanistan monthly 0.5 https://www.platformspace.net/home/tag/Gabriel+Boric monthly 0.5 https://www.platformspace.net/home/tag/rope monthly 0.5 https://www.platformspace.net/home/tag/germany monthly 0.5 https://www.platformspace.net/home/tag/Brooklyn monthly 0.5 https://www.platformspace.net/home/tag/gasoline monthly 0.5 https://www.platformspace.net/home/tag/RapQu%C3%A9b monthly 0.5 https://www.platformspace.net/home/tag/earthquakes monthly 0.5 https://www.platformspace.net/home/tag/L.A. monthly 0.5 https://www.platformspace.net/home/tag/representation monthly 0.5 https://www.platformspace.net/home/tag/West+Virginia monthly 0.5 https://www.platformspace.net/home/tag/confinement monthly 0.5 https://www.platformspace.net/home/tag/architectural+innovation monthly 0.5 https://www.platformspace.net/home/tag/Cob+on+Wood monthly 0.5 https://www.platformspace.net/home/tag/tutorial monthly 0.5 https://www.platformspace.net/home/tag/Fourth+World+Conference+on+Women monthly 0.5 https://www.platformspace.net/home/tag/Krikor+Fabrikatorian monthly 0.5 https://www.platformspace.net/home/tag/traumatic+heritage monthly 0.5 https://www.platformspace.net/home/tag/New+York monthly 0.5 https://www.platformspace.net/home/tag/Black+Americans monthly 0.5 https://www.platformspace.net/home/tag/Production+Studies monthly 0.5 https://www.platformspace.net/home/tag/SCOTUS monthly 0.5 https://www.platformspace.net/home/tag/transnational+activism monthly 0.5 https://www.platformspace.net/home/tag/nonprofit+housing monthly 0.5 https://www.platformspace.net/home/tag/Astor+Court monthly 0.5 https://www.platformspace.net/home/tag/Langston+Terrace monthly 0.5 https://www.platformspace.net/home/tag/Minnesota monthly 0.5 https://www.platformspace.net/home/tag/Crestview+Towers monthly 0.5 https://www.platformspace.net/home/tag/landscape+design monthly 0.5 https://www.platformspace.net/home/tag/Uighur monthly 0.5 https://www.platformspace.net/home/tag/street+politics monthly 0.5 https://www.platformspace.net/home/tag/china monthly 0.5 https://www.platformspace.net/home/tag/FRG monthly 0.5 https://www.platformspace.net/home/tag/Louis+XIV monthly 0.5 https://www.platformspace.net/home/tag/board+games monthly 0.5 https://www.platformspace.net/home/tag/social+capital monthly 0.5 https://www.platformspace.net/home/tag/monuments monthly 0.5 https://www.platformspace.net/home/tag/BJP monthly 0.5 https://www.platformspace.net/home/tag/personal+piety monthly 0.5 https://www.platformspace.net/home/tag/tonnara monthly 0.5 https://www.platformspace.net/home/tag/Puerto+Ricans monthly 0.5 https://www.platformspace.net/home/tag/homophobia monthly 0.5 https://www.platformspace.net/home/tag/COVID-19 monthly 0.5 https://www.platformspace.net/home/tag/cathedrals monthly 0.5 https://www.platformspace.net/home/tag/anachronism monthly 0.5 https://www.platformspace.net/home/tag/totalitarian+practices monthly 0.5 https://www.platformspace.net/home/tag/cruise+lines monthly 0.5 https://www.platformspace.net/home/tag/russia monthly 0.5 https://www.platformspace.net/home/tag/domestic+life monthly 0.5 https://www.platformspace.net/home/tag/British+colonialism monthly 0.5 https://www.platformspace.net/home/tag/planning+powers monthly 0.5 https://www.platformspace.net/home/tag/Surfside monthly 0.5 https://www.platformspace.net/home/tag/plague+columns monthly 0.5 https://www.platformspace.net/home/tag/climate+emergency monthly 0.5 https://www.platformspace.net/home/tag/Great+Synagogue monthly 0.5 https://www.platformspace.net/home/tag/Afro-Cubans monthly 0.5 https://www.platformspace.net/home/tag/participatory+process monthly 0.5 https://www.platformspace.net/home/tag/repatriation monthly 0.5 https://www.platformspace.net/home/tag/shipyards monthly 0.5 https://www.platformspace.net/home/tag/street+cries monthly 0.5 https://www.platformspace.net/home/tag/Harlem+Renaissance monthly 0.5 https://www.platformspace.net/home/tag/High+Line monthly 0.5 https://www.platformspace.net/home/tag/John+Harris monthly 0.5 https://www.platformspace.net/home/tag/Donald+Meinig monthly 0.5 https://www.platformspace.net/home/tag/libertecture monthly 0.5 https://www.platformspace.net/home/tag/reform monthly 0.5 https://www.platformspace.net/home/tag/Nick+Land monthly 0.5 https://www.platformspace.net/home/tag/schools monthly 0.5 https://www.platformspace.net/home/tag/transparency monthly 0.5 https://www.platformspace.net/home/tag/nightclubs monthly 0.5 https://www.platformspace.net/home/tag/Virginia monthly 0.5 https://www.platformspace.net/home/tag/Baroque monthly 0.5 https://www.platformspace.net/home/tag/women monthly 0.5 https://www.platformspace.net/home/tag/Muslim-American monthly 0.5 https://www.platformspace.net/home/tag/renovation monthly 0.5 https://www.platformspace.net/home/tag/queer monthly 0.5 https://www.platformspace.net/home/tag/infill monthly 0.5 https://www.platformspace.net/home/tag/enlightenment monthly 0.5 https://www.platformspace.net/home/tag/1939+World%E2%80%99s+Fair monthly 0.5 https://www.platformspace.net/home/tag/study+tours monthly 0.5 https://www.platformspace.net/home/tag/Marin+County monthly 0.5 https://www.platformspace.net/home/tag/boatbuilding monthly 0.5 https://www.platformspace.net/home/tag/chambers+of+commerce monthly 0.5 https://www.platformspace.net/home/tag/chaharbagh monthly 0.5 https://www.platformspace.net/home/tag/heritage+conservation monthly 0.5 https://www.platformspace.net/home/tag/service+spaces monthly 0.5 https://www.platformspace.net/home/tag/violence monthly 0.5 https://www.platformspace.net/home/tag/tactical+urbanism monthly 0.5 https://www.platformspace.net/home/tag/gaming monthly 0.5 https://www.platformspace.net/home/tag/living+as+guest monthly 0.5 https://www.platformspace.net/home/tag/design+regulations monthly 0.5 https://www.platformspace.net/home/tag/globalization monthly 0.5 https://www.platformspace.net/home/tag/automobiles monthly 0.5 https://www.platformspace.net/home/tag/Haitian+diaspora monthly 0.5 https://www.platformspace.net/home/tag/WWI monthly 0.5 https://www.platformspace.net/home/tag/Indigenous+landscapes monthly 0.5 https://www.platformspace.net/home/tag/Gavin+Newsom monthly 0.5 https://www.platformspace.net/home/tag/prisons monthly 0.5 https://www.platformspace.net/home/tag/growth+machine+model monthly 0.5 https://www.platformspace.net/home/tag/refugee+camps monthly 0.5 https://www.platformspace.net/home/tag/persian+new+year monthly 0.5 https://www.platformspace.net/home/tag/Brooklyn+Tech+Triangle monthly 0.5 https://www.platformspace.net/home/tag/Architect+Barbie monthly 0.5 https://www.platformspace.net/home/tag/Ford+Foundation monthly 0.5 https://www.platformspace.net/home/tag/studio+education monthly 0.5 https://www.platformspace.net/home/tag/Plat-tenbau monthly 0.5 https://www.platformspace.net/home/tag/Gaza monthly 0.5 https://www.platformspace.net/home/tag/nautical+archaeology monthly 0.5 https://www.platformspace.net/home/tag/street+protests monthly 0.5 https://www.platformspace.net/home/tag/post-industrial monthly 0.5 https://www.platformspace.net/home/tag/classicism monthly 0.5 https://www.platformspace.net/home/tag/shrines monthly 0.5 https://www.platformspace.net/home/tag/academia monthly 0.5 https://www.platformspace.net/home/tag/penitentiaries monthly 0.5 https://www.platformspace.net/home/tag/public+transit monthly 0.5 https://www.platformspace.net/home/tag/transit-oriented+development monthly 0.5 https://www.platformspace.net/home/tag/gun+violence monthly 0.5 https://www.platformspace.net/home/tag/Hindu+temple monthly 0.5 https://www.platformspace.net/home/tag/law monthly 0.5 https://www.platformspace.net/home/tag/coins monthly 0.5 https://www.platformspace.net/home/tag/James+Rouse monthly 0.5 https://www.platformspace.net/home/tag/virtual+travel monthly 0.5 https://www.platformspace.net/home/tag/institutions monthly 0.5 https://www.platformspace.net/home/tag/Henri+Lefebvre monthly 0.5 https://www.platformspace.net/home/tag/markets monthly 0.5 https://www.platformspace.net/home/tag/Carlos+Cruz-Diez monthly 0.5 https://www.platformspace.net/home/tag/Robert+Moses monthly 0.5 https://www.platformspace.net/home/tag/bakeries monthly 0.5 https://www.platformspace.net/home/tag/Anthony+D.+King monthly 0.5 https://www.platformspace.net/home/tag/seasteads monthly 0.5 https://www.platformspace.net/home/tag/Ontario monthly 0.5 https://www.platformspace.net/home/tag/mihrab monthly 0.5 https://www.platformspace.net/home/tag/cruel+and+unusual+punishment monthly 0.5 https://www.platformspace.net/home/tag/cemeteries monthly 0.5 https://www.platformspace.net/home/tag/cultural+geography monthly 0.5 https://www.platformspace.net/home/tag/Dresden monthly 0.5 https://www.platformspace.net/home/tag/early+modern+period monthly 0.5 https://www.platformspace.net/home/tag/university monthly 0.5 https://www.platformspace.net/home/tag/Aventura monthly 0.5 https://www.platformspace.net/home/tag/jugaad monthly 0.5 https://www.platformspace.net/home/tag/museology monthly 0.5 https://www.platformspace.net/home/tag/road+safety monthly 0.5 https://www.platformspace.net/home/tag/HUAC monthly 0.5 https://www.platformspace.net/home/tag/lock-down monthly 0.5 https://www.platformspace.net/home/tag/canadian+architecture monthly 0.5 https://www.platformspace.net/home/tag/Southeast+Asia monthly 0.5 https://www.platformspace.net/home/tag/eviction monthly 0.5 https://www.platformspace.net/home/tag/Munger+Hall monthly 0.5 https://www.platformspace.net/home/tag/academic+writing monthly 0.5 https://www.platformspace.net/home/tag/curation monthly 0.5 https://www.platformspace.net/home/tag/design monthly 0.5 https://www.platformspace.net/home/tag/land monthly 0.5 https://www.platformspace.net/home/tag/working monthly 0.5 https://www.platformspace.net/home/tag/sitcoms monthly 0.5 https://www.platformspace.net/home/tag/lesbian+rights monthly 0.5 https://www.platformspace.net/home/tag/exhibition monthly 0.5 https://www.platformspace.net/home/tag/Aghia+Sophia monthly 0.5 https://www.platformspace.net/home/tag/Anthropocene monthly 0.5 https://www.platformspace.net/home/tag/Gentrification monthly 0.5 https://www.platformspace.net/home/tag/cruise+ships monthly 0.5 https://www.platformspace.net/home/tag/trailer+parks monthly 0.5 https://www.platformspace.net/home/tag/Home+Owners%E2%80%99+Loan+Corporation monthly 0.5 https://www.platformspace.net/home/tag/industrial monthly 0.5 https://www.platformspace.net/home/tag/professional+ethics monthly 0.5 https://www.platformspace.net/home/tag/20s monthly 0.5 https://www.platformspace.net/home/tag/plunder monthly 0.5 https://www.platformspace.net/home/tag/BRD monthly 0.5 https://www.platformspace.net/home/tag/The+John+Buck+Company monthly 0.5 https://www.platformspace.net/home/tag/language+politics monthly 0.5 https://www.platformspace.net/home/tag/Los+Angeles monthly 0.5 https://www.platformspace.net/home/tag/youth+uprising. monthly 0.5 https://www.platformspace.net/home/tag/playgrounds monthly 0.5 https://www.platformspace.net/home/tag/maintenance monthly 0.5 https://www.platformspace.net/home/tag/Vida+Movahed monthly 0.5 https://www.platformspace.net/home/tag/global+tourism monthly 0.5 https://www.platformspace.net/home/tag/risk+assessment monthly 0.5 https://www.platformspace.net/home/tag/Biloxi monthly 0.5 https://www.platformspace.net/home/tag/public+buildings monthly 0.5 https://www.platformspace.net/home/tag/Russian+invasion monthly 0.5 https://www.platformspace.net/home/tag/epistemic+violence monthly 0.5 https://www.platformspace.net/home/tag/Feminist+Women%E2%80%99s+Health+Centers monthly 0.5 https://www.platformspace.net/home/tag/homefront monthly 0.5 https://www.platformspace.net/home/tag/casinos monthly 0.5 https://www.platformspace.net/home/tag/Beirut monthly 0.5 https://www.platformspace.net/home/tag/music+venues monthly 0.5 https://www.platformspace.net/home/tag/Latin+America monthly 0.5 https://www.platformspace.net/home/tag/armories monthly 0.5 https://www.platformspace.net/home/tag/Winthrop+Urban+Renewal+Project monthly 0.5 https://www.platformspace.net/home/tag/diaspora monthly 0.5 https://www.platformspace.net/home/tag/essential+workers monthly 0.5 https://www.platformspace.net/home/tag/state monthly 0.5 https://www.platformspace.net/home/tag/El+Helicoide monthly 0.5 https://www.platformspace.net/home/tag/Bolsonaro monthly 0.5 https://www.platformspace.net/home/tag/anthropology monthly 0.5 https://www.platformspace.net/home/tag/political+art monthly 0.5 https://www.platformspace.net/home/tag/women+architects monthly 0.5 https://www.platformspace.net/home/tag/Constantinople monthly 0.5 https://www.platformspace.net/home/tag/Africa monthly 0.5 https://www.platformspace.net/home/tag/city+smarts monthly 0.5 https://www.platformspace.net/home/tag/Tuscany monthly 0.5 https://www.platformspace.net/home/tag/mobile+homes monthly 0.5 https://www.platformspace.net/home/tag/architectural+models monthly 0.5 https://www.platformspace.net/home/tag/Benjamin+F.+Thomas monthly 0.5 https://www.platformspace.net/home/tag/anti-feminism monthly 0.5 https://www.platformspace.net/home/tag/Kashan monthly 0.5 https://www.platformspace.net/home/tag/Cold+War monthly 0.5 https://www.platformspace.net/home/tag/overseas+Chinese+garden monthly 0.5 https://www.platformspace.net/home/tag/starchitecture monthly 0.5 https://www.platformspace.net/home/tag/difference monthly 0.5 https://www.platformspace.net/home/tag/streetscape monthly 0.5 https://www.platformspace.net/home/tag/T%C3%BCrkiye monthly 0.5 https://www.platformspace.net/home/tag/Art monthly 0.5 https://www.platformspace.net/home/tag/viral+infection monthly 0.5 https://www.platformspace.net/home/tag/design+education monthly 0.5 https://www.platformspace.net/home/tag/Ada+Louis+Huxtable monthly 0.5 https://www.platformspace.net/home/tag/Recht+auf+Gleichheit+und+Respekt monthly 0.5 https://www.platformspace.net/home/tag/World+War+I monthly 0.5 https://www.platformspace.net/home/tag/Shigar monthly 0.5 https://www.platformspace.net/home/tag/public+spaces monthly 0.5 https://www.platformspace.net/home/tag/Acid+Attacks monthly 0.5 https://www.platformspace.net/home/tag/networks monthly 0.5 https://www.platformspace.net/home/tag/architectural+expertise monthly 0.5 https://www.platformspace.net/home/tag/unarchiving monthly 0.5 https://www.platformspace.net/home/tag/Washington monthly 0.5 https://www.platformspace.net/home/tag/Kwetabohigan+Rapids monthly 0.5 https://www.platformspace.net/home/tag/Sweden monthly 0.5 https://www.platformspace.net/home/tag/elite+families monthly 0.5 https://www.platformspace.net/home/tag/George+Floyd monthly 0.5 https://www.platformspace.net/home/tag/Paolo+Soleri monthly 0.5 https://www.platformspace.net/home/tag/e-commerce monthly 0.5 https://www.platformspace.net/home/tag/Women%27s+rights monthly 0.5 https://www.platformspace.net/home/tag/Dallas monthly 0.5 https://www.platformspace.net/home/tag/Havana monthly 0.5 https://www.platformspace.net/home/tag/Wisconsin monthly 0.5 https://www.platformspace.net/home/tag/socialist+cities monthly 0.5 https://www.platformspace.net/home/tag/immigrants monthly 0.5 https://www.platformspace.net/home/tag/legislation monthly 0.5 https://www.platformspace.net/home/tag/Nature monthly 0.5 https://www.platformspace.net/home/tag/cruelty monthly 0.5 https://www.platformspace.net/home/tag/self-building monthly 0.5 https://www.platformspace.net/home/tag/authenticity monthly 0.5 https://www.platformspace.net/home/tag/Civil+War monthly 0.5 https://www.platformspace.net/home/tag/National+Register+of+Historic+Places monthly 0.5 https://www.platformspace.net/home/tag/PRONAF monthly 0.5 https://www.platformspace.net/home/tag/temporality monthly 0.5 https://www.platformspace.net/home/tag/hate+speech monthly 0.5 https://www.platformspace.net/home/tag/Hassan+Fathy monthly 0.5 https://www.platformspace.net/home/tag/religion monthly 0.5 https://www.platformspace.net/home/tag/Renaissance monthly 0.5 https://www.platformspace.net/home/tag/Hilyard+Robinson monthly 0.5 https://www.platformspace.net/home/tag/marketing monthly 0.5 https://www.platformspace.net/home/tag/Arthur+Erickson+Architects monthly 0.5 https://www.platformspace.net/home/tag/Post-Communist monthly 0.5 https://www.platformspace.net/home/tag/Federal+Works+Agency monthly 0.5 https://www.platformspace.net/home/tag/enslaved monthly 0.5 https://www.platformspace.net/home/tag/millennial+culture monthly 0.5 https://www.platformspace.net/home/tag/imperialism monthly 0.5 https://www.platformspace.net/home/tag/women%E2%80%99s+studies monthly 0.5 https://www.platformspace.net/home/tag/slum+clearance monthly 0.5 https://www.platformspace.net/home/tag/Cass+Gilbert monthly 0.5 https://www.platformspace.net/home/tag/friendship monthly 0.5 https://www.platformspace.net/home/tag/collaborative+research monthly 0.5 https://www.platformspace.net/home/tag/balconies monthly 0.5 https://www.platformspace.net/home/tag/voting monthly 0.5 https://www.platformspace.net/home/tag/field+surveys monthly 0.5 https://www.platformspace.net/home/tag/source monthly 0.5 https://www.platformspace.net/home/tag/New+York+City+Economic+Development+Corporation monthly 0.5 https://www.platformspace.net/home/tag/politics+of+space monthly 0.5 https://www.platformspace.net/home/tag/holidays monthly 0.5 https://www.platformspace.net/home/tag/Proyecto+de+la+Ruta+del+Esclavo monthly 0.5 https://www.platformspace.net/home/tag/school monthly 0.5 https://www.platformspace.net/home/tag/Bristol monthly 0.5 https://www.platformspace.net/home/tag/survey+course monthly 0.5 https://www.platformspace.net/home/tag/passages monthly 0.5 https://www.platformspace.net/home/tag/avenue monthly 0.5 https://www.platformspace.net/home/tag/minaret monthly 0.5 https://www.platformspace.net/home/tag/tech monthly 0.5 https://www.platformspace.net/home/tag/Colombia monthly 0.5 https://www.platformspace.net/home/tag/landscape+architecture+Salesforce monthly 0.5 https://www.platformspace.net/home/tag/Maduro monthly 0.5 https://www.platformspace.net/home/tag/Kolkata monthly 0.5 https://www.platformspace.net/home/tag/U.S.+law monthly 0.5 https://www.platformspace.net/home/tag/Bratislava monthly 0.5 https://www.platformspace.net/home/tag/bilharzia monthly 0.5 https://www.platformspace.net/home/tag/wartime+destruction monthly 0.5 https://www.platformspace.net/home/tag/critical+disability+studies monthly 0.5 https://www.platformspace.net/home/tag/proximity monthly 0.5 https://www.platformspace.net/home/tag/Carnaval monthly 0.5 https://www.platformspace.net/home/tag/armenians monthly 0.5 https://www.platformspace.net/home/tag/shops monthly 0.5 https://www.platformspace.net/home/tag/far-right monthly 0.5 https://www.platformspace.net/home/tag/philanthropy monthly 0.5 https://www.platformspace.net/home/tag/coastal monthly 0.5 https://www.platformspace.net/home/tag/Indianapolis monthly 0.5 https://www.platformspace.net/home/tag/basement monthly 0.5 https://www.platformspace.net/home/tag/Minas+Gerais monthly 0.5 https://www.platformspace.net/home/tag/school+design monthly 0.5 https://www.platformspace.net/home/tag/memory monthly 0.5 https://www.platformspace.net/home/tag/policing monthly 0.5 https://www.platformspace.net/home/tag/high+rent+uses monthly 0.5 https://www.platformspace.net/home/tag/Gujarat monthly 0.5 https://www.platformspace.net/home/tag/Fascism monthly 0.5 https://www.platformspace.net/home/tag/video monthly 0.5 https://www.platformspace.net/home/tag/house monthly 0.5 https://www.platformspace.net/home/tag/disaster monthly 0.5 https://www.platformspace.net/home/tag/Soundscapes monthly 0.5 https://www.platformspace.net/home/tag/agriculture monthly 0.5 https://www.platformspace.net/home/tag/Vigilantism monthly 0.5 https://www.platformspace.net/home/tag/collective+memory monthly 0.5 https://www.platformspace.net/home/tag/ecology monthly 0.5 https://www.platformspace.net/home/tag/hip+hop monthly 0.5 https://www.platformspace.net/home/tag/writing+in+solidarity monthly 0.5 https://www.platformspace.net/home/tag/Otto+Wagner monthly 0.5 https://www.platformspace.net/home/tag/subsidized+housing monthly 0.5 https://www.platformspace.net/home/tag/Bronx+is+burning monthly 0.5 https://www.platformspace.net/home/tag/witchcraft monthly 0.5 https://www.platformspace.net/home/tag/National+Socialism monthly 0.5 https://www.platformspace.net/home/tag/disease monthly 0.5 https://www.platformspace.net/home/tag/Manuscript monthly 0.5 https://www.platformspace.net/home/tag/Socialist+Architecture monthly 0.5 https://www.platformspace.net/home/tag/libraries monthly 0.5 https://www.platformspace.net/home/tag/cairo monthly 0.5 https://www.platformspace.net/home/tag/Michael+Kimmelman monthly 0.5 https://www.platformspace.net/home/tag/windows monthly 0.5 https://www.platformspace.net/home/tag/Sikh+immigrants monthly 0.5 https://www.platformspace.net/home/tag/Miami monthly 0.5 https://www.platformspace.net/home/tag/business+district monthly 0.5 https://www.platformspace.net/home/tag/urban+redevelopment monthly 0.5 https://www.platformspace.net/home/tag/Southern+California monthly 0.5 https://www.platformspace.net/home/tag/Philip+Johnson monthly 0.5 https://www.platformspace.net/home/tag/dictat monthly 0.5 https://www.platformspace.net/home/tag/Brooklyn+Navy+Yard monthly 0.5 https://www.platformspace.net/home/tag/hotels monthly 0.5 https://www.platformspace.net/home/tag/infrastructure monthly 0.5 https://www.platformspace.net/home/tag/humoral+theory monthly 0.5 https://www.platformspace.net/home/tag/time monthly 0.5 https://www.platformspace.net/home/tag/Fronterizo monthly 0.5 https://www.platformspace.net/home/tag/Gender-based+Spatial+Exclusion monthly 0.5 https://www.platformspace.net/home/tag/fencing monthly 0.5 https://www.platformspace.net/home/tag/studio monthly 0.5 https://www.platformspace.net/home/tag/global+trade monthly 0.5 https://www.platformspace.net/home/tag/neighborhood+library monthly 0.5 https://www.platformspace.net/home/tag/lutruwita%2FTasmania monthly 0.5 https://www.platformspace.net/home/tag/suburbanization monthly 0.5 https://www.platformspace.net/home/tag/celebrities monthly 0.5 https://www.platformspace.net/home/tag/social+struggle monthly 0.5 https://www.platformspace.net/home/tag/taxonomy monthly 0.5 https://www.platformspace.net/home/tag/scrapbook monthly 0.5 https://www.platformspace.net/home/tag/environmental+humanities monthly 0.5 https://www.platformspace.net/home/tag/Greece monthly 0.5 https://www.platformspace.net/home/tag/welfare-state+housing monthly 0.5 https://www.platformspace.net/home/tag/mansions monthly 0.5 https://www.platformspace.net/home/tag/universities monthly 0.5 https://www.platformspace.net/home/tag/GDR monthly 0.5 https://www.platformspace.net/home/tag/history+of+materials monthly 0.5 https://www.platformspace.net/home/tag/zoning monthly 0.5 https://www.platformspace.net/home/tag/gangs monthly 0.5 https://www.platformspace.net/home/tag/1915+Armenian+Genocide monthly 0.5 https://www.platformspace.net/home/tag/Thomas+Moore monthly 0.5 https://www.platformspace.net/home/tag/arquitetura+moderna monthly 0.5 https://www.platformspace.net/home/tag/restoration monthly 0.5 https://www.platformspace.net/home/tag/redevelopment monthly 0.5 https://www.platformspace.net/home/tag/design+technocracy monthly 0.5 https://www.platformspace.net/home/tag/Congonhas+do+Campo monthly 0.5 https://www.platformspace.net/home/tag/street+art monthly 0.5 https://www.platformspace.net/home/tag/Ukraine monthly 0.5 https://www.platformspace.net/home/tag/iran monthly 0.5 https://www.platformspace.net/home/tag/roads monthly 0.5 https://www.platformspace.net/home/tag/heritage monthly 0.5 https://www.platformspace.net/home/tag/Athens monthly 0.5 https://www.platformspace.net/home/tag/extraction monthly 0.5 https://www.platformspace.net/home/tag/Herbert+Gans monthly 0.5 https://www.platformspace.net/home/tag/Abu+Dhabi monthly 0.5 https://www.platformspace.net/home/tag/Islamic+architecture monthly 0.5 https://www.platformspace.net/home/tag/bedrooms monthly 0.5 https://www.platformspace.net/home/tag/immigrant+detention monthly 0.5 https://www.platformspace.net/home/tag/regenerative+design monthly 0.5 https://www.platformspace.net/home/tag/Stanley+Ho monthly 0.5 https://www.platformspace.net/home/tag/Connecticut monthly 0.5 https://www.platformspace.net/home/tag/Life monthly 0.5 https://www.platformspace.net/home/tag/Perception monthly 0.5 https://www.platformspace.net/home/tag/world+order monthly 0.5 https://www.platformspace.net/home/tag/Jamaica monthly 0.5 https://www.platformspace.net/home/tag/pro-life monthly 0.5 https://www.platformspace.net/home/tag/eighteenth+century monthly 0.5 https://www.platformspace.net/home/tag/Al+Ain monthly 0.5 https://www.platformspace.net/home/tag/infection monthly 0.5 https://www.platformspace.net/home/tag/baskets monthly 0.5 https://www.platformspace.net/home/tag/arquitetura+colonial monthly 0.5 https://www.platformspace.net/home/tag/methods monthly 0.5 https://www.platformspace.net/home/tag/ventilation monthly 0.5 https://www.platformspace.net/home/tag/tourism monthly 0.5 https://www.platformspace.net/home/tag/teaching monthly 0.5 https://www.platformspace.net/home/tag/Quito monthly 0.5 https://www.platformspace.net/home/tag/dersim monthly 0.5 https://www.platformspace.net/home/tag/Middle+East monthly 0.5 https://www.platformspace.net/home/tag/beaches monthly 0.5 https://www.platformspace.net/home/tag/institutional+housing monthly 0.5 https://www.platformspace.net/home/tag/sanitation monthly 0.5 https://www.platformspace.net/home/tag/urban+crisis monthly 0.5 https://www.platformspace.net/home/tag/ornament monthly 0.5 https://www.platformspace.net/home/tag/water+infrastructure monthly 0.5 https://www.platformspace.net/home/tag/Amsterdam monthly 0.5 https://www.platformspace.net/home/tag/Mexico%2FUS+borderlands monthly 0.5 https://www.platformspace.net/home/tag/solidarity monthly 0.5 https://www.platformspace.net/home/tag/American+Steel+Roofing monthly 0.5 https://www.platformspace.net/home/tag/deportation monthly 0.5 https://www.platformspace.net/home/tag/ethnoburbs monthly 0.5 https://www.platformspace.net/home/tag/Isfahan monthly 0.5 https://www.platformspace.net/home/tag/themeing monthly 0.5 https://www.platformspace.net/home/tag/Arcosanti monthly 0.5 https://www.platformspace.net/home/tag/real+estate monthly 0.5 https://www.platformspace.net/home/tag/construction+technology monthly 0.5 https://www.platformspace.net/home/tag/1935+Harlem+%E2%80%9Crace+riots%E2%80%9D monthly 0.5 https://www.platformspace.net/home/tag/BLACK+LIVES+MATTER monthly 0.5 https://www.platformspace.net/home/tag/early+modern+Italian+villas monthly 0.5 https://www.platformspace.net/home/tag/genocide+memorial monthly 0.5 https://www.platformspace.net/home/tag/antiquity monthly 0.5 https://www.platformspace.net/home/tag/Black+Studies monthly 0.5 https://www.platformspace.net/home/tag/travel monthly 0.5 https://www.platformspace.net/home/tag/homelessness monthly 0.5 https://www.platformspace.net/home/tag/satire monthly 0.5 https://www.platformspace.net/home/tag/MLK+boulevards monthly 0.5 https://www.platformspace.net/home/tag/zivile+Ungehorsam+in+Iran monthly 0.5 https://www.platformspace.net/home/tag/Central+Vista monthly 0.5 https://www.platformspace.net/home/tag/obituaries monthly 0.5 https://www.platformspace.net/home/tag/women%E2%80%99s+health monthly 0.5 https://www.platformspace.net/home/tag/U.S+West monthly 0.5 https://www.platformspace.net/home/tag/disenchantment monthly 0.5 https://www.platformspace.net/home/tag/intentional+communities monthly 0.5 https://www.platformspace.net/home/tag/pakistan monthly 0.5 https://www.platformspace.net/home/tag/aviation monthly 0.5 https://www.platformspace.net/home/tag/master+planned+communities monthly 0.5 https://www.platformspace.net/home/tag/master+plans monthly 0.5 https://www.platformspace.net/home/tag/Corderie+Royal monthly 0.5 https://www.platformspace.net/home/tag/federal+policy monthly 0.5 https://www.platformspace.net/home/tag/Austria monthly 0.5 https://www.platformspace.net/home/tag/prefabricated+housing monthly 0.5 https://www.platformspace.net/home/tag/urban+violence monthly 0.5 https://www.platformspace.net/home/tag/West+India+Docks monthly 0.5 https://www.platformspace.net/home/tag/rural+areas monthly 0.5 https://www.platformspace.net/home/tag/1980s monthly 0.5 https://www.platformspace.net/home/tag/William+Levitt monthly 0.5 https://www.platformspace.net/home/tag/Military+Architecture monthly 0.5 https://www.platformspace.net/home/tag/Dell+Upton monthly 0.5 https://www.platformspace.net/home/tag/Colonial+Park+Pool monthly 0.5 https://www.platformspace.net/home/tag/cultural+diplomacy monthly 0.5 https://www.platformspace.net/home/tag/archive monthly 0.5 https://www.platformspace.net/home/tag/flooding monthly 0.5 https://www.platformspace.net/home/tag/history monthly 0.5 https://www.platformspace.net/home/tag/artwork monthly 0.5 https://www.platformspace.net/home/tag/women%E2%80%99s+rights monthly 0.5 https://www.platformspace.net/home/tag/grocery+stores monthly 0.5 https://www.platformspace.net/home/tag/New+Urbanism monthly 0.5 https://www.platformspace.net/home/tag/water monthly 0.5 https://www.platformspace.net/home/tag/history+of+science monthly 0.5 https://www.platformspace.net/home/tag/Armenian+Heritage monthly 0.5 https://www.platformspace.net/home/tag/GIS monthly 0.5 https://www.platformspace.net/home/tag/Radburn monthly 0.5 https://www.platformspace.net/home/tag/Al+Mesaha+Square monthly 0.5 https://www.platformspace.net/home/tag/Ekistics monthly 0.5 https://www.platformspace.net/home/tag/LGBTQIA monthly 0.5 https://www.platformspace.net/home/tag/antisemitism monthly 0.5 https://www.platformspace.net/home/tag/forensic+architecture monthly 0.5 https://www.platformspace.net/home/tag/condos monthly 0.5 https://www.platformspace.net/home/tag/architecture+profession monthly 0.5 https://www.platformspace.net/home/tag/Asian+Americans monthly 0.5 https://www.platformspace.net/home/tag/algorithmic+systems monthly 0.5 https://www.platformspace.net/home/tag/suburbia monthly 0.5 https://www.platformspace.net/home/tag/appraisers monthly 0.5 https://www.platformspace.net/home/tag/vernacular+architecture monthly 0.5 https://www.platformspace.net/home/tag/tent monthly 0.5 https://www.platformspace.net/home/tag/luxury+housing monthly 0.5 https://www.platformspace.net/home/tag/brutalism monthly 0.5 https://www.platformspace.net/home/tag/125th+Street monthly 0.5 https://www.platformspace.net/home/tag/homeownership monthly 0.5 https://www.platformspace.net/home/tag/digital+divide monthly 0.5 https://www.platformspace.net/home/tag/values monthly 0.5 https://www.platformspace.net/home/tag/logistics monthly 0.5 https://www.platformspace.net/home/tag/artist+community monthly 0.5 https://www.platformspace.net/home/tag/spatial+justice. monthly 0.5 https://www.platformspace.net/home/tag/Sierra+Leone monthly 0.5 https://www.platformspace.net/home/tag/spatial+inequity monthly 0.5 https://www.platformspace.net/home/tag/Ant%C3%B4nio+Francisco+Lisboa monthly 0.5 https://www.platformspace.net/home/tag/conversations monthly 0.5 https://www.platformspace.net/home/tag/Pakistan monthly 0.5 https://www.platformspace.net/home/tag/para monthly 0.5 https://www.platformspace.net/home/tag/YWCA monthly 0.5 https://www.platformspace.net/home/tag/modern+urbanism monthly 0.5 https://www.platformspace.net/home/tag/detention+centers monthly 0.5 https://www.platformspace.net/home/tag/Northern+California monthly 0.5 https://www.platformspace.net/home/tag/building+preservation monthly 0.5 https://www.platformspace.net/home/tag/boycott monthly 0.5 https://www.platformspace.net/home/tag/Serbia monthly 0.5 https://www.platformspace.net/home/tag/Kharkiv monthly 0.5 https://www.platformspace.net/home/tag/social+media monthly 0.5 https://www.platformspace.net/home/tag/hegemony monthly 0.5 https://www.platformspace.net/home/tag/public+health monthly 0.5 https://www.platformspace.net/home/tag/park monthly 0.5 https://www.platformspace.net/home/tag/Bronx monthly 0.5 https://www.platformspace.net/home/tag/nostalgia monthly 0.5 https://www.platformspace.net/home/tag/statues monthly 0.5 https://www.platformspace.net/home/tag/utopia monthly 0.5 https://www.platformspace.net/home/tag/lazaretto monthly 0.5 https://www.platformspace.net/home/tag/Rwanda monthly 0.5 https://www.platformspace.net/home/tag/pedestrians monthly 0.5 https://www.platformspace.net/home/tag/startups monthly 0.5 https://www.platformspace.net/home/tag/Bachelard monthly 0.5 https://www.platformspace.net/home/tag/economics monthly 0.5 https://www.platformspace.net/home/tag/Sudo+Room monthly 0.5 https://www.platformspace.net/home/tag/social+infrastructure monthly 0.5 https://www.platformspace.net/home/tag/Bangladesh monthly 0.5 https://www.platformspace.net/home/tag/General+Motors monthly 0.5 https://www.platformspace.net/home/tag/cell+antennas monthly 0.5 https://www.platformspace.net/home/tag/labor+and+detention+camps monthly 0.5 https://www.platformspace.net/home/tag/Manchester monthly 0.5 https://www.platformspace.net/home/tag/architectural+criticism monthly 0.5 https://www.platformspace.net/home/tag/private+property monthly 0.5 https://www.platformspace.net/home/tag/tuna+fishery monthly 0.5 https://www.platformspace.net/home/tag/Dorothy+Pelzer monthly 0.5 https://www.platformspace.net/home/tag/Milwaukee monthly 0.5 https://www.platformspace.net/home/tag/settlements monthly 0.5 https://www.platformspace.net/home/tag/Xavier+de+Maistre monthly 0.5 https://www.platformspace.net/home/tag/critical+race+theory monthly 0.5 https://www.platformspace.net/home/tag/Charleston monthly 0.5 https://www.platformspace.net/home/tag/indoor+air+quality monthly 0.5 https://www.platformspace.net/home/tag/Red+Vienna monthly 0.5 https://www.platformspace.net/home/tag/gay+rights monthly 0.5 https://www.platformspace.net/home/tag/compassion monthly 0.5 https://www.platformspace.net/home/tag/Peter+Behrens monthly 0.5 https://www.platformspace.net/home/tag/regional+planning monthly 0.5 https://www.platformspace.net/home/tag/Soviet+Bloc monthly 0.5 https://www.platformspace.net/home/tag/asylum monthly 0.5 https://www.platformspace.net/home/tag/office+culture monthly 0.5 https://www.platformspace.net/home/tag/NGO+Forum monthly 0.5 https://www.platformspace.net/home/tag/acoustics monthly 0.5 https://www.platformspace.net/home/tag/Frank+Gehry monthly 0.5 https://www.platformspace.net/home/tag/Guangzhou monthly 0.5 https://www.platformspace.net/home/tag/New+South monthly 0.5 https://www.platformspace.net/home/tag/consumerism monthly 0.5 https://www.platformspace.net/home/tag/Wilfred+Thesiger monthly 0.5 https://www.platformspace.net/home/tag/Madras monthly 0.5 https://www.platformspace.net/home/tag/databases monthly 0.5 https://www.platformspace.net/home/tag/Twelver+Shiism monthly 0.5 https://www.platformspace.net/home/tag/Hamilton+Heights monthly 0.5 https://www.platformspace.net/home/tag/Aids+Memorial+Quilt monthly 0.5 https://www.platformspace.net/home/tag/California monthly 0.5 https://www.platformspace.net/home/tag/digital+scholarship monthly 0.5 https://www.platformspace.net/home/tag/public+transportation monthly 0.5 https://www.platformspace.net/home/tag/Mississippi monthly 0.5 https://www.platformspace.net/home/tag/visual+culture monthly 0.5 https://www.platformspace.net/home/tag/street+improvements monthly 0.5 https://www.platformspace.net/home/tag/lesbian monthly 0.5 https://www.platformspace.net/home/tag/islands monthly 0.5 https://www.platformspace.net/home/tag/digital+humanities monthly 0.5 https://www.platformspace.net/home/tag/oceans monthly 0.5 https://www.platformspace.net/home/tag/global+history monthly 0.5 https://www.platformspace.net/home/tag/rowhouses monthly 0.5 https://www.platformspace.net/home/tag/gardens monthly 0.5 https://www.platformspace.net/home/tag/ethnicity monthly 0.5 https://www.platformspace.net/home/tag/homeless+architecture monthly 0.5 https://www.platformspace.net/home/tag/Lower+East+Side monthly 0.5 https://www.platformspace.net/home/tag/pluralism monthly 0.5 https://www.platformspace.net/home/tag/Oklahoma monthly 0.5 https://www.platformspace.net/home/tag/Black+labor monthly 0.5 https://www.platformspace.net/home/tag/casta+painting monthly 0.5 https://www.platformspace.net/home/tag/film+festivals monthly 0.5 https://www.platformspace.net/home/tag/Mumbai monthly 0.5 https://www.platformspace.net/home/tag/Prisons monthly 0.5 https://www.platformspace.net/home/tag/Sixth+of+January monthly 0.5 https://www.platformspace.net/home/tag/Blackness monthly 0.5 https://www.platformspace.net/home/tag/Iran+Women+Rights monthly 0.5 https://www.platformspace.net/home/tag/West+Bank monthly 0.5 https://www.platformspace.net/home/tag/child+rearing monthly 0.5 https://www.platformspace.net/home/tag/farming monthly 0.5 https://www.platformspace.net/home/tag/granny+flats monthly 0.5 https://www.platformspace.net/home/tag/domestic+space monthly 0.5 https://www.platformspace.net/home/tag/Ottoman+Empire monthly 0.5 https://www.platformspace.net/home/tag/Ethnic+Cleansing monthly 0.5 https://www.platformspace.net/home/tag/Calcutta monthly 0.5 https://www.platformspace.net/home/tag/community+development+corporations monthly 0.5 https://www.platformspace.net/home/tag/apartheid monthly 0.5 https://www.platformspace.net/home/tag/medieval monthly 0.5 https://www.platformspace.net/home/tag/oligarchs monthly 0.5 https://www.platformspace.net/home/tag/Sicily monthly 0.5 https://www.platformspace.net/home/tag/commercial+space monthly 0.5 https://www.platformspace.net/home/tag/planning+policy monthly 0.5 https://www.platformspace.net/home/tag/City+College+of+New+York monthly 0.5 https://www.platformspace.net/home/tag/landscape+architecture monthly 0.5 https://www.platformspace.net/home/tag/aging monthly 0.5 https://www.platformspace.net/home/tag/desert monthly 0.5 https://www.platformspace.net/home/tag/Mustafa+Kemal+Atat%C3%BCrk monthly 0.5 https://www.platformspace.net/home/tag/Soviet+Union monthly 0.5 https://www.platformspace.net/home/tag/Gullah monthly 0.5 https://www.platformspace.net/home/tag/Port+of+Beirut monthly 0.5 https://www.platformspace.net/home/tag/Atlantic+City monthly 0.5 https://www.platformspace.net/home/tag/stone+carving monthly 0.5 https://www.platformspace.net/home/tag/celebrity monthly 0.5 https://www.platformspace.net/home/tag/syllabus monthly 0.5 https://www.platformspace.net/home/tag/therapeutics monthly 0.5 https://www.platformspace.net/home/tag/voting+rights monthly 0.5 https://www.platformspace.net/home/tag/Marseille monthly 0.5 https://www.platformspace.net/home/tag/garden+design monthly 0.5 https://www.platformspace.net/home/tag/natural+disasters monthly 0.5 https://www.platformspace.net/home/tag/kashgar monthly 0.5 https://www.platformspace.net/home/tag/urban+growth monthly 0.5 https://www.platformspace.net/home/tag/queer+space monthly 0.5 https://www.platformspace.net/home/tag/Rome monthly 0.5 https://www.platformspace.net/home/tag/Contested+Landscapes monthly 0.5 https://www.platformspace.net/home/tag/Bombay monthly 0.5 https://www.platformspace.net/home/tag/limestone monthly 0.5 https://www.platformspace.net/home/tag/high-rises monthly 0.5 https://www.platformspace.net/home/tag/shipping+plantations monthly 0.5 https://www.platformspace.net/home/tag/boundaries monthly 0.5 https://www.platformspace.net/home/tag/limited-equity+cooperatives monthly 0.5 https://www.platformspace.net/home/tag/Thomas+Norton monthly 0.5 https://www.platformspace.net/home/tag/Rochefort monthly 0.5 https://www.platformspace.net/home/tag/building+materials monthly 0.5 https://www.platformspace.net/home/tag/Memorials monthly 0.5 https://www.platformspace.net/home/tag/Karl+Ehn monthly 0.5 https://www.platformspace.net/home/tag/kinship monthly 0.5 https://www.platformspace.net/home/tag/anti-fascism monthly 0.5 https://www.platformspace.net/home/tag/Corderie+della+Tana monthly 0.5 https://www.platformspace.net/home/tag/fossil+fuels monthly 0.5 https://www.platformspace.net/home/tag/roofing monthly 0.5 https://www.platformspace.net/home/tag/legal+personhood monthly 0.5 https://www.platformspace.net/home/tag/Baghdad monthly 0.5 https://www.platformspace.net/home/tag/New+Qurna monthly 0.5 https://www.platformspace.net/home/tag/dictionaries monthly 0.5 https://www.platformspace.net/home/tag/J.+B.+Jackson monthly 0.5 https://www.platformspace.net/home/tag/Bras%C3%ADlia monthly 0.5 https://www.platformspace.net/home/tag/University+of+Texas monthly 0.5 https://www.platformspace.net/home/tag/art+installations monthly 0.5 https://www.platformspace.net/home/tag/training monthly 0.5 https://www.platformspace.net/home/tag/Greater+London monthly 0.5 https://www.platformspace.net/home/tag/Minneapolis monthly 0.5 https://www.platformspace.net/home/tag/building+maintenance monthly 0.5 https://www.platformspace.net/home/tag/plantation monthly 0.5 https://www.platformspace.net/home/tag/dispossession monthly 0.5 https://www.platformspace.net/home/tag/George+Floyd+protests monthly 0.5 https://www.platformspace.net/home/tag/poetry monthly 0.5 https://www.platformspace.net/home/tag/Korea monthly 0.5 https://www.platformspace.net/home/tag/British+empire monthly 0.5 https://www.platformspace.net/home/tag/multifamily+housing monthly 0.5 https://www.platformspace.net/home/tag/East+Bay monthly 0.5 https://www.platformspace.net/home/tag/washroom monthly 0.5 https://www.platformspace.net/home/tag/coup+d%E2%80%99etat monthly 0.5 https://www.platformspace.net/home/tag/home monthly 0.5 https://www.platformspace.net/home/tag/Cairo monthly 0.5 https://www.platformspace.net/home/tag/co-living monthly 0.5 https://www.platformspace.net/home/tag/Montr%C3%A9al monthly 0.5 https://www.platformspace.net/home/tag/John+F.+C.+Turner monthly 0.5 https://www.platformspace.net/home/tag/land-care+practices monthly 0.5 https://www.platformspace.net/home/tag/Dominicans monthly 0.5 https://www.platformspace.net/home/tag/reproductive+rights monthly 0.5 https://www.platformspace.net/home/tag/extractivism monthly 0.5 https://www.platformspace.net/home/tag/philanthropic+housing monthly 0.5 https://www.platformspace.net/home/tag/encampment monthly 0.5 https://www.platformspace.net/home/tag/East+Asia monthly 0.5 https://www.platformspace.net/home/tag/historic+preservation monthly 0.5 https://www.platformspace.net/home/tag/Adolph+Loos monthly 0.5 https://www.platformspace.net/home/tag/migrant+labor monthly 0.5 https://www.platformspace.net/home/tag/Black+culture monthly 0.5 https://www.platformspace.net/home/tag/Ft.+Lauderdale monthly 0.5 https://www.platformspace.net/home/tag/Rose+Garden monthly 0.5 https://www.platformspace.net/home/tag/foreclosure monthly 0.5 https://www.platformspace.net/home/tag/civil+rights monthly 0.5 https://www.platformspace.net/home/tag/Cholamandal monthly 0.5 https://www.platformspace.net/home/tag/student+housing monthly 0.5 https://www.platformspace.net/home/tag/displacement monthly 0.5 https://www.platformspace.net/home/tag/political+prisoners monthly 0.5 https://www.platformspace.net/home/tag/houseless monthly 0.5 https://www.platformspace.net/home/tag/minority+scholars monthly 0.5 https://www.platformspace.net/home/tag/disinvestment monthly 0.5 https://www.platformspace.net/home/tag/extractive+industries monthly 0.5 https://www.platformspace.net/home/tag/John+Ruskin monthly 0.5 https://www.platformspace.net/home/tag/protest monthly 0.5 https://www.platformspace.net/home/tag/Florida monthly 0.5 https://www.platformspace.net/home/tag/capital+city monthly 0.5 https://www.platformspace.net/home/tag/critical+autonomy monthly 0.5 https://www.platformspace.net/home/tag/Robert+Milligan monthly 0.5 https://www.platformspace.net/home/tag/social+history+of+architecture monthly 0.5 https://www.platformspace.net/home/tag/the+plague monthly 0.5 https://www.platformspace.net/home/tag/Canada monthly 0.5 https://www.platformspace.net/home/tag/Santiago monthly 0.5 https://www.platformspace.net/home/tag/hindu monthly 0.5 https://www.platformspace.net/home/tag/exhibitions monthly 0.5 https://www.platformspace.net/home/tag/Taiwan monthly 0.5 https://www.platformspace.net/home/tag/murals monthly 0.5 https://www.platformspace.net/home/tag/wilderness monthly 0.5 https://www.platformspace.net/home/tag/south+India monthly 0.5 https://www.platformspace.net/home/tag/suburbs monthly 0.5 https://www.platformspace.net/home/tag/social+housing monthly 0.5 https://www.platformspace.net/home/tag/land+use+law monthly 0.5 https://www.platformspace.net/home/tag/YMCAs monthly 0.5 https://www.platformspace.net/home/tag/Interstates monthly 0.5 https://www.platformspace.net/home/tag/modernization. monthly 0.5 https://www.platformspace.net/home/tag/CBDs monthly 0.5 https://www.platformspace.net/home/tag/prison+museum monthly 0.5 https://www.platformspace.net/home/tag/government monthly 0.5 https://www.platformspace.net/home/tag/ChatGPT monthly 0.5 https://www.platformspace.net/home/tag/crime monthly 0.5 https://www.platformspace.net/home/tag/USSR monthly 0.5 https://www.platformspace.net/home/tag/Independence+Day monthly 0.5 https://www.platformspace.net/home/tag/leisure monthly 0.5 https://www.platformspace.net/home/tag/Muslims monthly 0.5 https://www.platformspace.net/home/tag/spatiality monthly 0.5 https://www.platformspace.net/home/tag/Bhuj monthly 0.5 https://www.platformspace.net/home/tag/everyday+life monthly 0.5 https://www.platformspace.net/home/tag/senior+housing monthly 0.5 https://www.platformspace.net/home/tag/health monthly 0.5 https://www.platformspace.net/home/tag/Home+Owners+Loan+Corporation monthly 0.5 https://www.platformspace.net/home/tag/Spain monthly 0.5 https://www.platformspace.net/home/tag/design+studio monthly 0.5 https://www.platformspace.net/home/tag/nineteenth-century+Cuba+Havana monthly 0.5 https://www.platformspace.net/home/tag/lawsuits monthly 0.5 https://www.platformspace.net/home/tag/urban+politics monthly 0.5 https://www.platformspace.net/home/tag/reinforced+concrete monthly 0.5 https://www.platformspace.net/home/tag/el+Caribe monthly 0.5 https://www.platformspace.net/home/tag/refugee monthly 0.5 https://www.platformspace.net/home/tag/Robert+Mills monthly 0.5 https://www.platformspace.net/home/tag/Human+Rights monthly 0.5 https://www.platformspace.net/home/tag/rasquachismo monthly 0.5 https://www.platformspace.net/home/tag/food+systems monthly 0.5 https://www.platformspace.net/home/tag/home+ownership monthly 0.5 https://www.platformspace.net/home/tag/nationhood monthly 0.5 https://www.platformspace.net/home/tag/Mrs.+America monthly 0.5 https://www.platformspace.net/home/tag/building+records monthly 0.5 https://www.platformspace.net/home/tag/Conn. monthly 0.5 https://www.platformspace.net/home/tag/environmental+injustice monthly 0.5 https://www.platformspace.net/home/tag/structural+inequality monthly 0.5 https://www.platformspace.net/home/tag/International+Style monthly 0.5 https://www.platformspace.net/home/tag/encampments monthly 0.5 https://www.platformspace.net/home/tag/HVAC monthly 0.5 https://www.platformspace.net/home/tag/World+Trade+Center monthly 0.5 https://www.platformspace.net/home/tag/desaparecidos monthly 0.5 https://www.platformspace.net/home/tag/community+gardens monthly 0.5 https://www.platformspace.net/home/tag/government+buildings monthly 0.5 https://www.platformspace.net/home/tag/residence monthly 0.5 https://www.platformspace.net/home/tag/doom+loop monthly 0.5 https://www.platformspace.net/home/tag/plant-based+building+materials monthly 0.5 https://www.platformspace.net/home/tag/day+care+centers monthly 0.5 https://www.platformspace.net/home/tag/Lesotho monthly 0.5 https://www.platformspace.net/home/tag/women%E2%80%99s+organizations.+everyday+use+of+space monthly 0.5 https://www.platformspace.net/home/tag/finance+capital monthly 0.5 https://www.platformspace.net/home/tag/Amburiq+Mosque monthly 0.5 https://www.platformspace.net/home/tag/congregations monthly 0.5 https://www.platformspace.net/home/tag/cities monthly 0.5 https://www.platformspace.net/home/tag/Berlin monthly 0.5 https://www.platformspace.net/home/tag/collective+action monthly 0.5 https://www.platformspace.net/home/tag/Byzantine monthly 0.5 https://www.platformspace.net/home/tag/film monthly 0.5 https://www.platformspace.net/home/tag/sustainability monthly 0.5 https://www.platformspace.net/home/tag/accessory+dwelling+units monthly 0.5 https://www.platformspace.net/home/tag/deforestation monthly 0.5 https://www.platformspace.net/home/tag/contagion monthly 0.5 https://www.platformspace.net/home/tag/rent+control monthly 0.5 https://www.platformspace.net/home/tag/New+Delhi monthly 0.5 https://www.platformspace.net/home/tag/fences monthly 0.5 https://www.platformspace.net/home/tag/Peter+Thiel monthly 0.5 https://www.platformspace.net/home/tag/transit monthly 0.5 https://www.platformspace.net/home/tag/Jim+Crow monthly 0.5 https://www.platformspace.net/home/tag/1910s monthly 0.5 https://www.platformspace.net/home/tag/veterans monthly 0.5 https://www.platformspace.net/home/tag/Confinement monthly 0.5 https://www.platformspace.net/home/tag/novelists monthly 0.5 https://www.platformspace.net/home/tag/constitution monthly 0.5 https://www.platformspace.net/home/tag/Eastern+Anatolia monthly 0.5 https://www.platformspace.net/home/tag/borders monthly 0.5 https://www.platformspace.net/home/tag/citizen+engagement monthly 0.5 https://www.platformspace.net/home/tag/Harold+Washington+Library+Center monthly 0.5 https://www.platformspace.net/home/tag/Path%C3%A9 monthly 0.5 https://www.platformspace.net/home/tag/spatiocide monthly 0.5 https://www.platformspace.net/home/tag/Vienna monthly 0.5 https://www.platformspace.net/home/tag/spatial+history monthly 0.5 https://www.platformspace.net/home/tag/tax+credits monthly 0.5 https://www.platformspace.net/home/tag/tenant+passport monthly 0.5 https://www.platformspace.net/home/tag/U.S.+Environmental+Protection+Agency monthly 0.5 https://www.platformspace.net/home/tag/governmentality monthly 0.5 https://www.platformspace.net/home/tag/National+Trust+for+Historic+Preservation monthly 0.5 https://www.platformspace.net/home/tag/production+studies monthly 0.5 https://www.platformspace.net/home/tag/Habsburg+architecture monthly 0.5 https://www.platformspace.net/home/tag/witness monthly 0.5 https://www.platformspace.net/home/tag/Mediterranean monthly 0.5 https://www.platformspace.net/home/tag/epidemics monthly 0.5 https://www.platformspace.net/home/tag/urban+development. monthly 0.5 https://www.platformspace.net/home/tag/Chicanos monthly 0.5 https://www.platformspace.net/home/tag/cultural+landscapes monthly 0.5 https://www.platformspace.net/home/tag/Ramy+Youssef monthly 0.5 https://www.platformspace.net/home/tag/circulation monthly 0.5 https://www.platformspace.net/home/tag/suburb monthly 0.5 https://www.platformspace.net/home/tag/bus+stations monthly 0.5 https://www.platformspace.net/home/tag/colonial+planning monthly 0.5 https://www.platformspace.net/home/tag/landlords monthly 0.5 https://www.platformspace.net/home/tag/hackerspaces monthly 0.5 https://www.platformspace.net/home/tag/TVA monthly 0.5 https://www.platformspace.net/home/tag/miniature+jail monthly 0.5 https://www.platformspace.net/home/tag/open+space monthly 0.5 https://www.platformspace.net/home/tag/W.E.B.+Du+Bois monthly 0.5 https://www.platformspace.net/home/tag/co-spatiality monthly 0.5 https://www.platformspace.net/home/tag/Barbie monthly 0.5 https://www.platformspace.net/home/tag/green+space monthly 0.5 https://www.platformspace.net/home/tag/Cambridge monthly 0.5 https://www.platformspace.net/home/tag/History monthly 0.5 https://www.platformspace.net/home/tag/trees monthly 0.5 https://www.platformspace.net/home/tag/college+education monthly 0.5 https://www.platformspace.net/home/tag/downtowns monthly 0.5 https://www.platformspace.net/home/tag/Habsburg+Architecture monthly 0.5 https://www.platformspace.net/home/tag/drawing monthly 0.5 https://www.platformspace.net/home/tag/spatial+ethnography monthly 0.5 https://www.platformspace.net/home/tag/fire monthly 0.5 https://www.platformspace.net/home/tag/Ludovic-Trarieux+International+Human+Rights+Prize+2018 monthly 0.5 https://www.platformspace.net/home/tag/Phyllis+Schlafly monthly 0.5 https://www.platformspace.net/home/tag/North+Miami+Beach monthly 0.5 https://www.platformspace.net/home/tag/xenophobia monthly 0.5 https://www.platformspace.net/home/tag/James+Bay monthly 0.5 https://www.platformspace.net/home/tag/Activism monthly 0.5 https://www.platformspace.net/home/tag/preventive+conservation monthly 0.5 https://www.platformspace.net/home/tag/Ras+al+Khaimah monthly 0.5 https://www.platformspace.net/home/tag/commercial+street monthly 0.5 https://www.platformspace.net/home/tag/labor monthly 0.5 https://www.platformspace.net/home/tag/property+developers monthly 0.5 https://www.platformspace.net/home/tag/Memon monthly 0.5 https://www.platformspace.net/home/tag/planned+cities monthly 0.5 https://www.platformspace.net/home/tag/Georgia monthly 0.5 https://www.platformspace.net/home/tag/Safavid monthly 0.5 https://www.platformspace.net/home/tag/ADUs monthly 0.5 https://www.platformspace.net/home/tag/South+Loop monthly 0.5 https://www.platformspace.net/home/tag/professionalism monthly 0.5 https://www.platformspace.net/home/tag/fishing+towns monthly 0.5 https://www.platformspace.net/home/tag/PPE monthly 0.5 https://www.platformspace.net/home/tag/New+Towns monthly 0.5 https://www.platformspace.net/home/tag/early+modern+Europe monthly 0.5 https://www.platformspace.net/home/tag/customization monthly 0.5 https://www.platformspace.net/home/tag/design+commissions monthly 0.5 https://www.platformspace.net/home/tag/global monthly 0.5 https://www.platformspace.net/home/tag/industry monthly 0.5 https://www.platformspace.net/home/tag/LIHTC monthly 0.5 https://www.platformspace.net/home/tag/food+deserts monthly 0.5 https://www.platformspace.net/home/tag/Viollet-le-Duc monthly 0.5 https://www.platformspace.net/home/tag/collecting monthly 0.5 https://www.platformspace.net/home/tag/humanitarian+photography monthly 0.5 https://www.platformspace.net/home/tag/Connecticut+College monthly 0.5 https://www.platformspace.net/home/tag/New+York+City+Housing+Authority monthly 0.5 https://www.platformspace.net/home/tag/history+of+slavery monthly 0.5 https://www.platformspace.net/home/tag/Darwen monthly 0.5 https://www.platformspace.net/home/tag/equality monthly 0.5 https://www.platformspace.net/home/tag/research+methods monthly 0.5 https://www.platformspace.net/home/tag/cultural+architecture monthly 0.5 https://www.platformspace.net/home/tag/childhood monthly 0.5 https://www.platformspace.net/home/tag/cultural+landscape+studies monthly 0.5 https://www.platformspace.net/home/tag/manifestos monthly 0.5 https://www.platformspace.net/home/tag/nightlife monthly 0.5 https://www.platformspace.net/home/tag/self-construction monthly 0.5 https://www.platformspace.net/home/tag/Hawaii monthly 0.5 https://www.platformspace.net/home/tag/polis monthly 0.5 https://www.platformspace.net/home/tag/Olivia+Ward+Bush-Banks monthly 0.5 https://www.platformspace.net/home/tag/colonial+cities monthly 0.5 https://www.platformspace.net/home/tag/democracy monthly 0.5 https://www.platformspace.net/home/tag/everyday monthly 0.5 https://www.platformspace.net/home/tag/transportation monthly 0.5 https://www.platformspace.net/home/tag/Lebanon monthly 0.5 https://www.platformspace.net/home/tag/silicosis monthly 0.5 https://www.platformspace.net/home/tag/Ren%C3%A9e+Gailhoustet monthly 0.5 https://www.platformspace.net/home/tag/central+vista+project monthly 0.5 https://www.platformspace.net/home/tag/Miami+Beach monthly 0.5 https://www.platformspace.net/home/tag/collaboration monthly 0.5 https://www.platformspace.net/home/tag/city+politics monthly 0.5 https://www.platformspace.net/home/tag/Australia monthly 0.5 https://www.platformspace.net/home/tag/Robert+D.+Kohn monthly 0.5 https://www.platformspace.net/home/tag/Philadelphia monthly 0.5 https://www.platformspace.net/home/tag/Richard+Neutra monthly 0.5 https://www.platformspace.net/home/tag/disaster+relief monthly 0.5 https://www.platformspace.net/home/tag/abortion monthly 0.5 https://www.platformspace.net/home/tag/refugees monthly 0.5 https://www.platformspace.net/home/tag/biennials monthly 0.5 https://www.platformspace.net/home/tag/Lagos monthly 0.5 https://www.platformspace.net/home/tag/Ed+Logue monthly 0.5 https://www.platformspace.net/home/tag/Global+South monthly 0.5 https://www.platformspace.net/home/tag/Madayeh+al-Husayniyyeh monthly 0.5 https://www.platformspace.net/home/tag/Tiny+Town monthly 0.5 https://www.platformspace.net/home/tag/mass+shootings monthly 0.5 https://www.platformspace.net/home/tag/Maria+Nordman monthly 0.5 https://www.platformspace.net/home/tag/Hongling+Experimental+Primary+School monthly 0.5 https://www.platformspace.net/home/tag/coloniality monthly 0.5 https://www.platformspace.net/home/tag/Civil+disobedience+in+Iran monthly 0.5 https://www.platformspace.net/home/tag/Sarajevo monthly 0.5 https://www.platformspace.net/home/tag/ethnography monthly 0.5 https://www.platformspace.net/home/tag/Aleijadinho monthly 0.5 https://www.platformspace.net/home/tag/environmental+justice monthly 0.5 https://www.platformspace.net/home/tag/Black+architects monthly 0.5 https://www.platformspace.net/home/tag/colonialism monthly 0.5 https://www.platformspace.net/home/tag/professional+culture monthly 0.5 https://www.platformspace.net/home/tag/Wupatki+National+Monument monthly 0.5 https://www.platformspace.net/home/tag/Liverpool monthly 0.5 https://www.platformspace.net/home/tag/Historic+American+Buildings+Survey monthly 0.5 https://www.platformspace.net/home/tag/maps monthly 0.5 https://www.platformspace.net/home/tag/Architecture monthly 0.5 https://www.platformspace.net/home/tag/counter-infrastructure monthly 0.5 https://www.platformspace.net/home/tag/Incheon monthly 0.5 https://www.platformspace.net/home/tag/eldercare monthly 0.5 https://www.platformspace.net/home/tag/public+humanities monthly 0.5 https://www.platformspace.net/home/tag/modification monthly 0.5 https://www.platformspace.net/home/tag/OmniCorpDetroit monthly 0.5 https://www.platformspace.net/home/tag/hunger monthly 0.5 https://www.platformspace.net/home/tag/DIY+urbanism monthly 0.5 https://www.platformspace.net/home/tag/public+realm monthly 0.5 https://www.platformspace.net/home/tag/urban-rural+divide monthly 0.5 https://www.platformspace.net/home/tag/Tamilnadu monthly 0.5 https://www.platformspace.net/home/tag/Eighth+Amendment monthly 0.5 https://www.platformspace.net/home/tag/fine+arts monthly 0.5 https://www.platformspace.net/home/tag/Plattenbau monthly 0.5 https://www.platformspace.net/home/tag/UNESCO monthly 0.5 https://www.platformspace.net/home/tag/built+environment monthly 0.5 https://www.platformspace.net/home/tag/mandala monthly 0.5 https://www.platformspace.net/home/tag/spatial+humanities monthly 0.5 https://www.platformspace.net/home/tag/Turkic monthly 0.5 https://www.platformspace.net/home/tag/amateur monthly 0.5 https://www.platformspace.net/home/tag/jurisprudence monthly 0.5 https://www.platformspace.net/home/tag/commerce monthly 0.5 https://www.platformspace.net/home/tag/the+everyday monthly 0.5 https://www.platformspace.net/home/tag/Russia monthly 0.5 https://www.platformspace.net/home/tag/Gwinnet+County monthly 0.5 https://www.platformspace.net/home/tag/bats monthly 0.5 https://www.platformspace.net/home/tag/Sadr-i+Isfahani monthly 0.5 https://www.platformspace.net/home/tag/building+trades monthly 0.5 https://www.platformspace.net/home/tag/China monthly 0.5 https://www.platformspace.net/home/tag/activists monthly 0.5 https://www.platformspace.net/home/tag/naval+shipyards monthly 0.5 https://www.platformspace.net/home/tag/expropriation monthly 0.5 https://www.platformspace.net/home/tag/propaganda monthly 0.5 https://www.platformspace.net/home/tag/Interstate+highways monthly 0.5 https://www.platformspace.net/home/tag/Philippines monthly 0.5 https://www.platformspace.net/home/tag/Red+Hook monthly 0.5 https://www.platformspace.net/home/tag/radiant+systems monthly 0.5 https://www.platformspace.net/home/tag/McKim+Mead+%26+White monthly 0.5 https://www.platformspace.net/home/tag/building+repair monthly 0.5 https://www.platformspace.net/home/tag/clock+tower monthly 0.5 https://www.platformspace.net/home/tag/pogroms monthly 0.5 https://www.platformspace.net/home/tag/Greek+Orthodox+Church monthly 0.5 https://www.platformspace.net/home/tag/co-ops monthly 0.5 https://www.platformspace.net/home/tag/Yue+Jiazao monthly 0.5 https://www.platformspace.net/home/tag/City+Housing+Corporation monthly 0.5 https://www.platformspace.net/home/tag/tech+industry monthly 0.5 https://www.platformspace.net/home/tag/trucking monthly 0.5 https://www.platformspace.net/home/tag/fisheries monthly 0.5 https://www.platformspace.net/home/tag/revolt monthly 0.5 https://www.platformspace.net/home/tag/territoriality monthly 0.5 https://www.platformspace.net/home/tag/non-profit+housing monthly 0.5 https://www.platformspace.net/home/tag/curators monthly 0.5 https://www.platformspace.net/home/tag/collective+futures monthly 0.5 https://www.platformspace.net/home/tag/Indonesia monthly 0.5 https://www.platformspace.net/home/tag/mob monthly 0.5 https://www.platformspace.net/home/tag/community+development monthly 0.5 https://www.platformspace.net/home/tag/design+workshops monthly 0.5 https://www.platformspace.net/home/tag/Ropewalk monthly 0.5 https://www.platformspace.net/home/tag/tactical+interventions monthly 0.5 https://www.platformspace.net/home/tag/guns monthly 0.5 https://www.platformspace.net/home/tag/Migration monthly 0.5 https://www.platformspace.net/home/tag/Florence monthly 0.5 https://www.platformspace.net/home/tag/New+London monthly 0.5 https://www.platformspace.net/home/tag/architecture+and+slavery monthly 0.5 https://www.platformspace.net/home/tag/State+Palace monthly 0.5 https://www.platformspace.net/home/tag/movies monthly 0.5 https://www.platformspace.net/home/tag/HBCUs monthly 0.5 https://www.platformspace.net/home/tag/Iran monthly 0.5 https://www.platformspace.net/home/tag/handyman monthly 0.5 https://www.platformspace.net/home/tag/slavery monthly 0.5 https://www.platformspace.net/home/tag/hacienda monthly 0.5 https://www.platformspace.net/home/tag/games monthly 0.5 https://www.platformspace.net/home/tag/Mezre monthly 0.5 https://www.platformspace.net/home/tag/Iraq monthly 0.5 https://www.platformspace.net/home/tag/Chile monthly 0.5 https://www.platformspace.net/home/tag/Istanbul monthly 0.5 https://www.platformspace.net/home/tag/women+in+architecture monthly 0.5 https://www.platformspace.net/home/tag/industrialization monthly 0.5 https://www.platformspace.net/home/tag/%C3%89mile+Aillaud monthly 0.5 https://www.platformspace.net/home/tag/Nepal monthly 0.5 https://www.platformspace.net/home/tag/Cross+Bronx+Expressway monthly 0.5 https://www.platformspace.net/home/tag/Boston monthly 0.5 https://www.platformspace.net/home/tag/petrochemicals monthly 0.5 https://www.platformspace.net/home/tag/counterpublics monthly 0.5 https://www.platformspace.net/home/tag/Munich monthly 0.5 https://www.platformspace.net/home/tag/temples monthly 0.5 https://www.platformspace.net/home/tag/colonial+urbanism monthly 0.5 https://www.platformspace.net/home/tag/design+review+guidelines monthly 0.5 https://www.platformspace.net/home/tag/ornamentation monthly 0.5 https://www.platformspace.net/home/tag/architectural+education monthly 0.5 https://www.platformspace.net/home/tag/Nayaka-period+architecture monthly 0.5 https://www.platformspace.net/home/tag/resistance monthly 0.5 https://www.platformspace.net/home/tag/inequality monthly 0.5 https://www.platformspace.net/home/tag/Turkey monthly 0.5 https://www.platformspace.net/home/tag/books monthly 0.5 https://www.platformspace.net/home/tag/Bombay+plague monthly 0.5 https://www.platformspace.net/home/tag/Hammond monthly 0.5 https://www.platformspace.net/home/tag/decolonialization monthly 0.5 https://www.platformspace.net/home/tag/Peru monthly 0.5 https://www.platformspace.net/home/tag/theory monthly 0.5 https://www.platformspace.net/home/tag/UN+Habitat monthly 0.5 https://www.platformspace.net/home/tag/Sakharov+Prize+2012 monthly 0.5 https://www.platformspace.net/home/tag/steel monthly 0.5 https://www.platformspace.net/home/tag/Emamzadeh+Yahya monthly 0.5 https://www.platformspace.net/home/tag/college+essay monthly 0.5 https://www.platformspace.net/home/tag/gender monthly 0.5 https://www.platformspace.net/home/tag/Noisebridge monthly 0.5 https://www.platformspace.net/home/tag/Joseph+McCarthy monthly 0.5 https://www.platformspace.net/home/tag/Socialism monthly 0.5 https://www.platformspace.net/home/tag/crisis+pregnancy+centers monthly 0.5 https://www.platformspace.net/home/tag/Futian+High+School monthly 0.5 https://www.platformspace.net/home/tag/basketry monthly 0.5 https://www.platformspace.net/home/tag/Xinjiang monthly 0.5 https://www.platformspace.net/home/tag/marginalization monthly 0.5 https://www.platformspace.net/home/tag/real+estate+development monthly 0.5 https://www.platformspace.net/home/tag/materials+extraction monthly 0.5 https://www.platformspace.net/home/tag/tuna+fisheries monthly 0.5 https://www.platformspace.net/home/tag/Israel-Gaza+conflict monthly 0.5 https://www.platformspace.net/home/tag/Kashmir monthly 0.5 https://www.platformspace.net/home/tag/eurocentrism monthly 0.5 https://www.platformspace.net/home/tag/identity monthly 0.5 https://www.platformspace.net/home/tag/mass+production monthly 0.5 https://www.platformspace.net/home/tag/installation monthly 0.5 https://www.platformspace.net/home/tag/writing monthly 0.5 https://www.platformspace.net/home/tag/indoors monthly 0.5 https://www.platformspace.net/home/tag/Chatham monthly 0.5 https://www.platformspace.net/home/tag/Equal+Rights+Amendment monthly 0.5 https://www.platformspace.net/home/tag/sexual+violence monthly 0.5 https://www.platformspace.net/home/tag/ropemakers monthly 0.5 https://www.platformspace.net/home/tag/Raleigh monthly 0.5 https://www.platformspace.net/home/tag/genocide monthly 0.5 https://www.platformspace.net/home/tag/Art+Biennial monthly 0.5 https://www.platformspace.net/home/tag/whiteness monthly 0.5 https://www.platformspace.net/home/tag/United+Auto+Workers monthly 0.5 https://www.platformspace.net/home/tag/urban+disinvestment monthly 0.5 https://www.platformspace.net/home/tag/guleman monthly 0.5 https://www.platformspace.net/home/tag/construction+history monthly 0.5 https://www.platformspace.net/home/tag/foreign+investment monthly 0.5 https://www.platformspace.net/home/tag/hospitals monthly 0.5 https://www.platformspace.net/home/tag/Brasilia monthly 0.5 https://www.platformspace.net/home/tag/LGBTQ+rights monthly 0.5 https://www.platformspace.net/home/tag/informality monthly 0.5 https://www.platformspace.net/home/tag/textiles monthly 0.5 https://www.platformspace.net/home/tag/Jackson+Heights monthly 0.5 https://www.platformspace.net/home/tag/short+films monthly 0.5 https://www.platformspace.net/home/tag/freeways monthly 0.5 https://www.platformspace.net/home/tag/space monthly 0.5 https://www.platformspace.net/home/tag/Museo+Novecento monthly 0.5 https://www.platformspace.net/home/tag/theater monthly 0.5 https://www.platformspace.net/home/tag/White+headscarf monthly 0.5 https://www.platformspace.net/home/tag/Black+churches monthly 0.5 https://www.platformspace.net/home/tag/segregation monthly 0.5 https://www.platformspace.net/home/tag/fascism monthly 0.5 https://www.platformspace.net/home/tag/Korean+Americans monthly 0.5 https://www.platformspace.net/home/tag/cochlear+implants monthly 0.5 https://www.platformspace.net/home/tag/Roosevelt monthly 0.5 https://www.platformspace.net/home/tag/Euphrates+College monthly 0.5 https://www.platformspace.net/home/tag/Trieste monthly 0.5 https://www.platformspace.net/home/tag/viruses monthly 0.5 https://www.platformspace.net/home/tag/Dennis+Maher monthly 0.5 https://www.platformspace.net/home/tag/Architectural+Association monthly 0.5 https://www.platformspace.net/home/tag/Japan monthly 0.5 https://www.platformspace.net/home/tag/archeology monthly 0.5 https://www.platformspace.net/home/tag/Jewish+history monthly 0.5 https://www.platformspace.net/home/tag/mayor+elections monthly 0.5 https://www.platformspace.net/home/tag/Recep+Tayyip+Erdo%C7%A7an monthly 0.5 https://www.platformspace.net/home/tag/mining monthly 0.5 https://www.platformspace.net/home/tag/accidents monthly 0.5 https://www.platformspace.net/home/tag/disappearance monthly 0.5 https://www.platformspace.net/home/tag/makerspaces monthly 0.5 https://www.platformspace.net/home/tag/toilets monthly 0.5 https://www.platformspace.net/home/tag/manufacture monthly 0.5 https://www.platformspace.net/home/tag/office+conversion monthly 0.5 https://www.platformspace.net/home/tag/nineteenth+century monthly 0.5 https://www.platformspace.net/home/tag/professional+practice monthly 0.5 https://www.platformspace.net/home/tag/Senegal monthly 0.5 https://www.platformspace.net/home/tag/Margarete+Sch%C3%BCtte-Lihotzky monthly 0.5 https://www.platformspace.net/home/tag/Black+Urbanism monthly 0.5 https://www.platformspace.net/home/tag/smart+cities monthly 0.5 https://www.platformspace.net/home/tag/Latinos monthly 0.5 https://www.platformspace.net/home/tag/British+Museum monthly 0.5 https://www.platformspace.net/home/tag/urbanism monthly 0.5 https://www.platformspace.net/home/tag/turco-german monthly 0.5 https://www.platformspace.net/home/tag/Igreja+de+S%C3%A3o+Francisco+de+Assis monthly 0.5 https://www.platformspace.net/home/tag/factories monthly 0.5 https://www.platformspace.net/home/tag/Oceania monthly 0.5 https://www.platformspace.net/home/tag/Haitian-Canadians monthly 0.5 https://www.platformspace.net/home/tag/DDR monthly 0.5 https://www.platformspace.net/home/tag/Kanpur monthly 0.5 https://www.platformspace.net/home/tag/public monthly 0.5 https://www.platformspace.net/home/tag/Indigenous+fire+practices monthly 0.5 https://www.platformspace.net/home/tag/terrorism monthly 0.5 https://www.platformspace.net/home/tag/Ringstra%C3%9Fe monthly 0.5 https://www.platformspace.net/home/tag/walking monthly 0.5 https://www.platformspace.net/home/tag/Lincoln+Memorial monthly 0.5 https://www.platformspace.net/home/tag/data+visualization monthly 0.5 https://www.platformspace.net/home/tag/detention+center monthly 0.5 https://www.platformspace.net/home/tag/Trucial+States monthly 0.5 https://www.platformspace.net/home/tag/riots monthly 0.5 https://www.platformspace.net/home/tag/modernization monthly 0.5 https://www.platformspace.net/home/tag/tenants monthly 0.5 https://www.platformspace.net/home/tag/liberalism monthly 0.5 https://www.platformspace.net/home/tag/Bracero+Program monthly 0.5 https://www.platformspace.net/home/tag/tribal+culture monthly 0.5 https://www.platformspace.net/home/tag/Miami-Dade monthly 0.5 https://www.platformspace.net/home/tag/Charlottesville monthly 0.5 https://www.platformspace.net/home/tag/pogrom monthly 0.5 https://www.platformspace.net/home/tag/Uyghur monthly 0.5 https://www.platformspace.net/home/tag/Asian+America monthly 0.5 https://www.platformspace.net/home/tag/covid-19 monthly 0.5 https://www.platformspace.net/home/tag/neoliberalism monthly 0.5 https://www.platformspace.net/home/tag/re-issues monthly 0.5 https://www.platformspace.net/home/tag/fracking monthly 0.5 https://www.platformspace.net/home/tag/Nikki+Cooper monthly 0.5 https://www.platformspace.net/home/tag/Uttar+Pradesh monthly 0.5 https://www.platformspace.net/home/tag/Eve+Arnold monthly 0.5 https://www.platformspace.net/home/tag/alacakaya monthly 0.5 https://www.platformspace.net/home/tag/public+works monthly 0.5 https://www.platformspace.net/home/tag/trade monthly 0.5 https://www.platformspace.net/home/tag/performance monthly 0.5 https://www.platformspace.net/home/tag/guerrilla+urbanism monthly 0.5 https://www.platformspace.net/home/tag/temple monthly 0.5 https://www.platformspace.net/home/tag/climate+control monthly 0.5 https://www.platformspace.net/home/tag/landscape monthly 0.5 https://www.platformspace.net/home/tag/housing+policy monthly 0.5 https://www.platformspace.net/home/tag/demographics monthly 0.5 https://www.platformspace.net/home/tag/reenactment monthly 0.5 https://www.platformspace.net/home/tag/Berkeley monthly 0.5 https://www.platformspace.net/home/tag/West+Coast monthly 0.5 https://www.platformspace.net/home/tag/Nasrin+Sotoudeh monthly 0.5 https://www.platformspace.net/home/tag/Suzhou+Garden monthly 0.5 https://www.platformspace.net/home/tag/Paulo+Freire monthly 0.5 https://www.platformspace.net/home/tag/music monthly 0.5 https://www.platformspace.net/home/tag/bottom-up monthly 0.5 https://www.platformspace.net/home/tag/photoessays monthly 0.5 https://www.platformspace.net/home/tag/nationalism monthly 0.5 https://www.platformspace.net/home/tag/empire monthly 0.5 https://www.platformspace.net/home/tag/Project+Apollo monthly 0.5 https://www.platformspace.net/home/tag/architectural+design+competition monthly 0.5 https://www.platformspace.net/home/tag/Realtors monthly 0.5 https://www.platformspace.net/home/tag/fifty-year+anniversary monthly 0.5 https://www.platformspace.net/home/tag/rap monthly 0.5 https://www.platformspace.net/home/tag/AI monthly 0.5 https://www.platformspace.net/home/tag/cartography monthly 0.5 https://www.platformspace.net/home/tag/economy monthly 0.5 https://www.platformspace.net/home/tag/community monthly 0.5 https://www.platformspace.net/home/tag/planning monthly 0.5 https://www.platformspace.net/home/tag/architectural+pedagogy monthly 0.5 https://www.platformspace.net/home/tag/Islam monthly 0.5 https://www.platformspace.net/home/tag/Denver+County+Jail monthly 0.5 https://www.platformspace.net/home/tag/adolescence monthly 0.5 https://www.platformspace.net/home/tag/adivasi monthly 0.5 https://www.platformspace.net/home/tag/restaurants monthly 0.5 https://www.platformspace.net/home/tag/racecraft monthly 0.5 https://www.platformspace.net/home/tag/shophouses monthly 0.5 https://www.platformspace.net/home/tag/federal+architecture monthly 0.5 https://www.platformspace.net/home/tag/East+Wing monthly 0.5 https://www.platformspace.net/home/tag/Raymond+Williams monthly 0.5 https://www.platformspace.net/home/tag/The+Bronx monthly 0.5 https://www.platformspace.net/home/tag/palliative+care monthly 0.5 https://www.platformspace.net/home/tag/Police+Brutality monthly 0.5 https://www.platformspace.net/home/tag/green+belt monthly 0.5 https://www.platformspace.net/home/tag/campus+architecture monthly 0.5 https://www.platformspace.net/home/tag/anthropologists monthly 0.5 https://www.platformspace.net/home/tag/bourgeois+environmentalism monthly 0.5 https://www.platformspace.net/home/tag/racial+integration monthly 0.5 https://www.platformspace.net/home/tag/Victor+Hugo monthly 0.5 https://www.platformspace.net/home/tag/resilience monthly 0.5 https://www.platformspace.net/home/tag/John+Lautner monthly 0.5 https://www.platformspace.net/home/tag/classical+Chinese+garden monthly 0.5 https://www.platformspace.net/home/tag/density monthly 0.5 https://www.platformspace.net/home/tag/Co-op+City monthly 0.5 https://www.platformspace.net/home/tag/Supreme+Court monthly 0.5 https://www.platformspace.net/home/tag/United+Arab+Emirates monthly 0.5 https://www.platformspace.net/home/tag/cruising monthly 0.5 https://www.platformspace.net/home/tag/Michigan monthly 0.5 https://www.platformspace.net/home/tag/Cuba monthly 0.5 https://www.platformspace.net/home/tag/CT monthly 0.5 https://www.platformspace.net/home/tag/private+rented+sector+%28PRS%29 monthly 0.5 https://www.platformspace.net/home/tag/DIY monthly 0.5 https://www.platformspace.net/home/tag/Varanasi monthly 0.5 https://www.platformspace.net/home/tag/communism monthly 0.5 https://www.platformspace.net/home/tag/pandemics monthly 0.5 https://www.platformspace.net/home/tag/Hurricane+Katrina monthly 0.5 https://www.platformspace.net/home/tag/anniversary monthly 0.5 https://www.platformspace.net/home/tag/G%C3%B6ttingen monthly 0.5 https://www.platformspace.net/home/tag/university+of+toronto monthly 0.5 https://www.platformspace.net/home/tag/Fourth+of+July monthly 0.5 https://www.platformspace.net/home/tag/evidence monthly 0.5 https://www.platformspace.net/home/tag/rural monthly 0.5 https://www.platformspace.net/home/tag/urban+warfare%3B+war+in+cities%3B+civilian+casualties%3B+laws+of+war%3B+military+lawyers%3B+kill+chain%3B+United+States%3B+Iraq%3B+Afghanistan. monthly 0.5 https://www.platformspace.net/home/tag/ethics monthly 0.5 https://www.platformspace.net/home/tag/pandemic monthly 0.5 https://www.platformspace.net/home/tag/classical+architecture monthly 0.5 https://www.platformspace.net/home/tag/Lorraine+Rothman monthly 0.5 https://www.platformspace.net/home/tag/Harlem monthly 0.5 https://www.platformspace.net/home/tag/Tokyo monthly 0.5 https://www.platformspace.net/home/tag/townscape monthly 0.5 https://www.platformspace.net/home/tag/Brazil monthly 0.5 https://www.platformspace.net/home/tag/cottage monthly 0.5 https://www.platformspace.net/home/tag/discrimination monthly 0.5 https://www.platformspace.net/home/tag/urban+decay monthly 0.5 https://www.platformspace.net/home/tag/partitions monthly 0.5 https://www.platformspace.net/home/tag/Ecuador monthly 0.5 https://www.platformspace.net/home/tag/Toxteth monthly 0.5 https://www.platformspace.net/home/tag/caste monthly 0.5 https://www.platformspace.net/home/tag/Caribbean+architecture monthly 0.5 https://www.platformspace.net/home/tag/proto-industrial monthly 0.5 https://www.platformspace.net/home/tag/newspapers monthly 0.5 https://www.platformspace.net/home/tag/Latinxs monthly 0.5 https://www.platformspace.net/home/tag/public+policy monthly 0.5 https://www.platformspace.net/home/tag/mass-produced+housing monthly 0.5 https://www.platformspace.net/home/tag/ruins monthly 0.5 https://www.platformspace.net/home/tag/housing+prices monthly 0.5 https://www.platformspace.net/home/tag/community+centers monthly 0.5 https://www.platformspace.net/home/tag/public+history monthly 0.5 https://www.platformspace.net/home/tag/rural+landscape monthly 0.5 https://www.platformspace.net/home/tag/Haiti monthly 0.5 https://www.platformspace.net/home/tag/regionalism monthly 0.5 https://www.platformspace.net/home/tag/World+Bank monthly 0.5 https://www.platformspace.net/home/tag/production monthly 0.5 https://www.platformspace.net/home/tag/intersectionality monthly 0.5 https://www.platformspace.net/home/tag/postindustrial monthly 0.5 https://www.platformspace.net/home/tag/Madurai monthly 0.5 https://www.platformspace.net/home/tag/Pandemic monthly 0.5 https://www.platformspace.net/home/tag/Pratt+University monthly 0.5 https://www.platformspace.net/home/tag/enslavement monthly 0.5 https://www.platformspace.net/home/tag/Indigenous+resistance monthly 0.5 https://www.platformspace.net/home/tag/sanctuaries monthly 0.5 https://www.platformspace.net/home/tag/election+campaigns monthly 0.5 https://www.platformspace.net/home/tag/new+towns monthly 0.5 https://www.platformspace.net/home/tag/authorship monthly 0.5 https://www.platformspace.net/home/tag/Honolulu monthly 0.5 https://www.platformspace.net/home/tag/rights+talk monthly 0.5 https://www.platformspace.net/home/tag/HUD monthly 0.5 https://www.platformspace.net/home/tag/strikes monthly 0.5 https://www.platformspace.net/home/tag/capital+cities monthly 0.5 https://www.platformspace.net/home/tag/archaeology monthly 0.5 https://www.platformspace.net/home/tag/capitalism monthly 0.5 https://www.platformspace.net/home/tag/forts monthly 0.5 https://www.platformspace.net/home/tag/Veterans+Day monthly 0.5 https://www.platformspace.net/home/tag/surveillance monthly 0.5 https://www.platformspace.net/home/tag/Roger+Montgomery monthly 0.5 https://www.platformspace.net/home/tag/citizenship monthly 0.5 https://www.platformspace.net/home/tag/Oscar+Hijuelos monthly 0.5 https://www.platformspace.net/home/tag/Jawaharlal+Nehru monthly 0.5 https://www.platformspace.net/home/tag/Salvador+Allende monthly 0.5 https://www.platformspace.net/home/tag/Thai-Myanmar+border monthly 0.5 https://www.platformspace.net/home/tag/queer+studies monthly 0.5 https://www.platformspace.net/home/tag/misogyny monthly 0.5 https://www.platformspace.net/home/tag/objectivity monthly 0.5 https://www.platformspace.net/home/tag/San+Francisco monthly 0.5 https://www.platformspace.net/home/tag/U.S.+Department+of+Housing+and+Urban+Development monthly 0.5 https://www.platformspace.net/home/tag/environment monthly 0.5 https://www.platformspace.net/home/tag/Asia monthly 0.5 https://www.platformspace.net/home/tag/migrants monthly 0.5 https://www.platformspace.net/home/tag/pedestrian+safety monthly 0.5 https://www.platformspace.net/home/tag/feminism monthly 0.5 https://www.platformspace.net/home/tag/rent+strikes monthly 0.5 https://www.platformspace.net/home/tag/family monthly 0.5 https://www.platformspace.net/home/tag/college monthly 0.5 https://www.platformspace.net/home/tag/North+Carolina monthly 0.5 https://www.platformspace.net/home/tag/Cornwall monthly 0.5 https://www.platformspace.net/home/tag/education monthly 0.5 https://www.platformspace.net/home/tag/Eastern+Europe monthly 0.5 https://www.platformspace.net/home/tag/temple+building monthly 0.5 https://www.platformspace.net/home/tag/MASS+Design+Group monthly 0.5 https://www.platformspace.net/home/tag/productive+failure monthly 0.5 https://www.platformspace.net/home/tag/British+Library monthly 0.5 https://www.platformspace.net/home/tag/rehabilitation monthly 0.5 https://www.platformspace.net/home/tag/Fortifications monthly 0.5 https://www.platformspace.net/home/tag/popular+culture monthly 0.5 https://www.platformspace.net/home/tag/Khaplu monthly 0.5 https://www.platformspace.net/home/tag/decline monthly 0.5 https://www.platformspace.net/home/tag/small+businesses monthly 0.5 https://www.platformspace.net/home/tag/property monthly 0.5 https://www.platformspace.net/home/tag/gentrification monthly 0.5 https://www.platformspace.net/home/tag/skyscrapers monthly 0.5 https://www.platformspace.net/home/tag/organized+labor monthly 0.5 https://www.platformspace.net/home/tag/globalism monthly 0.5 https://www.platformspace.net/home/tag/Shenzhen monthly 0.5 https://www.platformspace.net/home/tag/mapping monthly 0.5 https://www.platformspace.net/home/tag/Azadi+Monument%3B+digitality%3B+digital+archive%3B+imagined+futures%3B+protest+graphics%3B+Woman monthly 0.5 https://www.platformspace.net/home/tag/foundations monthly 0.5 https://www.platformspace.net/home/tag/SARS monthly 0.5 https://www.platformspace.net/home/tag/resorts monthly 0.5 https://www.platformspace.net/home/tag/design+governance monthly 0.5 https://www.platformspace.net/home/tag/construction+materials monthly 0.5 https://www.platformspace.net/home/tag/urbanization monthly 0.5 https://www.platformspace.net/home/tag/journals monthly 0.5 https://www.platformspace.net/home/tag/Low+Income+Housing+Tax+Credits monthly 0.5 https://www.platformspace.net/home/tag/poverty+in+India monthly 0.5 https://www.platformspace.net/home/tag/Bangkok monthly 0.5 https://www.platformspace.net/home/tag/Southwest monthly 0.5 https://www.platformspace.net/home/tag/geothermal+wells monthly 0.5 https://www.platformspace.net/home/tag/Interstate+Highway+System monthly 0.5 https://www.platformspace.net/home/tag/architectural+theory monthly 0.5 https://www.platformspace.net/home/tag/Toronto monthly 0.5 https://www.platformspace.net/home/tag/Justice monthly 0.5 https://www.platformspace.net/home/tag/mortgages monthly 0.5 https://www.platformspace.net/home/tag/Bharatiya+Janata+Party monthly 0.5 https://www.platformspace.net/home/tag/United+States monthly 0.5 https://www.platformspace.net/home/tag/city monthly 0.5 https://www.platformspace.net/home/tag/minorities monthly 0.5 https://www.platformspace.net/home/tag/nautical+architecture monthly 0.5 https://www.platformspace.net/home/tag/preservaci%C3%B3n+hist%C3%B3rica monthly 0.5 https://www.platformspace.net/home/tag/exclusion monthly 0.5 https://www.platformspace.net/home/tag/urban+design monthly 0.5 https://www.platformspace.net/home/tag/Sacharow-Preis+2012 monthly 0.5 https://www.platformspace.net/home/tag/self-help monthly 0.5 https://www.platformspace.net/home/tag/retail monthly 0.5 https://www.platformspace.net/home/tag/South+Carolina monthly 0.5 https://www.platformspace.net/home/tag/coastal+development monthly 0.5 https://www.platformspace.net/home/tag/healthcare monthly 0.5 https://www.platformspace.net/home/tag/Revolution+Street monthly 0.5 https://www.platformspace.net/home/tag/Beeby+%26+Babka monthly 0.5 https://www.platformspace.net/home/tag/rights monthly 0.5 https://www.platformspace.net/home/tag/stereoscope monthly 0.5 https://www.platformspace.net/home/tag/New+Orleans monthly 0.5 https://www.platformspace.net/home/tag/U.K. monthly 0.5 https://www.platformspace.net/home/tag/Washington+D.C. monthly 0.5 https://www.platformspace.net/home/tag/Nigeria monthly 0.5 https://www.platformspace.net/home/tag/shanties monthly 0.5 https://www.platformspace.net/home/tag/cell+towers monthly 0.5 https://www.platformspace.net/home/tag/USA monthly 0.5 https://www.platformspace.net/home/tag/television monthly 0.5 https://www.platformspace.net/home/tag/stores monthly 0.5 https://www.platformspace.net/home/tag/isfahan monthly 0.5 https://www.platformspace.net/home/tag/Iranian+youth monthly 0.5 https://www.platformspace.net/home/tag/curriculum monthly 0.5 https://www.platformspace.net/home/tag/Chaqchan+Mosque+and+Khanqah monthly 0.5 https://www.platformspace.net/home/tag/older+women monthly 0.5 https://www.platformspace.net/home/tag/aesthetics monthly 0.5 https://www.platformspace.net/home/tag/materiality monthly 0.5 https://www.platformspace.net/home/tag/interwar monthly 0.5 https://www.platformspace.net/home/tag/Pedagogy monthly 0.5 https://www.platformspace.net/home/tag/hawkers monthly 0.5 https://www.platformspace.net/home/tag/literary+culture monthly 0.5 https://www.platformspace.net/home/tag/Curtis+Yarvin monthly 0.5 https://www.platformspace.net/home/tag/fishery monthly 0.5 https://www.platformspace.net/home/tag/heritage+preservation monthly 0.5 https://www.platformspace.net/home/tag/botanical+gardens monthly 0.5 https://www.platformspace.net/home/tag/wei%C3%9Fe+Fahne monthly 0.5 https://www.platformspace.net/home/tag/Spitzer+School+of+Architecture monthly 0.5 https://www.platformspace.net/home/tag/governance monthly 0.5 https://www.platformspace.net/home/tag/Anti-Asian+racism monthly 0.5 https://www.platformspace.net/home/tag/remodeling monthly 0.5 https://www.platformspace.net/home/tag/geothermal+energy monthly 0.5 https://www.platformspace.net/home/tag/Revolution+Stra%C3%9Fe monthly 0.5 https://www.platformspace.net/home/tag/basketmaking monthly 0.5 https://www.platformspace.net/home/tag/pedagogy monthly 0.5 https://www.platformspace.net/home/tag/the+South monthly 0.5 https://www.platformspace.net/home/tag/neoclassicism monthly 0.5 https://www.platformspace.net/home/tag/Coronil monthly 0.5 https://www.platformspace.net/home/tag/Al-Jahili+Fort monthly 0.5 https://www.platformspace.net/home/tag/venice monthly 0.5 https://www.platformspace.net/home/tag/indigenous monthly 0.5 https://www.platformspace.net/home/tag/modern+architecture monthly 0.5 https://www.platformspace.net/home/tag/deindustrialization monthly 0.5 https://www.platformspace.net/home/tag/geothermal monthly 0.5 https://www.platformspace.net/home/tag/Tata monthly 0.5 https://www.platformspace.net/home/tag/Silicon+Alley monthly 0.5 https://www.platformspace.net/home/tag/Harput monthly 0.5 https://www.platformspace.net/home/tag/canals monthly 0.5 https://www.platformspace.net/home/tag/Mexican+Americans monthly 0.5 https://www.platformspace.net/home/tag/Oaxaca monthly 0.5 https://www.platformspace.net/home/tag/Make+Magazine monthly 0.5 https://www.platformspace.net/home/tag/Sompura monthly 0.5 https://www.platformspace.net/home/tag/Victoria+Maier+Mayer monthly 0.5 https://www.platformspace.net/home/tag/vending monthly 0.5 https://www.platformspace.net/home/tag/settlement+houses monthly 0.5 https://www.platformspace.net/home/tag/Wood+Street+Commons monthly 0.5 https://www.platformspace.net/home/tag/early+modern monthly 0.5 https://www.platformspace.net/home/tag/Ali%E2%80%98iolani+Hale monthly 0.5 https://www.platformspace.net/home/tag/Trump monthly 0.5 https://www.platformspace.net/home/tag/wealth+gap monthly 0.5 https://www.platformspace.net/home/tag/Hieronymous+Bosch monthly 0.5 https://www.platformspace.net/home/tag/hands-on+learning monthly 0.5 https://www.platformspace.net/home/tag/architectural+history monthly 0.5 https://www.platformspace.net/home/tag/political+violence monthly 0.5 https://www.platformspace.net/home/tag/Border+Wall monthly 0.5 https://www.platformspace.net/home/tag/Crown+heights monthly 0.5 https://www.platformspace.net/home/tag/Cawnpore monthly 0.5 https://www.platformspace.net/home/tag/Greek+Orthodox monthly 0.5 https://www.platformspace.net/home/tag/Israel%2FPalestine monthly 0.5 https://www.platformspace.net/home/tag/unhoused monthly 0.5 https://www.platformspace.net/home/tag/Delhi monthly 0.5 https://www.platformspace.net/home/tag/lesbians monthly 0.5 https://www.platformspace.net/home/tag/Damascus monthly 0.5 https://www.platformspace.net/home/tag/human+rights monthly 0.5 https://www.platformspace.net/home/tag/Palacio+de+Aldama monthly 0.5 https://www.platformspace.net/home/tag/Pedagogy+of+the+Oppressed monthly 0.5 https://www.platformspace.net/home/tag/urban+policy monthly 0.5 https://www.platformspace.net/home/tag/ecclesiastical+architecture monthly 0.5 https://www.platformspace.net/home/tag/wim+wenders monthly 0.5 https://www.platformspace.net/home/tag/countermapping monthly 0.5 https://www.platformspace.net/home/tag/islam monthly 0.5 https://www.platformspace.net/home/tag/collective+mourning monthly 0.5 https://www.platformspace.net/home/tag/city+gates monthly 0.5 https://www.platformspace.net/home/tag/pattern+book monthly 0.5 https://www.platformspace.net/home/tag/logistics+facilities monthly 0.5 https://www.platformspace.net/home/tag/construction monthly 0.5 https://www.platformspace.net/home/tag/connected+history monthly 0.5 https://www.platformspace.net/home/tag/France monthly 0.5 https://www.platformspace.net/home/tag/urban+regime monthly 0.5 https://www.platformspace.net/home/tag/egypt monthly 0.5 https://www.platformspace.net/home/tag/Shenzen monthly 0.5 https://www.platformspace.net/home/tag/abstraction monthly 0.5 https://www.platformspace.net/home/tag/employment monthly 0.5 https://www.platformspace.net/home/tag/autism monthly 0.5 https://www.platformspace.net/home/tag/Santa+Barbara monthly 0.5 https://www.platformspace.net/home/tag/Beaux+Arts monthly 0.5 https://www.platformspace.net/home/tag/post-Soviet monthly 0.5 https://www.platformspace.net/home/tag/Midwest monthly 0.5 https://www.platformspace.net/home/tag/mayoral+campaigns monthly 0.5 https://www.platformspace.net/home/tag/Mexico monthly 0.5 https://www.platformspace.net/home/tag/Viareggio monthly 0.5 https://www.platformspace.net/home/tag/territory monthly 0.5 https://www.platformspace.net/home/tag/islamische+Kopftuch monthly 0.5 https://www.platformspace.net/home/tag/retirement+housing monthly 0.5 https://www.platformspace.net/home/tag/Indiana monthly 0.5 https://www.platformspace.net/home/tag/Armenians monthly 0.5 https://www.platformspace.net/home/tag/concession monthly 0.5 https://www.platformspace.net/home/tag/design+school monthly 0.5 https://www.platformspace.net/home/tag/gambling monthly 0.5 https://www.platformspace.net/home/tag/ship monthly 0.5 https://www.platformspace.net/home/tag/expertise monthly 0.5 https://www.platformspace.net/home/tag/museum+collection monthly 0.5 https://www.platformspace.net/home/tag/Washington+University monthly 0.5 https://www.platformspace.net/home/tag/Moose+River monthly 0.5 https://www.platformspace.net/home/tag/migrant monthly 0.5 https://www.platformspace.net/home/tag/Thomas+Jefferson monthly 0.5 https://www.platformspace.net/home/tag/undergraduate+teaching monthly 0.5 https://www.platformspace.net/home/tag/poverty monthly 0.5 https://www.platformspace.net/home/tag/dance monthly 0.5 https://www.platformspace.net/home/tag/shopping monthly 0.5 https://www.platformspace.net/home/tag/models monthly 0.5 https://www.platformspace.net/home/tag/esclavitud monthly 0.5 https://www.platformspace.net/home/tag/courtyard+housing monthly 0.5 https://www.platformspace.net/home/tag/Catherine+Bauer monthly 0.5 https://www.platformspace.net/home/tag/starchitects monthly 0.5 https://www.platformspace.net/home/tag/cultural+heritage monthly 0.5 https://www.platformspace.net/home/tag/ethnic+minorities monthly 0.5 https://www.platformspace.net/home/tag/war+debris monthly 0.5 https://www.platformspace.net/home/tag/Milan monthly 0.5 https://www.platformspace.net/home/tag/Kantha monthly 0.5 https://www.platformspace.net/home/tag/U.S.+Capitol monthly 0.5 https://www.platformspace.net/home/tag/residential+conversion monthly 0.5 https://www.platformspace.net/home/tag/turkey monthly 0.5 https://www.platformspace.net/home/tag/Omni+Commons monthly 0.5 https://www.platformspace.net/home/tag/IAQ monthly 0.5 https://www.platformspace.net/home/tag/Manhattan monthly 0.5 https://www.platformspace.net/home/tag/political+resistance monthly 0.5 https://www.platformspace.net/home/tag/Native+Americans monthly 0.5 https://www.platformspace.net/home/tag/intellectual+diversity monthly 0.5 https://www.platformspace.net/home/tag/corruption monthly 0.5 https://www.platformspace.net/home/tag/photography monthly 0.5 https://www.platformspace.net/home/tag/anniversaries monthly 0.5 https://www.platformspace.net/home/tag/Narendra+Modi monthly 0.5 https://www.platformspace.net/home/tag/mosque monthly 0.5 https://www.platformspace.net/home/tag/mobility monthly 0.5 https://www.platformspace.net/home/tag/housing monthly 0.5 https://www.platformspace.net/home/tag/cellars monthly 0.5 https://www.platformspace.net/home/tag/students monthly 0.5 https://www.platformspace.net/home/tag/Dubai monthly 0.5 https://www.platformspace.net/home/tag/architectural+practice monthly 0.5 https://www.platformspace.net/home/tag/Mohamed+Mahmoud+Street monthly 0.5 https://www.platformspace.net/home/tag/feminists monthly 0.5 https://www.platformspace.net/home/tag/diversity monthly 0.5 https://www.platformspace.net/home/tag/Sarai monthly 0.5 https://www.platformspace.net/home/tag/Huairou monthly 0.5 https://www.platformspace.net/home/tag/natural+disaster monthly 0.5 https://www.platformspace.net/home/tag/legal+history monthly 0.5 https://www.platformspace.net/home/tag/Mexican+Modernism monthly 0.5 https://www.platformspace.net/home/tag/Pierce+Lewis monthly 0.5 https://www.platformspace.net/home/tag/Poland monthly 0.5 https://www.platformspace.net/home/tag/advertisement monthly 0.5 https://www.platformspace.net/home/tag/Tunisia monthly 0.5 https://www.platformspace.net/home/tag/wallwriting monthly 0.5 https://www.platformspace.net/home/tag/Alamo monthly 0.5 https://www.platformspace.net/home/tag/Historic+Preservation monthly 0.5 https://www.platformspace.net/home/tag/mass+violence monthly 0.5 https://www.platformspace.net/home/tag/Lincoln+Center monthly 0.5 https://www.platformspace.net/home/tag/liberation monthly 0.5 https://www.platformspace.net/home/tag/riot monthly 0.5 https://www.platformspace.net/home/tag/ICE monthly 0.5 https://www.platformspace.net/home/tag/Le+Corbusier monthly 0.5 https://www.platformspace.net/home/tag/youth+uprising.+al-Mutanabbi. monthly 0.5 https://www.platformspace.net/home/tag/Augusto+Pinochet monthly 0.5 https://www.platformspace.net/home/tag/U.S.+South monthly 0.5 https://www.platformspace.net/home/tag/food+culture monthly 0.5 https://www.platformspace.net/home/tag/Queens monthly 0.5 https://www.platformspace.net/home/tag/housing+tours monthly 0.5 https://www.platformspace.net/home/tag/shopping+malls monthly 0.5 https://www.platformspace.net/home/tag/La+Habana monthly 0.5 https://www.platformspace.net/home/tag/architectural+conservancy+of+ontario monthly 0.5 https://www.platformspace.net/home/tag/campuses monthly 0.5 https://www.platformspace.net/home/tag/Detroit monthly 0.5 https://www.platformspace.net/home/tag/castle monthly 0.5 https://www.platformspace.net/home/tag/Macquarie+Harbour monthly 0.5 https://www.platformspace.net/home/tag/Mushkegowuk monthly 0.5 https://www.platformspace.net/home/tag/Jamshedpur monthly 0.5 https://www.platformspace.net/home/tag/pre-Columbian+architecture monthly 0.5 https://www.platformspace.net/home/tag/research monthly 0.5 https://www.platformspace.net/home/tag/civil+abandonment monthly 0.5 https://www.platformspace.net/home/tag/protests monthly 0.5 https://www.platformspace.net/home/tag/forgetting monthly 0.5 https://www.platformspace.net/home/tag/monumental+mounds monthly 0.5 https://www.platformspace.net/home/tag/biopower monthly 0.5 https://www.platformspace.net/home/tag/Black+history monthly 0.5 https://www.platformspace.net/home/tag/Edwin+Lutyens monthly 0.5 https://www.platformspace.net/home/tag/neighbors monthly 0.5 https://www.platformspace.net/home/tag/UK monthly 0.5 https://www.platformspace.net/home/tag/Relational+Knowledge monthly 0.5 https://www.platformspace.net/home/tag/houses monthly 0.5 https://www.platformspace.net/home/tag/UN monthly 0.5 https://www.platformspace.net/home/tag/big+data monthly 0.5 https://www.platformspace.net/home/tag/public+housing monthly 0.5 https://www.platformspace.net/home/tag/humoral+architecture monthly 0.5 https://www.platformspace.net/home/tag/commemoration monthly 0.5 https://www.platformspace.net/home/tag/Vito+Marcantonio monthly 0.5 https://www.platformspace.net/home/tag/baroque monthly 0.5 https://www.platformspace.net/home/tag/luster+tilework monthly 0.5 https://www.platformspace.net/home/tag/Jaffa monthly 0.5 https://www.platformspace.net/home/tag/trade+unions monthly 0.5 https://www.platformspace.net/home/tag/Environmental+Humanities monthly 0.5 https://www.platformspace.net/home/tag/Pennsylvania monthly 0.5 https://www.platformspace.net/home/tag/camp monthly 0.5 https://www.platformspace.net/home/tag/airports monthly 0.5 https://www.platformspace.net/home/tag/face+shields monthly 0.5 https://www.platformspace.net/home/tag/typology monthly 0.5 https://www.platformspace.net/home/tag/shatterzone monthly 0.5 https://www.platformspace.net/home/tag/Khanqah-i+Maulah monthly 0.5 https://www.platformspace.net/home/tag/servants monthly 0.5 https://www.platformspace.net/home/tag/museum monthly 0.5 https://www.platformspace.net/home/tag/architects monthly 0.5 https://www.platformspace.net/home/tag/Texas monthly 0.5 https://www.platformspace.net/home/tag/landscape+history monthly 0.5 https://www.platformspace.net/home/tag/neighborhood monthly 0.5 https://www.platformspace.net/home/tag/wartime monthly 0.5 https://www.platformspace.net/home/tag/anti-Semitism monthly 0.5 https://www.platformspace.net/home/tag/city+app monthly 0.5 https://www.platformspace.net/home/tag/Easter monthly 0.5 https://www.platformspace.net/home/tag/Santu%C3%A1rio+do+Bom+Jesus+de+Matosinhos monthly 0.5 https://www.platformspace.net/home/tag/New+York+Times monthly 0.5 https://www.platformspace.net/home/tag/encyclopedias monthly 0.5 https://www.platformspace.net/home/tag/Great+Depression monthly 0.5 https://www.platformspace.net/home/tag/city-making monthly 0.5 https://www.platformspace.net/home/tag/artists%E2%80%99+village monthly 0.5 https://www.platformspace.net/home/tag/Netherlands monthly 0.5 https://www.platformspace.net/home/tag/street monthly 0.5 https://www.platformspace.net/home/tag/incremental+housing monthly 0.5 https://www.platformspace.net/home/tag/tunceli monthly 0.5 https://www.platformspace.net/home/tag/memorial monthly 0.5 https://www.platformspace.net/home/tag/postcolonialism monthly 0.5 https://www.platformspace.net/home/tag/Vishaan+Chakrabarti monthly 0.5 https://www.platformspace.net/home/tag/Khrushchev monthly 0.5 https://www.platformspace.net/home/tag/house+form monthly 0.5 https://www.platformspace.net/home/tag/creative+maladjustment monthly 0.5 https://www.platformspace.net/home/tag/toys monthly 0.5 https://www.platformspace.net/home/tag/race monthly 0.5 https://www.platformspace.net/home/tag/working+class monthly 0.5 https://www.platformspace.net/home/tag/Gertrude+Bell monthly 0.5 https://www.platformspace.net/home/tag/design+build monthly 0.5 https://www.platformspace.net/home/tag/warehouses monthly 0.5 https://www.platformspace.net/home/tag/National+Association+for+the+Advancement+of+Colored+People monthly 0.5 https://www.platformspace.net/home/tag/war monthly 0.5 https://www.platformspace.net/home/tag/sculpture monthly 0.5 https://www.platformspace.net/home/tag/architecture+design+studio monthly 0.5 https://www.platformspace.net/home/tag/state+policy monthly 0.5 https://www.platformspace.net/home/tag/malls monthly 0.5 https://www.platformspace.net/home/tag/MoMA monthly 0.5 https://www.platformspace.net/home/tag/urban monthly 0.5 https://www.platformspace.net/home/tag/dystopia monthly 0.5 https://www.platformspace.net/home/tag/neoreaction monthly 0.5 https://www.platformspace.net/home/tag/public+sphere monthly 0.5 https://www.platformspace.net/home/tag/West+Africa monthly 0.5 https://www.platformspace.net/home/tag/RPAA monthly 0.5 https://www.platformspace.net/home/tag/Rohingya monthly 0.5 https://www.platformspace.net/home/tag/Marin+City monthly 0.5 https://www.platformspace.net/home/tag/acclimatization monthly 0.5 https://www.platformspace.net/home/tag/Qing+Dynasty monthly 0.5 https://www.platformspace.net/home/tag/CCTV monthly 0.5 https://www.platformspace.net/home/tag/Spitzer monthly 0.5 https://www.platformspace.net/home/tag/penny monthly 0.5 https://www.platformspace.net/home/tag/Day+of+Remembrance. monthly 0.5 https://www.platformspace.net/home/tag/peripherality monthly 0.5 https://www.platformspace.net/home/tag/art+sponsorship monthly 0.5 https://www.platformspace.net/home/tag/research+method monthly 0.5 https://www.platformspace.net/home/tag/developers monthly 0.5 https://www.platformspace.net/home/tag/financial+bubbles monthly 0.5 https://www.platformspace.net/home/tag/Miramare monthly 0.5 https://www.platformspace.net/home/tag/taxes monthly 0.5 https://www.platformspace.net/home/tag/Greater+London+Authority monthly 0.5 https://www.platformspace.net/home/tag/Herbert+Hoover monthly 0.5 https://www.platformspace.net/home/tag/iranische+Jugend monthly 0.5 https://www.platformspace.net/home/tag/Lewis+Mumford monthly 0.5 https://www.platformspace.net/home/tag/Neubrandenburg monthly 0.5 https://www.platformspace.net/home/tag/fireproof monthly 0.5 https://www.platformspace.net/home/tag/U.S.+Supreme+Court monthly 0.5 https://www.platformspace.net/home/tag/Matrix monthly 0.5 https://www.platformspace.net/home/tag/collections monthly 0.5 https://www.platformspace.net/home/tag/wildfire monthly 0.5 https://www.platformspace.net/home/tag/Kyiv monthly 0.5 https://www.platformspace.net/home/tag/plazas monthly 0.5 https://www.platformspace.net/home/tag/Works+Progress+Administration monthly 0.5 https://www.platformspace.net/home/tag/Las+Vegas monthly 0.5 https://www.platformspace.net/home/tag/Modernism monthly 0.5 https://www.platformspace.net/home/tag/social+practice monthly 0.5 https://www.platformspace.net/home/tag/Preservation monthly 0.5 https://www.platformspace.net/home/tag/downtown monthly 0.5 https://www.platformspace.net/home/tag/experiential+learning monthly 0.5 https://www.platformspace.net/home/tag/cordon+sanitaire monthly 0.5 https://www.platformspace.net/home/tag/cars monthly 0.5 https://www.platformspace.net/home/tag/ships monthly 0.5 https://www.platformspace.net/home/tag/Karachi monthly 0.5 https://www.platformspace.net/home/tag/Lincoln+Square monthly 0.5 https://www.platformspace.net/home/tag/British+Petroleum monthly 0.5 https://www.platformspace.net/home/tag/New+Haven monthly 0.5 https://www.platformspace.net/home/tag/New+England monthly 0.5 https://www.platformspace.net/home/tag/Modern+ruins monthly 0.5 https://www.platformspace.net/home/tag/style monthly 0.5 https://www.platformspace.net/home/tag/social+justice monthly 0.5 https://www.platformspace.net/home/tag/building+conservation monthly 0.5 https://www.platformspace.net/home/tag/apartments monthly 0.5 https://www.platformspace.net/home/tag/Slave+Route+Project monthly 0.5 https://www.platformspace.net/home/tag/care monthly 0.5 https://www.platformspace.net/home/tag/Vancouver monthly 0.5 https://www.platformspace.net/home/tag/anti-communism monthly 0.5 https://www.platformspace.net/home/tag/Eastern+Bloc monthly 0.5 https://www.platformspace.net/home/tag/Hong+Kong monthly 0.5 https://www.platformspace.net/home/tag/Algiers monthly 0.5 https://www.platformspace.net/home/tag/executive+Mansion monthly 0.5 https://www.platformspace.net/home/tag/gardening monthly 0.5 https://www.platformspace.net/home/tag/Weather+Disaster. monthly 0.5 https://www.platformspace.net/home/tag/risk-profiling monthly 0.5 https://www.platformspace.net/home/tag/waterfronts monthly 0.5 https://www.platformspace.net/home/tag/Archduke+Maximilian+von+Habsburg monthly 0.5 https://www.platformspace.net/home/tag/Thailand monthly 0.5 https://www.platformspace.net/home/tag/Anti-Asian+Racism monthly 0.5 https://www.platformspace.net/home/tag/labour monthly 0.5 https://www.platformspace.net/home/tag/Sunnyside monthly 0.5 https://www.platformspace.net/home/tag/Izmir monthly 0.5 https://www.platformspace.net/home/tag/cooking monthly 0.5 https://www.platformspace.net/home/tag/state+capitals monthly 0.5 https://www.platformspace.net/home/tag/architecture monthly 0.5 https://www.platformspace.net/home/tag/minoritization monthly 0.5 https://www.platformspace.net/home/tag/United+Kingdom monthly 0.5 https://www.platformspace.net/home/tag/electricity monthly 0.5 https://www.platformspace.net/home/tag/climate monthly 0.5 https://www.platformspace.net/home/tag/roundtable monthly 0.5 https://www.platformspace.net/home/tag/waterfront+development monthly 0.5 https://www.platformspace.net/home/tag/planned+communities monthly 0.5 https://www.platformspace.net/home/tag/renovations monthly 0.5 https://www.platformspace.net/home/tag/real+estate+developers monthly 0.5 https://www.platformspace.net/home/tag/dissidence monthly 0.5 https://www.platformspace.net/home/tag/shipwrecks monthly 0.5 https://www.platformspace.net/home/tag/postmodernism monthly 0.5 https://www.platformspace.net/home/tag/Arab+Americans monthly 0.5 https://www.platformspace.net/home/tag/housewives monthly 0.5 https://www.platformspace.net/home/tag/festivals monthly 0.5 https://www.platformspace.net/home/tag/disability monthly 0.5 https://www.platformspace.net/home/tag/economic+development monthly 0.5 https://www.platformspace.net/home/tag/Paul+R.+Williams monthly 0.5 https://www.platformspace.net/home/tag/Grand+Tour monthly 0.5 https://www.platformspace.net/home/tag/Federal+Housing+Administration monthly 0.5 https://www.platformspace.net/home/tag/%27umrah monthly 0.5 https://www.platformspace.net/home/tag/retirement monthly 0.5 https://www.platformspace.net/home/tag/urban+planning monthly 0.5 https://www.platformspace.net/home/tag/environmental+health monthly 0.5 https://www.platformspace.net/home/tag/Banaras monthly 0.5 https://www.platformspace.net/home/tag/Vank+Cathedral monthly 0.5 https://www.platformspace.net/home/tag/Great+Britain monthly 0.5 https://www.platformspace.net/home/tag/sociologists monthly 0.5 https://www.platformspace.net/home/tag/highways monthly 0.5 https://www.platformspace.net/home/tag/Thames+River+Apartments monthly 0.5 https://www.platformspace.net/home/tag/Sufism monthly 0.5 https://www.platformspace.net/home/tag/carcerality monthly 0.5 https://www.platformspace.net/home/tag/climate+change monthly 0.5 https://www.platformspace.net/home/tag/tenements monthly 0.5 https://www.platformspace.net/home/tag/crisis monthly 0.5 https://www.platformspace.net/home/tag/domesticity monthly 0.5 https://www.platformspace.net/home/tag/Phrygian+Valley monthly 0.5 https://www.platformspace.net/home/tag/artist%E2%80%99s+studio monthly 0.5 https://www.platformspace.net/home/tag/top+articles monthly 0.5 https://www.platformspace.net/home/tag/Columbia+University monthly 0.5 https://www.platformspace.net/home/tag/eminent+domain monthly 0.5 https://www.platformspace.net/home/tag/Lahore monthly 0.5 https://www.platformspace.net/home/tag/material+culture monthly 0.5 https://www.platformspace.net/home/tag/politics monthly 0.5 https://www.platformspace.net/home/tag/Peripherality monthly 0.5 https://www.platformspace.net/home/tag/Mutige+Frauen monthly 0.5 https://www.platformspace.net/home/tag/architecture+criticism monthly 0.5 https://www.platformspace.net/home/tag/imprisonment monthly 0.5 https://www.platformspace.net/home/tag/affordable+housing monthly 0.5 https://www.platformspace.net/home/tag/condominiums monthly 0.5 https://www.platformspace.net/home/tag/Atlanta monthly 0.5 https://www.platformspace.net/home/tag/Confederacy monthly 0.5 https://www.platformspace.net/home/tag/collaborative+ethnography monthly 0.5 https://www.platformspace.net/home/tag/Khyiaban-e-Enghelab monthly 0.5 https://www.platformspace.net/home/tag/Lowcountry monthly 0.5 https://www.platformspace.net/home/tag/Teheran monthly 0.5 https://www.platformspace.net/home/tag/spatial+practice monthly 0.5 https://www.platformspace.net/home/tag/chromium monthly 0.5 https://www.platformspace.net/home/tag/colleges monthly 0.5 https://www.platformspace.net/home/tag/escultura+barroca monthly 0.5 https://www.platformspace.net/home/tag/Tijuana monthly 0.5 https://www.platformspace.net/home/tag/lesbian+visibility monthly 0.5 https://www.platformspace.net/home/tag/barriers monthly 0.5 https://www.platformspace.net/home/tag/gendered+space monthly 0.5 https://www.platformspace.net/home/tag/The+Bush-Banks+School+of+Expression monthly 0.5 https://www.platformspace.net/home/tag/Denmark monthly 0.5 https://www.platformspace.net/home/tag/Binghamton monthly 0.5 https://www.platformspace.net/home/tag/Port-au-Prince monthly 0.5 https://www.platformspace.net/home/tag/clinic monthly 0.5 https://www.platformspace.net/home/tag/convicts monthly 0.5 https://www.platformspace.net/home/tag/Cambodia monthly 0.5 https://www.platformspace.net/home/tag/Nazis monthly 0.5 https://www.platformspace.net/home/tag/bomb+shelter monthly 0.5 https://www.platformspace.net/home/tag/University+of+California monthly 0.5 https://www.platformspace.net/home/tag/Black monthly 0.5 https://www.platformspace.net/home/tag/equity monthly 0.5 https://www.platformspace.net/home/tag/fintech monthly 0.5 https://www.platformspace.net/home/tag/Syria monthly 0.5 https://www.platformspace.net/home/tag/artificial+intelligence monthly 0.5 https://www.platformspace.net/home/tag/canon monthly 0.5 https://www.platformspace.net/home/tag/manufacturing monthly 0.5 https://www.platformspace.net/home/tag/megastructures monthly 0.5 https://www.platformspace.net/home/tag/New+London+Housing+Authority monthly 0.5 https://www.platformspace.net/home/tag/cinema monthly 0.5 https://www.platformspace.net/home/tag/Daniel+Chester+French monthly 0.5 https://www.platformspace.net/home/tag/Hof monthly 0.5 https://www.platformspace.net/home/tag/New+Historiography monthly 0.5 https://www.platformspace.net/home/tag/resettler+nationalism monthly 0.5 https://www.platformspace.net/home/tag/Shi%E2%80%99ism monthly 0.5 https://www.platformspace.net/home/tag/central+business+districts monthly 0.5 https://www.platformspace.net/home/tag/hierarchy monthly 0.5 https://www.platformspace.net/home/tag/public+benefits monthly 0.5 https://www.platformspace.net/home/tag/vernacular monthly 0.5 https://www.platformspace.net/home/tag/WWII monthly 0.5 https://www.platformspace.net/home/tag/Harold+Washington monthly 0.5 https://www.platformspace.net/home/tag/Hinduism monthly 0.5 https://www.platformspace.net/home/tag/uncanny monthly 0.5 https://www.platformspace.net/home/tag/shrine monthly 0.5 https://www.platformspace.net/home/tag/plastic monthly 0.5 https://www.platformspace.net/home/tag/oral+history monthly 0.5 https://www.platformspace.net/home/tag/ukraine monthly 0.5 https://www.platformspace.net/home/tag/dormitories monthly 0.5 https://www.platformspace.net/home/tag/Denise+Scott+Brown monthly 0.5 https://www.platformspace.net/home/tag/racial+segregation monthly 0.5 https://www.platformspace.net/home/tag/porches monthly 0.5 https://www.platformspace.net/home/tag/slum+development monthly 0.5 https://www.platformspace.net/home/tag/Puerto+Rico monthly 0.5 https://www.platformspace.net/home/tag/service+industry monthly 0.5 https://www.platformspace.net/home/tag/commodities monthly 0.5 https://www.platformspace.net/home/tag/public+space monthly 0.5 https://www.platformspace.net/home/tag/virus monthly 0.5 https://www.platformspace.net/home/tag/the+West+Bank monthly 0.5 https://www.platformspace.net/home/tag/hyperstition monthly 0.5 https://www.platformspace.net/home/tag/Vernacular+Architecture+Forum monthly 0.5 https://www.platformspace.net/home/tag/innovation+districts monthly 0.5 https://www.platformspace.net/home/tag/Unveiling monthly 0.5 https://www.platformspace.net/home/tag/abandonment monthly 0.5 https://www.platformspace.net/home/tag/Black+Architects+Archive monthly 0.5 https://www.platformspace.net/home/tag/small+spaces monthly 0.5 https://www.platformspace.net/home/tag/language+diversity monthly 0.5 https://www.platformspace.net/home/tag/innovation monthly 0.5 https://www.platformspace.net/home/tag/sex monthly 0.5 https://www.platformspace.net/home/tag/Kenya monthly 0.5 https://www.platformspace.net/home/tag/food monthly 0.5 https://www.platformspace.net/home/tag/American+Dream monthly 0.5 https://www.platformspace.net/home/tag/Jeff+Whetstone monthly 0.5 https://www.platformspace.net/home/tag/Black+architecture monthly 0.5 https://www.platformspace.net/home/tag/ordinal+society monthly 0.5 https://www.platformspace.net/home/tag/mass+housing monthly 0.5 https://www.platformspace.net/home/tag/brave+women monthly 0.5 https://www.platformspace.net/home/tag/architectural+profession monthly 0.5 https://www.platformspace.net/home/tag/Jakarta monthly 0.5 https://www.platformspace.net/home/tag/preservation+design monthly 0.5 https://www.platformspace.net/home/tag/Hackensack+Meadowlands monthly 0.5 https://www.platformspace.net/home/tag/Black+veterans monthly 0.5 https://www.platformspace.net/home/tag/Israel monthly 0.5 https://www.platformspace.net/home/tag/design+software monthly 0.5 https://www.platformspace.net/home/tag/architectural+typology monthly 0.5 https://www.platformspace.net/home/tag/LGBTQ%2B monthly 0.5 https://www.platformspace.net/home/tag/Ostdeutschland monthly 0.5 https://www.platformspace.net/home/tag/African+art monthly 0.5 https://www.platformspace.net/home/tag/Central+America monthly 0.5 https://www.platformspace.net/home/tag/Operation+Breakthrough monthly 0.5 https://www.platformspace.net/home/tag/mass+culture monthly 0.5 https://www.platformspace.net/home/tag/native+Americans monthly 0.5 https://www.platformspace.net/home/tag/Johannesburg monthly 0.5 https://www.platformspace.net/home/tag/Oakland monthly 0.5 https://www.platformspace.net/home/tag/Indigenous+heritage monthly 0.5 https://www.platformspace.net/home/tag/South+Asian+American monthly 0.5 https://www.platformspace.net/home/tag/horticulture monthly 0.5 https://www.platformspace.net/home/tag/detention monthly 0.5 https://www.platformspace.net/home/tag/Roberto+Burle+Marx monthly 0.5 https://www.platformspace.net/home/tag/ethnic+enclaves monthly 0.5 https://www.platformspace.net/home/tag/museums monthly 0.5 https://www.platformspace.net/home/tag/shipping monthly 0.5 https://www.platformspace.net/home/tag/creativity monthly 0.5 https://www.platformspace.net/home/tag/heating monthly 0.5 https://www.platformspace.net/home/tag/field+work monthly 0.5 https://www.platformspace.net/home/tag/Makli monthly 0.5 https://www.platformspace.net/home/tag/HOLC monthly 0.5 https://www.platformspace.net/home/tag/real+estate+developer monthly 0.5 https://www.platformspace.net/home/tag/biennale monthly 0.5 https://www.platformspace.net/home/tag/urban+renewal monthly 0.5 https://www.platformspace.net/home/tag/rigging monthly 0.5 https://www.platformspace.net/home/tag/Long+Island monthly 0.5 https://www.platformspace.net/home/tag/city+planning monthly 0.5 https://www.platformspace.net/home/tag/Henry+Wadsworth+Longfellow monthly 0.5 https://www.platformspace.net/home/tag/blight monthly 0.5 https://www.platformspace.net/home/tag/carceral+landscape monthly 0.5 https://www.platformspace.net/home/tag/CDCs monthly 0.5 https://www.platformspace.net/home/tag/Nile monthly 0.5 https://www.platformspace.net/home/tag/dueling monthly 0.5 https://www.platformspace.net/home/tag/aspiration monthly 0.5 https://www.platformspace.net/home/tag/Italy monthly 0.5 https://www.platformspace.net/home/tag/microplastics monthly 0.5 https://www.platformspace.net/home/tag/G.I.+Bill monthly 0.5 https://www.platformspace.net/home/tag/African+Americans monthly 0.5 https://www.platformspace.net/home/tag/exhibits monthly 0.5 https://www.platformspace.net/home/tag/india monthly 0.5 https://www.platformspace.net/home/tag/sub-Saharan+Africa monthly 0.5 https://www.platformspace.net/home/tag/Youngstown monthly 0.5 https://www.platformspace.net/home/tag/mosaics monthly 0.5 https://www.platformspace.net/home/tag/class monthly 0.5 https://www.platformspace.net/home/tag/Frauenrechte monthly 0.5 https://www.platformspace.net/home/tag/Latinx+Americans monthly 0.5 https://www.platformspace.net/home/tag/master+planning monthly 0.5 https://www.platformspace.net/home/tag/Wood+Street monthly 0.5 https://www.platformspace.net/home/tag/G%C3%BClbah%C3%A7e monthly 0.5 https://www.platformspace.net/home/tag/governors monthly 0.5 https://www.platformspace.net/home/tag/the+Americas monthly 0.5 https://www.platformspace.net/home/tag/higher+education monthly 0.5 https://www.platformspace.net/home/tag/historiography monthly 0.5 https://www.platformspace.net/home/tag/architecture+tour monthly 0.5 https://www.platformspace.net/home/tag/caregiving monthly 0.5 https://www.platformspace.net/home/tag/political+posters monthly 0.5 https://www.platformspace.net/home/tag/civil+rights+movement monthly 0.5 https://www.platformspace.net/home/tag/Silenced+History monthly 0.5 https://www.platformspace.net/home/tag/Ohio monthly 0.5 https://www.platformspace.net/home/tag/fort monthly 0.5 https://www.platformspace.net/home/tag/anti-abortion monthly 0.5 https://www.platformspace.net/home/tag/practice monthly 0.5 https://www.platformspace.net/home/tag/fossil+fuel monthly 0.5 https://www.platformspace.net/home/tag/architecture+reporting monthly 0.5 https://www.platformspace.net/home/tag/redlining monthly 0.5 https://www.platformspace.net/home/tag/poland monthly 0.5 https://www.platformspace.net/home/tag/welfare monthly 0.5 https://www.platformspace.net/home/tag/Kabul monthly 0.5 https://www.platformspace.net/home/tag/high-density+housing monthly 0.5 https://www.platformspace.net/home/tag/Mining monthly 0.5 https://www.platformspace.net/home/tag/Wei%C3%9Fe+Kopftuch monthly 0.5 https://www.platformspace.net/home/tag/Chennai monthly 0.5 https://www.platformspace.net/home/tag/small+cities monthly 0.5 https://www.platformspace.net/home/tag/antebellum+U.S. monthly 0.5 https://www.platformspace.net/home/tag/heritage+preser monthly 0.5 https://www.platformspace.net/home/tag/Midjourney monthly 0.5 https://www.platformspace.net/home/tag/animals monthly 0.5 https://www.platformspace.net/home/tag/political+graffiti monthly 0.5 https://www.platformspace.net/home/tag/Alameda+County monthly 0.5 https://www.platformspace.net/home/tag/colonial+towns monthly 0.5 https://www.platformspace.net/home/tag/Civil+Rights+Movement monthly 0.5 https://www.platformspace.net/home/tag/immigrant+entrepreneurship monthly 0.5 https://www.platformspace.net/home/tag/Latinx monthly 0.5 https://www.platformspace.net/home/tag/manufactured+housing monthly 0.5 https://www.platformspace.net/home/tag/undecorated+spaces monthly 0.5 https://www.platformspace.net/home/tag/ordinary monthly 0.5 https://www.platformspace.net/home/tag/petitions monthly 0.5 https://www.platformspace.net/home/tag/India monthly 0.5 https://www.platformspace.net/home/tag/good+fire monthly 0.5 https://www.platformspace.net/home/tag/Bellingham monthly 0.5 https://www.platformspace.net/home/tag/crafts monthly 0.5 https://www.platformspace.net/home/tag/Beijing monthly 0.5 https://www.platformspace.net/home/tag/conservation monthly 0.5 https://www.platformspace.net/home/tag/leadership. monthly 0.5 https://www.platformspace.net/home/tag/interiors monthly 0.5 https://www.platformspace.net/home/tag/tenant+screening monthly 0.5 https://www.platformspace.net/home/tag/Doxiadis monthly 0.5 https://www.platformspace.net/home/tag/livability monthly 0.5 https://www.platformspace.net/home/tag/climate+crisis monthly 0.5 https://www.platformspace.net/home/tag/Germany monthly 0.5 https://www.platformspace.net/home/tag/Whiteness monthly 0.5 https://www.platformspace.net/home/tag/World+War+II monthly 0.5 https://www.platformspace.net/home/tag/public+art monthly 0.5 https://www.platformspace.net/home/tag/Ahmedabad monthly 0.5 https://www.platformspace.net/home/tag/menstrual+extraction monthly 0.5 https://www.platformspace.net/home/tag/housing+crisis monthly 0.5 https://www.platformspace.net/home/tag/design+review+process monthly 0.5 https://www.platformspace.net/home/tag/tenant+rights monthly 0.5 https://www.platformspace.net/home/tag/professions monthly 0.5 https://www.platformspace.net/home/tag/New+Deal monthly 0.5 https://www.platformspace.net/home/tag/Skardu monthly 0.5 https://www.platformspace.net/home/tag/Indigenous+archaeology monthly 0.5 https://www.platformspace.net/home/tag/inflation monthly 0.5 https://www.platformspace.net/home/tag/Gender-based+violence monthly 0.5 https://www.platformspace.net/home/tag/LGBTIQ monthly 0.5 https://www.platformspace.net/home/tag/Cree monthly 0.5 https://www.platformspace.net/home/tag/literature monthly 0.5 https://www.platformspace.net/home/tag/Shoah+Memorial+in+Milan monthly 0.5 https://www.platformspace.net/home/tag/library monthly 0.5 https://www.platformspace.net/home/tag/Jews monthly 0.5 https://www.platformspace.net/home/tag/dalit monthly 0.5 https://www.platformspace.net/home/tag/Winthrop+Apartments monthly 0.5 https://www.platformspace.net/home/tag/Protestantism monthly 0.5 https://www.platformspace.net/home/tag/clearance monthly 0.5 https://www.platformspace.net/home/tag/immigrant monthly 0.5 https://www.platformspace.net/home/tag/tradition monthly 0.5 https://www.platformspace.net/home/tag/Sepoy+Rebellion monthly 0.5 https://www.platformspace.net/home/tag/Mariupol monthly 0.5 https://www.platformspace.net/home/tag/modifications monthly 0.5 https://www.platformspace.net/home/tag/Reconstruction monthly 0.5 https://www.platformspace.net/home/tag/immigration monthly 0.5 https://www.platformspace.net/home/tag/blm monthly 0.5 https://www.platformspace.net/home/tag/bread monthly 0.5 https://www.platformspace.net/home/tag/immigration+policy monthly 0.5 https://www.platformspace.net/home/tag/San+Antonio monthly 0.5 https://www.platformspace.net/home/tag/Urumqi monthly 0.5 https://www.platformspace.net/home/tag/slums monthly 0.5 https://www.platformspace.net/home/tag/Hijab+Enforcement monthly 0.5 https://www.platformspace.net/home/tag/Champlain+Towers+South monthly 0.5 https://www.platformspace.net/home/tag/lula+da+silva monthly 0.5 https://www.platformspace.net/home/tag/survey+courses monthly 0.5 https://www.platformspace.net/home/tag/South monthly 0.5 https://www.platformspace.net/home/tag/Egyptian+2011+Revolution monthly 0.5 https://www.platformspace.net/home/tag/Switzerland monthly 0.5 https://www.platformspace.net/home/tag/dictatorship monthly 0.5 https://www.platformspace.net/home/tag/Palestine monthly 0.5 https://www.platformspace.net/home/tag/snapshots monthly 0.5 https://www.platformspace.net/home/tag/miniatures monthly 0.5 https://www.platformspace.net/home/tag/glasshouse monthly 0.5 https://www.platformspace.net/home/tag/pensions monthly 0.5 https://www.platformspace.net/home/tag/Kanpur+Memorial+Well+Monument monthly 0.5 https://www.platformspace.net/home/tag/Calumet+Region monthly 0.5 https://www.platformspace.net/home/tag/U.S.S.R. monthly 0.5 https://www.platformspace.net/home/tag/skateboarding monthly 0.5 https://www.platformspace.net/home/tag/Incarceration monthly 0.5 https://www.platformspace.net/home/tag/Caribbean monthly 0.5 https://www.platformspace.net/home/tag/the+survey monthly 0.5 https://www.platformspace.net/home/tag/architecture+schools monthly 0.5 https://www.platformspace.net/home/tag/modernist monthly 0.5 https://www.platformspace.net/home/tag/librarianship monthly 0.5 https://www.platformspace.net/home/tag/housing+cooperatives monthly 0.5 https://www.platformspace.net/home/tag/socialist+architecture monthly 0.5 https://www.platformspace.net/home/tag/pools monthly 0.5 https://www.platformspace.net/home/tag/modernism monthly 0.5 https://www.platformspace.net/home/tag/photos monthly 0.5 https://www.platformspace.net/home/tag/Newsomvilles monthly 0.5 https://www.platformspace.net/home/tag/Ottoman monthly 0.5 https://www.platformspace.net/home/tag/New+York+City monthly 0.5 https://www.platformspace.net/home/tag/plaza monthly 0.5 https://www.platformspace.net/home/tag/water+carrier monthly 0.5 https://www.platformspace.net/home/tag/designing+with+fire monthly 0.5 https://www.platformspace.net/home/tag/lockdown monthly 0.5 https://www.platformspace.net/home/tag/placemaking monthly 0.5 https://www.platformspace.net/home/tag/parenting monthly 0.5 https://www.platformspace.net/home/tag/flatlands monthly 0.5 https://www.platformspace.net/home/tag/Pittsburgh monthly 0.5 https://www.platformspace.net/home/tag/anti-racism monthly 0.5 https://www.platformspace.net/home/tag/creative+city monthly 0.5 https://www.platformspace.net/home/tag/Coalition-building monthly 0.5 https://www.platformspace.net/home/tag/Ropewalks monthly 0.5 https://www.platformspace.net/home/tag/main+streets monthly 0.5 https://www.platformspace.net/home/tag/Europe monthly 0.5 https://www.platformspace.net/home/tag/modernity monthly 0.5 https://www.platformspace.net/home/tag/restrictions monthly 0.5 https://www.platformspace.net/home/tag/Tulsa monthly 0.5 https://www.platformspace.net/home/tag/trailers monthly 0.5 https://www.platformspace.net/home/tag/Chinese+architecture monthly 0.5 https://www.platformspace.net/home/tag/conservatism monthly 0.5 https://www.platformspace.net/home/tag/Upper+West+Side monthly 0.5 https://www.platformspace.net/home/tag/coal monthly 0.5 https://www.platformspace.net/home/tag/graffiti monthly 0.5 https://www.platformspace.net/home/tag/pro-growth+coalition monthly 0.5 https://www.platformspace.net/home/tag/racial+discrimination monthly 0.5 https://www.platformspace.net/home/tag/Rockefeller monthly 0.5 https://www.platformspace.net/home/tag/West+Wing monthly 0.5 https://www.platformspace.net/home/tag/Kashghar monthly 0.5 https://www.platformspace.net/home/tag/Tennessee monthly 0.5 https://www.platformspace.net/home/tag/Bimal+Patel monthly 0.5 https://www.platformspace.net/home/tag/ideology monthly 0.5 https://www.platformspace.net/home/tag/Macau monthly 0.5 https://www.platformspace.net/home/tag/Veterans%E2%80%99+Day monthly 0.5 https://www.platformspace.net/home/tag/storage monthly 0.5 https://www.platformspace.net/home/tag/dredging monthly 0.5 https://www.platformspace.net/home/tag/closets monthly 0.5 https://www.platformspace.net/home/tag/residence+halls monthly 0.5 https://www.platformspace.net/home/tag/preservation monthly 0.5 https://www.platformspace.net/home/tag/Margarete+Lihotzky monthly 0.5 https://www.platformspace.net/home/tag/oil monthly 0.5 https://www.platformspace.net/home/tag/Roe+v.+Wade monthly 0.5 https://www.platformspace.net/home/tag/college+dormitory monthly 0.5 https://www.platformspace.net/home/tag/productivity monthly 0.5 https://www.platformspace.net/home/tag/adaptive+reuse monthly 0.5 https://www.platformspace.net/home/tag/Public+Works+Administration monthly 0.5 https://www.platformspace.net/home/tag/brick monthly 0.5 https://www.platformspace.net/home/tag/Chinese+Americans monthly 0.5 https://www.platformspace.net/home/tag/Tehran monthly 0.5 https://www.platformspace.net/home/tag/bricks monthly 0.5 https://www.platformspace.net/home/tag/real+estate+appraisal monthly 0.5 https://www.platformspace.net/home/tag/Post-imperial monthly 0.5 https://www.platformspace.net/home/tag/incarceration monthly 0.5 https://www.platformspace.net/home/tag/sports monthly 0.5 https://www.platformspace.net/home/tag/nature monthly 0.5 https://www.platformspace.net/home/tag/homeless monthly 0.5 https://www.platformspace.net/home/tag/coronavirus monthly 0.5 https://www.platformspace.net/home/tag/Acre monthly 0.5 https://www.platformspace.net/home/tag/Christianity monthly 0.5 https://www.platformspace.net/home/tag/panhandling monthly 0.5 https://www.platformspace.net/home/tag/families monthly 0.5 https://www.platformspace.net/home/tag/Washington+Heights monthly 0.5 https://www.platformspace.net/home/tag/urban+history monthly 0.5 https://www.platformspace.net/home/tag/Freedom+Movement%3B+Tehran%3B+Iran monthly 0.5 https://www.platformspace.net/home/tag/Lucio+Costa monthly 0.5 https://www.platformspace.net/home/tag/Weather+Disaster monthly 0.5 https://www.platformspace.net/home/tag/Hawai%E2%80%98i monthly 0.5 https://www.platformspace.net/home/tag/start-up+city monthly 0.5 https://www.platformspace.net/home/tag/political+propaganda monthly 0.5 https://www.platformspace.net/home/tag/Orange+County monthly 0.5 https://www.platformspace.net/home/tag/gay+men monthly 0.5 https://www.platformspace.net/home/tag/Carol+Downer monthly 0.5 https://www.platformspace.net/home/tag/building+technology monthly 0.5 https://www.platformspace.net/home/tag/memorials monthly 0.5 https://www.platformspace.net/home/tag/ecosystems monthly 0.5 https://www.platformspace.net/home/tag/reconstruction monthly 0.5 https://www.platformspace.net/home/tag/Nyamata monthly 0.5 https://www.platformspace.net/home/tag/MERS monthly 0.5 https://www.platformspace.net/home/tag/Paris monthly 0.5 https://www.platformspace.net/home/tag/Spatial+Abstraction monthly 0.5 https://www.platformspace.net/home/tag/pilgrimage monthly 0.5 https://www.platformspace.net/home/tag/The+Architecture+Lobby monthly 0.5 https://www.platformspace.net/home/tag/Marjorie+Sewell+Cautley monthly 0.5 https://www.platformspace.net/home/tag/scandal monthly 0.5 https://www.platformspace.net/home/tag/Levitt+%26+Sons monthly 0.5 https://www.platformspace.net/home/tag/geography monthly 0.5 https://www.platformspace.net/home/tag/Museum+of+Modern+Art monthly 0.5 https://www.platformspace.net/home/tag/building+typology monthly 0.5 https://www.platformspace.net/home/tag/state+demolition monthly 0.5 https://www.platformspace.net/home/tag/barefoot+architecture monthly 0.5 https://www.platformspace.net/home/tag/Dark+Enlightenment monthly 0.5 https://www.platformspace.net/home/tag/transnational+architectural+production monthly 0.5 https://www.platformspace.net/home/tag/Urbanism monthly 0.5 https://www.platformspace.net/home/tag/street+design monthly 0.5 https://www.platformspace.net/home/tag/housing+injustice monthly 0.5 https://www.platformspace.net/home/tag/prefabrication monthly 0.5 https://www.platformspace.net/home/tag/Armenian monthly 0.5 https://www.platformspace.net/home/tag/Donetsk monthly 0.5 https://www.platformspace.net/home/tag/recreation monthly 0.5 https://www.platformspace.net/home/tag/informal+housing monthly 0.5 https://www.platformspace.net/home/tag/quotidian monthly 0.5 https://www.platformspace.net/home/tag/white+flight monthly 0.5 https://www.platformspace.net/home/tag/Britain monthly 0.5 https://www.platformspace.net/home/tag/financial+crisis monthly 0.5 https://www.platformspace.net/home/tag/D.C. monthly 0.5 https://www.platformspace.net/home/tag/postindustrial+cities monthly 0.5 https://www.platformspace.net/home/tag/ancient monthly 0.5 https://www.platformspace.net/home/tag/distributional+space monthly 0.5 https://www.platformspace.net/home/tag/Social+Democratic+Workers+Party monthly 0.5 https://www.platformspace.net/home/tag/Gordon+Cullen monthly 0.5 https://www.platformspace.net/home/tag/London monthly 0.5 https://www.platformspace.net/home/tag/road+trips monthly 0.5 https://www.platformspace.net/home/tag/%23uae+%23unitedarabemirates+%23middleeast+%23dubai+%23expo2020+%23worldsfair+%23industrialization+%23globalism+%23globalization+%23capitalism+%23development+%23pavilions+%23qatar+%23russia+%23saudiarabia+%23calatrava+%23gulf+%23ukraine monthly 0.5 https://www.platformspace.net/home/tag/colonialismo monthly 0.5 https://www.platformspace.net/home/tag/criminal+justice monthly 0.5 https://www.platformspace.net/home/tag/white+supremacy monthly 0.5 https://www.platformspace.net/home/tag/rental+housing monthly 0.5 https://www.platformspace.net/home/tag/Isla+Vista monthly 0.5 https://www.platformspace.net/home/tag/World%E2%80%99s+Fairs monthly 0.5 https://www.platformspace.net/home/tag/archives monthly 0.5 https://www.platformspace.net/home/tag/seniors monthly 0.5 https://www.platformspace.net/home/tag/radiant+infrastructure monthly 0.5 https://www.platformspace.net/home/tag/neoliberal+cities monthly 0.5 https://www.platformspace.net/home/tag/skate+parks monthly 0.5 https://www.platformspace.net/home/tag/Islamic+Cultural+Center monthly 0.5 https://www.platformspace.net/home/tag/Shah+Abbas+I monthly 0.5 https://www.platformspace.net/home/tag/Missouri monthly 0.5 https://www.platformspace.net/home/tag/apartment+living monthly 0.5 https://www.platformspace.net/home/tag/Spatial+exclusion monthly 0.5 https://www.platformspace.net/home/tag/colonial+India monthly 0.5 https://www.platformspace.net/home/tag/migrant+urbanism monthly 0.5 https://www.platformspace.net/home/tag/conferences monthly 0.5 https://www.platformspace.net/home/tag/KCS+Paniker monthly 0.5 https://www.platformspace.net/home/tag/unions monthly 0.5 https://www.platformspace.net/home/tag/Black+Lives+Matter monthly 0.5 https://www.platformspace.net/home/tag/rural+housing monthly 0.5 https://www.platformspace.net/home/tag/Architectural+Acoustics monthly 0.5 https://www.platformspace.net/home/tag/Rio+de+Janeiro monthly 0.5 https://www.platformspace.net/home/tag/1923+Population+Exchange monthly 0.5 https://www.platformspace.net/home/tag/jair+bolsonaro monthly 0.5 https://www.platformspace.net/home/tag/borderlands monthly 0.5 https://www.platformspace.net/home/tag/Islamic+headscarf monthly 0.5 https://www.platformspace.net/home/tag/surveillance+state monthly 0.5 https://www.platformspace.net/home/tag/Aladar+Olgyay monthly 0.5 https://www.platformspace.net/home/tag/subway monthly 0.5 https://www.platformspace.net/home/tag/Public+library monthly 0.5 https://www.platformspace.net/home/tag/Levittown monthly 0.5 https://www.platformspace.net/home/tag/Luxor monthly 0.5 https://www.platformspace.net/home/tag/neoclassical monthly 0.5 https://www.platformspace.net/home/tag/Spanish+Colonial monthly 0.5 https://www.platformspace.net/home/tag/labor+history monthly 0.5 https://www.platformspace.net/home/tag/dissent monthly 0.5 https://www.platformspace.net/home/tag/Myanmar monthly 0.5 https://www.platformspace.net/home/tag/builders monthly 0.5 https://www.platformspace.net/home/tag/settler+colonialism monthly 0.5 https://www.platformspace.net/home/tag/Chicanx monthly 0.5 https://www.platformspace.net/home/tag/sexuality monthly 0.5 https://www.platformspace.net/home/tag/Yale monthly 0.5 https://www.platformspace.net/home/tag/Liu+Dunzhen monthly 0.5 https://www.platformspace.net/home/tag/Chicano monthly 0.5 https://www.platformspace.net/home/tag/Zurich monthly 0.5 https://www.platformspace.net/home/tag/social+distancing monthly 0.5 https://www.platformspace.net/home/tag/interviews monthly 0.5 https://www.platformspace.net/home/tag/folk+history monthly 0.5 https://www.platformspace.net/home/tag/Yugoslavia monthly 0.5 https://www.platformspace.net/home/tag/racial+equity monthly 0.5 https://www.platformspace.net/home/tag/Southern+U.S. monthly 0.5 https://www.platformspace.net/home/tag/Guadalajara monthly 0.5 https://www.platformspace.net/home/tag/military monthly 0.5 https://www.platformspace.net/home/tag/transgender monthly 0.5 https://www.platformspace.net/home/tag/banlieues monthly 0.5 https://www.platformspace.net/home/tag/New+Communities monthly 0.5 https://www.platformspace.net/home/tag/emotions monthly 0.5 https://www.platformspace.net/home/tag/epidemic monthly 0.5 https://www.platformspace.net/home/tag/Markets monthly 0.5 https://www.platformspace.net/home/tag/Black+people monthly 0.5 https://www.platformspace.net/home/tag/Confederate+flag monthly 0.5 https://www.platformspace.net/home/tag/Forced+Confessions monthly 0.5 https://www.platformspace.net/home/tag/garages monthly 0.5 https://www.platformspace.net/home/tag/Political+Imprisonment monthly 0.5 https://www.platformspace.net/home/tag/Iowa monthly 0.5 https://www.platformspace.net/home/tag/British+Columbia.+Canada monthly 0.5 https://www.platformspace.net/home/tag/Material+Culture monthly 0.5 https://www.platformspace.net/home/tag/Temporary+Shelter monthly 0.5 https://www.platformspace.net/home/tag/Bay+Area monthly 0.5 https://www.platformspace.net/home/tag/ethnic+cleansing monthly 0.5 https://www.platformspace.net/home/tag/state+parks monthly 0.5 https://www.platformspace.net/home/tag/U.S.+Constitution monthly 0.5 https://www.platformspace.net/home/tag/Pearl+River+Delta monthly 0.5 https://www.platformspace.net/home/tag/clearances monthly 0.5 https://www.platformspace.net/home/tag/non-site monthly 0.5 https://www.platformspace.net/home/tag/Anschluss monthly 0.5 https://www.platformspace.net/home/tag/Camp monthly 0.5 https://www.platformspace.net/home/tag/Richmond monthly 0.5 https://www.platformspace.net/home/tag/populism monthly 0.5 https://www.platformspace.net/home/tag/Singapore monthly 0.5 https://www.platformspace.net/home/tag/brazil monthly 0.5 https://www.platformspace.net/home/tag/learning monthly 0.5 https://www.platformspace.net/home/tag/college+assignment monthly 0.5 https://www.platformspace.net/home/tag/monument monthly 0.5 https://www.platformspace.net/home/tag/East+Germany monthly 0.5 https://www.platformspace.net/home/tag/preservation+architecture monthly 0.5 https://www.platformspace.net/home/tag/dams monthly 0.5 https://www.platformspace.net/home/tag/houselessness monthly 0.5 https://www.platformspace.net/home/tag/Plans monthly 0.5 https://www.platformspace.net/home/tag/incomplete+structures monthly 0.5 https://www.platformspace.net/home/tag/gas monthly 0.5 https://www.platformspace.net/home/tag/Capitol monthly 0.5 https://www.platformspace.net/home/tag/gay monthly 0.5 https://www.platformspace.net/home/tag/basements monthly 0.5 https://www.platformspace.net/home/tag/Foucault monthly 0.5 https://www.platformspace.net/home/tag/Gilgit-Baltistan monthly 0.5 https://www.platformspace.net/home/tag/Romania monthly 0.5 https://www.platformspace.net/home/tag/professional+protocols monthly 0.5 https://www.platformspace.net/home/tag/airport+urbanism monthly 0.5 https://www.platformspace.net/home/tag/Cyclone monthly 0.5 https://www.platformspace.net/home/tag/white+flag monthly 0.5 https://www.platformspace.net/home/tag/Cornell+Tech monthly 0.5 https://www.platformspace.net/home/tag/socialism monthly 0.5 https://www.platformspace.net/home/tag/civil+society monthly 0.5 https://www.platformspace.net/home/tag/consumption monthly 0.5 https://www.platformspace.net/home/tag/technology monthly 0.5 https://www.platformspace.net/home/tag/Countermining monthly 0.5 https://www.platformspace.net/home/tag/New+Jersey monthly 0.5 https://www.platformspace.net/home/tag/stone monthly 0.5 https://www.platformspace.net/home/tag/cash+crops monthly 0.5 https://www.platformspace.net/home/tag/S%C3%A9rgio+Ferro monthly 0.5 https://www.platformspace.net/home/tag/restitution monthly 0.5 https://www.platformspace.net/home/tag/Croydon monthly 0.5 https://www.platformspace.net/home/tag/construction+material monthly 0.5 https://www.platformspace.net/home/tag/migration monthly 0.5 https://www.platformspace.net/home/tag/public+private+partnerships monthly 0.5 https://www.platformspace.net/home/tag/Interstate+Highways monthly 0.5 https://www.platformspace.net/home/tag/I-95 monthly 0.5 https://www.platformspace.net/home/tag/retirees monthly 0.5 https://www.platformspace.net/home/tag/Angola monthly 0.5 https://www.platformspace.net/home/tag/streets monthly 0.5 https://www.platformspace.net/home/tag/software monthly 0.5 https://www.platformspace.net/home/tag/cisgender monthly 0.5 https://www.platformspace.net/home/tag/Monterrey monthly 0.5 https://www.platformspace.net/home/tag/ethnocide monthly 0.5 https://www.platformspace.net/home/tag/children monthly 0.5 https://www.platformspace.net/home/tag/critical+spatial+practice monthly 0.5 https://www.platformspace.net/home/tag/Harry+Hopkins monthly 0.5 https://www.platformspace.net/home/tag/child-saving monthly 0.5 https://www.platformspace.net/home/tag/weather monthly 0.5 https://www.platformspace.net/home/tag/Madras+Presidency monthly 0.5 https://www.platformspace.net/home/tag/timber monthly 0.5 https://www.platformspace.net/home/tag/Arizona monthly 0.5 https://www.platformspace.net/home/tag/history+of+medicine monthly 0.5 https://www.platformspace.net/home/tag/urban+regeneration monthly 0.5 https://www.platformspace.net/home/tag/housing+reform monthly 0.5 https://www.platformspace.net/home/tag/kampung monthly 0.5 https://www.platformspace.net/home/tag/Suhl monthly 0.5 https://www.platformspace.net/home/tag/spectacle monthly 0.5 https://www.platformspace.net/home/tag/lending monthly 0.5 https://www.platformspace.net/home/tag/community+groups monthly 0.5 https://www.platformspace.net/home/tag/Mecca monthly 0.5 https://www.platformspace.net/home/tag/Leeds monthly 0.5 https://www.platformspace.net/home/tag/Paul+Cret monthly 0.5 https://www.platformspace.net/home/tag/elections monthly 0.5 https://www.platformspace.net/home/tag/churches monthly 0.5 https://www.platformspace.net/home/tag/iconography monthly 0.5 https://www.platformspace.net/home/tag/LGBT monthly 0.5 https://www.platformspace.net/home/tag/Eastern+State+Penitentiary monthly 0.5 https://www.platformspace.net/home/tag/taking+place monthly 0.5 https://www.platformspace.net/home/tag/musicals monthly 0.5 https://www.platformspace.net/home/tag/mass-housing monthly 0.5 https://www.platformspace.net/home/tag/Cox%E2%80%99s+Bazaar monthly 0.5 https://www.platformspace.net/home/tag/Istanbul+Biennial monthly 0.5 https://www.platformspace.net/home/tag/high-rise+housing monthly 0.5 https://www.platformspace.net/home/tag/NRx monthly 0.5 https://www.platformspace.net/home/tag/production+of+space monthly 0.5 https://www.platformspace.net/home/tag/South+Africa monthly 0.5 https://www.platformspace.net/home/tag/nursing+homes monthly 0.5 https://www.platformspace.net/home/tag/public+sex monthly 0.5 https://www.platformspace.net/home/tag/air+conditioning monthly 0.5 https://www.platformspace.net/home/tag/urban+disaster monthly 0.5 https://www.platformspace.net/home/tag/housing+design monthly 0.5 https://www.platformspace.net/home/tag/distribution monthly 0.5 https://www.platformspace.net/home/tag/Martin+v.+Boise monthly 0.5 https://www.platformspace.net/home/tag/Zhou+Hongmei monthly 0.5 https://www.platformspace.net/home/tag/hemp monthly 0.5 https://www.platformspace.net/home/tag/sick+building+syndrome monthly 0.5 https://www.platformspace.net/home/tag/identidade+nacional monthly 0.5 https://www.platformspace.net/home/tag/FDR monthly 0.5 https://www.platformspace.net/home/tag/African+American+churches monthly 0.5 https://www.platformspace.net/home/tag/Massachusetts monthly 0.5 https://www.platformspace.net/home/tag/power monthly 0.5 https://www.platformspace.net/home/tag/tiny+houses monthly 0.5 https://www.platformspace.net/home/tag/place monthly 0.5 https://www.platformspace.net/home/tag/St.+Louis monthly 0.5 https://www.platformspace.net/home/tag/New+York+City+mayor monthly 0.5 https://www.platformspace.net/home/tag/financial+markets monthly 0.5 https://www.platformspace.net/home/tag/racial+casts monthly 0.5 https://www.platformspace.net/home/tag/picturesque monthly 0.5 https://www.platformspace.net/home/tag/rivers monthly 0.5 https://www.platformspace.net/home/tag/skiing monthly 0.5 https://www.platformspace.net/home/tag/UVGI monthly 0.5 https://www.platformspace.net/home/tag/Marxist+feminism monthly 0.5 https://www.platformspace.net/home/tag/nature. monthly 0.5 https://www.platformspace.net/home/tag/social+responsibility monthly 0.5 https://www.platformspace.net/home/tag/White+House monthly 0.5 https://www.platformspace.net/home/tag/Mexican+migration monthly 0.5 https://www.platformspace.net/home/tag/corporatization monthly 0.5 https://www.platformspace.net/home/tag/economic+crisis monthly 0.5 https://www.platformspace.net/home/tag/State+Control monthly 0.5 https://www.platformspace.net/home/tag/Venezuela monthly 0.5 https://www.platformspace.net/home/tag/tenants%E2%80%99+rights monthly 0.5 https://www.platformspace.net/home/tag/Louisiana monthly 0.5 https://www.platformspace.net/home/tag/professional+standards monthly 0.5 https://www.platformspace.net/home/tag/historic+centers monthly 0.5 https://www.platformspace.net/home/tag/magic monthly 0.5 https://www.platformspace.net/home/tag/adaptive+capacity monthly 0.5 https://www.platformspace.net/home/tag/governance+constellations+model monthly 0.5 https://www.platformspace.net/home/tag/Dorothy+Moore monthly 0.5 https://www.platformspace.net/home/tag/data monthly 0.5 https://www.platformspace.net/home/tag/Tahrir+Square monthly 0.5 https://www.platformspace.net/home/tag/rebuilding monthly 0.5 https://www.platformspace.net/home/tag/Jean-Baptiste+Colbert monthly 0.5 https://www.platformspace.net/home/tag/Lycia monthly 0.5 https://www.platformspace.net/home/tag/remittances monthly 0.5 https://www.platformspace.net/home/tag/parks monthly 0.5 https://www.platformspace.net/home/tag/cooperatives monthly 0.5 https://www.platformspace.net/home/tag/colonial+architecture monthly 0.5 https://www.platformspace.net/home/tag/hygiene monthly 0.5 https://www.platformspace.net/home/tag/justice monthly 0.5 https://www.platformspace.net/home/tag/mixed-income+housing monthly 0.5 https://www.platformspace.net/home/tag/Extraction monthly 0.5 https://www.platformspace.net/home/tag/The+Green+Book monthly 0.5 https://www.platformspace.net/home/tag/American+Institute+of+Architects monthly 0.5 https://www.platformspace.net/home/tag/Arabesque+architecture monthly 0.5 https://www.platformspace.net/home/tag/development monthly 0.5 https://www.platformspace.net/home/tag/Tel+Aviv monthly 0.5 https://www.platformspace.net/home/tag/social+model+of+disability monthly 0.5 https://www.platformspace.net/home/tag/Winthrop+Square monthly 0.5 https://www.platformspace.net/home/tag/El+Paso monthly 0.5 https://www.platformspace.net/home/tag/tar monthly 0.5 https://www.platformspace.net/home/tag/star+system monthly 0.5 https://www.platformspace.net/home/tag/concrete-frame+construction monthly 0.5 https://www.platformspace.net/home/tag/humoral+medicine monthly 0.5 https://www.platformspace.net/home/tag/earthquake monthly 0.5 https://www.platformspace.net/home/tag/Hoovervilles monthly 0.5 https://www.platformspace.net/home/tag/turismo monthly 0.5 https://www.platformspace.net/home/tag/9%2F11 monthly 0.5 https://www.platformspace.net/home/tag/public+bathroom monthly 0.5 https://www.platformspace.net/home/tag/activism monthly 0.5 https://www.platformspace.net/home/tag/nawruz monthly 0.5 https://www.platformspace.net/home/tag/3d+imaging monthly 0.5 https://www.platformspace.net/home/tag/US-Mexico+migration monthly 0.5 https://www.platformspace.net/home/tag/Liang+Sicheng monthly 0.5 https://www.platformspace.net/home/tag/FHA monthly 0.5 https://www.platformspace.net/home/tag/concrete monthly 0.5 https://www.platformspace.net/home/tag/New+Administrative+Capital monthly 0.5 https://www.platformspace.net/home/tag/Holocaust monthly 0.5 https://www.platformspace.net/home/tag/ultraviolet+germicidal+irradiation monthly 0.5 https://www.platformspace.net/home/tag/sail monthly 0.5 https://www.platformspace.net/home/tag/Egypt monthly 0.5 https://www.platformspace.net/home/tag/sociology monthly 0.5 https://www.platformspace.net/home/tag/racial+violence monthly 0.5 https://www.platformspace.net/home/tag/inclusion monthly 0.5 https://www.platformspace.net/home/tag/security monthly 0.5 https://www.platformspace.net/home/tag/Kashgar monthly 0.5 https://www.platformspace.net/home/tag/appraisal monthly 0.5 https://www.platformspace.net/home/tag/Silicon+Valley monthly 0.5 https://www.platformspace.net/home/tag/PWA+Housing+Division monthly 0.5 https://www.platformspace.net/home/tag/wrongful+death monthly 0.5 https://www.platformspace.net/home/tag/factory monthly 0.5 https://www.platformspace.net/home/tag/racism monthly 0.5 https://www.platformspace.net/home/tag/decolonization monthly 0.5 https://www.platformspace.net/home/tag/Covid-19 monthly 0.5 https://www.platformspace.net/home/tag/urban+parks monthly 0.5 https://www.platformspace.net/home/tag/Chicago monthly 0.5 https://www.platformspace.net/home/tag/fishing monthly 0.5 https://www.platformspace.net/home/tag/migrant+workers monthly 0.5 https://www.platformspace.net/home/tag/prison+labor monthly 0.5 https://www.platformspace.net/home/tag/Ljubljana monthly 0.5 https://www.platformspace.net/home/tag/Dominican+Republic monthly 0.5 https://www.platformspace.net/home/tag/Raj monthly 0.5 https://www.platformspace.net/home/tag/JD+Vance monthly 0.5 https://www.platformspace.net/home/tag/Imelda+Marcos monthly 0.5 https://www.platformspace.net/home/tag/towers+in+the+park monthly 0.5 https://www.platformspace.net/translations daily 0.75 2026-02-13 https://www.platformspace.net/translations/queer-utopia-en-landschap-regulatie-cruisen-en-controle-in-amsterdam monthly 0.5 2026-02-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d03ba546-9204-474c-8986-be57f01598ea/Martens_FIG1.jpeg Translations - Queer Utopia en Landschap Regulatie: Cruisen en Controle in Amsterdam - Make it stand out Figuur 1. Entreebord Park Oeverlanden de Nieuwe Meer, Amsterdam, 2025. Foto door Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ba0c8117-3c36-42ad-b52b-7b9f14fc7e5b/Martens_FIG2.jpeg Translations - Queer Utopia en Landschap Regulatie: Cruisen en Controle in Amsterdam - Make it stand out Figuur 2. Detail Entreebord Park Oeverlanden de Nieuwe Meer, Amsterdam, 2025. Foto door Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f5c39a44-ba2f-4c3b-b5ef-8e48873641c2/Martens_FIG3.jpeg Translations - Queer Utopia en Landschap Regulatie: Cruisen en Controle in Amsterdam - Make it stand out Figuur 3. Schotse Hooglander in Cruisegebied, 2025. Foto door Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cb889d10-d523-44b0-b118-25ec530cf741/Martens_FIG4.jpeg Translations - Queer Utopia en Landschap Regulatie: Cruisen en Controle in Amsterdam - Make it stand out Figuur 4. Markeringen Cruisegebied, Amsterdam, 2025. Foto door Jasper Martens. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1c12e2ae-aabd-48b9-adc5-c33c3a6a5aab/Martens_FIG5.jpeg Translations - Queer Utopia en Landschap Regulatie: Cruisen en Controle in Amsterdam - Make it stand out Figuur 5. Labyrint van Paden in Cruisegebied in Park Oeverlanden de Nieuwe Meer, Amsterdam, 2025. Foto door Jasper Martens. https://www.platformspace.net/translations/6ggbcr75xfgxjbwbxxt28y5jw63lbj monthly 0.5 2025-10-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f719702d-6767-42d8-9d7e-c28e6087100b/Cai_Figure+1.jpg Translations - 跨国移园 - Make it stand out 图1: 美国《生活》杂志1980年8月刊文章《曼哈顿明代庭园》内页，第86-88页。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e47e199-d617-4616-a1d1-aea73dbf1d4c/Cai_Figure+2.jpg Translations - 跨国移园 - Make it stand out 图2: 如同中国赠送给华盛顿国家动物园的大熊猫一样，苏州园林也成为中美外交关系缓和后的文化外交礼物。图片来自Sarah Rossbach撰写的《文化外交：中国送给大都会博物馆的独特礼物》，发表于《Avenue》1979年9月刊。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a4c07f33-e985-4480-acf6-6d1538fd79dc/Cai_Figure+3.JPG Translations - 跨国移园 - Make it stand out 图3: 苏州网师园“殿春簃”庭院中的半亭（历史原型），作者拍摄，2023年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2545dba4-edb7-424e-a5d8-33bd9631e3fe/Cai_Figure+4.JPG Translations - 跨国移园 - Make it stand out 图4: 苏州东园内的明轩实样中的半亭，作者拍摄，2023年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d8dd53f-2db4-4360-8cd5-c4dead9127f7/Cai_Figure+5.jpg Translations - 跨国移园 - Make it stand out 图5: 纽约大都会博物馆阿斯特庭园中的半亭，作者拍摄，2022年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/31cd8149-cb4d-4b58-80b2-abc369de08e0/Cai_Figure+6.jpg Translations - 跨国移园 - Make it stand out 图6: 苏州园林中的园墙，作者拍摄，2023年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b3a1bfbe-0b6f-4b54-a831-a251283831e0/Cai_Figure+7.jpg Translations - 跨国移园 - Make it stand out 图7: 明轩实样中的园墙表面的“包浆”（灰墙的风化、雨痕和苔藓），作者拍摄，2023年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0f6b3557-5673-40bb-8fdc-a90d70e35231/Cai_Figure+8.jpg Translations - 跨国移园 - Make it stand out 图8: 明轩实样与阿斯特庭园的对比图。左图：明轩实样中茂盛、成龄的本地植物与自然风化的痕迹（2023年）；右图：阿斯特庭园中洁白无瑕的墙体以及需要定期更换的室内热带植物（2022年）。作者拍摄。 https://www.platformspace.net/translations/-2 monthly 0.5 2025-07-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/030b54dc-02e5-4c07-81d7-c12e48b9b525/Figure+1.jpg Translations - 策展 “摩登生化“輿臺灣建築 (二部) - Make it stand out 圖1：成功大學圖書館，王濟昌，吳梅興，陳萬策，傅立爾 (W.I. Freel)，臺南市,1959 (攝影薹北市美術館) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d33c9c31-0d0a-4012-9e90-3f670987545a/Figure+2.jpg Translations - 策展 “摩登生化“輿臺灣建築 (二部) - Make it stand out 圖2：建築圖，三信家商波浪大樓，陳仁和，高雄市，1963 （國立臺灣博館） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/db55e8c6-bc2f-4297-bcfb-4f83fbe34a34/Figure+3.jpg Translations - 策展 “摩登生化“輿臺灣建築 (二部) - Make it stand out 圖3：臺積公司生産設施，鳳凰城, 亞利桑那，2024 (tsmc.com) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d9edbd5-4e3b-4e9d-8b8c-1dc6a70c066e/Figure+4.jpg Translations - 策展 “摩登生化“輿臺灣建築 (二部) - Make it stand out 圖4: 臺北市立美術館，高而潘，臺北市 （摄影臺北市立美術館） https://www.platformspace.net/translations/-1 monthly 0.5 2025-07-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a5f9bf69-aaa0-4dcc-b2b5-18083a7cf795/Figure+1.JPG Translations - 策展 “摩登生化“輿臺灣建築 - Make it stand out 圖1：三信家商波浪大樓，陳仁和，高雄市，1963 (攝影 張文睿) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f1868287-39b6-4a2d-ad2c-4e0e7895d605/Figure+2.JPG Translations - 策展 “摩登生化“輿臺灣建築 - Make it stand out 圖2：姜阿新洋樓，北埔鄉新竹縣，1946 （姜阿新洋樓Facebook頁面） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9ff678f2-2d90-47cf-adda-a9da842e0383/Figure+3.jpg Translations - 策展 “摩登生化“輿臺灣建築 - Make it stand out 圖3：展覽模型，姜阿新洋樓，北埔鄉新竹縣，1946 （攝影薹北市立美術館） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9c979977-12a4-4689-95c2-c342c3d584e1/Figure+4.jpg Translations - 策展 “摩登生化“輿臺灣建築 - Make it stand out 圖4：前國立臺灣科學館 （今國立臺灣工藝研究發展中心—臺北當代工藝設計分館），盧毓駿，臺北市，1959 （攝影農業部提供） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2f59afa5-f717-47b3-ba3e-829df9e2cec4/Figure+5.jpg Translations - 策展 “摩登生化“輿臺灣建築 - Make it stand out 圖5：萬年商業大樓，蔡柏鋒，陳昭武，薹北，1973 （攝影 薹北市立美術館） https://www.platformspace.net/translations/chinampa-veneta-escenografa-para-el-extractivismo-en-la-biennale monthly 0.5 2025-06-02 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0b8863b8-6dfd-4df4-a3bb-963d21b6281a/Mendoza_FIG1.jpg Translations - Chinampa Veneta: escenografía para el extractivismo en la Biennale - Make it stand out Figura 1. Chinampero desplazándose entre chinampas en canoa, San Gregorio Atlapulco, 2023. Fotografía de Elis Mendoza.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/96e20512-5d03-4a89-80e9-0739de4c4071/Mendoza_FIG2.jpg Translations - Chinampa Veneta: escenografía para el extractivismo en la Biennale - Make it stand out Figura 2. Un chinampero prepara los chapines para recibir las semillas, San Gregorio Atlapulco, 2023. Fotografía de Daniel P. Gámez.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/869c170f-d767-47ee-b723-be2f62c17635/Mendoza_FIG3.jpg Translations - Chinampa Veneta: escenografía para el extractivismo en la Biennale - Make it stand out Figura 3. Benito, el gato de un chinampero, juega entre los cultivos que crecen en una chinampa, San Gregorio Atlapulco, 2024. Fotografía de Sergio Beltrán-García.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7d3dfed4-2793-4fe0-9256-b8c08f720974/Mendoza_FIG4.jpg Translations - Chinampa Veneta: escenografía para el extractivismo en la Biennale - Make it stand out Figura 4. Una chinampa con hileras de cultivos variados y en plena vitalidad, San Gregorio Atlapulco, 2023. Fotografía de Sergio Beltrán-García.) https://www.platformspace.net/translations/l7ndkxygjj9zdgmbsdetfwb2hghfts monthly 0.5 2025-02-03 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f2c6418b-09e0-47cb-b3f5-0e06b057209f/Figure+1.jpg Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 1. 东西向的深南大道和福田中心区的南北中轴线勾勒出深圳独特的城市景观，2019 年（摄影：孙聪） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d1089370-fb04-469e-995b-d7d4358cbbc9/Figure+2.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 2. 都市实践，粤海文体中心，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/cf318feb-1627-4808-9fed-c85b6ce34205/Figure+3.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 3. 都市实践，粤海文体中心立面细节，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/5625b6b0-cf71-40b1-b38e-1c2c429debe5/Figure+4.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 4. 源计划建筑师事务所，红岭实验小学东南角，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/71e909c8-e8f1-4bc6-b536-d272625089b0/Figure+5.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 5. 源计划建筑师事务所，红岭实验小学鸟瞰，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bcd2ada1-de75-4938-abc4-170a3882a978/Figure+6.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 6. 源计划建筑师事务所，红岭实验小学东立面，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/017199c8-709c-44ee-91cd-d8f5b60ae25a/Figure+7.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 7. reMIX 工作室，福田中学鸟瞰，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/68dfa7d9-c738-49ab-be24-ea29e357537e/Figure+8.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 8. reMIX 工作室，福田中学教学楼，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/33c62aa8-fc70-41ab-98f0-b057912a2c6f/Figure+9.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 9. reMIX 工作室，福田中学宿舍楼，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/17ac54e9-66df-4a81-a5b7-f558d2c3e3e1/Figure+10.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 10. reMIX 工作室，福田中学临街入口开放空间，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/598147fe-b38d-4e9b-ae95-d1c949ee5fd8/Figure+11.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 11. 直向建筑事务所，景田荔园外国语小学鸟瞰，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/ac351c3c-2847-4083-911a-06076caad3a6/Figure+12.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 12. 直向建筑事务所，景田荔园外国语小学内庭院及跑道，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/eca6493a-a0a1-4836-b10f-6ea8be26c0e4/Figure+13.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 13. 直向建筑事务所，景田荔园外国语小学公共空间，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a2936cdb-426b-4121-a079-e675c2e3c96d/Figure+14.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 14. 源计划建筑师事务所，红岭中学体育艺术中心石笼墙立面，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3f033ce5-bfc5-445c-a752-7ce1f2037d16/Figure+15.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 15. 源计划建筑师事务所，红岭中学体育艺术中心鸟瞰，2024 年（摄影：孙聪、宋宇辉） https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/45500cde-fe88-4ab4-b751-dfbe79897799/Figure+16.JPG Translations - 设计专家决策与深圳新校园行动计划 - Make it stand out 图 16. 源计划建筑师事务所，红岭中学体育艺术中心屋顶，2024 年（摄影：孙聪、宋宇辉） https://www.platformspace.net/translations/yukari-firat-corafyasinda-madenclk-ve-jeopoltk-hesaplar monthly 0.5 2024-02-16 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/2a93ac75-c73a-43b3-9942-48f63d021556/Figure+01.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 1. Yasak Bölge ile (pembe) Vilayat-ı Sitte’nin sınırları (mavi) arasındaki ilişki. (Yazar tarafından 1942 tarihli okul tarih ders kitabı atlasından uyarlanan bir harita üzerine çizilmiştir, Kaynak: Unat, Faik Reşit. Tarih Atlası. İstanbul: Kanaat, 1942). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3fd55957-cb33-426a-9e8f-ebe37e667b63/Figure+02.jpeg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 2. Maden'de bir otoparkın arka tarafındaki terk edilmiş silolar (Elazığ) (Fotoğraflar yazara aittir) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/576f2b86-8703-4a92-9f37-5a113b15527b/Figure+03.jpeg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 3. Maden'de bir otoparkın arka tarafındaki terk edilmiş silolar (Elazığ) (Fotoğraflar yazara aittir) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fb7aed25-04fb-45cd-96f3-2417d3dc599f/Figure+04.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 4. 1880lerde yapılan Maden Eski Kaymakamlık Binası. Fotoğraf Ağustos 2023'te restorasyon çalışmaları esnasında çekilmiştir. (Fotoğraf yazara aittir) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0d2b0889-263b-41ea-b632-ef39d55c9c24/Figure+05.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 5. Ergani Maden Bakır İşletmeleri'ndeki modern izabe tesisi (Kaynak: Yazman, Aslan Tufan. Etibank 1935-1945. İstanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d94aa069-1479-4a56-a0a2-fc3d3f05acfd/Figure+06.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 6. Ergani Maden Bakır İşletmeleri, arka planda izabe tesisi ile ana üretim alanının genel görünümü (Kaynak: Yazman, Aslan Tufan. Etibank 1935-1945. İstanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f070b626-ffcd-4869-b277-cbd89489cadc/figure+07.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 7. Maden ile Mersin Limanı arasında yeni açılan güzergâhın kırmızıyla vurgulandığı Türkiye Demiryolları haritası. (Kaynak Cumhuriyet Halk Partisi. Beşinci Yıl Kitabı Üzerine. Ankara: Cumhuriyet Matbaası, 1938.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a6a64025-c6b9-46a4-89d1-209f15472817/Figure+08.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 8. Maden'deki kromit silosu, ham cevheri Mersin Limanı'na sevk etmek üzere Maden'e taşımak için Poehlig tarafından inşa edilen hava tramvayı sisteminin son noktası. Altta kaya halindeki işlenmemiş cevherin yüklenmesini bekleyen tren vagonları görünüyor. (Kaynak: Yazman, Aslan Tufan. Etibank 1935-1945. İstanbul: İktisadi Yürüyüş Matbaası ve Neşriyat Yurdu, 1945). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/25311b2d-6b1c-4ca1-8851-2d9d7189bdf8/Figure+09.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 9. Guleman'da üst düzey yöneticiler için tek ailelik konut (Fotoğraf yazarın kişisel koleksiyonunda) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a7cf865e-51c6-44f1-951b-cfc9c1690511/Figure+10.JPG Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 10. Dersim Harekâtı'nın hemen ardından yayımlanan "Tunceli Medeniyete Açılıyor" kitabının baş sayfası. Bir propaganda yayını olan kitap, yönetime yakınlığıyla bilinen gazeteci Naşit Hakkı Uluğ tarafından kaleme alınmıştır. Kitapta, Dersim’in (1935’teki yasayla değişen adıyla Tunceli’nin) kalkındırılması ve halkının uygarlaştırılması için yürütülen çeşitli altyapı projeleri ve kurumsal iyileştirmeler anlatılıyor. (Kaynak: Uluğ, Naşit Hakkı. Tunceli Medeniyete Açılıyor. İstanbul, 1939.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/7e52336a-d40a-4fb8-a791-6b2a364f5ca4/Figure+11.JPG Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 11. "Tunceli Medeniyete Açılıyor" kitabından, ilin dağlık arazisinde yeni yolların yapımını görüntüleyen bir sayfa. (Kaynak: Uluğ, Naşit Hakkı. Tunceli Medeniyete Açılıyor. İstanbul, 1939.) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f042e82a-3e98-4e91-81ad-a1522db154eb/Figure+12.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 12. Elazığ'daki eski Dördüncü Genel Müfettişlik binası, halihazırda PTT Bölge Müdürlüğü olarak hizmet veriyor. (Fotoğraf yazara aittir) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/bfd50c78-0073-42d2-9c75-6dfda47c8539/Figure+14.jpeg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 13. Elazığ'daki eski Dördüncü Genel Müfettişlik binasındaki pencere detayı. Raylar üzerindeki panjur ve kepenklerin çok katmanlı detayı, o dönem Türkiye’si için yeni ve özellikle de bu bölgede hiç alışılmadık bir ithal teknolojidir. (Fotoğraf yazara aittir) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/f5ba4793-92c8-41dc-b245-e6302b2ec8a7/figure+13.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 14. Eskiden Mameki olarak bilinen köyde yer alan Tunceli Merkez yerleşiminin havadan görünümü. İki büyük askeri kışla (1 ve 2 numaralı binalar), Elazığ'dan ulaşılması daha zor olan Hozat'tan taşınan yeni idari merkeze tanım veriyor. Orta alandaki kışla (1) müze olarak restore edilip, 2020'de açıldı. Arkadaki daha küçük kışla ise halihazırda gazino ve dinlenme tesisi olarak kullanılıyor. (Fotoğraf Tunceli Müzesi'nin izniyle). Ön plandaki küçük yarı müstakil konut kümesi, askeri yetkililer ve devlet memurlarını barındırmak için lojman olarak inşa edilmiştir. (Fotoğraf Tunceli Müzesi'nin izniyle). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/0f3dcca9-159a-4b5c-a157-f2e767b7e5e7/Figure+15.jpg Translations - Yukarı Fırat Coğrafyasında Madencilik ve Jeopolitik Hesaplar - Make it stand out Şekil 15. Restore edilmeden önce Tunceli Merkez kışlası. Bina daha sonraki yıllarda memurlar için lojmana dönüştürülmüş, daha sonra terk edilmiş, daha sonra da uzun yıllar dargelirli ailelerin sığındığı bir mekan haline gelmiştir. Fotoğrafta görülen çatı malzemesi orijinal olmasa da çatı formu ve pencere detayları Alman esintili bir biçimsel kompozisyona işaret eder. (Fotoğraf Tunceli Müzesi'nin izniyle) https://www.platformspace.net/translations/asp-transnasyonal-mizik-hip-hp-yon-ti-refl-peyi-dayiti monthly 0.5 2023-11-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3bcb5183-7896-4b07-9475-21525b62b78f/Fig+2_IMG_0171.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 2. La Maison d’Haïti (LMdH) se yon òganis kiltirèl kominotè ki tabli nan katye Saint-Michel de Montréal. Sant kominotè LMdH resevwa nouvo imigran yo e ba yo yon akonpayman pedagojik ak fòmasyon pwofesyonèl — ak Cafe Lakay (“Kafe Lakay” nan lang kreyòl ayisyen). Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/fb58bd4d-1ded-4484-961b-d734b555f3fc/fig+3.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 3. Imaj sant Monreyal la ki pran anwo, soti nan Pak Monrayal. 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/4f1c9b5a-7bcc-4fc2-97f2-d64420ac37a4/fig+4.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 4. Pak Frédéric-Back, Monreyal. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824572780-NQCL1B6ZH5JKSHN1LC5K/fig+5.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 5. Pak patinaj Projet 45 te konstui anndan Pak Frédéric-Back. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824572521-V4SY7ODBC40FCXT2KOAZ/fig+6.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 6. Mayo Projet 45. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824586395-EOYHHA39P063N1K4PMRE/fig+7.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 7. Desen nan mi anndan Projet 45. Fotograf: yon zanmi otè a ki chwazi rete anonim, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824584999-UCKAEFMD0YSW0771XIM4/fig+8.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 8. Desen nan mi anndan Projet 45. Fotograf: yon zanmi otè a ki chwazi rete anonim, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824605428-I8U1C0ZNHY4HLCDUUVBM/fig+9.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 9. Jaden kominotè Projet 45 anndan Pak Frédéric-Back. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699824602722-WQE2Q1YKBOSV3MJA7QPY/fig+10.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti Foto 10. Moun k ap griye pwodui ki soti nan jaden kominotè Projet 45 lan ki sou kote pak patinaj ki anndan Pak Frédéric-Back lan. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/a130685e-ac2a-4fea-9099-a7b76cee37ea/fig+11.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 11. Namori Cissé se yon chantè, jwè batri, otè ak konpozitè ivwaryen k ap viv nan Monreyal. Tandans reggae, rock, folk ak soul enfliyanse mizik li. Fason li abiye melanje stil hip-hòp mondyal, jan nou ka wè li nan jan li mikse chapo ki chavire pa dèyè a ak chemiz ki gen desen afriken an sou li. Nan imaj sa, l ap jwe afwo djaz nan La Petite Marche nan Monreyal. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/d2c926a2-8a4e-41c2-9b9f-09b587294db4/Fig+12_IMG_1760.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 12. Jou espektak Cissé a nan aswè, ri La Petite Marche la pat gen kote pou w pike zepeng. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/de61308b-6515-4f0c-9114-35db9fc9349e/fig+13.jpg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 13. Petyonvil, Ayiti, pa kapab ankò ak pwolonjman iben an ki koumanse depi Pòtoprens. Devan fenomèn migrasyon moun k ap sot an pwovens pou vin ret nan vil yo pandan XXyèm syèk la, yon seri achitèk tankou Albert Mangonès te fè sa yo kapab pou goumen kont fason espas iben an t ap gwosi san kontwòl la, men yo pat reyisi rezoud pwoblèm nan. Fotograf: yon zanmi otè a ki chwazi rete anonim, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/89fab89c-3ab9-4b05-94d3-d68ebe742589/fig+14.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 14. Sèlfi otè a (sou bò goch) avèk Leslie Voltaire, reprezantan CIDIHCA ak Abigail Moriah, reprezantan Black Planning Project. Fotograf: Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/9ba24fd1-b217-4c7d-8ed1-26fffc88c8c8/Fig+15_IMG_1960.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 15. 15zyèm Jounen Anyèl Liv nan CNAR, 19 dawout 2023. Fotograf: Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/8fe13f19-1301-4cae-8279-2af3bf37d509/Fig+16_IMG_0257.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 16. Ma Planète, Mon Futur (Planèt Mwen, Lavni Mwen) se te tèm jounen entènasyonal anyèl pou jenn yo ki te òganize nan LMdH, 12 dawout 2023. Yon gwoup jenn ap prezante yon esketch mizikal ki prezante kek istwa sou anviwónman. Sou bò dwat, nan pwent nèt, Josué Corvil, konseye minisipal ki reprezante VSP. Fotograf: Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/c17c4c6c-56ee-4fbc-9faa-e33396c95fc1/Fig+17_IMG_0158.jpeg Translations - Aspè Transnasyonal Mizik Hip-Hòp: Yon Ti Reflè Peyi Dayiti - Make it stand out Foto 17. Sèlfi Cash Boy Reg ak otè a. Fotograf: Sophonie Milande Joseph, 2023. https://www.platformspace.net/translations/hip-hop-transnational-reflets-dhati monthly 0.5 2023-11-13 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/69d37951-5c57-4ac2-b091-77a9d1451368/Fig+2_IMG_0171.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 2. La Maison d’Haïti (LMdH) est un organisme communautaire culturel du quartier Saint-Michel de Montréal. Le centre communautaire LMdH accueille les nouveaux arrivants en leur offrant un accompagnement pédagogique et une formation professionnelle — et Cafe Lakay (“Café de la Maison” en créole haïtien). Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/663e0c76-2891-42be-a218-d086a14ac7e5/fig+3.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 3. Vue plongeante du centre de Montréal à partir du Parc Mont-Royal. 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/df3131e9-3370-4795-be8a-55dcb5b2297d/fig+4.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 4. Parc Frédéric-Back, Montréal. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823438758-RDTROSL22NWW0KPTRRZU/fig+5.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 5. Parc de patinage du Projet 45 au Parc Frédéric-Back. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823439780-HLY0DD3NBBLBS6A49N37/fig+6.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 6. T-shirt du Projet 45. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823454646-8RSVVULOEZS289QXK419/fig+7.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 7. Peinture murale à Projet 45. Photographie par une amie de l’auteure qui préfère rester anonyme, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823454283-B66906J9BR5MG837D6XU/fig+8.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 8. Peinture murale à Projet 45. Photographie par une amie de l’auteure qui préfère rester anonyme, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823477762-62CVMILVZUBO9AXR1GZ7/fig+9.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 9. Jardin communautaire du Projet 45 au Parc Frédéric-Back. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1699823474557-VKJCRIDARD8LZQA5ZA0D/fig+10.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti Image 10. Personnes grillant des légumes provenant du jardin communautaire du Projet 45, à côté du parc de patinage du Parc Frédéric-Back. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3068bb88-306c-45be-849e-5d2269951cbd/fig+11.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 11. Namori Cissé est un chanteur, batteur, auteur et compositeur de Côte d’Ivoire vivant à Montréal. Sa musique est influencée par le reggae, le rock, le folk et le soul d’origine, et son style vestimentaire fusionne les styles hip-hop mondiaux, comme dans ce remix du chapeau renversé et de la chemise à imprimés africains. Ici, il joue de l’afro-jazz à La Petite Marche, Montréal. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/b2aaf48a-c832-441f-942f-f583e462c6ee/Fig+12_IMG_1760.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 12. Le soir du spectacle de Cissé, la rue devant La Petite Marche était bondée. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/607bf7a0-c010-42ec-a4be-182f06e797fb/fig+13.jpg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 13. Pétion-Ville, Haïti, dépassée par l’étalement urbain s'étirant depuis Port-au-Prince. Face à la migration rapide des gens de la campagne vers les villes au cours du XXe siècle, des architectes comme Albert Mangonès se sont efforcés de contenir la croissance urbaine, mais n’y sont pas parvenus. Photographie par une amie de l’auteure qui préfère rester anonyme, 2017. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d0a0515-42fe-48c6-9dcc-6fb3d12c0114/fig+14.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 14. Selfie de l'auteure (à gauche) avec Leslie Voltaire de CIDIHCA et Abigail Moriah du Black Planning Project. Photographie par Sophonie Milande Joseph, 2023. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/be400567-9564-401c-bc9c-1b6bc1c6a9c8/Fig+15_IMG_1960.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 15. La 15ème Journée Annuelle du livre haïtien au CNAR, 19 août 2023. Photographie par Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1ff82177-e4de-45b9-82f8-787fa9551bb1/Fig+16_IMG_0257.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 16. Ma Planète, Mon Futur était le thème de la Journée internationale annuelle de la jeunesse organisée à LMdH, 12 août 2023. Un groupe de jeunes présente un sketch musical pour raconter des histoires sur l'environnement. A l'extrême droite se trouve Josué Corvil, conseiller municipal représentant VSP. Photographie par Sophonie Milande Joseph. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/3d813c2f-6c51-41dc-98ef-6d03c461bdf6/Fig+17_IMG_0158.jpeg Translations - Hip-Hop Transnational: Reflets d’Haïti - Make it stand out Image 17. Selfie de Cash Boy Reg et de l’auteure. Photographie par Sophonie Milande Joseph, 2023. https://www.platformspace.net/translations/7hgmeyekg47n5hewkfa5p7cy4w8mza monthly 0.5 2022-12-01 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669783429-2PNUURYE1N695681FFYV/Figure+1.jpg Translations - 中国建筑与全球化 - Make it stand out 图1：张耀曾,华东建筑设计研究院有限公司, 龙柏饭店, 上海, 中国，1982 (华东建筑设计研究院有限公司) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669815195-LH7TXCLWVV53SV6CE7V9/Figure+2_Reduced.jpg Translations - 中国建筑与全球化 - Make it stand out 图2：巴馬丹拿, 金陵饭店，南京，中国，1983 (作者的收藏) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669863925-8ZTQL959HIL97AIKFBA9/Figure+3.jpg Translations - 中国建筑与全球化 - Make it stand out 图3：SOM，金茂大厦，上海，中国，1999 (作者的收藏) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665669962232-OYNZ0OYJLNNGVO72DW5I/Figure+4.jpg Translations - 中国建筑与全球化 - Make it stand out 图4：家琨建筑，西村大院,成都，四川，中国，2015. (照片Arch-Exist; 版权 家琨建筑) https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665670197149-6UD3RSVH4YK3U9WB0BDB/Figure+5.jpg Translations - 中国建筑与全球化 - Make it stand out 图5：DnA建筑，9号石宕，浙江省丽水市缙云县仙都街道, 中国,2022 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1665670295924-4755A3ULFX7E4F18LE02/Figure+6.jpg Translations - 中国建筑与全球化 - Make it stand out 图6：江苏江都建设集团有限公司，图书馆，达累斯萨拉姆大学，达累斯萨拉姆，坦桑尼亚，2018 (达累斯萨拉姆大学) https://www.platformspace.net/translations/ltgt monthly 0.5 2022-06-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469525366-ZL81OABMBUPX9TNV6UYJ/Fig2.+Entrance2Chinapavilions.jpg Translations - 读《梁思成&lt;中国建筑史&gt;辟谬》之答辩 - Make it stand out 图1，1915年巴拿马太平洋万国博览会中国馆入口。三藩市公立图书馆三藩市历史中心照片。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469579850-25DGZ0XQYI17G37966GS/1%2C+Yue%27s+book+title.jpg Translations - 读《梁思成&lt;中国建筑史&gt;辟谬》之答辩 - Make it stand out 图2，乐嘉藻《中国建筑史》扉页。1933年初版。译者照片，2014年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654469643777-838QLQ6OOTTZ6FDZGL3N/fig3.+Baoguo+monastery+hall.JPG Translations - 读《梁思成&lt;中国建筑史&gt;辟谬》之答辩 - Make it stand out 图3，浙江宁波保国寺大殿飞檐。译者照片，2018年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1654380588227-DDIM9XNNQJKRQZ8HW5TU/Fig+3.+MiFu_Inkstone1stpage.png Translations - 读《梁思成&lt;中国建筑史&gt;辟谬》之答辩 - Make it stand out 图4，宋代著名书画家米芾所著《砚史》第一页。译者网络版截图，2022年。 https://www.platformspace.net/translations/933sgca8sklj4pb4bhxadhhjm5g8kz monthly 0.5 2022-05-24 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626334176-13U3UNCPFVSGTVY2CXUL/1%2C+Yue%27s+book+title.jpg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图1，乐嘉藻《中国建筑史》扉页。1933年初版。译者照片，2014年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626489275-VOKT99NUV7CUXRTK2PA5/2%2C+Yingzao+fashi.jpg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图2，宋代《营造法式》封面，1103年初版，中国书店2006年再版。译者照片，2021年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626515402-EFHPY5X9BY0WZC1QXGY4/3%2C+Gongcheng+zuofa.jpeg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图3，清代《工程做法》封面。梁思成称此书与《营造法式》为中国建筑之两部“文法课本”。译者网络版截图，2022年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1653351877367-G23171ZYDA39AMTWRT5K/4%2C+Yue_fig.50+Songyue+si+pagoda_cropped.jpg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图4，乐书嵩岳寺塔附图。乐嘉藻《中国建筑史》，译者照片，2014年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626647726-YZDS8Z8DN0WOHH8Y5DXW/5%2C+Songyue+monastery+pagoda++%28photo+Ding%29.jpeg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图5，嵩岳寺塔照片。丁伯仪拍摄，2018年。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626729746-F6QOL7FQ2NMEK25LHY4L/6%2C+Linji+pagoda+plan+by+Liang+%281%29.jpeg Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图6，临济寺塔平面图（右上）。梁思成，“正定调查纪略”， 见《中国营造学社汇刊》，第四卷第二期，1933年，页2-41。 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1652626756740-OWL7N4UM0KMFBQ3QC4BL/fig+7_LinjiPagoda.JPG Translations - 梁思成：读乐嘉藻《中国建筑史》辟谬 - Make it stand out 图7，临济寺塔照片。陈加麒拍摄，2018年。 https://www.platformspace.net/translations/brief-aus-berlin-der-krieg-in-der-ukraine-lsst-die-stadt-an-ihre-grenzen-stoen monthly 0.5 2022-03-28 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389953957-IUDCJ6OJM5FCFX01TU0F/Fig+1.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 1. Berlin-Tegel, Berlin, Deutschland, März 2022. Fotografiert von Mireille van der Moga. Seit 1948 wurde Berlin-Tegel als Flughafen weit innerhalb der Stadtgrenzen im nördlichen Teil der Stadt betrieben. Im November 2020 wurde Tegel stillgelegt, acht Jahre später als ursprünglich geplant, da das Gelände einer gemischten Nutzung zugeführt werden sollte. Als wichtiger Teil der öffentlichen Infrastruktur ist er jedoch weitgehend erhalten geblieben. Im Jahr 2021 diente er als Impfzentrum, und seit dem 12. März wird er als Flüchtlingsregistrierungszentrum und Notunterkunft genutzt. Tegel wird in der Lage sein, 10.000 Flüchtlinge pro Tag zu registrieren und ihre Weiterreise zu organisieren sowie jede Nacht bis zu 3.000 Betten anzubieten. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389954942-M89XFSFILROOLK6AEC3M/fig+2.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 2. Berlin-Hauptbahnhof (Hbf), Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Der Berliner Hauptbahnhof (Hbf) im Zentrum Berlins ist der Hauptumschlagplatz für Flüchtlinge, die nach Deutschland kommen. Im Durchschnitt treffen hier täglich 10.000 Flüchtlinge ein, mehrere Tausend weitere kommen über den Zentralen Omnibusbahnhof (ZOB), einen anderen Bahnhof im Süden Berlins und private Pkw. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389958261-50N2H1WSQFUF67YWQ0SN/fig+3.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 3. Ukrainische Flagge auf dem Berliner Hauptbahnhof (Hbf), Berlin, Deutschland, März 2022. Foto: Mireille van der Moga. Die ukrainische Flagge ist nicht nur ein Zeichen der Solidarität, sondern wird am unübersichtlichen Berliner Hauptbahnhof auch als Orientierungshilfe für die ankommenden Ukrainer eingesetzt. Auf der linken Seite ist ein offizieller Bahnhofsplan mit Informationen auf Ukrainisch, Russisch, Englisch und Deutsch zu sehen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389958519-KG9MKR3VQAQDJP9SE2LO/fig+4.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 4. Berlin-Hauptbahnhof (Hbf), Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Dieses große weiße Zelt vor dem Hauptbahnhof ist das Welcome Center, in dem Neuankömmlinge, die kein anderes Ziel als Berlin kennen, zuerst einchecken und dann erfahren, was zu tun ist und wohin sie gehen müssen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389962548-AILVBJJNY0K66BB4WEGH/fig+5.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 5. Flüchtlinge, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. In Berlin gibt es Hilfe in allen Formen. Das Bild links zeigt eine Schlange von Flüchtlingen, die auf Sim-Karten von der Telefongesellschaft Vodafone warten, die 10.000 Karten verschenkt, mit denen die Ukrainer 90 Tage lang kostenlos in ihrem Netz telefonieren können. Rechts im Bild ein T-Shirt-Stand vor dem Brandenburger Tor am Sonntag, den 20. März, dem Tag des „Sound of Peace“-Konzerts, bei dem 50 verschiedene Künstler auf der Bühne standen. Neben den 12 Millionen Euro, die das Konzert für die Ukraine einbrachte, sammelten auch die T-Shirt-Verkäufer Hilfsgelder. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389963053-GRGK1NJ1JD5HDPNN8CNE/fig+6.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 6. Berlin-Hauptbahnhof (Hbf), Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Blick auf das Willkommenszelt, das auf dem Washington-Platz vor dem Hauptbahnhof in Berlin aufgebaut ist. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389966472-4COYBD2ZTODNM96VZWE8/fig+7.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 7. Sowjetisches Ehrenmal, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Dieses sowjetische Ehrenmal auf der Straße des 17. Juni ist eines von mehreren Denkmälern, die von den Sowjets zu Ehren der im Zweiten Weltkrieg gefallenen Soldaten errichtet wurden, von denen 80.000 während der Schlacht um Berlin im April/Mai 1945 ihr Leben verloren. Normalerweise kann es besichtigt werden, doch ist es jetzt zum Schutz vor Vandalismus abgesperrt. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389967494-SATMY285IWAXZMIY8F6K/fig+8.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 8. Freiwillige, die Flüchtlingen helfen, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Als Berlin begann, Flüchtlinge aufzunehmen, bildete sich schnell ein Netzwerk von Freiwilligen. Freiwillige Helfer in verschiedenfarbigen Westen stehen, wie hier zu sehen, auf den Bahnsteigen und im gesamten Bahnhof, um den Flüchtlingen zu helfen, ihr Ziel zu erreichen. Rote Westen erhalten diejenigen, die Ukrainisch oder Russisch sprechen, und die Freiwilligen können sich entweder im Voraus oder vor Ort melden, da oft mehr Helfer benötigt werden, als zur Verfügung stehen. Eine tägliche Liste der ankommenden Züge mit der Anzahl der Flüchtlinge fließt in eine Grafik ein, die online veröffentlicht wird und die Anzahl der Freiwilligen angibt, die sich für die nächsten 24 Stunden gemeldet haben, sowie die Anzahl der noch benötigten Freiwilligen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389970615-ZSNFSBU80JTELSXY7K4N/fig+9.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 9. Wegweiser auf Ukrainisch, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Zusätzlich zu den offiziellen Wegweisern sind im gesamten Berliner Hauptbahnhof inoffizielle Schilder in ukrainischer Sprache angebracht. Im Hintergrund warten Freiwillige in fluoreszierenden Westen darauf, Flüchtlingen zu helfen. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389975525-FZF0KOSA63ZGY5QW83IC/fig+10.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 10. Kundgebung am Brandenburger Tor, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389971494-B5BBY5F0QXZWCBCQSVP4/fig+11.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 11. Supermarktschilder in Moabit, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Die Schilder am örtlichen Edeka spiegeln die Entwicklung des anhaltenden Krieges wider. Auf der linken Seite werden die Kunden gebeten, über finanzielle Spenden nachzudenken, um die Notlage der Zivilbevölkerung in der Ukraine zu lindern. Dies waren die ersten Schritte, die die Supermarktkette kurz nach Ausbruch des Krieges unternahm. Die zweite Gruppe von Schildern, die in der Mitte zu sehen sind, bittet die Kunden um Verständnis dafür, dass Produkte, die aus Russland stammen, nicht mehr im Sortiment geführt werden. Auf der rechten Seite schließlich werden die Folgen des Krieges auf dem deutschen Markt spürbar - Verknappung und Einkaufsbeschränkungen, um das Hamsterkaufen zu verhindern. Auf dem Schild ist zu lesen, dass die Kunden für dieses Produkt, in diesem Fall Speiseöl, auf einen Artikel pro Einkauf beschränkt sind. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1648389972515-DQ2DVQATHZO02KDKBT7M/fig+12.jpg Translations - Brief aus Berlin: Der Krieg in der Ukraine lässt die Stadt an ihre Grenzen stoßen Abbildung 12. Digitale Werbung an einem Buswartehäuschen, Berlin, Deutschland, März 2022. Foto von Mireille van der Moga. Die digitale Anzeige macht das Spenden für das UNHCR, das Flüchtlingshilfswerk der Vereinten Nationen, einfach, indem sie einen QR-Code enthält, der direkt auf die Spenden-Website führt. https://www.platformspace.net/translations/la-abstraccin-es-un-privilegio monthly 0.5 2021-10-18 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634304458111-RPQ8FO32WW3NUYALQDA3/Lara_Fig1.jpg Translations - La Abstracción es un Privilegio - Make it stand out Figura 1. Mapa de Tenochtitlán y el Golfo de México, atribuído a Fredrich Peypus, 1524. Cortesía de la Newberry Library a través de Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1634304527400-IE3ZGO5M6MBLDC3US9I7/Lara_Figure+2.jpg Translations - La Abstracción es un Privilegio - Make it stand out Figura 2. Albert Durer, Der Zeichner des liegenden Weibes, Underweysung der messung, ca. 1525, publicado en 1538 por Hieronymus Formschneider. Cortesía de Berlin Staatliche Musee a través Wikimedia Commons. https://www.platformspace.net/translations/isfahans-chaharbagh monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633578557166-XBIWNWY3L5HD4YOC7RBO/Figure+1.JPG Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633578672000-7SI4406V5Z9F5TYJPGB5/Figure+2.jpg Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633633637549-CRL7AHLJ3D8KKTE01S61/Figure+3_Persian+Translation.png Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633584316601-PUPCB2A7T9KI88AKK19L/Figure+4.JPG Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633584347916-RPUOL6CTSUYAEUOYK2P7/Figure+5.jpg Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633582062811-2ZXWOTKUAGQHR6QDAGP9/Figure+6.JPG Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633582026458-FNYOKJLF1T9XW2VWYYYZ/Figure+7.JPG Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1633579120895-HLGI0DA6R5CTPI6Q7ZLV/Figure+8.JPG Translations - گشت و گذار در چهارباغ های اصفهان - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/translations/intensities-part-two monthly 0.5 2021-08-31 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629889945847-0JDHQFH7D44RGE0DSPPJ/Al-Naimi_PART2_FIG1.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629890104304-ATCZE5LSHZLHRAYOL0XL/Al-Naimi_PART2_FIG2.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629890262034-604ARSW5AGXU9CRSX2HW/Al-Naimi_PART2_FIG3.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629890520502-Q75B8MKFVMSQBA08WEGY/Al-Naimi_PART2_FIG4_ARABIC.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629890598633-06ENDMG4B8HS8ADDQ8JG/Al-Naimi_PART2_FIG5.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629891231634-7VHNPSD2FX5M7YWZOG1B/Al-Naimi_PART2_FIG6.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629891315750-VJCEBWJDPL6A91726WB4/Al-Naimi_PART2_FIG7.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629891413460-73H7YX3PFU3V0QJUERK7/Al-Naimi_PART2_FIG8.png Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629891827553-TYLMN7OSG9CGBWB474RF/Al-Naimi_PART2_FIG9.jpg Translations - مشاعر ذات حدة، الجزء الثاني: تاريخ مَمحِيّ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/translations/intensities-part-one monthly 0.5 2021-08-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629397914248-HEB5L6V5BUER995QDOAH/Al-Naimi_PART1_FIG1.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629398431786-GV0J03K4NIW5IQQX07FE/Al-Naimi_PART1_FIG2.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629398553003-82J0IDVVZLEX3BC2NJYI/Al-Naimi_PART1_FIG3.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629398759605-A8JSZVAPDA0MB9GZM5FX/Al-Naimi_PART1_FIG4.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629399111361-0Y2TK315QZMFP0F26XKX/Al-Naimi_PART1_FIG5.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629399538284-IJ8DMOTJGRXYBBRDY95H/Al-Naimi_PART1_FIG6.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629399718799-XS8GTTTELSTBU8X7ZL8P/Al-Naimi_PART1_FIG7.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629399802951-JVZZV8GH4J8LJJFN2I99/Al-Naimi_PART1_FIG8.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629479256298-O5LED6HZM0O48AHC5T77/Al-Naimi_PART1_FIG9_ARABIC.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629400107745-OKWXJ3OI0ZXJW07Y2CI8/Al-Naimi_PART1_FIG10.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1629400176462-OMTKHBKTW6X0G7GPLIB2/Al-Naimi_PART1_FIG11.jpg Translations - مشاعر ذات حدة، الجزء الأول: البحث عن بغداد - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/translations/yasmeen-lari-pt-2 monthly 0.5 2021-08-17 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628698275170-8UU338YDY5Q7G4XLKQ3L/Figure+1.+Darya+Khan+Womens+Center_7+-+July.JPG Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628698453066-H27ZSWAOIS3GOEFO37TH/Figure+2.+Eco+Toilet.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628698562606-12HCO2RNS4RGRNIPZ5YY/Figure+3.+Pakistan+Chullah+2018.JPG Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628698766585-0CCMUA5PSOGT46HET5CK/Figure+4.+ZCS+-+Community++-+ZC3+Aerial+View.JPG Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628822414070-5NIX8MJ2LLXTL4O4JUOC/Figure+5.+OneRoomShelter.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628799423629-BVGBQRXYCJOZY379YFIC/20170324_175229.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/translations/- monthly 0.5 2021-08-26 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1627936514005-2QNNKGFMNE89A27A52UG/Figure+1.+Flatroof+Shelter+2011.JPG Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628005420777-ID4NN7XB1UOGX2QZL5YD/Figure+2.+Flatroof+Shelter+2011.JPG Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628005522405-U93C3FQY3SCB7M8Z4OT4/Figure+3.+Anguri+Bagh+Elevation.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628005597698-DTB3QA7RL4J638EZ9VBO/Figure+4.+Anguri+Bagh.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628005704861-G8JV34SZVTN6SWJDNYVE/Figure+5.+WindCatcher.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1628110735971-9A14WYWSBUTR86BAZ23C/Figure+7.+Lahore+Fort.jpg Translations - ننگے پاؤں سماجی تعمیر کی طرف: یاسمین لاری کے ساتھ گفتگو- حصہ اول - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.platformspace.net/translations/individually-generated-building-modifications monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624638810362-9ULPMHPQDFB06BEHTO7L/Figure+1.jpg Translations - Індивідуально реалізовані житлові перебудови у відповідь житловій кризі - Make it stand out Рисунок 1. Квартирний ремонт у Києві, Україна, 2019. Фото Катерини Малої. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624638833564-GE4WZCHB2XUAKSWT1S7L/Figure+2.jpg Translations - Індивідуально реалізовані житлові перебудови у відповідь житловій кризі - Make it stand out Рисунок 2. (а) До перепланування, (б,в) два різних сценарії перепланування у двокімнатній квартирі серії I-510 (будувалася з 1957 по 1969 рік). Ілюстрація Катерини Малої. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624638859784-U6DUGRPMCXT67R0NLANJ/Figure+3.jpg Translations - Індивідуально реалізовані житлові перебудови у відповідь житловій кризі - Make it stand out Рисунок 3. Заскленні балкони в Івано-Франківську, Україна, 2019. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624638890077-0PD04GH6V32HEJ97UO7T/Figure+4.jpg Translations - Індивідуально реалізовані житлові перебудови у відповідь житловій кризі - Make it stand out Рисунок 4. Заскленні балкони в Києві, Україна 2019. Фото Катерини Малої. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1624638939337-A5NJVDARC4882Q47R1PO/Figure+5.jpg Translations - Індивідуально реалізовані житлові перебудови у відповідь житловій кризі - Make it stand out Рисунок 5. Заскленні балкони в Києві, Україна 2019. Фото Катерини Малої. https://www.platformspace.net/translations/kimbilir-kimler-gemitir-buradan-19-yy-krsal-yonyasnda-antik-ala-rastlamalar monthly 0.5 2021-03-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616184684408-QBAI2VBSM0YLH9D3BPYC/Amygdalou_Figure+1.jpg Translations - “Kimbilir kimler geçmiştir buradan”? 19. yy. Kırsal İyonya’sında Antik Çağla rastlaşmalar Resim 1. Gülbahçe köyü, Türkiye. Kaynak: Öğrenci çevre analizi fotoğrafları, ders AR202 (Doç. Dr. Ela Çil, İYTE Üniversitesi), 2020. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616184761424-9T23VDUJXC8P1NRRC0FG/Amygdalou_Figure+2%2C+edited.jpg Translations - “Kimbilir kimler geçmiştir buradan”? 19. yy. Kırsal İyonya’sında Antik Çağla rastlaşmalar Resim 2. G. Weber tarafından yayınlanan Gülbahçe bazilikası planı. George Weber in “Basilika und Baptisterium in Gül-bagtsché (bei Vurla),” Byzantinische Zeitschrift 10, no. 2 (1901): 568-573. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1616185034850-EG4HX1585464WQXRM5JU/Amygdalou_Figure+3.jpg Translations - “Kimbilir kimler geçmiştir buradan”? 19. yy. Kırsal İyonya’sında Antik Çağla rastlaşmalar Resim 3. Yazar tarafından hazırlanan Gülbahçe bölgesi haritası. https://www.platformspace.net/translations/1khz4c8ydhml8jbxlr9cwzqqudwid2 monthly 0.5 2021-05-14 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560385146-HO97WQTPEECV00CU35HL/Figure+1.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 1. Edificios dañados por el sismo, La Condesa, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560420847-5HQR2K81S9M6QU7ZFUBW/Figure+2.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 2. Centro de acopio en el Parque México, La Condesa, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560556475-NMEZLIJPS95ZW49AIPKN/Figure+3.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 3. Mensaje pidiendo ayuda creado por Verificado19S con información verídica para ser distribuido en redes sociales (WhatsApp, Facebook etc.), Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560591182-4IOVYA58BE8XBG1KHA00/Figure+4.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 4. Letrero ofreciendo ayuda, La Condesa, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560609966-B28P2VLUJZ08GOQBK802/Figure+5.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 5. Letrero ofreciendo ayuda, La Condesa, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560638348-D7VC25LX3BG18KZJCKP4/Figure+6.JPG Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 6. Letrero ofreciendo ayuda, La Condesa, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560673211-GG7UOQ9NJCZ6W7F9JQ9W/Figure+7.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 7. Niños escribiendo mensajes para las victimas y los damnificados, Parque México, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560692660-OKZEWWV8CIMBKEV64SRF/Figure+8.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 8. Altar en honor a las victimas, Parque México, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615561184998-K1D6NPUP2PNH9KM7L1GA/Figure+9.JPG Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 9. Veladoras para las victimas, La Roma, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560732858-0ML3E6URFURNZ8CXKI87/Figure+10.jpeg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 10. Latas con mensajes de esperanza, Ciudad de México, 2017. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560756454-D0LROZW8MAHTFRBSA353/Figure+11.JPG Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 11. Escombro de los edificios dañados, La Condesa, Ciudad de México, 2018. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560777037-4HXJ2D1O2WTOO4PH7BST/Figure+12.JPG Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 12. Edificio en proceso de demolición tres años después del terremoto, La Condesa, Ciudad de México, 2020. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560815620-MK5B1IJ3VZRYPF4AM40J/Figure+13.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 13. Lote vacío tres años después del terremoto, La Condesa, Ciudad de México, 2020. Fotografía María Moreno. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1615560849183-8M3R3M27E3KFYP7F2UZ6/Figure+14.jpg Translations - De escombros a ruinas: la respuesta al temblor 19S y el proceso de reconstrucción en la Ciudad de México Imagen 14. Edificio dañado aun esperando ser reforzado estructuralmente tres años después del terremoto, La Condesa, Ciudad de México, 2020. Fotografía María Moreno. https://www.platformspace.net/translations/bir-atnn-zdmleri-ondokuzuncu-yzyl-dou-anadolusunda-bir-osmanl-ermeni-ailesinin-konutu monthly 0.5 2020-11-23 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606058245693-V5CF1LF9N2C7FCET00T2/Kezer%2C+Figure+1+Be%C5%9Fkarde%C5%9Fler.jpg Translations - Bir Çatının İzdüşümleri: Ondokuzuncu Yüzyıl Doğu Anadolu’sunda Bir Osmanlı Ermeni Ailesinin Konutu Resim 1. Beşkardeşler terraced homes, ca 1930. Fotoğraf M Süruri, URI : https://archives.saltresearch.org/handle/123456789/195650 - SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606058286161-X22MVXKHMA11W3Q77DEZ/Kezer%2C+Figure+2+Harput+general+view.jpg Translations - Bir Çatının İzdüşümleri: Ondokuzuncu Yüzyıl Doğu Anadolu’sunda Bir Osmanlı Ermeni Ailesinin Konutu Resim 2. Yirminci yüzyıl başında Harput, genel görünüm. Fotoğraf M Süruri, URI: https://archives.saltresearch.org/handle/123456789/195660 - SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606058351915-41IVRS06ZVGSO247YRYO/Kezer%2C+figure+3+aerial.jpg Translations - Bir Çatının İzdüşümleri: Ondokuzuncu Yüzyıl Doğu Anadolu’sunda Bir Osmanlı Ermeni Ailesinin Konutu Resim 3. Mezre hava fotoğrafı, Elazığ, 1925 civarı. 1-Beşkardeşler 2-Beşkardeşler İpek Fabrikası 3-Alman Yetimhanesi ve Misyonerlik binaları 4-Protestan Kilisesi. Fotoğraf M Süruri, URI: https://archives.saltresearch.org/handle/123456789/195653 - SALT Araştırma, Fotoğraf ve Kartpostal Arşivi. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1606058417104-RAUU51QV9ZV91NHA5DXF/Kezer%2C+figure+4+Selden+Building.jpg Translations - Bir Çatının İzdüşümleri: Ondokuzuncu Yüzyıl Doğu Anadolu’sunda Bir Osmanlı Ermeni Ailesinin Konutu Resim 4. Fırat Koleji, Müdürün odasından görünüm (1902-1903). Yetimhanedeki erkek çocukların okuldan dönüşü. Kolej binalarının bir kısmı yerel mimari bir kısmı daha modern bir şekilde inşa edilmişlerdi. Resimin sol tarafında 1896’daki olaylarda çıkan yangından sonra yeniden yapılan yeni metal çatılı binalardan biri. Fotoğraf: Sursurian, URI: https://archives.saltresearch.org/handle/123456789/43966 - United Church of Christ (UCC), American Research Institute in Turkey (ARIT), SALT (Araştırma). https://www.platformspace.net/translations/experiencing-the-sounds-and-silences-of-cairo monthly 0.5 2021-08-06 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602800627857-YULPUSH0W1OWVWKOUB8Z/Khorshid+Figure+1.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602800987217-NFJREATA6HNU74DB8XMB/Khorshid+Figure+2.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602801143172-YMWR40A0JWYPKOPZ21W1/Khorshid+Figure+3.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1602801313838-J04NAG0O5LNEXDHOWN8K/Khorshid+Figure+4.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603296685447-AA5BBJYUHIAIDNS0I175/Khorshid+Figure+5.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603296789572-0AAB7EACHK51A4M6JW1P/Khorshid+Figure+6.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603296936303-C7MRB9HQ1WKTVUJU7Y4P/Khorshid+Figure+7.jpg Translations - القاهرة بسكونها وضوضائها https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1603297000556-YT1U56F0042QBZHNGCDU/Khorshid+Figure+8.jpg Translations - القاهرة بسكونها وضوضائها https://www.platformspace.net/translations/alhadm monthly 0.5 2020-09-10 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598869001276-CXKEGRZ4IONGBFR604EG/Fig+1.jpg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598870299897-NK8HKH7WMM0EV4I9MAML/Fig+2.jpg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598873231720-R128X3RI5E8KQ2SMHIR5/Fig+3.jpg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598873292984-T5W1TCQGQR763YGOJOU6/image-asset.jpeg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598873348416-O2UDJPXTZXXU1GGWP2O3/Fig+5.jpg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1598873384837-W4OP7YVL2MW6JADBV2CP/Fig+6.jpg Translations - الهدم والأهمية الملحّة لتاريخ العمارة في مصر https://www.platformspace.net/translations/el-aire-de-las-calles-o-espacio-para-respirar monthly 0.5 2020-05-25 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590230946894-D43DQSPD4RFGBA6V4ODT/Figure+1.+Window+facing+south.Photograh+by+Maria+Rubert.jpg Translations - Espacio para Respirar Figura 1. Ventana que mira al sur. Barcelona, 2020. Fotografía de Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590230947923-ON8KGS5ZZ1AAQAWDGWPE/Figure+2.+Skyline+from+Villarroel+roof.+Photograph+by+Maria+Rubert.jpg Translations - Espacio para Respirar Figura 2. Skyline desde el terrado de Villarroel. Barcelona, 2020. Fotografía de Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231003800-39JRVFYR16CNA5ZUE27D/Figure+3.+Street+crossing+Villarroel-Buenos+Aires.+Photograph+by+Maria+Rubert.jpg Translations - Espacio para Respirar Figura 3. Cruce de las calles Villarroel-Buenos Aires, Barcelona, 2020. Fotografía de Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590230991903-CAX8BX3EGIETB320MX7S/Figure+4.+Robadors+DAY.+Photograph+by+Alex+Gim%C3%A9nez.jpg Translations - Espacio para Respirar Figura 4. Calle Robadors de dia. Barcelona, 2020. Fotografía de Alex Giménez. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231005974-PM68CPO33FYX1KXEY06E/Figure+5.+Robadors+NOON.+Photograph+by+Alex+Giumenez.jpeg Translations - Espacio para Respirar Figura 5. Calle Robadors de noche. Barcelona, 2020. Fotografía de Alex Giménez. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231066308-3504EE8GTJPR5J3LAMX1/Figure+6.++Rambla+del+Raval+Day.+Photograph+by+Alex+Gimenez.jpg Translations - Espacio para Respirar Figura 6. Rambla del Raval de dia. Barcelona, 2020. Fotografía de Alex Giménez. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231041827-F4WEO89UP3HRVGYW2083/Figure+7.+Rambla+Raval+NOON.+P+hotograph+by+Alex+Gim%C3%A9nez.jpg Translations - Espacio para Respirar Figura 7. Rambla Raval, por la noche. Barcelona, 2020. Fotografía de Alex Giménez. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231046653-62H8IPTMNC25A2DOW2VD/Figure+8.+Tallers+Photograph+by+Magda+Suriol.jpg Translations - Espacio para Respirar Figura 8. CalleTallers. Barcelona, 2020. Fotografía de Magda Suriol. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231072974-WVIUT3WHXM2P1JCC813A/Figure+9.+Courtayard+with+Guim+and+Odile.Photograph+by+Maria+Rubert.jpg Translations - Espacio para Respirar Figura 9. Patio interior con Guim y Odile. Barcelona, 2020. Fotografía deMaria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231103472-TIR7RGERKGKHFW6IVCTG/Figure+10.+The+building+across.+Photograoh+by+Maria+Rubert+.jpg Translations - Espacio para Respirar Figura 10. El edificio de enfrente. Barcelona, 2020. Fotografía de Maria Rubert. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231143837-EMOZ5X8QD2UQ5VV29TZN/Figure+11.+La+Rambla+Photograph+by+Magda+Suriol+.jpg Translations - Espacio para Respirar Figura 11. La Rambla, Barcelona, 2020. Fotografía de Magda Suriol. Usado con permiso. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1590231171773-O2VBJTYFV384REASNCLS/Figure+12.+A+window+to+Diagonal.+Photograph+by+Maria+Rubert.jpg Translations - Espacio para Respirar Figura 12. Una ventana a la Diagonal, Barcelona, 2020. Fotografía de Maria Rubert. https://www.platformspace.net/translations/xnophobie-et-krach-financier-de-la-peste-de-marseille-au-covid-19 monthly 0.5 2020-09-07 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588223988418-5XWH0JJPROUJV2DY31NA/Martin+and+Weiss+1.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 1. Michel Serre, Vue de l’hôtel de ville pendant la peste de 1720, vers 1721. Huile sur toile, 3,06 x 2,77 mètres. Marseille, Musée des Beaux-Arts, BA 52. Photographie: RMN/Art Resource, NY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588224042106-K0XRXRLN9NR81AQ25XTH/Martin+and+Weiss+2.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 2. Michel Serre, Vue du Cours pendant la peste de 1720, vers 1721. Huile sur toile, 3,17 x 4,4 mètres. Marseille, Musée des Beaux-Arts, BA 53. Photographie: RMN/Art Resource, NY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588224125922-WLFKYTWEIR6BKLPFQQ73/Martin+and+Weiss+3.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 3. Détail de la Vue de l’hôtel de ville : un esclave des galères à la peau sombre (avec la cheville enchaînée). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588224162754-31NGW7A3XJDB9QKDVAIX/Martin+and+Weiss+4.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 4. Détail de la Vue du Cours : un esclave des galères avec la touffe de cheveux caractéristique des rameurs musulmans (de dos). https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588224215768-P3Q5CBK7GOIX0AYVJNDB/Martin+and+Weiss+5.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 5. Anonyme, Construction de la Tour de Babel par les Actionnistes en délire, de la série néerlandaise Het groote Tafereel der dwaasheid (« Le grand miroir de la folie »), 1720. Dans cette estampe satirique, John Law vend de « mauvaises actions » sous la forme de petits pains empoisonnés aux investisseurs, qui tombent malade après les avoir mangés : les uns succombent quand d'autres défèquent par terre. À la gauche, un actionnaire ruiné tombe la tête la première d'un immeuble, tandis qu'en arrière plan, une ténébreuse Tour de Babel souligne l'ampleur du chaos. Gravure à l'eau-forte, 35.4 x 40 cm. Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1588224256178-3HZTOA4SFFEFW4VDY97U/Martin+and+Weiss+6.jpg Translations - Xénophobie et krach financier: de la peste de Marseille au Covid-19 Figure 6. Détail de la Vue du Cours : l’évêque réconfortant les morts et les mourants. https://www.platformspace.net/translations/archivos-comerciales-mirando-hacia-atrs-con-justo-mart monthly 0.5 2020-04-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059756137-UZD8714JTXWKFC1ZDI6B/Regalado%2C+fig+1.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 1. Justo A. Martí, “Anna’s Grocery,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059747830-EQUNSMWYMTTK3TSABFV2/Regalado%2C+fig+2.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 2. Justo A. Martí, “La Adjunteña,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059761398-3P2Q58723UKSV2657QW7/Regalado%2C+fig+3.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 3. Justo A. Martí, “Exterior of La Flor Borinquen,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059781424-RHX0I18AKW7U14N9L8TG/Regalado%2C+fig+4.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 4. Justo A. Martí, “Sandoval Food Center,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059789885-NYBZQ7B6TLGKJDS0TGK1/Regalado%2C+fig+5.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 5. Justo A. Martí, “Spanish American Food Market,” New York, N.Y., n.d . Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059801150-FDODO5K6LFOCAC954YDA/Regalado%2C+fig+6.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 6. Justo A. Martí, “La Victoria,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059807977-RZ330SX4G5TZHL6P48B9/Regalado%2C+fig+7.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 7. Justo A. Martí, “The United Nations /Las Naciones Unidas,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059827656-LCNDDEX6M7EQE99BSNUJ/Regalado%2C+fig+8.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 8. Justo A. Martí, “La Milagrosa,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059827382-IY4LB01ZSY2BOL3LUH88/Regalado%2C+fig+9.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 9. Justo A. Martí, “Brooklyn PRMA members,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059844140-MUTP5ZHBBT5RFIRX7YM9/Regalado%2C+fig+10.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 10. Justo A. Martí, “Inside Flor de Borinquen,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059852301-M15MV9634EVD06WU0ZDG/Regalado%2C+fig+11.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 11. Justo A. Martí, “Family of bodegueros (bodega owners),” New York, N.Y., 1967. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059861787-QADAQ7YLA3NU25WS2FSU/Regalado%2C+fig+12.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 12. Justo A. Martí, “Inside bodega,” New York, N.Y., 1973. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059878339-MD86PW6BBBT9N6HV7MVC/Regalado%2C+fig+13.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 13. Justo A. Martí, “PRMA member at his shop,” Brooklyn, N.Y., 1959. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059878203-VIE0UN91GY3FKF60GDP7/Regalado%2C+fig+14.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 14. Justo A. Martí, “Bodega owners standing by bread and cold cuts,” New York, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059958760-TMCQSYE469HZOMDL8X3V/Regalado%2C+fig+15.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 15. Justo A. Martí, “PRMA members showcasing product,” New York, N.Y., 1963. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1587059958487-M2DBYKPXB0ONILZB6URO/Regalado%2C+fig+16.jpg Translations - Archivos Comerciales: Mirando hacia atrás con Justo Martí Figure 16. Justo A. Martí, “Bodega clerk at work,” Brooklyn, N.Y., n.d. Courtesy of Justo A. Martí Photographic Collection, 1948-1985, Center for Puerto Rican Studies, Library & Archives (Centro) at Hunter College, CUNY. https://www.platformspace.net/translations/o-aleijadinho-e-a-arquitetura-tradicional-the-little-cripple-and-everyday-architecture monthly 0.5 2020-04-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840186038-7POHJRR67W4B22UDGXXZ/Seavitt_Fig1_Aleijadinho_MuseuMineiro.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 1. Nineteenth-century imaginary portrait of Antônio Francisco Lisboa, known as “O Aleijadinho,” by Euclásio Pena Ventura. Courtesy/cortesia Arquivo Público Mineiro/Museu Mineiro, Belo Horizonte. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840293147-3VTJHURXDYDDPOTOMJVL/Seavitt_Fig2_O+Jornal_OP_BW.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 2. Cover of the special Minas Gerais edition of O Jornal, June 24, 1929, edited by Rodrigo Mello Franco de Andrade. Courtesy/cortesia Arquivo Público Municipal de Ouro Preto. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840388120-XDMHHNCN99GTWQMT4ZUJ/Seavitt_Fig3_Congonhas_ensemble.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 3. Santuário do Bom Jesus de Matosinhos, Congonhas do Campo, 1800-1805. Photo by João de Almeida Ferber, ca. 1930. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840461231-PCM3AESPBY9LMDTKGYNH/Seavitt_Fig4_Congonhas_prophet.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 4. Aleijadinho, statue of the prophet Jonas at the Santuário do Bom Jesus de Matosinhos, Congonhas do Campo. Photographer unknown, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840511282-ZENY2K0B45OXGG07YCFK/Seavitt_Fig5_Sao+Francisco_facade.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 5. Igreja de São Francisco de Assis, Ouro Preto, 1766-1794. Photographer unknown, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840543698-FKTUU8TMJF4ARUJC8ZEP/Seavitt_Fig6_Sao+Francisco_portal.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 6. Aleijadinho, partial view of the portico and sculpted medallion of the Igreja de São Francisco de Assis, Ouro Preto. Photographer unknown, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840590159-RCU9Y1O1F0FYFXS9OEPH/Seavitt_Fig7_Sao+Francisco_baptistry.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 7. Aleijadinho, detail of the baptismal font, Igreja de São Francisco de Assis, Ouro Preto. Photographer unknown, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840688989-AJFQL54GLYGXENKN7WTR/Seavitt_Fig8_Ouro+Preto_view.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 8. View from the street traversing the Ponte da Barra, with the Igreja de São Francisco de Assis beyond, Ouro Preto. Photographer unknown, 1927. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840757122-0GQYZ4802RQG0568RWN0/Seavitt_Fig9_Ouro+Preto_houses.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 9. Domestic colonial architecture at Rua São José, Ouro Preto. Photographer unknown, ca. 1940. Courtesy/cortesia Arquivo Público Mineiro. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1582840852670-EBCALS3VP3WXZ26CTFH4/Seavitt_Fig10_SaoJoao_FBNB.jpg Translations - O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture Figure 10. Burial of Raimundo Teixeira Mendes (1855–1927), philosopher, positivist, and creator of the Brazilian flag and its motto “Ordem e Progresso,” at Saint John the Baptist Cemetery, Rio de Janeiro, on June 29, 1927. Photo by Augusto Malta. Courtesy/cortesia Fundação Biblioteca Nacional/Brasiliana Fotográfica/Fiocruz. https://www.platformspace.net/translations/women-of-revolution-street monthly 0.5 2020-04-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575154982195-BO92DBYD9W89VLSFPFCV/Schmitz%2C+figure+1%2C+V+Movahed+1.png Translations - Women of Revolution Street Figure 1. Vida Movahed, Revolution Street, Teheran, 2017. Courtesy Twitter. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1575155050117-LHSCJGBMN9IY0YB57FRI/Schmitz%2C+figure+2%2C+V+Movahed+2.png Translations - Women of Revolution Street Figure 2. Vida Movahed, Revolution Street, Teheran, 2017. Courtesy Twitter. https://www.platformspace.net/translations/routesrutas monthly 0.5 2020-04-30 https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689592883-M3CCSO44VGBLB2JNKVR7/Garcia%2C+Figure+1.JPG Translations - Routes/Rutas Figure 1. Scale model of Havana, Cuba (1:1000), May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689649232-PMV1F9ISURA5HWD4O46J/Garcia%2C+Figure+2.jpg Translations - Routes/Rutas Figure 2. Plan of the City and Port of Havana, 1838. Image courtesy of Cuban National Archives, Havana, Cuba. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689717443-RFLT5RFEFPAGN5ZDY4YK/Garcia%2C+Figure+3.JPG Translations - Routes/Rutas Figure 3. National Museum of Fine Arts, Havana, Cuba, May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689766283-NEX135RWGJHD2YPXBFF8/Garcia%2C+Figure+4.jpg Translations - Routes/Rutas Figure 4. Centro Habana neighborhood, May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689975218-WMK3W3F54KYVPJY63X0A/Garcia%2C+Figure+5.jpg Translations - Routes/Rutas Figure 5. Remnants of the old city walls, Havana, Cuba, May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573689896548-EFZU9LJU4XTA1O7H0IHX/Garcia%2C+Figure+6.JPG Translations - Routes/Rutas Figure 6. Plaza de San Francisco, May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573690054722-FY6OKZGVSE0AKOL7VI3U/Garcia%2C+Figure+7.jpg Translations - Routes/Rutas Figure 7. Sierra Maestra Cruise Ship Terminal, Havana, Cuba, May 2014. Photograph by Guadalupe García. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573690115576-3BRKNWV68Y4MKAEPDHRJ/Garcia%2C+Figure+8-2.jpg Translations - Routes/Rutas Figure 8. Cruise ship and row boats in Havana harbor, April 2018. Photo courtesy of Kuhnmi/Flickr/Creative Commons. https://images.squarespace-cdn.com/content/v1/5d01a7efbf4ae50001f78eaf/1573690171691-V27DROGAC94F7NF1UYMM/Garcia%2C+Figure+9.JPG Translations - Routes/Rutas Figure 9. Former Cuban Stock Exchange, Havana, Cuba, May 2014. Built between 1907 and 1909, the building served as the Cuban stock exchange until the 1959 Cuban Revolution. Photograph by Guadalupe García. https://www.platformspace.net/translations/category/Reading monthly 0.5 https://www.platformspace.net/translations/category/Specifying monthly 0.5 https://www.platformspace.net/translations/category/Finding monthly 0.5 https://www.platformspace.net/translations/category/Housing monthly 0.5 https://www.platformspace.net/translations/category/Conversations monthly 0.5 https://www.platformspace.net/translations/category/opinion monthly 0.5 https://www.platformspace.net/translations/category/Teaching monthly 0.5 https://www.platformspace.net/translations/category/Photoessay monthly 0.5 https://www.platformspace.net/translations/tag/critical+race+theory monthly 0.5 https://www.platformspace.net/translations/tag/islamische+Kopftuch monthly 0.5 https://www.platformspace.net/translations/tag/Russian+invasion monthly 0.5 https://www.platformspace.net/translations/tag/%E5%B1%95%E8%A6%BD monthly 0.5 https://www.platformspace.net/translations/tag/cruisen monthly 0.5 https://www.platformspace.net/translations/tag/Nasrin+Sotoudeh monthly 0.5 https://www.platformspace.net/translations/tag/trees monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A7%D9%84%D9%82%D8%A7%D9%87%D8%B1%D8%A9%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/%E8%AE%BE%E8%AE%A1%E6%B2%BB%E7%90%86 monthly 0.5 https://www.platformspace.net/translations/tag/comprar monthly 0.5 https://www.platformspace.net/translations/tag/music monthly 0.5 https://www.platformspace.net/translations/tag/photoessays monthly 0.5 https://www.platformspace.net/translations/tag/nationalism monthly 0.5 https://www.platformspace.net/translations/tag/Ludovic-Trarieux+International+Human+Rights+Prize+2018 monthly 0.5 https://www.platformspace.net/translations/tag/terremoto monthly 0.5 https://www.platformspace.net/translations/tag/Right+to+equality+and+respect monthly 0.5 https://www.platformspace.net/translations/tag/%E6%8A%80%E6%9C%AF%E5%AE%98%E5%83%9A%E4%B8%BB%E4%B9%89 monthly 0.5 https://www.platformspace.net/translations/tag/rap monthly 0.5 https://www.platformspace.net/translations/tag/New+Historiography monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BF%D0%BB%D0%B5%D0%B9%D1%81%D0%BC%D0%B5%D0%B9%D0%BA%D1%96%D0%BD%D0%B3 monthly 0.5 https://www.platformspace.net/translations/tag/Africa monthly 0.5 https://www.platformspace.net/translations/tag/%E5%A8%81%E6%9D%83%E4%B8%BB%E4%B9%89 monthly 0.5 https://www.platformspace.net/translations/tag/%E6%B5%B7%E5%A4%96%E4%B8%AD%E5%9B%BD%E5%9B%AD%E6%9E%97 monthly 0.5 https://www.platformspace.net/translations/tag/Mississippi monthly 0.5 https://www.platformspace.net/translations/tag/%E4%B8%AD%E5%9B%BD%E5%8F%A4%E5%85%B8%E5%9B%AD%E6%9E%97 monthly 0.5 https://www.platformspace.net/translations/tag/migrac%C3%ADon monthly 0.5 https://www.platformspace.net/translations/tag/%D0%B1%D0%B0%D0%BB%D0%BA%D0%BE%D0%BD%D0%B8 monthly 0.5 https://www.platformspace.net/translations/tag/ukraine monthly 0.5 https://www.platformspace.net/translations/tag/%C4%B0zmir monthly 0.5 https://www.platformspace.net/translations/tag/colonialismo monthly 0.5 https://www.platformspace.net/translations/tag/T%C3%BCrkiye monthly 0.5 https://www.platformspace.net/translations/tag/Puerto+Rico monthly 0.5 https://www.platformspace.net/translations/tag/Recht+auf+Gleichheit+und+Respekt monthly 0.5 https://www.platformspace.net/translations/tag/desastre+natural monthly 0.5 https://www.platformspace.net/translations/tag/youth+uprising monthly 0.5 https://www.platformspace.net/translations/tag/skate+parks monthly 0.5 https://www.platformspace.net/translations/tag/Sarai monthly 0.5 https://www.platformspace.net/translations/tag/%D1%82%D0%B0%D0%BA%D1%82%D0%B8%D1%87%D0%BD%D0%B8%D0%B9+%D1%83%D1%80%D0%B1%D0%B0%D0%BD%D1%96%D0%B7%D0%BC monthly 0.5 https://www.platformspace.net/translations/tag/%D0%A1%D1%85%D1%96%D0%B4%D0%BD%D0%B0+%D0%84%D0%B2%D1%80%D0%BE%D0%BF%D0%B0 monthly 0.5 https://www.platformspace.net/translations/tag/Havana monthly 0.5 https://www.platformspace.net/translations/tag/Ottoman+Empire monthly 0.5 https://www.platformspace.net/translations/tag/Ciudad+de+M%C3%A9xico monthly 0.5 https://www.platformspace.net/translations/tag/%D9%85%D9%8A%D8%AF%D8%A7%D9%86+%D8%A7%D9%84%D8%AA%D8%AD%D8%B1%D9%8A%D8%B1%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/%D8%B3%D8%A7%D8%AD%D8%A9+%D8%B9%D8%A7%D9%85%D8%A9%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BF%D0%B5%D1%80%D0%B5%D0%B3%D0%BE%D1%80%D0%BE%D0%B4%D0%BA%D0%B8 monthly 0.5 https://www.platformspace.net/translations/tag/Cuba monthly 0.5 https://www.platformspace.net/translations/tag/Islamic+headscarf monthly 0.5 https://www.platformspace.net/translations/tag/%E5%9B%AD%E6%9E%97%E8%AE%BE%E8%AE%A1 monthly 0.5 https://www.platformspace.net/translations/tag/brave+women monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A7%D9%84%D9%85%D8%B4%D9%87%D8%AF+%D8%A7%D9%84%D8%B5%D9%88%D8%AA%D9%8A monthly 0.5 https://www.platformspace.net/translations/tag/%E4%B8%AD%E5%9B%BD monthly 0.5 https://www.platformspace.net/translations/tag/%D9%85%D8%B5%D8%B1%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/Puertorique%C3%B1os monthly 0.5 https://www.platformspace.net/translations/tag/Marseille monthly 0.5 https://www.platformspace.net/translations/tag/national+identity monthly 0.5 https://www.platformspace.net/translations/tag/Liu+Dunzhen monthly 0.5 https://www.platformspace.net/translations/tag/pandemic monthly 0.5 https://www.platformspace.net/translations/tag/Seksualiteit monthly 0.5 https://www.platformspace.net/translations/tag/yerinden+etme monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BF%D0%BE%D1%81%D1%82%D1%80%D0%B0%D0%B4%D1%8F%D0%BD%D1%81%D1%8C%D0%BA%D0%B8%D0%B9 monthly 0.5 https://www.platformspace.net/translations/tag/museums monthly 0.5 https://www.platformspace.net/translations/tag/neighbors monthly 0.5 https://www.platformspace.net/translations/tag/Civil+disobedience+in+Iran monthly 0.5 https://www.platformspace.net/translations/tag/%E7%8F%BE%E4%BB%A3%E5%BB%BA%E7%AF%89 monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A7%D9%84%D8%AB%D9%88%D8%B1%D8%A9+%D8%A7%D9%84%D9%85%D8%B5%D8%B1%D9%8A%D8%A9+%D9%A2%D9%A0%D9%A1%D9%A1%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/greenwashing monthly 0.5 https://www.platformspace.net/translations/tag/commemoration monthly 0.5 https://www.platformspace.net/translations/tag/Aleijadinho monthly 0.5 https://www.platformspace.net/translations/tag/colonialism monthly 0.5 https://www.platformspace.net/translations/tag/%D9%82%D8%AF%D8%B1%D8%AA%DB%8C+%D8%A2%D9%81%D8%A7%D8%AA+%D8%8C+%D8%A2%D9%81%D8%A7%D8%AA+%D8%B3%DB%92+%D9%86%D8%AC%D8%A7%D8%AA+%D8%8C+%D8%B3%DB%8C%D9%84%D8%A7%D8%A8+%D8%8C+%D8%B2%D9%84%D8%B2%D9%84%DB%92+%D8%8C+%D8%AE%D9%88%D8%A7%D8%AA%DB%8C%D9%86+%D9%85%D8%B9%D9%85%D8%A7%D8%B1+%D8%8C+%D8%AE%D9%88%D8%A7%D8%AA%DB%8C%D9%86+%D8%8C+%D8%B5%D9%86%D9%81+%D8%8C+%D9%88%D8%B1%D8%AB%DB%92+%DA%A9%DB%92+%D8%AA%D8%AD%D9%81%D8%B8+%D8%8C+%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C+%D8%AA%D8%AD%D9%81%D8%B8+%D8%8C+%D9%85%D8%B9%D8%A7%D8%B4%D8%B1%D8%AA%DB%8C+%D8%B1%DB%81%D8%A7%D8%A6%D8%B4+%D8%8C+%D8%B9%D9%88%D8%A7%D9%85%DB%8C+%D8%B1%DB%81%D8%A7%D8%A6%D8%B4+%D8%8C+%D9%85%DA%A9%D9%84%DB%8C+%D8%8C+%D9%84%D8%A7%DB%81%D9%88%D8%B1+%D8%8C+%DA%A9%D8%B1%D8%A7%DA%86%DB%8C+%D8%8C+%D9%BE%D8%A7%DA%A9%D8%B3%D8%AA%D8%A7%D9%86+%D8%8C+%D8%AC%D9%86%D9%88%D8%A8%DB%8C+%D8%A7%DB%8C%D8%B4%DB%8C%D8%A7%D8%A1 monthly 0.5 https://www.platformspace.net/translations/tag/Barcelona monthly 0.5 https://www.platformspace.net/translations/tag/Az%C4%B1nl%C4%B1klar monthly 0.5 https://www.platformspace.net/translations/tag/Bizans monthly 0.5 https://www.platformspace.net/translations/tag/ciudad monthly 0.5 https://www.platformspace.net/translations/tag/Nederland monthly 0.5 https://www.platformspace.net/translations/tag/parken monthly 0.5 https://www.platformspace.net/translations/tag/comida monthly 0.5 https://www.platformspace.net/translations/tag/Baghdad monthly 0.5 https://www.platformspace.net/translations/tag/t%C3%BCrk-alman monthly 0.5 https://www.platformspace.net/translations/tag/%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B0 monthly 0.5 https://www.platformspace.net/translations/tag/Haiti monthly 0.5 https://www.platformspace.net/translations/tag/Santu%C3%A1rio+do+Bom+Jesus+de+Matosinhos monthly 0.5 https://www.platformspace.net/translations/tag/memory monthly 0.5 https://www.platformspace.net/translations/tag/UNESCO monthly 0.5 https://www.platformspace.net/translations/tag/built+environment monthly 0.5 https://www.platformspace.net/translations/tag/%E8%B7%A8%E5%9B%BD%E5%BB%BA%E7%AD%91%E7%94%9F%E4%BA%A7 monthly 0.5 https://www.platformspace.net/translations/tag/germany monthly 0.5 https://www.platformspace.net/translations/tag/Brooklyn monthly 0.5 https://www.platformspace.net/translations/tag/RapQu%C3%A9b monthly 0.5 https://www.platformspace.net/translations/tag/altyap%C4%B1 monthly 0.5 https://www.platformspace.net/translations/tag/s%C3%B6zl%C3%BC+tarih monthly 0.5 https://www.platformspace.net/translations/tag/confinement monthly 0.5 https://www.platformspace.net/translations/tag/Osmanl%C4%B1+%C4%B0mparatorlu%C4%9Fu monthly 0.5 https://www.platformspace.net/translations/tag/hip+hop monthly 0.5 https://www.platformspace.net/translations/tag/tunceli monthly 0.5 https://www.platformspace.net/translations/tag/Frauenrechte monthly 0.5 https://www.platformspace.net/translations/tag/Foucault monthly 0.5 https://www.platformspace.net/translations/tag/New+York monthly 0.5 https://www.platformspace.net/translations/tag/G%C3%BClbah%C3%A7e monthly 0.5 https://www.platformspace.net/translations/tag/Gertrude+Bell monthly 0.5 https://www.platformspace.net/translations/tag/white+flag monthly 0.5 https://www.platformspace.net/translations/tag/war monthly 0.5 https://www.platformspace.net/translations/tag/%D8%B4%D8%A7%D8%B1%D8%B9+%D9%85%D8%AD%D9%85%D8%AF+%D9%85%D8%AD%D9%85%D9%88%D8%AF%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/%D0%91%D0%B0%D0%B3%D0%B0%D1%82%D0%BE%D0%BA%D0%B2%D0%B0%D1%80%D1%82%D0%B8%D1%80%D0%BD%D0%B5+%D0%B6%D0%B8%D1%82%D0%BB%D0%BE monthly 0.5 https://www.platformspace.net/translations/tag/the+americas monthly 0.5 https://www.platformspace.net/translations/tag/Yue+Jiazao monthly 0.5 https://www.platformspace.net/translations/tag/Cairo monthly 0.5 https://www.platformspace.net/translations/tag/infrastructure monthly 0.5 https://www.platformspace.net/translations/tag/k%C3%BClt%C3%BCrel+miras monthly 0.5 https://www.platformspace.net/translations/tag/Montr%C3%A9al monthly 0.5 https://www.platformspace.net/translations/tag/confinamiento monthly 0.5 https://www.platformspace.net/translations/tag/%E5%91%A8%E7%BA%A2%E7%8E%AB monthly 0.5 https://www.platformspace.net/translations/tag/social+capital monthly 0.5 https://www.platformspace.net/translations/tag/education monthly 0.5 https://www.platformspace.net/translations/tag/streets monthly 0.5 https://www.platformspace.net/translations/tag/financial+bubbles monthly 0.5 https://www.platformspace.net/translations/tag/poland monthly 0.5 https://www.platformspace.net/translations/tag/historic+preservation monthly 0.5 https://www.platformspace.net/translations/tag/%E5%BB%BA%E7%AF%89%E5%AF%A6%E5%8B%99 monthly 0.5 https://www.platformspace.net/translations/tag/iranische+Jugend monthly 0.5 https://www.platformspace.net/translations/tag/america monthly 0.5 https://www.platformspace.net/translations/tag/Wei%C3%9Fe+Kopftuch monthly 0.5 https://www.platformspace.net/translations/tag/Iran monthly 0.5 https://www.platformspace.net/translations/tag/russia monthly 0.5 https://www.platformspace.net/translations/tag/slavery monthly 0.5 https://www.platformspace.net/translations/tag/plazas monthly 0.5 https://www.platformspace.net/translations/tag/%E7%A6%8F%E7%94%B0%E4%B8%AD%E5%AD%A6 monthly 0.5 https://www.platformspace.net/translations/tag/Iraq monthly 0.5 https://www.platformspace.net/translations/tag/arquitetura+moderna monthly 0.5 https://www.platformspace.net/translations/tag/Congonhas+do+Campo monthly 0.5 https://www.platformspace.net/translations/tag/Ermeniler monthly 0.5 https://www.platformspace.net/translations/tag/desastre+urbano monthly 0.5 https://www.platformspace.net/translations/tag/%E6%A0%A1%E5%9B%AD%E8%AE%BE%E8%AE%A1 monthly 0.5 https://www.platformspace.net/translations/tag/community+groups monthly 0.5 https://www.platformspace.net/translations/tag/%D1%81%D0%B0%D0%BC%D0%BE%D1%80%D0%BE%D0%B1%D0%BD%D0%B8%D0%B9+%D1%83%D1%80%D0%B1%D0%B0%D0%BD%D1%96%D0%B7%D0%BC monthly 0.5 https://www.platformspace.net/translations/tag/Latinx monthly 0.5 https://www.platformspace.net/translations/tag/M%C3%A9xico monthly 0.5 https://www.platformspace.net/translations/tag/heritage monthly 0.5 https://www.platformspace.net/translations/tag/the+plague monthly 0.5 https://www.platformspace.net/translations/tag/Canada monthly 0.5 https://www.platformspace.net/translations/tag/Yerli+halklar%C4%B1n+arkeolojisi monthly 0.5 https://www.platformspace.net/translations/tag/Bienal+de+Venecia monthly 0.5 https://www.platformspace.net/translations/tag/eighteenth+century monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BA%D0%B2%D0%B0%D1%80%D1%82%D0%B8%D1%80%D0%B8 monthly 0.5 https://www.platformspace.net/translations/tag/Slave+Route+Project monthly 0.5 https://www.platformspace.net/translations/tag/Sakharov+Prize+2012 monthly 0.5 https://www.platformspace.net/translations/tag/vecinos monthly 0.5 https://www.platformspace.net/translations/tag/arquitetura+colonial monthly 0.5 https://www.platformspace.net/translations/tag/city monthly 0.5 https://www.platformspace.net/translations/tag/Yunanistan monthly 0.5 https://www.platformspace.net/translations/tag/tourism monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BA%D1%80%D0%B8%D0%B7%D0%B0+%D0%B6%D0%B8%D1%82%D0%BB%D0%B0 monthly 0.5 https://www.platformspace.net/translations/tag/Xochimilco monthly 0.5 https://www.platformspace.net/translations/tag/Sacharow-Preis+2012 monthly 0.5 https://www.platformspace.net/translations/tag/dersim monthly 0.5 https://www.platformspace.net/translations/tag/Revolution+Street monthly 0.5 https://www.platformspace.net/translations/tag/identidade+nacional monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A8%D8%BA%D8%AF%D8%A7%D8%AF%D8%8C+%D8%A7%D9%84%D8%B9%D8%B1%D8%A7%D9%82%D8%8C+%D8%A7%D9%84%D8%AD%D8%B1%D8%A8%D8%8C+%D8%A7%D9%84%D8%A8%D9%8A%D8%A6%D8%A9%D8%8C+%D8%AA%D8%A7%D8%B1%D9%8A%D8%AE-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%D9%8A monthly 0.5 https://www.platformspace.net/translations/tag/Amsterdam monthly 0.5 https://www.platformspace.net/translations/tag/madencilik monthly 0.5 https://www.platformspace.net/translations/tag/solidarity monthly 0.5 https://www.platformspace.net/translations/tag/financial+markets monthly 0.5 https://www.platformspace.net/translations/tag/architecture monthly 0.5 https://www.platformspace.net/translations/tag/immigration monthly 0.5 https://www.platformspace.net/translations/tag/Haitian+diaspora monthly 0.5 https://www.platformspace.net/translations/tag/electricity monthly 0.5 https://www.platformspace.net/translations/tag/Iranian+youth monthly 0.5 https://www.platformspace.net/translations/tag/%E6%B7%B1%E5%9C%B3 monthly 0.5 https://www.platformspace.net/translations/tag/%DA%86%D9%87%D8%A7%D8%B1%D8%A8%D8%A7%D8%BA%D8%8C+%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C+%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%D8%8C+%D8%AE%DB%8C%D8%A7%D8%A8%D8%A7%D9%86%D8%8C+%D8%B7%D8%B1%D8%A7%D8%AD%DB%8C+%D8%B4%D9%87%D8%B1%DB%8C%D8%8C+%D8%B4%D8%A7%D9%87+%D8%B9%D8%A8%D8%A7%D8%B3+%D8%A7%D9%88%D9%84%D8%8C+%D8%B5%D8%AF%D8%B1+%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%DB%8C%D8%8C+%D9%85%D8%AF%D8%A7%DB%8C%D8%AD+%D8%A7%D9%84%D8%AD%D8%B3%DB%8C%D9%86%DB%8C%D9%87 monthly 0.5 https://www.platformspace.net/translations/tag/chinampas monthly 0.5 https://www.platformspace.net/translations/tag/Baroque+sculpture monthly 0.5 https://www.platformspace.net/translations/tag/%D0%9A%D0%B8%D1%97%D0%B2 monthly 0.5 https://www.platformspace.net/translations/tag/refugee monthly 0.5 https://www.platformspace.net/translations/tag/youth+uprising.+al-Mutanabbi monthly 0.5 https://www.platformspace.net/translations/tag/refugee+camps monthly 0.5 https://www.platformspace.net/translations/tag/guleman monthly 0.5 https://www.platformspace.net/translations/tag/%E4%B8%96%E7%95%8C%E7%A7%A9%E5%BA%8F monthly 0.5 https://www.platformspace.net/translations/tag/skateboarding monthly 0.5 https://www.platformspace.net/translations/tag/Caribbean monthly 0.5 https://www.platformspace.net/translations/tag/ekstraktivizm monthly 0.5 https://www.platformspace.net/translations/tag/wei%C3%9Fe+Fahne monthly 0.5 https://www.platformspace.net/translations/tag/estado monthly 0.5 https://www.platformspace.net/translations/tag/zivile+Ungehorsam+in+Iran monthly 0.5 https://www.platformspace.net/translations/tag/Revolution+Stra%C3%9Fe monthly 0.5 https://www.platformspace.net/translations/tag/arquitectura monthly 0.5 https://www.platformspace.net/translations/tag/%D9%85%D9%8A%D8%AF%D8%A7%D9%86+%D8%A7%D9%84%D9%85%D8%B3%D8%A7%D8%AD%D8%A9%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/textiles monthly 0.5 https://www.platformspace.net/translations/tag/pedagogy monthly 0.5 https://www.platformspace.net/translations/tag/environmental+injustice monthly 0.5 https://www.platformspace.net/translations/tag/modernism monthly 0.5 https://www.platformspace.net/translations/tag/negocios monthly 0.5 https://www.platformspace.net/translations/tag/%D0%A1%D0%A0%D0%A1%D0%A0 monthly 0.5 https://www.platformspace.net/translations/tag/%E4%B8%AD%E5%9B%BD%EF%BC%8C%E6%94%B9%E9%9D%A9%E5%BC%80%E6%94%BE%EF%BC%8C%E4%B8%AD%E5%9B%BD%E5%BB%BA%E7%AD%91%EF%BC%8C%E5%85%A8%E7%90%83%E5%8C%96 monthly 0.5 https://www.platformspace.net/translations/tag/Ottoman monthly 0.5 https://www.platformspace.net/translations/tag/%E5%8E%9F%E7%9C%9F%E6%80%A7 monthly 0.5 https://www.platformspace.net/translations/tag/New+York+City monthly 0.5 https://www.platformspace.net/translations/tag/plaza monthly 0.5 https://www.platformspace.net/translations/tag/public+transit monthly 0.5 https://www.platformspace.net/translations/tag/%E6%96%87%E5%8C%96%E5%A4%96%E4%BA%A4 monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A7%D9%84%D9%82%D8%A7%D9%87%D8%B1%D8%A9%D8%8C++%D9%85%D8%B5%D8%B1%D8%8C++%D8%A7%D9%84%D8%AD%D8%AF%D8%A7%D8%AB%D8%A9%D8%8C++%D8%AA%D8%A7%D8%B1%D9%8A%D8%AE+%D9%85%D8%B9%D9%85%D8%A7%D8%B1%D9%8A%D8%8C++%D8%AA%D8%B1%D8%A7%D8%AB monthly 0.5 https://www.platformspace.net/translations/tag/M%C3%BCbadele monthly 0.5 https://www.platformspace.net/translations/tag/community+gardens monthly 0.5 https://www.platformspace.net/translations/tag/White+headscarf monthly 0.5 https://www.platformspace.net/translations/tag/colonial+architecture monthly 0.5 https://www.platformspace.net/translations/tag/modern+architecture monthly 0.5 https://www.platformspace.net/translations/tag/%E8%8B%8F%E5%B7%9E%E5%9B%AD%E6%9E%97 monthly 0.5 https://www.platformspace.net/translations/tag/antikite monthly 0.5 https://www.platformspace.net/translations/tag/cambio+clim%C3%A1tico monthly 0.5 https://www.platformspace.net/translations/tag/milliyet%C3%A7ilik monthly 0.5 https://www.platformspace.net/translations/tag/Harput monthly 0.5 https://www.platformspace.net/translations/tag/%E8%B5%B0%E5%90%91%E6%96%B0%E6%A0%A1%E5%9B%AD%E8%A1%8C%E5%8A%A8%E8%AE%A1%E5%88%92 monthly 0.5 https://www.platformspace.net/translations/tag/%E4%B8%93%E5%AE%B6%E5%86%B3%E7%AD%96 monthly 0.5 https://www.platformspace.net/translations/tag/modernity monthly 0.5 https://www.platformspace.net/translations/tag/history monthly 0.5 https://www.platformspace.net/translations/tag/women%E2%80%99s+rights monthly 0.5 https://www.platformspace.net/translations/tag/sociedad+civil monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BC%D0%BE%D0%B4%D0%B8%D1%84%D1%96%D0%BA%D0%B0%D1%86%D1%96%D1%97 monthly 0.5 https://www.platformspace.net/translations/tag/%E7%AD%96%E5%B1%95 monthly 0.5 https://www.platformspace.net/translations/tag/Servi%C3%A7o+do+Patrim%C3%B4nio+Hist%C3%B3rico+e+Art%C3%ADstico+Nacional monthly 0.5 https://www.platformspace.net/translations/tag/%D8%B2%D8%B1%D8%A7%D8%B9%D8%A9+%D8%A7%D9%84%D9%82%D9%88%D9%82%D8%B9%D8%A9 monthly 0.5 https://www.platformspace.net/translations/tag/architectural+history monthly 0.5 https://www.platformspace.net/translations/tag/Chinese+architecture monthly 0.5 https://www.platformspace.net/translations/tag/%D8%A7%D9%84%D8%B3%D9%85%D8%B9%D8%8C monthly 0.5 https://www.platformspace.net/translations/tag/Black+Urbanism monthly 0.5 https://www.platformspace.net/translations/tag/krom monthly 0.5 https://www.platformspace.net/translations/tag/%E8%87%BA%E7%81%A3 monthly 0.5 https://www.platformspace.net/translations/tag/tiendas monthly 0.5 https://www.platformspace.net/translations/tag/Latinos monthly 0.5 https://www.platformspace.net/translations/tag/%D0%A1%D1%85%D1%96%D0%B4%D0%BD%D0%B8%D0%B9+%D0%91%D0%BB%D0%BE%D0%BA monthly 0.5 https://www.platformspace.net/translations/tag/material+culture monthly 0.5 https://www.platformspace.net/translations/tag/Liang+Sicheng monthly 0.5 https://www.platformspace.net/translations/tag/%D8%AC%D9%8A%D8%B1%D8%AA%D8%B1%D9%88%D8%AF+%D8%A8%D9%8A%D9%84%D8%8C+%D8%A8%D8%BA%D8%AF%D8%A7%D8%AF+%D8%A7%D9%84%D8%B9%D8%B1%D8%A7%D9%82%D8%8C+%D9%85%D8%AA%D8%AD%D9%81+%D8%A7%D9%84%D8%B9%D8%B1%D8%A7%D9%82 monthly 0.5 https://www.platformspace.net/translations/tag/%D1%80%D0%B5%D0%BC%D0%BE%D0%BD%D1%82 monthly 0.5 https://www.platformspace.net/translations/tag/Mutige+Frauen monthly 0.5 https://www.platformspace.net/translations/tag/Igreja+de+S%C3%A3o+Francisco+de+Assis monthly 0.5 https://www.platformspace.net/translations/tag/Egypt monthly 0.5 https://www.platformspace.net/translations/tag/Ant%C3%B4nio+Francisco+Lisboa monthly 0.5 https://www.platformspace.net/translations/tag/%E7%BA%A2%E5%B2%AD%E5%AE%9E%E9%AA%8C%E5%B0%8F%E5%AD%A6 monthly 0.5 https://www.platformspace.net/translations/tag/Haitian-Canadians monthly 0.5 https://www.platformspace.net/translations/tag/public monthly 0.5 https://www.platformspace.net/translations/tag/spatial+history monthly 0.5 https://www.platformspace.net/translations/tag/Khyiaban-e-Enghelab monthly 0.5 https://www.platformspace.net/translations/tag/France monthly 0.5 https://www.platformspace.net/translations/tag/Tehran monthly 0.5 https://www.platformspace.net/translations/tag/Teheran monthly 0.5 https://www.platformspace.net/translations/tag/racism monthly 0.5 https://www.platformspace.net/translations/tag/decolonization monthly 0.5 https://www.platformspace.net/translations/tag/Ouro+Preto monthly 0.5 https://www.platformspace.net/translations/tag/urban+parks monthly 0.5 https://www.platformspace.net/translations/tag/cultivos+ind%C3%ADgenas monthly 0.5 https://www.platformspace.net/translations/tag/%E9%98%BF%E6%96%AF%E7%89%B9%E5%BA%AD%E5%9B%AD monthly 0.5 https://www.platformspace.net/translations/tag/homomannen monthly 0.5 https://www.platformspace.net/translations/tag/%C3%A1rboles monthly 0.5 https://www.platformspace.net/translations/tag/abstraction monthly 0.5 https://www.platformspace.net/translations/tag/coronavirus monthly 0.5 https://www.platformspace.net/translations/tag/%E6%97%A5%E5%B8%B8%E7%94%9F%E6%B4%BB monthly 0.5 https://www.platformspace.net/translations/tag/Lucio+Costa monthly 0.5 https://www.platformspace.net/translations/tag/escultura+barroca monthly 0.5 https://www.platformspace.net/translations/tag/alacakaya monthly 0.5 https://www.platformspace.net/translations/tag/%D0%BF%D0%B5%D1%80%D0%B5%D0%BF%D0%BB%D0%B0%D0%BD%D1%83%D0%B2%D0%B0%D0%BD%D0%BD%D1%8F monthly 0.5 https://www.platformspace.net/translations/tag/economics monthly 0.5 https://www.platformspace.net/translations/tag/epidemics monthly 0.5 https://www.platformspace.net/translations/tag/trade monthly 0.5 https://www.platformspace.net/translations/tag/calles monthly 0.5 https://www.platformspace.net/translations/tag/publieke+seks monthly 0.5 https://www.platformspace.net/translations/tag/Port-au-Prince monthly 0.5 https://www.platformspace.net/translations/tag/Vida+Movahed monthly 0.5 https://www.platformspace.net/cover-page daily 1.0 2019-06-20 https://www.platformspace.net/who-we-are daily 0.75 2019-07-13 https://www.platformspace.net/what-is-platform daily 0.75 2022-06-24 https://www.platformspace.net/contact daily 0.75 2019-06-20 https://www.platformspace.net/what-do-we-publish daily 0.75 2024-02-13 https://www.platformspace.net/terms-of-service daily 0.75 2019-06-24 https://www.platformspace.net/privacy-policy daily 0.75 2019-06-24 https://www.platformspace.net/submission-guidelines daily 0.75 2024-02-13 https://www.platformspace.net/about-footer daily 0.75 2019-10-11 https://www.platformspace.net/masthead daily 0.75 2026-01-05 https://www.platformspace.net/how-did-we-start daily 0.75 2022-06-21 https://www.platformspace.net/donate daily 0.75 2023-12-12